Jaan Uhelszki: Difference between revisions

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{{Short description|American music journalist}}
'''Jaan Uhelszki''' ({{IPAc-en|'|dʒ|æ|n|_|j|u|ˈ|h|ɛ|l|s|k|i}} {{respell|JAN|_|you|HELL|ski}}) is an American music journalist and co-founder of the music magazine ''[[Creem]]''. Shewhere isshe became one of the first women to work in rock journalism.<ref>Pucket, Scott. (October 10, 1996) "Rewriting the rock criticism canon: New anthology highlights women's contributions to genre," ''The Daily Aztec''.</ref> She is a founding editor of [[Addicted to Noise]] and writer-at-large for print and online music and news publications. She writes, produces and is featured in music documentaries and is editor-at-large for ''Creem'', relaunched in 2022.
 
== Early influences ==
Uhelszki grew up in [[Detroit]], [[Michigan]], listening to Motown and FM rock radio, and worked as a "Coke Girl" selling sodas at the [[Grande Ballroom]], which allowed her access to early shows featuring [[Jimi Hendrix]], [[Cream (band)|Cream]], [[The Stooges]], the [[MC5]], and [[Janis Joplin]].<ref name=Venus2002>Robinson, Charlotte. (August 10, 2002) "Rock, She Writes (Part Two) – Jaan Uhelszki thrives as a Pioneer Rock & Roll Journalist," ''Venus Zine''.</ref> She started reading ''[[The East Village Other]]'' and ''[[The Village Voice]]'' after a trip to [[New York City]] when she was fifteen. Articles by [[Nik Cohn]] and Michael Thomas inspired her to become a rock critic herself.<ref name=RockCritics2002>Woods, Scott. (August 10, 2002) [httphttps://rockcriticsarchivesrockcritics.com/interviews2013/jaanuhelszki08/08/from-the-archives-jaan-uhelszki-2002/jaanuhelszki.html "Jaan Uhelszki – Confessions of a Former Subscription Kid,"] ''Rock Critics Archives''. Retrieved on August 25, 2010.</ref>
 
== Writing career ==
As a teen studying journalism at Wayne State UniveristyUniversity, Uhelszki wassold hiredT-shirts atfor the ''Creem'' subscription department in 1970,.<ref>[https://podcasts.apple.com/us/podcast/wastoids-with-jaan-uhelszki-of-creem-magazine/id1574769275?i=1000571242907 whereWASTOIDS sheWith metJaan theUhelszki [[Lesterof Bangs''Creem'' Magazine.]], aRetrieved fellowSeptember new hire from27, California2022.</ref> Editor [[Dave Marsh]] assigned her to cover [[Smokey Robinson|Smokey Robinson's]] retirement from The Miracles press conference. She wrote the piece as an open letter to Robinson, begging him not to leave the music industry. The resulting article, becameher first, was a 1972 ''Creem'' cover story in 1972.<ref name=RockCritics2002RockCriticsLetter2002>Uhelszki, Jaan. April, 1972. "Jaan Uhelszki – An Open Letter to Smokey Robinson," Rockcritics.com archives (original publisher: ''Creem'')</ref><ref name=NYTimes2022>Rubin, Mike. August 3, 2020. [https://www.nytimes.com/2020/08/03/arts/music/creem-magazine-documentary.html "The Wild Story of ''Creem'', Once ‘America’s Only Rock ’n’ Roll Magazine’,"] ''The New York Times''. New York, New York. Retrieved September 27, 2022.</ref>
 
She wrote movie columns and feature-length profiles, eventually becoming a senior editor while working alongside fellow writer [[Lester Bangs]]. ''Creem'' at the time employed what was considered a “dream team” of rock writers, including Uhelszki, Bangs, Marsh, Ben Edmonds, and Roberta Cruger. Uhelszki has described the insular experience of working on a monthly music magazine as “like living on Donkey Island from Pinocchio--only we looked entirely normal.”<ref name=RockCritics2002 />
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Uhelszki's feature article "I Dreamed I Was Onstage with KISS in My Maidenform Bra" documents the night she performed in full costume and makeup with the band [[Kiss (band)|KISS]]—the only rock journalist ever to do so.<ref>Uhelszki, Jaan. (August, 1975) "I Dreamed I Was Onstage with KISS in My Maidenform Bra," ''Creem''.</ref>
Of proposing the story about performing with KISS, she pointed out: <blockquote>''A man couldn't have done that story. He wouldn't have got the access. Being an underestimated under-gender I got away with things my male counterparts couldn't.''<ref>Moser, Margaret. (September 20, 2005) [http://www.well.com/conf/inkwell.vue/topics/254/Lisa-Rhodes-Electric-Ladyland-page08.html "Electric Ladyland: Women and Rock Culture - interview with Lisa Rhodes,"] ''The Well - Inkwell: Authors and Artists'', p. 8. Retrieved on December 29, 2008.</ref></blockquote>
''The KISS experience, which started out as a joke, would go on to influence the rest of her writing career. Performing in full makeup and costume in front of 6,000 people, Uhelszki noted: <blockquote>''I think that experience has impacted everything I've written afterward because I know what it's like to live, if only for five minutes, on the other side. It was an amazing thing for me. I definitely have much more empathy and much more of an understanding of musicians and that thrill, and how hard it is to give up that surge of power you get every night. You understand what it was like to stand in front of people.''<ref>Leaf, David & Sharp, Ken, ''KISS: Behind the Mask: The Official Authorized Biography'', Grand Central Publishing, November, 2003, p. 184, {{ISBN|0-446-53073-5}}</ref></blockquote>
 
She traveled with [[Lynyrd Skynyrd]] for a feature article about their second-to-last tour, and was captivated by the late [[Ronnie Van Zant|Ronnie Van Zant's]] spirit, although he told her that he didn't expect to live to see thirty. He would die in a plane crash a year and a half later.<ref>Uhelszki, Jaan. (March, 1976) "Lynyrd Skynyrd: Fifths and Fists For The Common Man," ''Creem''.</ref><ref name=Venus2002 />
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She was able to get a hard-won interview with Jimmy Page, but only after touring with [[Led Zeppelin]] for a week and with Page's publicist serving as an “interpreter” asking Uhelszki's questions while Page sat in the same room with them.<ref>Uhelszki, Jaan. (July, 1977) "Led Zeppelin: One More For The Road," ''Creem''</ref><ref name=RockCritics2002 />
 
In 1976 she left ''Creem'' and moved to Los Angeles to work for ''[[Record World]]'' magazine.<ref name=RockCritics2002 /> She would go on to become founding news editor of online magazine [[Addicted to Noise]] before heading up Microsoft Music Central's news department.<ref name=RockCritics2002 />
 
===Current work===
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Uhelszki's features have been published in ''[[New Musical Express]]'', ''The Village Voice'', [[Spin (magazine)|''Spin'']], [[Mojo (magazine)|''Mojo'']], [[Alternative Press (music magazine)|''Alternative Press'']], ''[[Blender (magazine)|Blender]]'', and the ''[[San Francisco Chronicle]]''. She has interviewed and profiled, among others, [[Al Green]], [[Neil Young]], [[Iggy Pop]], [[Oasis (band)|Oasis]], [[Thirty Seconds to Mars]], [[Morrissey]], and [[Green Day]].<ref>{{cite web | url=http://www.rocksbackpages.com/writer.html?WriterID=uhelszki | title = Writers - Jaan Uhelszki | publisher = Rock's Back Pages | accessdate =2010-08-25}}</ref>
 
Uhelszki is consulting editor emeritus of ''Creem'', relaunched as an online and print publication in 2022.<ref>Appleford, Steve. September 27, 2022. [https://www.latimes.com/entertainment-arts/story/2022-09-27/creem-is-risen-a-once-extinct-rock-magazine-is-on-a-quest-to-make-itself-vital-again "Creem has risen: A once-exitinct rock magazine is on a quest to make itself vital again,"] ''Los Angeles Times''. Los Angeles, CA. Retrieved September 26, 2022.</ref>
 
== Media work ==
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Uhelszki appears in the 2012 documentary, ''[[Big Star: Nothing Can Hurt Me]]'', directed by Drew DeNicola and Olivia Mori. In the film, she discusses the first and only Rock Writer's Convention that occurred in 1972 in Memphis, Tennessee, where Big Star performed for a gathering of top rock critics from throughout the U.S.<ref>Hoskyns, Barney (undated) Rockcritics.com (originally published in Rock's Backpages) [http://rockcriticsarchives.com/features/rockwrite/rockwrite.html "The Great Lig in the Sky - The Legendary, First-and-Last Rock Writer's Convention!"]</ref> Uhelszki calls the Big Star performance a "seminal experience."
 
Uhelszki co-wrote and co-produced the 20222019 documentary ''Creem: America’s Only Rock 'n' Roll Magazine''. Directed by Scott Crawford, the film chronicles the formation and turbulent history of ''Creem'' and how its writers and editors impacted the American music scene throughout the 1970s and early 1980s.<ref name=NYTimes2022 />
 
== Personal life ==
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{{DEFAULTSORT:Uhelszki, Jaan}}
[[Category:Living people]]
[[Category:American editors]]
[[Category:American women editors]]
[[Category:American music critics]]
[[Category:American women music critics]]
[[Category:American music journalists]]
[[Category:American women journalists]]
[[Category:American women writers]]
[[Category:Writers from Detroit]]
[[Category:Year of birth missing (living people)]]