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{{Featured article}}
{{Use American English|date=August
{{Use mdy dates|date=
{{Infobox person
| name = Marilyn Monroe
| image = Monroecirca1953.jpg
| caption = Monroe in 1953<!--Please do not change the info-box image without opening a discussion on the talk page. It was decided that this image was the preferred image for the info-box-->
| birth_name = Norma Jeane Mortenson
| birth_date = {{Birth date|1926|6|1}}
| birth_place = [[Los Angeles, California]], U.S.
| death_date = {{Death date and age|1962|8|4|1926|6|1}}
| death_place = Los Angeles, California, U.S.
| death_cause = [[Death of Marilyn Monroe|Barbiturate overdose]]
| burial_place = [[
| other_names = Norma Jeane Baker
| occupation = {{Hlist|Actress|model}}
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* {{Marriage|[[Arthur Miller]]|1956|1961|end=divorced}}
}}
|
| website = {{URL|marilynmonroe.com}}
| signature = Marilyn Monroe Signature.svg
}}
'''Marilyn Monroe''' (<!--IPA necessary for millions of nonnative English speakers-->{{IPAc-en|ˈ|m|æ|r|ə|l|ɪ|n|_|m|ə|n|ˈ|r|oʊ}} {{respell|MARR|ə|lin|_|mən|ROH}}; born '''Norma Jeane Mortenson'''; June 1, 1926{{spnd}} August 4, 1962) was an American actress and model.<!--Keep most notable jobs here per [[MOS:ROLEBIO]].--> Known for playing comic "[[Blonde stereotype#Blonde bombshell|blonde bombshell]]" characters, she became one of the most popular [[sex symbol]]s of the 1950s and early 1960s, as well as an emblem of the era's [[sexual revolution]]. She was a top-billed actress for a decade, and her films grossed $200 million (equivalent to $
Born and raised in Los Angeles County, Monroe spent most of her childhood in a total of twelve foster homes and an orphanage
By 1953, Monroe was one of the most marketable Hollywood stars. She had leading roles in the film noir ''[[Niagara (1953 film)|Niagara]]'', which overtly relied on her sex appeal, and the comedies ''[[Gentlemen Prefer Blondes (1953 film)|Gentlemen Prefer Blondes]]'' and ''[[How to Marry a Millionaire]]'', which established her star image as a "[[Blonde stereotype|dumb blonde]]". The same year, her nude images were used as the [[centerfold]] and cover of the first issue of ''[[Playboy]]''. Monroe played a significant role in the creation and management of her public image throughout her career, but felt disappointed when [[Typecasting|typecast]] and underpaid by the studio. She was briefly suspended in early 1954 for refusing a film project but returned to star in ''[[The Seven Year Itch]]'' (1955), one of the biggest box office successes of her career.
When the studio was still reluctant to change Monroe's contract, she founded her own film production company in 1954. She dedicated 1955 to building the company and began studying [[method acting]] under [[Lee Strasberg]] at the [[Actors Studio]]. Later that year, Fox awarded her a new contract, which gave her more control and a larger salary. Her subsequent roles included a critically acclaimed performance in ''[[Bus Stop (1956 film)|Bus Stop]]'' (1956) and her first independent production in ''[[The Prince and the Showgirl]]'' (1957). She won a [[Golden Globe Award for Best Actress – Motion Picture Comedy or Musical|Golden Globe for Best Actress]] for her role in ''[[Some Like It Hot]]'' (1959), a critical and commercial success. Her last completed film was the drama ''[[The Misfits (1961 film)|The Misfits]]'' (1961).
Monroe's troubled private life received much attention. Her marriages to retired baseball star [[Joe DiMaggio]] and to playwright [[Arthur Miller]] were highly publicized; both ended in divorce. On August 4, 1962, [[Death of Marilyn Monroe|she died]] at age 36 of an overdose of [[barbiturate]]s at [[12305 Fifth Helena Drive|her Los Angeles home]]. Her death was ruled a probable suicide. Long after her death, Monroe remains a [[Popular culture|pop culture icon]],{{sfnm|1a1=Chapman|1y=2001|1pp=542–543|2a1=Hall|2y=2006|2p=468}} with the [[American Film Institute]] ranking her as [[AFI's 100 Years...100 Stars|the sixth-greatest female screen legend from the Golden Age of Hollywood]].<ref name="afi">{{cite web|title=AFI's 100 Years...100 Stars: The 50 Greatest American Screen Legends|url=https://www.afi.com/afis-100-years-100-stars/|access-date=November 10, 2019|publisher=[[American Film Institute]]}}</ref>
== Life and career ==
=== 1926–1943: Childhood and first marriage ===
Monroe was born Norma Jeane Mortenson{{efn|Monroe
Monroe was not told that she had a sister until she was 12,<ref>{{Cite web |last=Ott |first=Tim |date=2020-09-09 |title=How Marilyn Monroe's Childhood Was Disrupted by Her Mother's Paranoid Schizophrenia |url=https://www.biography.com/actors/marilyn-monroe-mother-relationship |access-date=2024-09-08 |website=Biography |language=en-US}}</ref> and they met for the first time in 1944 when Monroe was 17 or 18.{{sfnm|1a1=Spoto|1y=2001|1p=88, for first meeting in 1944|2a1=Banner|2y=2012|2p=72, for mother telling Monroe of sister in 1938}} Following the divorce, Gladys worked as a film negative cutter at [[Consolidated Film Industries]].{{sfnm|1a1=Churchwell|1y=2004|1p=150, citing Spoto and Summers|2a1=Banner|2y=2012|2pp= 24–25}} Her second marriage occurred in 1924 when she married Martin Edward Mortensen, but they separated just months later and divorced in 1928.{{sfnm|1a1=Churchwell|1y=2004|1p=150, citing Spoto and Summers|2a1=Banner|2y=2012|2pp= 24–25}}{{efn|Gladys named Mortensen as Monroe's father in the birth certificate (although the name was misspelled),{{sfn|Churchwell|2004|p=150, citing Spoto, Summers and Guiles}} but it is unlikely that he was the father as their separation had taken place well before she became pregnant.{{sfnm|1a1=Churchwell|1y=2004|1pp=149–152|2a1=Banner|2y=2012|2p=26|3a1=Spoto|3y=2001|3p=13}} Biographers Fred Guiles and [[Lois Banner]] stated that her father was likely Charles Stanley Gifford, Gladys's superior at RKO Studios, with whom she had an affair in 1925,<ref>{{cite web |last1=Miller |first1=Korin |last2=Spanfeller |first2=Jamie |title=Did Marilyn Monroe Ever Meet Her Biological Father? All About Charles Stanley Gifford |url=https://www.womenshealthmag.com/life/a41425153/marilyn-monroe-father-charles-stanley-gifford/ |website=Women's Health |date=September 29, 2022 |access-date=September 30, 2022}}</ref> whereas [[Donald Spoto]] thought that another co-worker was probably the father.{{sfnm|1a1=Churchwell|1y=2004|1p=152|2a1=Banner|2y=2012|2p=26|3a1=Spoto|3y=2001|3p=13}}}} In 2022, DNA testing indicated that Monroe's father was Charles Stanley Gifford
[[File:Monroe and James Dougherty.jpg|thumb|upright|left|Monroe with her first husband, [[James Dougherty (police officer)|James Dougherty]], {{circa|1943–44}}. They married when she was 16 and divorced in 1946, when she was 20.]]Monroe's childhood experiences first made her want to become an actress:
Monroe found a more permanent home in September 1938, when she began living with Grace's aunt Ana Lower in
Monroe married Dougherty on June 19, 1942, just after her 16th birthday, at the home of family friends named the Howells.{{sfn|Spoto|2001|pp=70–75}}<ref name=":11" /> Though neither the Goddards or Monroe's mother attended the wedding, Bolenders and their daughter, Nancy, were in attendance. "I remember the winding staircase in the living room and all of us just staring at the top of the stairs until she appeared," Nancy later recalled. "What a beautiful bride."<ref name=":8" /> Monroe subsequently dropped out of high school and became a housewife.<ref name=":11" /> After the wedding, they honeymooned at a lake in [[Ventura County, California]], then moved into a [[studio apartment]] in [[Sherman Oaks, Los Angeles]], where they lived a calm, idyllic life.<ref name=":10" /><ref name=":12">{{Cite web |last=Chen |first=Joyce |date=2022-02-01 |title=A Look Back at Marilyn Monroe's Three Wedding Looks |url=https://www.theknot.com/content/marilyn-monroe-wedding-dress?srsltid=AfmBOor9u2NlbjfF8FPUhBIxIy1Oho7Y8VFfdbsKiaE2QHAGNZtFzRo8 |access-date=2024-09-08 |website=The Knot |language=en}}</ref> Dougherty later recalled that despite the circumstances they married under, he and Monroe "loved each other madly" and that being married "was like being on a honeymoon for a year."<ref name=":12" /> However, according to biographer [[Donald Spoto]], Monroe found herself and Dougherty mismatched, and later said she was "dying of boredom" during the marriage.{{sfn|Spoto|2001|pp=70–78}} The first problems in their marriage appeared in late 1943, when Monroe and Dougherty attended a dance at the [[Catalina Casino]] ballroom. That night, Monroe was a popular dancing partner, while Dougherty was relatively ignored. Jealous, he told her that they were leaving. When Monroe told him she might go back to the dance alone, he told her that she would not be allowed to come home if she did.<ref name=":9" /> In 1943, Dougherty enlisted in the [[United States Merchant Marine|Merchant Marine]] and was stationed on [[Santa Catalina Island, California|Santa Catalina Island]], where Monroe moved with him.{{sfnm|1a1=Spoto|1y=2001|1pp=83–86|2a1=Banner|2y=2012|2pp=91–98}}
=== 1944–1948: Modeling and first film roles ===
[[File:MarilynMonroe - YankArmyWeekly.jpg|thumb|upright|right|alt=Portrait of Monroe aged 20, taken at the Radioplane Munitions Factory|A photo of Monroe taken by [[David Conover]] in June 1945 at the [[Radioplane Company]]]]
In April 1944, Dougherty was shipped out to the [[Pacific Ocean theater of World War II|Pacific]], where he remained for most of the next two years.{{sfnm|1a1=Spoto|1y=2001|1pp=83–86|2a1=Banner|2y=2012|2pp=91–98}}
After Dougherty left, Monroe moved in with
The agency deemed Monroe's figure more suitable for [[Pin-up model|pin-up]] than high fashion modeling, and she was featured mostly in advertisements and men's magazines.{{sfn|Spoto|2001|pp=95–107}}
[[File:Marilyn Monroe postcard.JPG|thumb|left|Monroe posing as a [[pin-up model]] for a postcard photograph, {{circa|1940s}}|alt=A smiling Monroe sitting on a beach and leaning back on her arms. She is wearing a bikini and wedge sandals.]]
Through Snively, Monroe signed a contract with an acting agency in June 1946.{{sfn|Spoto|2001|pp=110–111}} After an unsuccessful interview at [[Paramount Pictures]], she was given a screen-test by [[Ben Lyon]], a [[20th Century Fox|20th Century-Fox]] executive. Head executive [[Darryl F. Zanuck]] was unenthusiastic about it,{{sfnm|1a1=Spoto|1y=2001|1pp=110–112|2a1=Banner|2y=2012|2pp=117–119}} but he gave her a standard six-month contract to avoid her being signed by rival studio [[RKO Pictures]].{{efn|RKO's owner [[Howard Hughes]] had expressed an interest in Monroe after seeing her on a magazine cover.{{sfn|Banner|2012|p=119}}}} Monroe's contract began in August 1946, and she and Lyon selected the
Monroe spent her first six months at Fox learning acting, singing, and dancing, and observing the film-making process.{{sfnm|1a1=Spoto|1y=2001|1pp=118–120|2a1=Banner|2y=2012|2pp=130–131}} Her contract was renewed in February 1947, and she was given her first film roles, bit parts in ''[[Dangerous Years]]'' (1947) and ''[[Scudda Hoo! Scudda Hay!]]'' (1948).{{sfn|Spoto|2001|pp=120–121}}{{efn|It has sometimes been claimed that Monroe appeared as an extra in other Fox films during this period, including ''[[Green Grass of Wyoming]]'', ''[[The Shocking Miss Pilgrim]]'', and ''[[You Were Meant for Me (film)|You Were Meant For Me]]'', but there is no evidence to support this.{{sfn|Churchwell|2004|p=59}}}} The studio also enrolled her in the [[Actors' Laboratory Theatre]], an acting school teaching the techniques of the [[Group Theatre (New York)|Group Theatre]]; she later stated that it was "my first taste of what real acting in a real drama could be, and I was hooked".{{sfn|Spoto|2001|pp=122–126}} Despite her enthusiasm, her teachers thought her too shy and insecure to have a future in acting, and Fox did not renew her contract in August 1947.{{sfnm|1a1=Spoto|1y=2001|1pp=120–121, 126|2a1=Banner|2y=2012|2p=133}} She returned to modeling while also doing occasional odd jobs at film studios, such as working as a dancing "pacer" behind the scenes to keep the leads on point at musical sets.{{sfnm|1a1=Spoto|1y=2001|1pp=120–121, 126|2a1=Banner|2y=2012|2p=133}}
[[File:Marilyn-by Cronenweth.JPG|thumb|upright|Monroe in a 1948 publicity photo]]
Monroe was determined to make it as an actress, and continued studying at the Actors' Lab. She had a small role in the play ''Glamour Preferred'' at the [[Bliss-Hayden Theater]], but it ended after a couple of performances.{{sfnm|1a1=Spoto|1y=2001|1pp=122–129|2a1=Banner|2y=2012|2p=133}} To network, she frequented producers' offices, befriended gossip columnist [[Sidney Skolsky]], and entertained influential male guests at studio functions, a practice she had begun at Fox.{{sfnm|1a1=Spoto|1y=2001|1pp=130–133|2a1=Banner|2y=2012|2pp=133–144}} She also became a friend and occasional sex partner of Fox executive [[Joseph M. Schenck]], who persuaded his friend [[Harry Cohn]], the head executive of [[Columbia Pictures]], to sign her in March 1948.{{sfnm|1a1=Churchwell|1y=2004|1pp=204–216, citing Summers, Spoto and Guiles for Schenck|2a1=Banner|2y=2012|2pp=141–144|3a1=Spoto|3y=2001|3pp=133–134}}
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=== 1953: Rising star ===
[[File:Marilyn Monroe Niagara.png |left|thumb
Monroe starred in three movies that were released in 1953 and emerged as a major sex symbol and one of Hollywood's most bankable performers.{{sfnm|1a1=Spoto|1y=2001|1p=221|2a1=Churchwell|2y=2004|2pp=61–65|3a1=Lev|3y=2013|3p=168}}<ref name="www.quigleypublishing.com Top10_lists">{{cite web |url=http://www.quigleypublishing.com/MPalmanac/Top10/Top10_lists.html |title=The 2006 Motion Picture Almanac, Top Ten Money Making Stars |publisher=Quigley Publishing Company |access-date=August 25, 2008 |url-status=dead |archive-url=https://web.archive.org/web/20141221063625/http://www.quigleypublishing.com/MPalmanac/Top10/Top10_lists.html |archive-date=December 21, 2014}}</ref> The first was the [[Technicolor]] [[film noir]] ''[[Niagara (1953 film)|Niagara]]'', in which she played a ''[[femme fatale]]'' scheming to murder her husband, played by [[Joseph Cotten]].{{sfn|Churchwell|2004|p=233}} By then, Monroe and her make-up artist [[Allan "Whitey" Snyder]] had developed her "trademark" make-up look: dark arched brows, pale skin, "glistening" red lips and a [[beauty mark]].{{sfn|Churchwell|2004|pp=25, 62}} According to Sarah Churchwell, ''Niagara'' was one of the most overtly sexual films of Monroe's career.{{sfn|Churchwell|2004|p=62}} In some scenes, Monroe's body was covered only by a sheet or a towel, considered shocking by contemporary audiences.{{sfnm|1a1=Churchwell|1y=2004|1p=62|2a1=Banner|2y=2012|2pp=195–196}} ''Niagara''{{Apostrophe}}s most famous scene is a 30-second [[long shot]] behind Monroe where she is seen walking with her hips swaying, which was used heavily in the film's marketing.{{sfnm|1a1=Churchwell|1y=2004|1p=62|2a1=Banner|2y=2012|2pp=195–196}}
[[File:Gentlemen Prefer Blondes Movie Trailer Screenshot (34).jpg|thumb
When ''Niagara'' was released in January 1953, [[women's club (United States)|women's clubs]] protested it as immoral, but it proved popular with audiences.{{sfnm|1a1=Spoto|1y=2001|1p=221|2a1=Banner|2y=2012|2p=205|3a1=Leaming|3y=1998|3p=75 on box office figure}} While ''[[Variety (magazine)|Variety]]'' deemed it "clichéd" and "morbid", ''[[The New York Times]]'' commented that "the falls and Miss Monroe are something to see", as although Monroe may not be "the perfect actress at this point ... she can be seductive—even when she walks".<ref>{{cite news|url=https://www.nytimes.com/movie/review?res=940DE0DF163FE53ABC4A51DFB7668388649EDE|title=Niagara Falls Vies With Marilyn Monroe|work=The New York Times|date=January 22, 1953|access-date=October 18, 2015|archive-url=https://web.archive.org/web/20151105231428/http://www.nytimes.com/movie/review?res=940DE0DF163FE53ABC4A51DFB7668388649EDE|archive-date=November 5, 2015|url-status=live}}</ref><ref>{{cite news|url=https://variety.com/1952/film/reviews/niagara-1200417447/|title=Review: 'Niagara'|work=Variety|date=December 31, 1952|access-date=October 18, 2015|archive-url=https://web.archive.org/web/20151121060822/http://variety.com/1952/film/reviews/niagara-1200417447/|archive-date=November 21, 2015|url-status=live}}</ref>
Monroe continued to attract attention by wearing revealing outfits, most famously at the ''Photoplay'' Awards in January 1953, where she won the "Fastest Rising Star" award.{{sfnm|1a1=Spoto|1y=2001|1pp=236–238|2a1=Churchwell|2y=2004|2p=234|3a1=Banner|3y=2012|3pp=205–206}} A pleated "sunburst" waist-tight, deep décolleté gold [[Lamé (fabric)|lamé]] dress designed by [[William Travilla]] for ''Gentlemen Prefer Blondes'', but barely seen at all in the film, was to become a sensation.<ref>{{Cite web|url=http://www.glamamor.com/2014/05/MarilynMonroe-GentlemenPreferBlondes-Travilla.html|title=Style Essentials--Stardom Strikes Marilyn Monroe as GENTLEMEN PREFER BLONDES|first=Kimberly|last=Truhler}}</ref> Prompted by such imagery, veteran star [[Joan Crawford]] publicly called the behavior "unbecoming an actress and a lady".{{sfnm|1a1=Spoto|1y=2001|1pp=236–238|2a1=Churchwell|2y=2004|2p=234|3a1=Banner|3y=2012|3pp=205–206}}
▲[[File:Gentlemen Prefer Blondes Movie Trailer Screenshot (34).jpg|thumb|239x239px|Monroe performing the song "[[Diamonds Are a Girl's Best Friend]]" in the trailer for the 1953 film, [[How to Marry a Millionaire|''How to Marry a Millionaire'']]]]
While ''Niagara'' made Monroe a sex symbol and established her "look", her second film of 1953, the satirical musical comedy ''[[Gentlemen Prefer Blondes (1953 film)|Gentlemen Prefer Blondes]]'', cemented her screen persona as a "[[Blonde stereotype#Dumb blonde|dumb blonde]]".{{sfnm|1a1=Spoto|1y=2001|1p=231|2a1=Churchwell|2y=2004|2p=64|3a1=Banner|3y=2012|3p=200|4a1=Leaming|4y=1998|4pp=75–76}} Based on [[Anita Loos]]' [[Gentlemen Prefer Blondes (novel)|novel]] and [[Gentlemen Prefer Blondes (musical)|its Broadway version]], the film focuses on two "gold-digging" [[showgirl]]s played by Monroe and [[Jane Russell]]. Monroe's role was originally intended for [[Betty Grable]], who had been 20th Century-Fox's most popular "[[blonde bombshell (stereotype)|blonde bombshell]]" in the 1940s; Monroe was fast eclipsing her as a star who could appeal to both male and female audiences.{{sfnm|1a1=Spoto|1y=2001|1pp=219–220|2a1=Banner|2y=2012|2p=177}} As part of the film's publicity campaign, she and Russell pressed their hand and footprints in wet concrete outside [[Grauman's Chinese Theatre]] in June.{{sfnm|1a1=Spoto|1y=2001|1p=242|2a1=Banner|2y=2012|2pp=208–209}} ''Gentlemen Prefer Blondes'' was released shortly after and became one of the biggest box office successes of the year.{{sfnm|2a1=Churchwell|2y=2004|2p=63|1a1=Solomon|1y=1988|1p=89}} Crowther of ''[[The New York Times]]'' and William Brogdon of ''Variety'' both commented favorably on Monroe, especially noting her performance of "[[Diamonds Are a Girl's Best Friend]]"; according to the latter, she demonstrated the "ability to sex a song as well as point up the eye values of a scene by her presence".<ref>{{cite news|url=https://variety.com/1953/film/reviews/gentlemen-prefer-blondes-2-1200417560/|title=Gentlemen Prefer Blondes|work=Variety|date=July 1, 1953|access-date=October 18, 2015|first=William|last=Brogdon|archive-url=https://web.archive.org/web/20151121062432/http://variety.com/1953/film/reviews/gentlemen-prefer-blondes-2-1200417560/|archive-date=November 21, 2015|url-status=live}}</ref><ref>{{cite news|url=https://www.nytimes.com/movie/review?res=9B07E0DC173DE23BBC4E52DFB1668388649EDE|title=Gentlemen Prefer Blondes|work=The New York Times|date=July 16, 1953|access-date=October 18, 2015|first=Bosley|last=Crowther|archive-url=https://web.archive.org/web/20150926154609/http://www.nytimes.com/movie/review?res=9B07E0DC173DE23BBC4E52DFB1668388649EDE|archive-date=September 26, 2015|url-status=live}}</ref>
[[File:Marilyn Monroe, Betty Grable and Lauren Bacall in How to Marry a Millionaire trailer.jpg|left|thumb|289x289px|Monroe with [[Betty Grable]] and [[Lauren Bacall]] in the film [[How to Marry a Millionaire|''How to Marry a Millionaire'']] (1953)]]
In September, Monroe made her television debut in the ''[[Jack Benny Show]]'', playing Jack's fantasy woman in the episode "Honolulu Trip".{{sfn|Spoto|2001|p=250}} She co-starred with
Monroe was listed in the annual [[Top Ten Money Making Stars Poll]] in both 1953 and 1954,<ref name="www.quigleypublishing.com Top10_lists" /> and according to Fox historian Aubrey Solomon became the studio's "greatest asset" alongside CinemaScope.{{sfn|Solomon|1988|p=89}} Monroe's position as a leading sex symbol was confirmed in December 1953, when [[Hugh Hefner]] featured her on the cover and as centerfold in the first issue of ''[[Playboy]]''; Monroe did not consent to the publication.{{sfn|Churchwell|2004|p=217}} The cover image was a photograph taken of her at the [[Miss America Pageant]] parade in 1952, and the centerfold featured one of her 1949 nude photographs.{{sfn|Churchwell|2004|p=217}}
=== 1954–1955: Conflicts with 20th Century-Fox and marriage to Joe DiMaggio ===
Monroe had become one of 20th Century-Fox's biggest stars, but her contract had not changed since 1950, so that she was paid far less than other stars of her stature and could not choose her projects.{{sfn|Churchwell|2004|p=68}} Her attempts to appear in films that would not focus on her as a pin-up had been thwarted by the studio head executive, [[Darryl F. Zanuck]], who had a strong personal dislike of her and did not think she would earn the studio as much revenue in other types of roles.{{sfn|Churchwell|2004|pp=68, 208–209}} Under pressure from the studio's owner, [[Spyros Skouras]], Zanuck had also decided that Fox should focus exclusively on entertainment to maximize profits and canceled the production of any "serious films".{{sfn|Banner|2012|p=217}} In January 1954, he suspended Monroe when she refused to begin shooting yet another musical comedy, ''[[The Girl in Pink Tights]]''.{{sfnm|1a1=Summers|1y=1985|1p=92|2a1=Spoto|2y=2001|2pp=254–259}} This was front-page news, and Monroe immediately took action to counter negative publicity. At the [[11th Golden Globe Awards]] in 1954, Monroe was named "[[Henrietta Award|World Film Favorite]]", despite not being present at the awards ceremony.<ref>{{Cite web |last=Villanueva |first=Armando |date=
[[File:Monroe DiMaggio Wedding.jpg|left|thumb|Monroe and [[Joe DiMaggio]] shortly after their wedding, January 1954]]
Monroe met baseball player [[Joe DiMaggio]] in 1952, while on a [[blind date]] in
In April 1954, [[Otto Preminger]]'s [[western (genre)|western]] ''[[River of No Return]]'', the last film that Monroe had filmed prior to the suspension, was released. She called it a "[[Z movie|Z-grade]] cowboy movie in which the acting finished second to the scenery and the CinemaScope process", but it was popular with audiences.{{sfn|Churchwell|2004|pp=66–67}} The first film she made after the suspension was the musical ''[[There's No Business Like Show Business (film)|There's No Business Like Show Business]]'', which she strongly disliked but the studio required her to do for dropping ''The Girl in Pink Tights''.{{sfn|Spoto|2001|p=271}} It was unsuccessful upon its release in late 1954, with Monroe's performance considered vulgar by many critics.{{sfnm|1a1=Riese|1a2=Hitchens|1y=1988|1pp=338–440|2a1=Spoto|2y=2001|2p=277|3a1=Churchwell|3y=2004|3p=66|4a1=Banner|4y=2012|4p=227}}
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[[File:Marilyn Monroe photo pose Seven Year Itch.jpg|thumb|upright|right|alt=Monroe is posing for photographers, wearing a white halterneck dress, which hem is blown up by air from a subway grate on which she is standing.|Monroe posing for photographers in ''[[The Seven Year Itch]]'' (1955)]]
In September 1954, Monroe began filming [[Billy Wilder]]'s comedy ''The Seven Year Itch'', starring opposite [[Tom Ewell]] as a woman who becomes the object of her married neighbor's sexual fantasies. Although the film was shot in Hollywood, the studio decided to generate advance publicity by staging the filming of a scene in which Monroe is standing on a subway grate with the air blowing up the skirt of [[white dress of Marilyn Monroe|her white dress]] on [[Lexington Avenue]] in Manhattan.{{sfn|Spoto|2001|pp=283–284}} The shoot lasted for several hours and attracted nearly 2,000 spectators.{{sfn|Spoto|2001|pp=283–284}} The "subway grate scene" became one of Monroe's most famous, and ''The Seven Year Itch'' became one of the biggest commercial successes of the year after its release in June 1955.{{sfn|Spoto|2001|p=331}}
The publicity stunt placed Monroe on international front pages, and it also marked the end of her marriage to DiMaggio, who was infuriated by it.{{sfnm|1a1=Spoto|1y=2001|1pp=284–285|2a1=Banner|2y=2012|2pp=8–9}} The union had been troubled from the start by his jealousy and controlling attitude; he was also physically abusive.{{sfnm|1a1=Spoto|1y=2001|1pp=208, 222–223, 262–267, 292|2a1=Churchwell|2y=2004|2pp=243–245|3a1=Banner|3y=2012|3pp=204, 219–221}} After returning from NYC to Hollywood in October 1954, Monroe filed for divorce, after only nine months of marriage.{{sfnm|1a1=Summers|1y=1985|1pp=103–105|2a1=Spoto|2y=2001|2pp=290–295|3a1=Banner|3y=2012|3pp=224–225}} DiMaggio was devastated, and wrote letters to Monroe apologizing and confessing his undying love for her.<ref name=":0" /> Monroe was also incredibly sad, and could be seen crying in court during the divorce procedures.<ref name=":1" />
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After founding MMP, Monroe moved to Manhattan and spent 1955 studying acting. She took classes with [[Constance Collier]] and attended workshops on [[method acting]] at the [[Actors Studio]], run by [[Lee Strasberg]].{{sfn|Spoto|2001|p=302}} She grew close to Strasberg and his wife Paula, receiving private lessons at their home due to her shyness, and soon became a family member.{{sfn|Spoto|2001|p=327}} She replaced her old acting coach, Natasha Lytess, with Paula; the Strasbergs remained an important influence for the rest of her career.{{sfn|Spoto|2001|p=350}} Monroe also started undergoing [[psychoanalysis]], as Strasberg believed that an actor must confront their emotional traumas and use them in their performances.{{sfn|Spoto|2001|pp=310–313}}{{efn|Monroe underwent psychoanalysis regularly from 1955 until her death. Her analysts were psychiatrists Margaret Hohenberg (1955–57), [[Anna Freud]] (1957), [[Ernst Kris|Marianne Kris]] (1957–61), and [[Ralph Greenson]] (1960–62).{{sfn|Spoto|2001|pp=312–313, 375, 384–385, 421, 459 on years and names}}}}
Monroe continued her relationship with DiMaggio despite the ongoing divorce process; she was also rumored to have dated actor [[Marlon Brando
By the end of the year, Monroe and Fox signed a new seven-year contract, as MMP would not be able to finance films alone, and the studio was eager to have Monroe working for them again.{{sfn|Spoto|2001|pp=301–302}} Fox would pay her $400,000 to make four films, and granted her the right to choose her own projects, directors and cinematographers.{{sfn|Spoto|2001|pp=339–340}} She would also be free to make one film with MMP per each completed film for Fox.{{sfn|Spoto|2001|pp=339–340}}
=== 1956–1959: Critical acclaim and marriage to Arthur Miller ===
[[File:Monroe
In March, Monroe began filming the drama ''[[Bus Stop (1956 film)|Bus Stop]]'', her first film under the new contract.{{sfn|Spoto|2001|p=345}} She played Chérie, a saloon singer whose dreams of stardom are complicated by a naïve cowboy who falls in love with her. For the role, she learned an [[Ozark English|Ozark accent]], chose costumes and makeup that lacked the glamor of her earlier films, and provided deliberately mediocre singing and dancing.{{sfn|Spoto|2001|pp=352–357}} [[Broadway theatre|Broadway]] director [[Joshua Logan]] agreed to direct, despite initially doubting Monroe's acting abilities and knowing of her difficult reputation.{{sfn|Spoto|2001|pp=352–354}} The filming took place in Idaho and Arizona, with Monroe "technically in charge" as the head of MMP, occasionally making decisions on cinematography and with Logan adapting to her chronic lateness and perfectionism.{{sfnm|1a1=Spoto|1y=2001|1pp=354–358, for location and time|2a1=Banner|2y=2012|2p=297, 310}} The experience changed Logan's opinion of Monroe, and he later compared her to [[Charlie Chaplin]] in her ability to blend comedy and tragedy.{{sfn|Banner|2012|p=254}}[[File:Monroe Miller Wedding.jpg|thumb|upright|right|alt=Cropped photo of Monroe and Miller cutting the cake at their wedding. Her veil is lifted from her face and he is wearing a white shirt with a dark tie.|Monroe and [[Arthur Miller]] at their wedding, June 1956]]On June 29, 1956, Monroe and Miller were married in a four-minute civil ceremony at the Westchester County Court in [[White Plains, New York]]; two days later they had a [[Jewish wedding|Jewish ceremony]] at the home of [[Kay B. Barrett|Kay Brown]], Miller's literary agent, in [[Waccabuc, New York]].{{sfn|Spoto|2001|pp=364–365}}<ref name=":5">{{cite web|title=Marilyn Monroe's Westchester Wedding; Plus, More County Questions And Answers|date=November 2014|first=Tom|last=Schreck|work=[[Westchester Magazine]]|url=https://www.westchestermagazine.com/Westchester-Magazine/November-2014/Marilyn-Monroes-Westchester-Wedding-Plus-More-County-Questions-And-Answers/|access-date=May 17, 2019|archive-url=https://web.archive.org/web/20190517063630/http://www.westchestermagazine.com//Westchester-Magazine/November-2014/Marilyn-Monroes-Westchester-Wedding-Plus-More-County-Questions-And-Answers|archive-date=May 17, 2019|url-status=live}}</ref><ref name=":13" /> With the marriage, Monroe [[Conversion to Judaism|converted to Judaism]], which led Egypt to ban all of her films.{{sfn|Meyers|2010|pp=156–157}}{{efn|Monroe identified with the Jewish people as a "dispossessed group" and wanted to convert to make herself part of Miller's family.{{sfn|Banner|2012|p=256}} She was instructed by Rabbi Robert Goldberg and converted on July 1, 1956.{{sfn|Meyers|2010|pp=156–157}} Monroe's interest in Judaism as a religion was limited: she called herself a "[[Jewish atheist]]" and did not practice the faith after divorcing Miller aside from retaining some religious items.{{sfn|Meyers|2010|pp=156–157}} Egypt also lifted her ban after the divorce was finalized in 1961.{{sfn|Meyers|2010|pp=156–157}}}} Due to Monroe's status as a sex symbol and Miller's image as an intellectual, the media saw the union as a mismatch, as evidenced by ''Variety''{{'}}s headline, "Egghead Weds Hourglass".{{sfnm|1a1=Churchwell|1y=2004|1pp=253–257|2a1=Meyers|2y=2010|2p=155}} That year, Monroe became pregnant, but miscarried.<ref>{{Cite web |last=Tempera |first=Jacqueline |date=2022-10-04 |title=Marilyn Monroe Was Pregnant At Least 3 Times Before Her Death |url=https://www.yahoo.com/lifestyle/marilyn-monroe-pregnant-least-3-204400834.html |access-date=2024-09-15 |website=Yahoo Life |language=en-US}}</ref>
''Bus Stop'' was released in August 1956 and became a critical and commercial success.{{sfnm|1a1=Spoto|1y=2001|1pp=358–359|2a1=Churchwell|2y=2004|2p=69}} ''[[The Saturday Review of Literature]]'' wrote that Monroe's performance "effectively dispels once and for all the notion that she is merely a glamour personality" and Crowther proclaimed: "Hold on to your chairs, everybody, and get set for a rattling surprise. Marilyn Monroe has finally proved herself an actress."{{sfn|Spoto|2001|p=358}} She also received a [[Golden Globe Award for Best Actress – Motion Picture Musical or Comedy|Golden Globe]] nomination for [[Golden Globe Award for Best Actress in a Motion Picture – Musical or Comedy|Best Actress in a Leading Role - Musical or Comedy]] for her performance.<ref name=gg />
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Monroe also experienced other problems during the production. Her dependence on pharmaceuticals escalated and, according to Spoto, she had a miscarriage.{{sfnm|1a1=Spoto|1y=2001|1pp=368–376|2a1=Banner|2y=2012|2pp=310–314}} She and Greene also argued over how MMP should be run.{{sfnm|1a1=Spoto|1y=2001|1pp=368–376|2a1=Banner|2y=2012|2pp=310–314}} Despite the difficulties, filming was completed on schedule by the end of 1956.{{sfnm|1a1=Churchwell|1y=2004|1p=69|2a1=Banner|2y=2012|2p=314, for being on time}} ''The Prince and the Showgirl'' was released to mixed reviews in June 1957 and proved unpopular with American audiences.{{sfn|Churchwell|2004|p=69}} It was better received in Europe, where she was awarded the Italian [[David di Donatello]] and the French [[César Award|Crystal Star]] awards and nominated for a [[British Academy of Film and Television Arts|BAFTA]].{{sfn|Banner|2012|p=346}}
After returning from England, Monroe took an 18-month hiatus to concentrate on family life. She and Miller split their time between NYC, [[Connecticut]] and [[Long Island]].{{sfn|Spoto|2001|pp=381–382}} She had an [[ectopic pregnancy]] in mid-1957, and a miscarriage a year later;{{sfn|Spoto|2001|pp=392–393, 406–407}} these problems were most likely linked to her [[endometriosis]].{{sfn|Churchwell|2004|pp=274–277}}{{efn|Endometriosis also caused her to experience severe [[Dysmenorrhea|menstrual pain]] throughout her life, necessitating a clause in her contract allowing her to be absent from work during her period; her endometriosis also required several surgeries.{{sfn|Churchwell|2004|pp=274–277}} It has sometimes been alleged that Monroe underwent several
[[File:Some like it hot film poster.jpg|thumb|alt=A ukulele-playing Monroe with a cross-dressing Lemmon in the bass and Curtis in the saxophone. There are also three other women playing different instruments.|left|Monroe with [[Jack Lemmon]] and [[Tony Curtis]] in ''[[Some Like It Hot]]'' (1959), for which she won a [[Golden Globe Award for Best Actress – Motion Picture Musical or Comedy|Golden Globe]]]]
Monroe returned to Hollywood in July 1958 to act opposite [[Jack Lemmon]] and [[Tony Curtis]] in Billy Wilder's comedy on gender roles, ''[[Some Like It Hot]]''.{{sfn|Banner|2012|p=325 on it being a comedy on gender}} She considered the role of Sugar Kane another "dumb blonde", but accepted it due to Miller's encouragement and the offer of 10% of the film's profits on top of her standard pay.{{sfn|Banner|2012|p=325}} The film's difficult production has since become "legendary".{{sfn|Churchwell|2004|p=626}} Monroe demanded dozens of retakes, and did not remember her lines or act as directed—Curtis famously said that kissing her was "like kissing [[Hitler]]" due to the number of retakes.{{sfnm|1a1=Spoto|1y=2001|1pp=399–407|2a1=Churchwell|2y=2004|2p=262}} Monroe privately likened the production to a sinking ship and commented on her co-stars and director saying {{nowrap|"[but]}} why should I worry, I have no phallic symbol to lose."{{sfnm|1a1=Banner|1y=2012|1p=327 on "sinking ship" and "phallic symbol"|2a1=Rose|2y=2014|2p=100 for full quote}} Many of the problems stemmed from her and Wilder—who also had a reputation for being difficult—disagreeing on how she should play the role.{{sfnm|1a1=Churchwell|1y=2004|1pp=262–266|2a1=Banner|2y=2012|2pp=325–327}} She angered him by asking to alter many of her scenes, which in turn made her stage fright worse, and it is suggested that she deliberately ruined several scenes to act them her way.{{sfnm|1a1=Churchwell|1y=2004|1pp=262–266|2a1=Banner|2y=2012|2pp=325–327}}
In the end, Wilder was happy with Monroe's performance, saying: "Anyone can remember lines, but it takes a real artist to come on the set and not know her lines and yet give the performance she did!"{{sfn|Spoto|2001|p=406}} ''Some Like It Hot'' was a critical and commercial success when it was released in March 1959.{{sfnm|2a1=Banner|2y=2012|2p=346|1a1=Spoto|1y=2001|1p=406}} Monroe's performance earned her a Golden Globe for Best Actress in a Leading Role - Musical or Comedy,<ref>{{Cite web |title=Marilyn Monroe |url=https://goldenglobes.com/person/marilyn-monroe/ |access-date=
=== 1960–1962: Career decline and personal difficulties ===
After ''Some Like It Hot'', Monroe took another hiatus until late 1959, when she starred in the musical comedy ''[[Let's Make Love]]''.{{sfn|Churchwell|2004|p=71}} She chose [[George Cukor]] to direct and Miller rewrote some of the script, which she considered weak. She accepted the part solely because she was behind on her contract with Fox.{{sfn|Spoto|2001|pp=410–415}} The film's production was delayed by her frequent absences from the set.{{sfn|Churchwell|2004|p=71}} During the shoot, Monroe had an affair with co-star [[Yves Montand]] that was widely reported by the press and used in the film's publicity campaign.{{sfn|Churchwell|2004|p=72}} ''Let's Make Love'' was unsuccessful upon its release in September 1960.{{sfnm|1a1=Riese|1a2=Hitchens|1y=1988|1p=270|2a1=Churchwell|2y=2004|2p=266|3a1=Solomon|3y=1988|3p=139}} Crowther described Monroe as appearing "rather untidy" and "lacking ... the old Monroe dynamism",<ref>{{cite news|url=https://www.nytimes.com/movie/review?res=9A01E1DA1F3EEF3ABC4153DFBF66838B679EDE|title=Movie Review: Let's Make Love (1960)|work=The New York Times|date=September 9, 1960|access-date=October 18, 2015|first=Bosley|last=Crowther|archive-url=https://web.archive.org/web/20151011184254/http://www.nytimes.com/movie/review?res=9A01E1DA1F3EEF3ABC4153DFBF66838B679EDE|archive-date=October 11, 2015|url-status=live}}</ref> and Hedda Hopper called the film "the most vulgar picture she's ever done".<ref>{{cite news|url=http://archives.chicagotribune.com/1960/08/25/page/138/article/hedda-finds-marilyns-new-film-most-vulgar|title=Hedda Finds Marilyn's Film 'Most Vulgar'|work=Chicago Tribune|date=August 25, 1960|access-date=October 18, 2015|first=Hedda|last=Hopper|archive-url=https://web.archive.org/web/20160422020025/http://archives.chicagotribune.com/1960/08/25/page/138/article/hedda-finds-marilyns-new-film-most-vulgar/|archive-date=April 22, 2016|url-status=live}}</ref> [[Truman Capote]] lobbied for Monroe to play Holly Golightly in [[Breakfast at Tiffany's (film)|a film adaptation]] of ''[[Breakfast at Tiffany's (novella)|Breakfast at Tiffany's]]'', but the role went to [[Audrey Hepburn]] as its producers feared that Monroe would complicate the production.{{sfn|Banner|2012|p=335}} That year, Monroe was committed to [[New York Hospital]]'s [[Payne Whitney Psychiatric Clinic]]. While one report owes it to a suicide attempt, another claims that Monroe was feeling overcome with personal issues and telephoned [[Psychoanalysis|psychoanalyst]] Marianne Kris, who committed her to the ward for "exhaustion".<ref name=":14">{{Cite web |last=Thomas |first=Lee |date=2021-06-07 |title=Marilyn Monroe detailed her experience in a psychiatric ward with harrowing letters |url=https://faroutmagazine.co.uk/marilyn-monroe-psychiatric-letters-1961/ |access-date=2024-09-08 |website=Far Out Magazine |language=en-US}}</ref><ref>{{Cite web |last=Ishak |first=Natasha |date=2021-12-02 |title=Marilyn Monroe Claimed She Was An Orphan — Then A Tabloid Found Her Mom In An Asylum |url=https://allthatsinteresting.com/gladys-pearl-baker |access-date=2024-09-08 |website=All That's Interesting |language=en-US}}</ref><ref name=":15">{{Cite web |last=Sansone |first=Arricca Elin |date=2019-07-19 |title=40 Rare Photos of Marilyn Monroe You've Probably Never Seen |url=https://www.goodhousekeeping.com/life/entertainment/g28378198/rare-photos-of-marilyn-monroe/?slide=38 |access-date=2024-09-08 |website=[[Good Housekeeping]] |language=en-US}}</ref> Though Monroe thought she would have a rest cure there, her experience there proved to be rather traumatic. Four days after her arrival, DiMaggio helped get her released.<ref name=":14" /><ref name=":15" /> She later detailed her experience to [[psychiatrist]] [[Ralph Greenson]]:<ref name=":14" /><blockquote>There was no empathy at Payne-Whitney — it had a very bad effect — they asked me after putting me in a 'cell' (I mean cement blocks and all) for very disturbed depressed patients (except I felt I was in some kind of prison for a crime I hadn't committed). The inhumanity there I found archaic.
They asked me why I wasn't happy there (everything was under lock and key; things like electric lights, dresser drawers, bathrooms, closets, bars concealed on the windows — the doors have windows so patients can be visible all the time, also, the violence and markings still remain on the walls from former patients). I answered: 'Well, I'd have to be nuts if I like it here'.
[[File: Marilyn Monroe Misfits.jpg|thumb|left|alt=Monroe holding a hat and standing in the middle of a crowd of people, facing the camera. On her right is Gable and on her left, Winwood. There is a sign that says 'BAR' in the background.|Monroe, [[Estelle Winwood]], [[Eli Wallach]], [[Montgomery Clift]], and [[Clark Gable]] in ''[[The Misfits (1961 film)|The Misfits]]'' (1961). ''The Misfits'' was the final completed film for Monroe and Gable, who both died within two years.]]The last film Monroe completed was [[John Huston]]'s 1961 film ''[[The Misfits (1961 film)|The Misfits]]'', which Miller had written to provide her with a dramatic role.{{sfn|Churchwell|2004|p=266}} She played Roslyn Taber,<ref>{{Cite web |last=Pfeiffer |first=Lee |title=The Misfits {{!}} Drama, Western, Monroe {{!}} Britannica |url=https://www.britannica.com/topic/The-Misfits |access-date=2024-08-16 |website=[[Encyclopædia Britannica, Inc.|Brittanica]] |language=en}}</ref> a recently divorced woman who becomes friends with her Reno landlady, and three aging cowboys, played by [[Clark Gable]], [[Eli Wallach]] and [[Montgomery Clift]]. The filming in Reno, and in the Nevada desert east of Carson City between July and November 1960 was difficult.{{sfn|Spoto|2001|pp=429–430}} As a girl, Monroe had thought and "hoped" that Gable was her father, after she saw a photo of one of her mother's exes who had a "thin mustache" like Gable.<ref>{{Cite web |last=Caskey |first=Sara |date=2023-06-24 |title=Why Marilyn Monroe Once Believed A Hollywood Icon Was Her Father |url=https://www.thelist.com/1317591/marilyn-monroe-believed-hollywood-icon-father/ |access-date=2024-08-08 |website=The List |language=en-US}}</ref><ref>{{Cite web |last=Escalante |first=Ana |date=2012-08-03 |title=10 Things You Don’t Know About Marilyn Monroe |url=https://www.glamour.com/story/5-things-you-dont-know-about-m |access-date=2024-08-08 |website=Glamour |language=en-US}}</ref> When Huston wanted to make Roslyn a [[Supporting character|secondary character]] instead of a [[Primary character|major character]], Gable "fought" Huston to assure Roslyn's place as a primary character.<ref>{{Cite web |last=Crislip |first=Anthony |date=2022-12-18 |title=Clark Gable Fought John Huston To Save Marilyn Monroe's The Misfits Role |url=https://www.slashfilm.com/1138716/clark-gable-fought-john-houston-to-save-marilyn-monroes-the-misfits-role/ |access-date=2024-08-08 |website=SlashFilm |language=en-US}}</ref> By the time the movie was finished, Monroe's and Miller's marriage was effectively over, and he began a new relationship with Magnum movie photographer [[Inge Morath]].{{sfn|Churchwell|2004|p=266}}▼
I sat on the bed trying to figure if I was given this situation in an acting improvisation what would I do. So I figured, it's a squeaky wheel that gets the grease. I admit it was a loud squeak but I got the idea from a movie I made once called 'Don't Bother to Knock'. I picked up a light-weight chair and slammed it, and it was hard to do because I had never broken anything in my life—against the glass intentionally. It took a lot of banging to get even a small piece of glass—so I went over with the glass concealed in my hand and sat quietly on the bed waiting for them to come in.
Monroe disliked that he had based her role partly on her life, and thought it inferior to the male roles. She also struggled with Miller's habit of rewriting scenes the night before filming.{{sfnm|1a1=Spoto|1y=2001|1pp=431–435|2a1=Churchwell|2y=2004|2pp=266–267|3a1=Banner|3y=2012|3p=352}} Her health was also failing: she was in pain from [[gallstone]]s, and her drug addiction was so severe that her makeup usually had to be applied while she was still asleep under the influence of barbiturates.{{sfnm|1a1=Spoto|1y=2001|1pp=435–445|2a1=Banner|2y=2012|2pp=353–356}} In August, filming was halted for her to spend a week in a hospital [[drug detoxification|detox]].{{sfnm|1a1=Spoto|1y=2001|1pp=435–445|2a1=Banner|2y=2012|2pp=353–356}} Despite her problems, Huston said that when Monroe was acting, she "was not pretending to an emotion. It was the real thing. She would go deep down within herself and find it and bring it up into consciousness."{{sfn|Tracy|2010|p=109}}▼
They did, and I said to them 'If you are going to treat me like a nut I'll act like a nut'.</blockquote>
▲
▲Monroe disliked that he had based her role partly on her life, and thought it inferior to the male roles. She also struggled with Miller's habit of rewriting scenes the night before filming.{{sfnm|1a1=Spoto|1y=2001|1pp=431–435|2a1=Churchwell|2y=2004|2pp=266–267|3a1=Banner|3y=2012|3p=352}} Her health was also failing: she was in pain from [[gallstone]]s, and her drug addiction was so severe that her makeup usually had to be applied while she was still asleep under the influence of barbiturates.{{sfnm|1a1=Spoto|1y=2001|1pp=435–445|2a1=Banner|2y=2012|2pp=353–356}} In August, filming was halted for her to spend a week in a hospital [[drug detoxification|detox]].{{sfnm|1a1=Spoto|1y=2001|1pp=435–445|2a1=Banner|2y=2012|2pp=353–356}} Despite her problems, Huston said that when Monroe was acting, she "was not pretending to an emotion. It was the real thing. She would go deep down within herself and find it and bring it up into consciousness."{{sfn|Tracy|2010|p=109}}
[[File: Marilyn Monroe Misfits.jpg|thumb|left|alt=Monroe holding a hat and standing in the middle of a crowd of people, facing the camera. On her right is Gable and on her left, Winwood. There is a sign that says 'BAR' in the background.|Monroe, [[Estelle Winwood]], [[Eli Wallach]], [[Montgomery Clift]], and [[Clark Gable]] in ''[[The Misfits (1961 film)|The Misfits]]'' (1961). ''The Misfits'' was the final completed film for Monroe and Gable, who both died within two years.]]
Monroe and Miller separated after filming wrapped, and she obtained a [[Mexican divorce]] in January 1961.{{sfn|Spoto|2001|pp=450–455}} ''The Misfits'' was released the following month, failing at the box office.{{sfnm|1a1=Spoto|1y=2001|1p=456|2a1=Banner|2y=2012|2p=361}} Its reviews were mixed,{{sfnm|1a1=Spoto|1y=2001|1p=456|2a1=Banner|2y=2012|2p=361}} with ''Variety'' complaining of frequently "choppy" character development,<ref>{{cite web|url=https://variety.com/1960/film/reviews/the-misfits-1200419862/|title=The Misfits|work=Variety|date=December 31, 1960|access-date=November 16, 2016|archive-url=https://web.archive.org/web/20161118035630/http://variety.com/1960/film/reviews/the-misfits-1200419862/|archive-date=November 18, 2016|url-status=live}}</ref> and Bosley Crowther calling Monroe "completely blank and unfathomable" and writing that "unfortunately for the film's structure, everything turns upon her".<ref>{{cite news|url=https://www.nytimes.com/movie/review?res=9C06E0D71739EE32A25751C0A9649C946091D6CF|title=Movie Review: The Misfits (1961)|work=The New York Times|date=February 2, 1961|access-date=October 18, 2015|first=Bosley|last=Crowther|archive-url=https://web.archive.org/web/20151101042756/http://www.nytimes.com/movie/review?res=9C06E0D71739EE32A25751C0A9649C946091D6CF|archive-date=November 1, 2015|url-status=live}}</ref> It has received more favorable reviews in the 21st century. [[Geoff Andrew]] of the [[British Film Institute]] has called it a classic,<ref>{{cite web|url=https://www.bfi.org.uk/features/film-fate-helped-make-classic-misfits|title=A Film That Fate Helped Make a Classic: The Misfits|publisher=British Film Institute|date=June 17, 2015|access-date=September 10, 2015|first=Geoff|last=Andrew|author-link=Geoff Andrew|archive-url=https://web.archive.org/web/20150910101006/http://www.bfi.org.uk/news-opinion/news-bfi/features/film-fate-helped-make-classic-misfits|archive-date=September 10, 2015|url-status=live}}</ref> Huston scholar Tony Tracy called Monroe's performance the "most mature interpretation of her career",{{sfn|Tracy|2010|p=96}} and Geoffrey McNab of ''[[The Independent]]'' praised her "extraordinary" portrayal of the character's "power of empathy".<ref>{{cite news|url=https://www.independent.co.uk/arts-entertainment/films/reviews/the-misfits-film-review-marilyn-monroe-gives-an-extraordinary-performance-10314475.html|title=The Misfits, film review: Marilyn Monroe gives an extraordinary performance|first=Geoffrey|last=McNab|work=The Independent|date=June 12, 2015|access-date=November 16, 2016|archive-url=https://web.archive.org/web/20161117212257/http://www.independent.co.uk/arts-entertainment/films/reviews/the-misfits-film-review-marilyn-monroe-gives-an-extraordinary-performance-10314475.html|archive-date=November 17, 2016|url-status=live}}</ref>
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During her final months, Monroe lived at
Monroe died between 8:30 p.m. and 10:30{{nbsp}}p.m. on August 4;{{sfn|Banner|2012|p=411}} the [[toxicology]] report showed that the [[cause of death]] was [[Barbiturate overdose|acute barbiturate poisoning]]. She had 8 [[milligram per cent|mg%]] ([[milligrams]] per 100
[[File:New York Mirror Front Page of August 6, 1962.jpeg|thumb|upright|left|alt=Front page of ''New York Daily Mirror'' on August 6, 1962. The headline is "Marilyn Monroe Kills Self" and underneath it is written: "Found nude in bed... Hand on phone... Took 40 Pills"|Front page of the ''[[New York Daily Mirror|New York Mirror]]'' on August 6, 1962]]
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[[File:Grave stone of Marilyn Monroe at Pierce Brothers Westwood Village Memorial Park Cemetery, 1218 Glendon Avenue, Los Angeles, California LCCN2013632347.jpg|thumb|right|alt=Photo of Monroe's crypt, taken in 2005. "Marilyn Monroe, 1926–1962" is written on a plaque. The crypt has some lipstick prints left by visitors and flowers are placed in a vase attached to it.|Monroe's crypt at [[Pierce Brothers Westwood Village Memorial Park and Mortuary|Westwood Village Memorial Park Cemetery]] in Westwood Village]]
Her funeral, held at the [[Westwood Village Memorial Park Cemetery]] on August 8, was private and attended by only her closest associates.{{sfnm|1a1=Spoto|1y=2001|1pp=594–597|2a1=Banner|2y=2012|2pp=427–428}} The service was arranged by
In the following decades, several [[conspiracy theory|conspiracy theories]], including murder and accidental overdose, have been introduced to contradict suicide as the cause of Monroe's death.{{sfn|Churchwell|2004|pp=297–318, for different theories proposed by Spoto, Summers, Brown & Barham, and Donald Wolfe}} The speculation that Monroe had been murdered first gained mainstream attention with the publication of [[Norman Mailer]]'s ''[[Marilyn: A Biography]]'' in 1973, and in the following years became widespread enough for the [[Los Angeles County District Attorney]] [[John Van de Kamp]] to conduct a "threshold investigation" in 1982 to see whether a criminal investigation should be opened.{{sfnm|1a1=Spoto|1y=2001|1pp=605–606|2a1=Churchwell|2y=2004|2pp=88, 300}} No evidence of foul play was found.{{sfn|Spoto|2001|p=606}}
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Biographer [[Lois Banner]] writes that Monroe often subtly parodied her [[sex symbol]] status in her films and public appearances,{{sfn|Banner|2012|p=244}} and that "the 'Marilyn Monroe' character she created was a brilliant archetype, who stands between [[Mae West]] and [[Madonna]] in the tradition of twentieth-century gender tricksters."<ref>{{cite web|url=https://www.wcwonline.org/WRB-Issues/the-meaning-of-marilyn|title=The Meaning of Marilyn|last=Banner|first=Lois|publisher=Women's Review of Books|access-date=April 30, 2018|archive-url=https://web.archive.org/web/20180501093607/https://www.wcwonline.org/WRB-Issues/the-meaning-of-marilyn|archive-date=May 1, 2018|url-status=live}}</ref> Monroe herself stated that she was influenced by West, learning "a few tricks from her—that impression of laughing at, or mocking, her own sexuality".{{sfnm|1a1=Churchwell|1y=2004|1p=63 for West|2a1=Banner|2y=2012|2p=325}} She studied comedy in classes by mime and dancer [[Lotte Goslar]], famous for her comic stage performances, and Goslar also instructed her on film sets.{{sfn|Banner|2012|pp=170–171}} In ''Gentlemen Prefer Blondes'', one of the films in which she played an archetypal dumb blonde, Monroe had the sentence "I can be smart when it's important, but most men don't like it" added to her character's lines.{{sfn|Banner|2012|p=201}}
According to Dyer, Monroe became "virtually a household name for sex" in the 1950s and "her image has to be situated in the flux of ideas about morality and sexuality that characterised the Fifties in America", such as [[Sigmund Freud|Freudian]] ideas about sex, the [[Kinsey Reports|Kinsey report]] (1953), and [[Betty Friedan]]'s ''[[The Feminine Mystique]]'' (1963).{{sfnm|1a1=Dyer|1y=1986|1p=21|2a1=Dyer|2y=1991|2p=58}} By appearing vulnerable and unaware of her sex appeal, Monroe was the first sex symbol to present sex as natural and without danger, in contrast to the 1940s ''femmes fatales''.{{sfn|Dyer|1986|pp=29–39}} Spoto likewise describes her as the embodiment of "the postwar ideal of the American girl, soft, transparently needy, worshipful of men, naïve, offering sex without demands", which is echoed in [[Molly Haskell]]'s statement that "she was the Fifties fiction, the lie that a woman had no sexual needs, that she is there to cater to, or enhance, a man's needs."{{sfnm|1a1=Haskell|1y=1991|1p=256|2a1=Spoto|2y=2001|2p=249}} Monroe's contemporary Norman Mailer wrote that "Marilyn suggested sex might be difficult and dangerous with others, but ice cream with her", while [[Groucho Marx]] characterized her as "[[Mae West]], [[Theda Bara]], and [[Little Bo Peep|Bo Peep]] all rolled into one".{{sfnm|1a1=Dyer|1y=1986|1p=39|2a1=Churchwell|2y=2004|2p=82}} According to Haskell, due to her sex symbol status, Monroe was less popular with women than with men, as they "couldn't identify with her and didn't support her", although this would change after her death.{{sfn|Dyer|1986|p=57, quoting Haskell}}
Dyer has also argued that Monroe's blonde hair became her defining feature because it made her "racially unambiguous" and exclusively white just as the [[civil rights movement]] was beginning, and that she should be seen as emblematic of racism in twentieth-century popular culture.{{sfn|Dyer|1986|p=40}} Banner agreed that it may not be a coincidence that Monroe launched a trend of platinum blonde actresses during the civil rights movement, but has also criticized Dyer, pointing out that in her highly publicized private life, Monroe associated with people who were seen as "[[white ethnic]]s", such as Joe DiMaggio (
[[File:MonroeLustreCremead.jpg|thumb|upright|alt=A headshot of Monroe holding a bottle of shampoo, accompanying text box says that "LUSTRE-CREME is the favorite beauty shampoo of 4 out of 5 top Hollywood stars...and you'll love it in its new Lotion Form, too!" Below, three smaller images show a brunette model using the shampoo. Next to them, there are images of the two different containers that the shampoo comes in.|Monroe in a Lustre-Creme shampoo advertisement of 1953]]
Monroe was perceived as a specifically American star, "a national institution as well known as hot dogs, apple pie, or baseball" according to ''Photoplay''.{{sfn|Banner|2012|p=8}} Banner calls her the symbol of [[populuxe]], a star whose joyful and glamorous public image "helped the nation cope with its paranoia in the 1950s about the [[Cold War]], the atom bomb, and the totalitarian communist Soviet Union".{{sfn|Banner|2012|pp=239–240}} Historian Fiona Handyside writes that the French female audiences associated whiteness/blondness with American modernity and cleanliness, and so Monroe came to symbolize a modern, "liberated" woman whose life takes place in the public sphere.{{sfn|Handyside|2010|pp=1–16}} Film historian [[Laura Mulvey]] has written of her as an endorsement for American consumer culture:{{Blockquote|If America was to export the democracy of glamour into post-war, impoverished Europe, the movies could be its shop window ... Marilyn Monroe, with her all American attributes and streamlined sexuality, came to epitomise in a single image this complex interface of the economic, the political, and the erotic. By the mid
Twentieth Century-Fox further profited from Monroe's popularity by cultivating several lookalike actresses, such as [[Jayne Mansfield]] and [[Sheree North]].{{sfnm|1a1=Spoto|1y=2001|1p=396|2a1=Belton|2y=2005|2p=103}} Other studios also attempted to create their own Monroes: [[Universal Pictures]] with [[Mamie Van Doren]],{{sfn|Spoto|2001|p=396}} Columbia Pictures with [[Kim Novak]],{{sfn|Solomon|2010|p=110}} and [[The Rank
In a profile, [[Truman Capote]] quoted Monroe's acting teacher, [[Constance Collier]]: "She is a beautiful child. I don't mean that in the obvious way—the perhaps too obvious way. I don't think she's an actress at all, not in any traditional sense. What she has—this presence, this luminosity, this flickering intelligence—could never surface on the stage. It's so fragile and subtle, it can only be caught by the camera. It's like a hummingbird in flight: only a camera can freeze the poetry of it."{{sfn|Capote|1980|pp=224–226}}
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== Filmography ==
{{Main|Marilyn Monroe performances and awards}}
{{Div col|colwidth=30em}}
* ''[[Dangerous Years]]'' (1947)
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== Legacy ==
{{Main|Marilyn Monroe in popular culture}}
[[File:Monroe in Niagara (1953 publicity photo).jpg|left|thumb|
According to ''The Guide to United States Popular Culture'', "as an icon of American popular culture, Monroe's few rivals in popularity include [[Elvis Presley]] and [[Mickey Mouse]]... no other star has ever inspired such a wide range of emotions—from lust to pity, from envy to remorse."{{sfn|Chapman|2001|pp=542–543}} Art historian [[Gail Levin (art historian)|Gail Levin]] stated that Monroe may have been "the most photographed person of the 20th century",<ref name=levin>{{cite web|url=https://www.pbs.org/wnet/americanmasters/marilyn-monroe-filmmaker-interview-gail-levin/63/|title=Filmmaker interview – Gail Levin|date=July 19, 2006|publisher=[[Public Broadcasting Service]]|access-date=July 11, 2016|archive-url=https://web.archive.org/web/20160810035145/http://www.pbs.org/wnet/americanmasters/marilyn-monroe-filmmaker-interview-gail-levin/63/|archive-date=August 10, 2016|url-status=live}}</ref> and The American Film Institute has named her [[AFI's 100 Years...100 Stars|the sixth greatest female screen legend]] in [[Cinema of the United States|American film history]]. The [[Smithsonian Institution]] has included her on their list of "100 Most Significant Americans of All Time",<ref>{{cite web|url=https://www.smithsonianmag.com/smithsonianmag/meet-100-most-significant-americans-all-time-180953341/|title=Meet the 100 Most Significant Americans of All Time|last=Frail|first=T.A.|date=November 17, 2014|publisher=[[Smithsonian Institution]]|access-date=September 10, 2015|archive-url=https://web.archive.org/web/20190321144943/https://www.smithsonianmag.com/smithsonianmag/meet-100-most-significant-americans-all-time-180953341/|archive-date=March 21, 2019|url-status=live}}</ref> and both ''Variety'' and [[VH1]] have placed her in the top ten in their rankings of the greatest popular culture icons of the twentieth century.<ref>{{cite news|url=http://news.bbc.co.uk/2/hi/entertainment/4344910.stm|title=Beatles Named 'Icons of Century'|date=October 16, 2005|publisher=BBC|access-date=September 10, 2015|archive-url=https://web.archive.org/web/20160306201152/http://news.bbc.co.uk/2/hi/entertainment/4344910.stm|archive-date=March 6, 2016|url-status=live}}</ref><ref>{{cite press release|title=The 200 Greatest Pop Culture Icons Complete Ranked List|publisher=[[VH1]]|url=http://www.prnewswire.com/news-releases/the-200-greatest-pop-culture-icons-complete-ranked-list-70807437.html|access-date=September 10, 2015|via=[[PR Newswire]]|url-status=dead|archive-date=May 11, 2016|archive-url=https://web.archive.org/web/20160511154709/http://www.prnewswire.com/news-releases/the-200-greatest-pop-culture-icons-complete-ranked-list-70807437.html}}</ref>
Hundreds of books have been written about Monroe. She has been the subject of numerous films, plays, operas, and songs, and has influenced artists and entertainers such as [[Andy Warhol]] and [[Madonna]].{{sfnm|1a1=Churchwell|1y=2004|1pp=12–15|2a1=Hamscha|2y=2013|2pp=119–129}}<ref>{{cite news|url=https://www.theguardian.com/books/2011/nov/16/michel-schneider-top-10-marilyn-monroe-books|title=Michel Schneider's Top 10 Books About Marilyn Monroe|last=Schneider|first=Michel|date=November 16, 2011|newspaper=The Guardian|access-date=August 30, 2015|archive-url=https://web.archive.org/web/20150928145942/http://www.theguardian.com/books/2011/nov/16/michel-schneider-top-10-marilyn-monroe-books|archive-date=September 28, 2015|url-status=live}}</ref> She also remains a valuable brand:<ref>{{cite magazine|url=http://content.time.com/time/magazine/article/0,9171,991257,00.html|title=The Blond Marilyn Monroe|date=June 14, 1999|magazine=Time|access-date=August 30, 2015|archive-url=https://web.archive.org/web/20160106091538/http://content.time.com/time/magazine/article/0%2C9171%2C991257%2C00.html|archive-date=January 6, 2016|url-status=live|last1=Rudnick|first1=Paul}}</ref> her image and name have been licensed for hundreds of products, and she has been featured in advertising for brands such as [[Max Factor]], [[Chanel]], [[Mercedes-Benz]], and [[Absolut Vodka]].{{sfn|Churchwell|2004|pp=33, 40}}<ref name="www.theguardian.com max-factor-cant-claim-marilyn-monroe2">{{cite news|url=https://www.theguardian.com/commentisfree/2015/jan/09/max-factor-cant-claim-marilyn-monroe|title=Max Factor Can't Claim Credit for Marilyn Monroe|last=Churchwell|first=Sarah|date=January 9, 2015|newspaper=The Guardian|access-date=August 30, 2015|archive-url=https://web.archive.org/web/20150825013827/http://www.theguardian.com/commentisfree/2015/jan/09/max-factor-cant-claim-marilyn-monroe|archive-date=August 25, 2015|url-status=live}}</ref>
[[File:Marilyn Monroe, Photoplay 1953.jpg|230x230px|thumb|Monroe in a ''[[Photoplay]]'' magazine cover photo, December 1953]]
Monroe's enduring popularity is tied to her conflicted public image.{{sfnm|1a1=Fuller|1a2=Lloyd|1y=1983|1p=309|2a1=Marcus|2y=2004|2pp=17–19, 309|3a1=Churchwell|3y=2004|3pp=21–42}} On the one hand, she remains a sex symbol, beauty icon and one of the most famous stars of [[classical Hollywood cinema]].{{sfn|Churchwell|2004|p=8}}<ref>{{cite web|url=https://www.smithsonianmag.com/smithsonian-institution/remembering-marilyn-monroe-43964747/|title=Remembering Marilyn Monroe|last=Stromberg|first=Joseph|date=August 5, 2011|publisher=Smithsonian Institution|access-date=September 10, 2015|archive-url=https://web.archive.org/web/20150928090337/http://www.smithsonianmag.com/smithsonian-institution/remembering-marilyn-monroe-43964747/|archive-date=September 28, 2015|url-status=live}}</ref><ref>{{cite web|url=https://www.bfi.org.uk/features/marilyn-icon|title=Marilyn: The Icon|last=Wild|first=Mary|date=May 29, 2015|publisher=British Film Institute|access-date=September 10, 2015|archive-url=https://web.archive.org/web/20150906134813/http://www.bfi.org.uk/news-opinion/news-bfi/features/marilyn-icon|archive-date=September 6, 2015|url-status=live}}</ref> On the other, she is also remembered for her troubled private life, unstable childhood, struggle for professional respect, as well as her death and the conspiracy theories that surrounded it.{{sfnm|1a1=Fuller|1a2=Lloyd|1y=1983|1p=309|2a1=Steinem|2a2=Barris|2y=1987|2pp=13–15|3a1=Churchwell|3y=2004|3p=8}} She has been written about by scholars and journalists who are interested in gender and feminism;<ref name="Guardianfem">{{cite web|url=https://www.theguardian.com/film/features/featurepages/0,,498050,00.html|title=Happy Birthday, Marilyn|date=May 29, 2001|work=The Guardian|access-date=August 30, 2015|archive-url=https://web.archive.org/web/20150611194816/http://www.theguardian.com/film/features/featurepages/0,,498050,00.html|archive-date=June 11, 2015|url-status=live}}</ref> these writers include [[Gloria Steinem]], [[Jacqueline Rose]],{{sfn|Rose|2014|pp=100–137}} Molly Haskell,{{sfn|Haskell|1991|pp=254–265}} Sarah Churchwell,<ref name="www.theguardian.com max-factor-cant-claim-marilyn-monroe2"/> and Lois Banner.<ref>{{cite news|url=https://www.theguardian.com/film/2012/jul/21/marilyn-monroe-feminist-psychoanalysis-lois-banner|title=Marilyn Monroe: Proto-feminist?|last=Banner|first=Lois|date=July 21, 2012|newspaper=The Guardian|access-date=November 7, 2015|archive-url=https://web.archive.org/web/20151121051705/http://www.theguardian.com/film/2012/jul/21/marilyn-monroe-feminist-psychoanalysis-lois-banner|archive-date=November 21, 2015|url-status=live|ref=none}}</ref> Some, such as Steinem, have viewed her as a victim of the studio system.<ref name="Guardianfem" />{{sfnm|1a1=Steinem|1a2=Barris|1y=1987|1pp=15–23|2a1=Churchwell|2y=2004|2pp=27–28}} Others, such as Haskell,<ref>{{cite news|url=https://www.nytimes.com/books/98/11/22/reviews/981122.22haskelt.html|title=Engineering an Icon|last=Haskell|first=Molly|date=November 22, 1998|work=The New York Times|access-date=August 30, 2015|archive-url=https://web.archive.org/web/20160307052723/https://www.nytimes.com/books/98/11/22/reviews/981122.22haskelt.html|archive-date=March 7, 2016|url-status=live}}</ref> Rose,{{sfn|Rose|2014|pp=100–137}} and Churchwell,<ref name="www.theguardian.com max-factor-cant-claim-marilyn-monroe2"/> have instead stressed Monroe's proactive role in her career and her participation in the creation of her public persona.
[[File:James Gill's "Marylin Tryptich".jpg|thumb|Left panel from [[pop art]]ist [[James Gill (artist)|James Gill]]'s painting ''Marilyn Triptych'' (1962)|218x218px|left]]
Owing to the contrast between her stardom and troubled private life, Monroe is closely linked to broader discussions about modern phenomena such as mass media, fame, and consumer culture.{{sfn|Hamscha|2013|pp=119–129}} According to academic Susanne Hamscha, Monroe has continued relevance to ongoing discussions about modern society, and she is "never completely situated in one time or place" but has become "a surface on which narratives of American culture can be (re-)constructed", and "functions as a cultural type that can be reproduced, transformed, translated into new contexts, and enacted by other people".{{sfn|Hamscha|2013|pp=119–129}} Similarly, Banner has called Monroe the "eternal shapeshifter" who is re-created by "each generation, even each individual... to their own specifications".<ref>{{cite news|url=https://www.latimes.com/opinion/la-xpm-2012-aug-05-la-oe-0805-banner-marilyn-monroe-icon-biography-20120805-story.html|title=Marilyn Monroe, the Eternal Shape Shifter|last=Banner|first=Lois|date=August 5, 2012|newspaper=Los Angeles Times|access-date=August 30, 2015|archive-url=https://web.archive.org/web/20190517063539/https://www.latimes.com/opinion/la-xpm-2012-aug-05-la-oe-0805-banner-marilyn-monroe-icon-biography-20120805-story.html|archive-date=May 17, 2019|url-status=live|ref=none}}</ref>
Monroe remains a [[cultural icon]], but critics are divided on her legacy as an actress. [[David Thomson (film critic)|David Thomson]] called her body of work "insubstantial"<ref>{{cite magazine|url=https://newrepublic.com/article/105847/the-inscrutable-life-and-death-marilyn-monroe|title=The Inscrutable Life and Death of Marilyn Monroe|last=Thomson|first=David|author-link=David Thomson (film critic)|date=August 6, 2012|magazine=New Republic|access-date=August 30, 2015|archive-url=https://web.archive.org/web/20151210190429/https://newrepublic.com/article/105847/the-inscrutable-life-and-death-marilyn-monroe|archive-date=December 10, 2015|url-status=live}}</ref> and [[Pauline Kael]] wrote that she could not act, but rather "used her lack of an actress's skills to amuse the public. She had the wit or crassness or desperation to turn cheesecake into acting—and vice versa; she did what others had the 'good taste' not to do".<ref>{{cite news|url=https://www.nytimes.com/books/97/05/04/reviews/mailer-marilyn.html|title=Marilyn: A Rip-Off With Genius|last=Kael|first=Pauline|author-link=Pauline Kael|date=July 22, 1973|work=The New York Times|access-date=August 30, 2015|archive-url=https://web.archive.org/web/20160325182658/https://www.nytimes.com/books/97/05/04/reviews/mailer-marilyn.html|archive-date=March 25, 2016|url-status=live}}</ref> In contrast, [[Peter Bradshaw]] wrote that Monroe was a talented comedian who "understood how comedy achieved its effects",<ref name="bradshaw">{{cite news|url=https://www.theguardian.com/film/2012/may/09/cannes-marilyn-monroe|title=Cannes and the Magic of Marilyn Monroe|last=Bradshaw|first=Peter|author-link=Peter Bradshaw|date=May 9, 2012|newspaper=The Guardian|access-date=August 30, 2015|archive-url=https://web.archive.org/web/20150923131249/http://www.theguardian.com/film/2012/may/09/cannes-marilyn-monroe|archive-date=September 23, 2015|url-status=live}}</ref> and [[Roger Ebert]] wrote that "Monroe's eccentricities and neuroses on sets became notorious, but studios put up with her long after any other actress would have been blackballed because what they got back on the screen was magical".<ref>{{cite web|url=https://www.rogerebert.com/reviews/great-movie-some-like-it-hot-1959|title=Some Like It Hot|last=Ebert|first=Roger|date=January 9, 2000|publisher=Roger Ebert.com|access-date=July 11, 2016|archive-url=https://web.archive.org/web/20160725091543/http://www.rogerebert.com/reviews/great-movie-some-like-it-hot-1959|archive-date=July 25, 2016|url-status=live}}</ref> Similarly, [[Jonathan Rosenbaum]] stated that "she subtly subverted the sexist content of her material" and that "the difficulty some people have discerning Monroe's intelligence as an actress seems rooted in the ideology of a repressive era, when super feminine women weren't supposed to be smart".<ref>{{cite web|url=https://www.chicagoreader.com/chicago/marilyn-monroes-brains/Content?oid=920660|title=Marilyn Monroe's Brains|last=Rosenbaum|first=Jonathan|author-link=Jonathan Rosenbaum|date=December 1, 2005|work=Chicago Reader|access-date=August 30, 2015|archive-url=https://web.archive.org/web/20150905085251/http://www.chicagoreader.com/chicago/marilyn-monroes-brains/Content?oid=920660|archive-date=September 5, 2015|url-status=live}}</ref> In 2024, the [[Los Angeles City Council]] approved [[12305 Fifth Helena Drive|Monroe's house]] in [[Brentwood, Los Angeles]] being designated as a Historic Cultural Monument.<ref>{{Cite web|url=https://variety.com/2024/film/news/marilyn-monroe-house-landmark-demolition-1236050076/|title=Marilyn
== Notes ==
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