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{{Italic title}}
{{Infobox film
| name = Le
| image = Le_Amiche_Poster.jpg
| caption = Theatrical release poster
| director = [[Michelangelo Antonioni]]
| producer = Giovanni Addessi
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| distributor = [[Titanus]]
| released = {{film date|1955|9|7|Italy|df=y}}
| runtime =
| country = Italy
| language = [[Italian language|Italian]]
}}
'''''Le
==Plot==
Clelia returns from [[Rome]] to her native city Turin,
Rosetta tries to talk Lorenzo into leaving Nene for her, but Lorenzo remains hesitant. Eager to spend every moment possible with her lover, she decides against the opportunity to work at Clelia's salon. During the opening event, Nene, who has sensed the attraction between Rosetta and Lorenzo, offers Rosetta to let him go. When the group later meets in a restaurant, Cesare mocks Lorenzo for his lack of artistic success, and the two men get into a fight. Rosetta follows Lorenzo, who tells her that he cannot give her the love she seeks from him. Lorenzo returns to Nene, who eventually accepts him back, even if it means giving up the chance to go to [[New York City|New York]] for an exhibition of her work.
Soon after, Rosetta drowns herself in the [[Po (river)|Po]] river. When Momina remains unmoved by her friend's death, Clelia attacks her for her coldness and cynism in front of the salon customers and her employer. Convinced that she will lose her job, Clelia hints at Carlo the possibility of a relationship, but when her sympathetic employer offers her to return to the salon in Rome, she chooses her professional career over the prospect of living with him. She asks him to meet for a last time, but Carlo does not show up, instead secretly watching her departure on the train to Rome.▼
▲Soon after, Rosetta drowns herself in the [[Po (river)|Po]] river.
==Cast==
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* [[Yvonne Furneaux]] as Momina
* [[Madeleine Fischer]] as Rosetta
* {{interlanguage link|Anna Maria Pancani|it}} as Mariella
* Luciano Volpato as Tony
* [[Maria Gambarelli]] as Clelia's employer
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==Production and release==
Antonioni adapted the screenplay from Pavese's novella in collaboration with [[Suso Cecchi d'Amico]] and [[Alba de Céspedes y Bertini|Alba de Céspedes]], assigning the [[dramaturgy]] to d'Amico and the dialogue to Céspedes.<ref name="Antonioni" /> Alterations from the literary source include the narrative perspective, which is solely Clelia's in the novella, other than the film's multiple viewpoints, and the motive of Rosetta's suicide, which is ascribed to a luckless lesbian affair with Momina and a general feeling of senselessness in Pavese's book, while the ill-fated affair with Lorenzo serves as explanation in the adaptation.<ref name="Antonioni" /><ref>{{cite AV media|last1=Forgacs |first1=David |first2=Karen |last2=Pinkus |date=2016 |title=Le Amiche |type=Blu-ray |publisher=Criterion Collection}}</ref> The film was shot on location in Turin, produced by the Trionfalcine production company, Rome.<ref name="Antonioni" />
''Le amiche'' premiered at the 16th Venice International Film Festival on 7 September 1955 and was distributed in Italy through [[Titanus]].<ref name="Antonioni" /> The film did respectably well at the box office; two years later, it premiered in [[Paris]] with critical support by ''[[Positif (magazine)|Positif]]'' magazine.<ref>{{cite book|title=L'avventura |last=Nowell-Smith |first=Geoffrey |publisher=Bloomsbury |page=19 |year=2019 |isbn=9780851705347}}</ref> In the US, it was not shown before Antonioni had established himself as a filmmaker of international prominence with ''[[L'Avventura|L'avventura]]'' (1960).<ref>{{cite book|title=The Motion Picture Guide |volume=5 |authorlink1=Jay Robert Nash |authorlink2=Stanley Ralph Ross |first1=Jay Robert |last1=Nash |first2=Stanley Ralph |last2=Ross |publisher=Cinebooks |year=1986 |page=1638}}</ref>
On the film's initial run, some critics, such as novelist [[Alberto Moravia]], commented on Antonioni's approach to his material as being restrained.<ref name="Pipolo" /> Nowadays, the majority of critics regard ''Le amiche'' as an important early work by the director, which foreshadows themes again explored in his later films, in ''L'avventura'' in particular,<ref name="Pipolo" /><ref name="soc">{{cite web|title=Le Amiche |first=Hugo |last=Santander Ferreira |date=March 2011 |issue=74 |url=https://www.sensesofcinema.com/2011/cteq/le-amiche/ |work=Senses of Cinema |access-date=5 January 2023}}</ref><ref>{{cite book|title=Time Out Film Guide |edition=7 |year=1998 |last=Thompson |first=David |publisher=Penguin Books |page=26}}</ref><ref name="Feeney">{{cite web|title=The Girlfriends (Le Amiche) |url=http://archive.boston.com/ae/movies/articles/2010/06/30/revisiting_the_girlfriends/ |work=[[The Boston Globe]] |authorlink=Mark Feeney |first=Mark |last=Feeney |date=30 June 2010 |access-date=5 January 2023}}</ref> such as the lack of emotional connection between the protagonists<ref name="soc" /> and the emptiness within them.<ref name="Feeney" />
==Awards==
* 1955: Venice International Film Festival – Silver Lion
* 1956: Italian National Syndicate of Film Journalists – [[Nastro d'Argento|Silver Ribbon Award]] for Best Director (Michelangelo Antonioni)<ref name="Film_Prizes">{{cite book|title=International Film Prizes: An Encyclopedia |last=Hammer |first=Tad B. |year=1991 |publisher=Garland |page=256 |isbn=9780824070991}}</ref>
* 1956: Italian National Syndicate of Film Journalists – Silver Ribbon Award for Best Supporting Actress (Valentina Cortese)<ref name="Film_Prizes" />
==Notes==
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==External links==
* {{IMDb title|0047821}}
*
* {{cite web|url=https://www.villagevoice.com/2010/06/22/le-amiche/ |title=Le Amiche |authorlink=J. Hoberman |last=Hoberman |first=J. |work=[[The Village Voice]] |date=22 June 2010 |access-date=5 January 2023}}
* {{cite magazine|url=https://www.newyorker.com/goings-on-about-town/movies/infinite-football |title=Le Amiche |last=Brody |first=Richard |authorlink=Richard Brody |magazine=[[The New Yorker]] |date=25 May 2015 |access-date=5 January 2023}}
{{Michelangelo Antonioni}}
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