„Karl Fritsch (Goldschmied)“ – Versionsunterschied

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==Early life and education==
==Early life and education==


Fritsch was born in 1963 in [[Sonthofen]], Germany. He initially trained as a goldsmith at the Goldschmiedeschule [[Pforzheim]] and worked for a jeweller before attending the [[Academy of Fine Arts, Munich|Akademie der Bildenden Künste, München]] between 1987 and 1994, studying under Hermann Junger and Otto Kunzli.<ref name ='SMH'>{{cite web|last1=Webb|first1=Penny|title=No straight edges in jeweller's damaged beauties|url=http://www.smh.com.au/entertainment/art-and-design/no-straight-edges-in-jewellers-damaged-beauties-20140729-zy3o1.html|website=SMH.com.au|accessdate=20 December 2014|date=31 July 2014}}</ref><ref>{{cite web|title=Karl Fritsch|url=http://www.fingers.co.nz/exhibitors/karl_fritsch.htm|website=Fingers Gallery|accessdate=20 December 2014}}</ref>
Fritsch was born in 1963 in [[Sonthofen]], Germany. He originally intended to study woodcarving but missed the application deadline, and he mother encouraged him to apply to a jewllery school.<ref>{{cite web|title=Interview with jewelry designer Karl Fritsch|url=http://iloboyou.com/exclusive-interview-with-jewelry-designer-karl-fritsch/|website=I Lobo You|accessdate=11 June 2015|date=9 June 2015}}</ref> trained as a goldsmith at the Goldschmiedeschule [[Pforzheim]] and worked for a jeweller before attending the [[Academy of Fine Arts, Munich|Akademie der Bildenden Künste, München]] between 1987 and 1994, studying under Hermann Junger and Otto Kunzli.<ref name ='SMH'>{{cite web|last1=Webb|first1=Penny|title=No straight edges in jeweller's damaged beauties|url=http://www.smh.com.au/entertainment/art-and-design/no-straight-edges-in-jewellers-damaged-beauties-20140729-zy3o1.html|website=SMH.com.au|accessdate=20 December 2014|date=31 July 2014}}</ref><ref>{{cite web|title=Karl Fritsch|url=http://www.fingers.co.nz/exhibitors/karl_fritsch.htm|website=Fingers Gallery|accessdate=20 December 2014}}</ref>


==Career and work==
==Career and work==

Version vom 11. Juni 2015, 10:30 Uhr

Vorlage:EngvarB Vorlage:Use dmy dates Karl Fritsch (born 1963) is a German-born contemporary jeweller who has since 2009 been based in New Zealand.[1]

Early life and education

Fritsch was born in 1963 in Sonthofen, Germany. He originally intended to study woodcarving but missed the application deadline, and he mother encouraged him to apply to a jewllery school.[2] trained as a goldsmith at the Goldschmiedeschule Pforzheim and worked for a jeweller before attending the Akademie der Bildenden Künste, München between 1987 and 1994, studying under Hermann Junger and Otto Kunzli.[3][4]

Career and work

In 1994 Fritsch established a jewellery workshop in Munich.[5] In 2006 he received the Françoise van den Bosch Award, given every 2 years to 'an international jewellery and object maker who is recognised for his/ her oeuvre, influence and contribution to the field'.[6] In 2009 Fritsch moved to New Zealand with his partner, New Zealand contemporary jeweller Lisa Walker.[7]

Fritsch primarily focuses on making rings, although he occasionally makes other pieces of jewellery and objects.[8] His work is characterised by rough finishes, visible fingerprints, the use of oxidised silver, and mixing high and low materials, such as precious stones, plastic pearls, and glass gemstones.[9] He uses lost wax casting, moulding, and reshaping of found materials to make his jewellery.[10] He is also known for creating unusual displays of his work in private and public galleries.[11]

In a 2015 interview Fritsch stated:

A key moment was while studying at the Munich academy around 1991/92 when instead of melting down the old jewellery I bought for casting, I started to fix the pieces instead. It was a revelation to be able to use those pre-existing often conventional pieces of jewellery. I had learnt to make conventional jewellery in Pforzheim and conventional jewellery is what was around in Sonthofen where I grew up. From that moment on I understood how to access all the conventional jewellery skills I had learnt and use them in my own way, I started to really own what I had been taught. I could suddenly set a stone, saw, file , hammer , cast, solder, the way I wanted and not just the way I had been taught .[12]

Fritsch has taught at art schools around the world.[13][14] He also works collaboratively with a range of artists, including Feierabend (2009, Kate MacGarry, London) and Gesamtkunsthandwerk (2011, Govett-Brewster Art Gallery) with artist Francis Upritchard and furniture designer Martino Gamper, and two projects with photographer Gavin Hipkins.[5][15][16]

Fritsch's work is held in many international museum collections, including the Stedelijk Museum Amsterdam, Neue Pinakothek Munich, the Metropolitan Museum in New York, the Museum of Arts and Design New York and the Museum of New Zealand Te Papa Tongarewa.[6][17][18][19][20]

Exhibitions

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Fritsch's recent group shows include

Recent solo exhibitions include

Curatorial projects

In 2010 Fritsch was invited as guest curator for a new installation of international jewellery for the Danner-Rotunda at the Die Neue Sammlung. Previous curators for the space were Otto Kunzli andHermann Jünger.[24]

In 2012 Fritsch curated the exhibition Candelerium at Hamish McKay Gallery in Wellington, bringing together visual artists, jewellers and other makers.[25]

In 2014 Fritsch co-curated Wunderrūma: New Zealand Jewellery with Warwick Freeman, a touring exhibition of New Zealand jewellery that showed at Galerie Handwerk in Munich as part of the Schmuck festival, and at The Dowse Art Museum.[26]

In 2015 Fritsch attended Talente and Schmuck, the international jewellery events held annually in Munich, as a curator as part of the New Zealand delegation of artists and curators supported by Creative New Zealand.[27]

References

Vorlage:Reflist

Further reading

Vorlage:Persondata

  1. ↑ Warwick Freeman: Wunderrūma. Hook and Sinker Publications, Wellington 2014, ISBN 978-0-9876685-3-0.
  2. ↑ Interview with jewelry designer Karl Fritsch. In: I Lobo You. 9. Juni 2015, abgerufen am 11. Juni 2015.
  3. ↑ a b Penny Webb: No straight edges in jeweller's damaged beauties. In: SMH.com.au. 31. Juli 2014, abgerufen am 20. Dezember 2014.
  4. ↑ Karl Fritsch. In: Fingers Gallery. Abgerufen am 20. Dezember 2014.
  5. ↑ a b Gavin Hipkins and Karl Fritsch. In: Govett-Brewster Art Gallery. Abgerufen am 20. Dezember 2014.
  6. ↑ a b Karl Fritsch. In: The National. Abgerufen am 20. Dezember 2014.
  7. ↑ Anna Hart: The art of jewellery. In: New Zealand Herald. 23. Juni 2010, abgerufen am 20. Dezember 2014.
  8. ↑ a b c Karl Fritsch: Rings without end. In: Objectspace. Abgerufen am 20. Dezember 2014.
  9. ↑ Karl Fritsch. In: Salon 94. Abgerufen am 20. Dezember 2014.
  10. ↑ Justine Olsen: Materials and process: Karl Fritsch. In: Museum of New Zealand Te Papa Tongarewa. 30. April 2012, abgerufen am 20. Dezember 2014.
  11. ↑ a b Mark Amery: Diamond in the Rough. In: The Big Idea. 9. Dezember 2010, abgerufen am 20. Dezember 2014.
  12. ↑ Karl Fritsch 2014 – on the year that passed and breakthrough moments. In: Klimt02. 13. Januar 2015, abgerufen am 17. Januar 2015.
  13. ↑ Karl Fritsch. In: Klimt02. Abgerufen am 20. Dezember 2014.
  14. ↑ Mr Karl Fritsch. In: RMIT. Abgerufen am 20. Dezember 2014.
  15. ↑ Karl Fritsch and Gavin Hipkins. In: Starkwhite. Abgerufen am 20. Dezember 2014.
  16. ↑ Kristin D'Agostino, Craig Foltz: Bold, new and curious forms. In: Art News New Zealand. S. 95.
  17. ↑ Karl Fritsch. In: Stedelijk. Abgerufen am 17. März 2015.
  18. ↑ Karl Fritsch – Ring. In: Metropolitan Museum. Abgerufen am 17. März 2015.
  19. ↑ Karl Fritsch. In: Museum of Art and Design. Abgerufen am 17. März 2015.
  20. ↑ Karl Fritsch. In: Museum of New Zealand Te Papa Tongarewa. Abgerufen am 17. März 2015.
  21. ↑ A Glass Act – The Museum of Arts and Design Exhibits Pioneering Glass Jewelry from around the World in 'Glasswear: Glass in Contemporary Jewelry'. In: The Museum of Arts and Design. Abgerufen am 17. März 2015.
  22. ↑ Karl Fritsch – Jewellery. In: Manchester Art Gallery. Abgerufen am 17. März 2015.
  23. ↑ Kellie Riggs: Karl Fritsch: NO FUSS. Abgerufen am 17. März 2015.
  24. ↑ The Danner Rotunda – Jewelry Arts in the Pinakothek der Moderne in Munich curated by Karl Fritsch. In: Vernissage TV. Abgerufen am 13. März 2015.
  25. ↑ Candelerium – curated by Karl Fritsch. In: Hamish McKay Gallery. Abgerufen am 13. März 2015.
  26. ↑ Wunderrūma: New Zealand Jewellery. In: The Dowse Art Museum. Abgerufen am 5. Dezember 2014.
  27. ↑ New Zealand designers and craft/object makers to exhibit in Munich. In: Creative New Zealand. 17. Februar 2015, abgerufen am 13. März 2015.
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