„Karl Fritsch (Goldschmied)“ – Versionsunterschied
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* [http://www.radionz.co.nz/national/programmes/saturday/audio/2600532/warwick-freeman-and-karl-fritsch-jewellery Interview with Karl Fritsch and Warwick Freeman], Saturday Mornings with Kim Hill, [[Radio New Zealand National]], June 2014 |
* [http://www.radionz.co.nz/national/programmes/saturday/audio/2600532/warwick-freeman-and-karl-fritsch-jewellery Interview with Karl Fritsch and Warwick Freeman], Saturday Mornings with Kim Hill, [[Radio New Zealand National]], June 2014 |
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*[https://www.youtube.com/watch?v=Pp-9UM6TjaA Interview with Warwick Freeman and Karl Fritsch on the exhibition ''Wunderruma''], Auckland Art Gallery Toi o Tamaki, 2015 |
*[https://www.youtube.com/watch?v=Pp-9UM6TjaA Interview with Warwick Freeman and Karl Fritsch on the exhibition ''Wunderruma''], Auckland Art Gallery Toi o Tamaki, 2015 |
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* Toni Greenbaum [http://www.artjewelryforum.org/grabbed-by-the-fingers Grabbed by the fingers], ArtJewelryForum, December 2015 |
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==References== |
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Version vom 7. Dezember 2015, 21:45 Uhr
Vorlage:EngvarB Vorlage:Use dmy dates Vorlage:Infobox artist Karl Fritsch (born 1963) is a German-born contemporary jeweller who has since 2009 been based in New Zealand.[1]
Early life and education
Fritsch was born in 1963 in Sonthofen, Germany. He originally intended to study woodcarving but missed the application deadline, and his mother encouraged him to apply to a jewellery school.[2] Fritsch trained as a goldsmith at the Goldschmiedeschule Pforzheim and worked for a jeweller before attending the Akademie der Bildenden Künste, München between 1987 and 1994, studying under Hermann Junger and Otto Kunzli.[3][4]
Career and work
In 1994 Fritsch established a jewellery workshop in Munich.[5] In 2006 he received the Françoise van den Bosch Award, given every 2 years to 'an international jewellery and object maker who is recognised for his/ her oeuvre, influence and contribution to the field'.[6] In 2009 Fritsch moved to New Zealand with his partner, New Zealand contemporary jeweller Lisa Walker.[7]
Fritsch primarily focuses on making rings, although he occasionally makes other pieces of jewellery and objects.[8] His work is characterised by rough finishes, visible fingerprints, the use of oxidised silver, and mixing high and low materials, such as precious stones, plastic pearls, and glass gemstones.[9] He uses lost wax casting, moulding, and reshaping of found materials to make his jewellery.[10] He is also known for creating unusual displays of his work in private and public galleries.[11]
In a 2015 interview Fritsch stated:
A key moment was while studying at the Munich academy around 1991/92 when instead of melting down the old jewellery I bought for casting, I started to fix the pieces instead. It was a revelation to be able to use those pre-existing often conventional pieces of jewellery. I had learnt to make conventional jewellery in Pforzheim and conventional jewellery is what was around in Sonthofen where I grew up. From that moment on I understood how to access all the conventional jewellery skills I had learnt and use them in my own way, I started to really own what I had been taught. I could suddenly set a stone, saw, file , hammer , cast, solder, the way I wanted and not just the way I had been taught .[12]
Fritsch has taught at art schools around the world.[13][14] He also works collaboratively with a range of artists, including Feierabend (2009, Kate MacGarry, London) and Gesamtkunsthandwerk (2011, Govett-Brewster Art Gallery) with artist Francis Upritchard and furniture designer Martino Gamper, and two projects with photographer Gavin Hipkins.[5][15][16]
Fritsch's work is held in many international museum collections, including the Stedelijk Museum Amsterdam, Neue Pinakothek Munich, the Metropolitan Museum in New York, the Museum of Arts and Design New York and the Museum of New Zealand Te Papa Tongarewa.[6][17][18][19][20]
Exhibitions
Fritsch's recent group shows include
- GlassWear at the Museum of Arts and Design
- The Turnov Collection, National Archaeology Museum of Lisbon
- Yellow Metals, Stedelijk Museum, Amsterdam
- Collect at the Victoria & Albert Museum, London.[8][21]
Recent solo exhibitions include
- Karl Fritsch: persuasive proposals, Middlesbrough Institute of Modern Art
- 2010-11 Karl Fritsch: Scenes from the Munich Diamond Disaster at City Gallery Wellington
- 2011 Karl Fritsch: Rings Without End at Objectspace
- 2013 Karl Fritsch – Jewellery at the Manchester Art Gallery[22]
- 2013 What I Do For You at Galerie Biró in Munich[23]
- 2014 Craft at Gallery Funaki in Melbourne[8][11][3]
- 2015 Love and Technique at Hamish McKay Gallery in Wellington[24]
- 2015 Love and Technique with Lisa Walker at Rosemarie Jäger Gallery, Hochheim[25]
- 2015 A Retrospective at Salon 94, New York City[26]
Curatorial projects
In 2010 Fritsch was invited as guest curator for a new installation of international jewellery for the Danner-Rotunda at the Die Neue Sammlung. Previous curators for the space were Otto Kunzli and Hermann Jünger.[27]
In 2012 Fritsch curated the exhibition Candelerium at Hamish McKay Gallery in Wellington, bringing together visual artists, jewellers and other makers.[28]
In 2014 Fritsch co-curated Wunderrūma: New Zealand Jewellery with Warwick Freeman, a touring exhibition of New Zealand jewellery that showed at Galerie Handwerk in Munich as part of the Schmuck festival, at The Dowse Art Museum in Lower Hutt and at Auckland Art Gallery.[29][30][31]
In 2015 Fritsch attended Talente and Schmuck, the international jewellery events held annually in Munich, as a curator as part of the New Zealand delegation of artists and curators supported by Creative New Zealand.[32]
Further information
- Damian Skinner and Kevin Murray, Place and adornment : a history of contemporary jewellery in Australia and New Zealand, Honolulu : University of Hawaiʻi Press, 2014. ISBN 9781454702771
- Interview with Karl Fritsch and Warwick Freeman, Saturday Mornings with Kim Hill, Radio New Zealand National, June 2014
- Interview with Warwick Freeman and Karl Fritsch on the exhibition Wunderruma, Auckland Art Gallery Toi o Tamaki, 2015
- Toni Greenbaum Grabbed by the fingers, ArtJewelryForum, December 2015
References
- ↑ Warwick Freeman: Wunderrūma. Hook and Sinker Publications, Wellington 2014, ISBN 978-0-9876685-3-0.
- ↑ Interview with jewellry designer Karl Fritsch. In: I Lobo You. 9. Juni 2015, abgerufen am 11. Juni 2015.
- ↑ a b Penny Webb: No straight edges in jeweller's damaged beauties. In: SMH.com.au. 31. Juli 2014, abgerufen am 20. Dezember 2014.
- ↑ Karl Fritsch. In: Fingers Gallery. Abgerufen am 20. Dezember 2014.
- ↑ a b Gavin Hipkins and Karl Fritsch. In: Govett-Brewster Art Gallery. Abgerufen am 20. Dezember 2014.
- ↑ a b Karl Fritsch. In: The National. Abgerufen am 20. Dezember 2014.
- ↑ Anna Hart: The art of jewellery. In: New Zealand Herald. 23. Juni 2010, abgerufen am 20. Dezember 2014.
- ↑ a b c Karl Fritsch: Rings without end. In: Objectspace. Abgerufen am 20. Dezember 2014.
- ↑ Karl Fritsch. In: Salon 94. Abgerufen am 20. Dezember 2014.
- ↑ Justine Olsen: Materials and process: Karl Fritsch. In: Museum of New Zealand Te Papa Tongarewa. 30. April 2012, abgerufen am 20. Dezember 2014.
- ↑ a b Mark Amery: Diamond in the Rough. In: The Big Idea. 9. Dezember 2010, abgerufen am 20. Dezember 2014.
- ↑ Karl Fritsch 2014 – on the year that passed and breakthrough moments. In: Klimt02. 13. Januar 2015, abgerufen am 17. Januar 2015.
- ↑ Karl Fritsch. In: Klimt02. Abgerufen am 20. Dezember 2014.
- ↑ Mr Karl Fritsch. In: RMIT. Abgerufen am 20. Dezember 2014.
- ↑ Karl Fritsch and Gavin Hipkins. In: Starkwhite. Abgerufen am 20. Dezember 2014.
- ↑ Kristin D'Agostino, Craig Foltz: Bold, new and curious forms. In: Art News New Zealand. S. 95.
- ↑ Karl Fritsch. In: Stedelijk. Abgerufen am 17. März 2015.
- ↑ Karl Fritsch – Ring. In: Metropolitan Museum. Abgerufen am 17. März 2015.
- ↑ Karl Fritsch. In: Museum of Art and Design. Abgerufen am 17. März 2015.
- ↑ Karl Fritsch. In: Museum of New Zealand Te Papa Tongarewa. Abgerufen am 17. März 2015.
- ↑ A Glass Act – The Museum of Arts and Design Exhibits Pioneering Glass Jewelry from around the World in 'Glasswear: Glass in Contemporary Jewelry'. In: The Museum of Arts and Design. Abgerufen am 17. März 2015.
- ↑ Karl Fritsch – Jewellery. In: Manchester Art Gallery. Abgerufen am 17. März 2015.
- ↑ Kellie Riggs: Karl Fritsch: NO FUSS. Abgerufen am 17. März 2015.
- ↑ Karl Fritsch: Love and Technique. In: Hamish McKay Gallery. Abgerufen am 20. Juni 2015.
- ↑ Love and Technique. In: Art Aurea. Abgerufen am 22. Juni 2015.
- ↑ A Retrospective. In: Salon 94. Abgerufen am 7. Dezember 2015.
- ↑ The Danner Rotunda – Jewelry Arts in the Pinakothek der Moderne in Munich curated by Karl Fritsch. In: Vernissage TV. Abgerufen am 13. März 2015.
- ↑ Candelerium – curated by Karl Fritsch. In: Hamish McKay Gallery. Abgerufen am 13. März 2015.
- ↑ Wunderrūma: New Zealand Jewellery. In: The Dowse Art Museum. Abgerufen am 5. Dezember 2014.
- ↑ Wunderruma: New Zealand Jewellery. In: Auckland Art Gallery. Abgerufen am 20. Juni 2015.
- ↑ Emma Jameson: Wunderrūma at AAG. In: EyeContact. 15. Oktober 2015, abgerufen am 27. Oktober 2015.
- ↑ New Zealand designers and craft/object makers to exhibit in Munich. In: Creative New Zealand. 17. Februar 2015, abgerufen am 13. März 2015.