لوليكون

معلومات عامة
صنف فرعي من	romance video game (en)
سُمِّي باسم	لوليتا
الموضوع الرئيس	فتاة
بلد المنشأ	اليابان
اللغة الأصلية للفيلم أو المسلسل	اليابانية
ممثلة بـ	لوليتا
النقيض	شوتاكون

في الثقافة الشعبية اليابانية، لوليكون (باليابانية: ロリコン) هي نوع من الوسائط الخيالية التي تظهر فيها شخصيات فتاة شابة (أو شابة المظهر) في سياقات جنسية. يستخدم هذا المصطلح أيضًا عندما يتم تصوير قاصر في أنمي بطريقة مثيرة أو في المواقف الحسية أو حتى الجنسية.^[2]^[3]^[4]

مراجع

^ وصلة مرجع: https://it.wikipedia.org/wiki/Lolita_(romanzo).
^ Galbraith 2016، صفحات 113–114: "Given its importance, it is not surprising that lolicon has been well researched in Japan over the course of decades, which has led to numerous insights. [...] Characters are not compensating for something more 'real,' but rather are in their fiction the object of affection. This has been described as 'finding sexual objects in fiction in itself', which in discussions of lolicon is made explicitly distinct from desire for and abuse of children."
^ McLelland 2011b، صفحة 16
^ Kittredge 2014، صفحة 524: "The majority of the cultural critics responding to the Japanese otaku's erotic response to lolicon images emphasize, like Keller, that no children are harmed in the production of these images and that looking with desire at a stylized drawing of a young girl is not the same as lusting after an actual child."

هذه بذرة مقالة عن شخصية أنمي ومانغا بحاجة للتوسيع. فضلًا شارك في تحريرها.

[cc92fc0515046cdddeb133bc84047a6260ef799b-1] وصلة مرجع: https://it.wikipedia.org/wiki/Lolita_(romanzo).

[FOOTNOTEGalbraith2016113–114-2] Galbraith 2016، صفحات 113–114: "Given its importance, it is not surprising that lolicon has been well researched in Japan over the course of decades, which has led to numerous insights. [...] Characters are not compensating for something more 'real,' but rather are in their fiction the object of affection. This has been described as 'finding sexual objects in fiction in itself', which in discussions of lolicon is made explicitly distinct from desire for and abuse of children."

[3] McLelland 2011b، صفحة 16

[FOOTNOTEKittredge2014524-4] Kittredge 2014، صفحة 524: "The majority of the cultural critics responding to the Japanese otaku's erotic response to lolicon images emphasize, like Keller, that no children are harmed in the production of these images and that looking with desire at a stylized drawing of a young girl is not the same as lusting after an actual child."

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