Art blog: Difference between revisions

Content deleted Content added
Tags: Reverted Visual edit
Rm entry that wasn't notable and redirect links
 
(13 intermediate revisions by 10 users not shown)
Line 1:
{{Short description|Type of blog that comments on art}}
{{Use dmy dates|date=October 2020}}
 
An '''art blog''' is a common type of [[blog]] that comments on art. More recently, as with other types of blogs, some art blogs have taken on '[[web 2.0]]' social networking features. Art blogs that adopt this sort of change can develop to become a source of information on art events (listings and maps), a way to share information and images, or virtual meeting ground.
 
Art blogsblog entries cover different topics, from art critiques and commentary to insider art world gossip, auction results, art news, personal essays, portfolios, interviews, artists' journals, art marketing advice, and artist biographies. Some artists use art blogs as a form of new media art project.
 
Art blogs may also serve as a forum to reach out to anybody interested in art – be it painting, sculpture, print making, creative photography, video art, conceptual art, or new media. In this way, they may be visited not only for the practitioners of different forms of art, but also collectors, connoisseurs, and critics.
 
==Mainstream media==
In 2011, art critic [[Brian Sherwin]] interviewed art critic [[Mat Gleason]] of [[Coagula Art Journal]] for Faso.com's FineArtViews blog. The interview between Sherwin and Gleason focused on [[contemporary art]] criticism and the role of art blog'sblogs in present-day [[art criticism]] among other issues. Gleason suggested to Sherwin that art blogs and the development of new media have become a "''blow''" to traditional print art magazines. Gleason and Sherwin also discussed how [[bloggers]] form a "''pack mentality''" based on region and perceived significance.<ref>[http://faso.com/fineartviews/27987/fineartviews-interview-mat-gleason-art-critic-and-founder-of-coagula-art-journal "FineArtViews Interview: Mat Gleason -- Art Critic and Founder of Coagula Art Journal"] {{webarchive|url=https://web.archive.org/web/20111218141116/http://faso.com/fineartviews/27987/fineartviews-interview-mat-gleason-art-critic-and-founder-of-coagula-art-journal |date=18 December 2011 }}, Faso.com - FineArtViews. Retrieved 7 January 2012.</ref><ref>[http://www.huffingtonpost.com/2011/02/26/fineartsviews-interviews-_n_828719.html "FineArtViews Interviews Mat Gleason, Art Critic/Founder of Coagula"] {{webarchive|url=https://web.archive.org/web/20120420061624/http://www.huffingtonpost.com/2011/02/26/fineartsviews-interviews-_n_828719.html |date=20 April 2012 }}, ''HuffPost''. Retrieved 7 January 2012.</ref>
 
On 28 April 2009, Art Connect produced an in-depth interview by Peter Cowling for [[Art Connect]] and Jessica Palmer of [[Bioephemera]]. The interview, titled "It is not Really Bloggers vs. Journalists, You Know,"<ref>Cowling, Peter and Palmer, Jessica, "It is not Really Bloggers vs. Journalists, You Know", April 2009 {{cite web|url=http://www.loveart-gallery.com/art-blog-reviews/2009/04/27/extraordinary-art-blogs-series-part-seven-it-is-not-really-bloggers-vs-journalists-you-know |title=ArchivedExtraordinary copyArt Blogs Series, Part seven: It is not Really Bloggers vs. Journalists, You Know &#124; art blog reviews |access-date=2009-04-28 |url-status=dead |archive-url=https://web.archive.org/web/20090701133911/http://www.loveart-gallery.com/art-blog-reviews/2009/04/27/extraordinary-art-blogs-series-part-seven-it-is-not-really-bloggers-vs-journalists-you-know/ |archive-date=1 July 2009}}</ref> pointed to five trends that were shaping the communication and discussion of art on the internet, and that the real picture was much bigger than just the bloggers vs. journalists that had been discussed to date. These five points were:
 
* Media convergence will continue to improve [[consumer choice]], providing a better match between desire and availability.
* Content producers are just that. Consumers care less about how and where they can get the content they want. What they do consistently care about is the quality of the content, and whether the content is produced to their timescales.
* The content producer-to-content consumer relationship is changing. Requests for feedback and further debate have been partially overtaken by things like conversations, and further fragmentation will certainly occur.
* Information technology and systems, provided as commodity (pay-as-you-go) services. Such services range from processing and storage, through to credit card processing and super-fast content delivery.
* The economic downrun.
 
On 8 January 2009, Regina Hackett, art critic of the [[Seattle Post-Intelligencer]], noted in her article "Art Blogsblogs Hithit Wikipedia"<ref>Hackett, Regina, "Art Blogs Hit Wikipedia." ''Seattle Post-Intelligencer'', January 2009. {{cite web |url=http://blog.seattlepi.nwsource.com/art/archives/159041.asp |title=ArchivedArt copyblogs hit Wikipedia &#124; Seattle Arts News and Reviews – seattlepi.com |access-date=2009-01-19 |url-status=live |archive-url=https://web.archive.org/web/20110720231949/http://blog.seattlepi.nwsource.com/art/archives/159041.asp |archive-date=20 July 2011}}</ref> that commercially run, mainstream media -supported, art blogs face issues of acceptance among the independent art blogging community.
 
On 7 January 2009, ''[[The Village Voice]]'' art critic Martha Schwendener suggests that art blogs have helped shape a more laissez-faire climate for art writing. "Art blogs have created a new, largely unedited, admirably 'unprofessional'—hence, democratic—venue for people to speak their minds, gossip, or theorize about art."<ref>Schwendener, Martha, "What Crisis? Some Promising Futures for Art Criticism." ''The Village Voice'', January 2009. {{cite web |url=http://www.villagevoice.com/2009-01-07/art/what-crisis-some-promising-futures-for-art-criticism/ |title=ArchivedNew copyYork Art – What Crisis? Some Promising Futures for Art Criticism – page 1 – Village Voice |access-date=2009-01-07 |url-status=live |archive-url=https://web.archive.org/web/20090116123956/http://www.villagevoice.com/2009-01-07/art/what-crisis-some-promising-futures-for-art-criticism |archive-date=16 January 2009}}</ref>
 
In September 2008, the ''[[Brooklyn Rail]]'' contributor [[James Kalm]] produced an article titled "Virtually Overwhelmed.".<ref>[http://www.brooklynrail.org/2008/09/artseen/brooklyn-dispatches-virtually-overwhelmed Kalm, James, "Virtually Overwhelmed." ''Brooklyn Rail''] {{webarchive|url=https://web.archive.org/web/20090105114244/http://www.brooklynrail.org/2008/09/artseen/brooklyn-dispatches-virtually-overwhelmed |date=5 January 2009 }}</ref> A practicing artist and video blogger himself, Kalm has this to saysays about art blogs, "The art blogosphere is a work in progress, and you’ve got to be vigilant of hidden agendas. As with anything online, take it with a grain of salt. Have fun, speak out, but don’t let it cut too much into your studio time; you might end up in a twelve step-program."
 
In the November 2007 issue of ''[[Art in America]]'', [[Peter Plagens]] contributed "Report from the Blogosphere: The New Grass Roots."<ref>Plagens, Peter, "Report from the Blogosphere: The New Grass Roots." ''Art in America'', November 2007. [http://madsilence.wordpress.com/2008/02/03/the-future-of-the-art-blog/]</ref> Plagens convened a round table of veteran art bloggers, who conversed via email on a range of questions, aimed at getting a better understanding of what art blogs were, how they were run, and their relationship with the mainstream media.
 
In an October 2007 article for artnet''Artnet Magazine'', critic Charlie Finch suggested that art critiques and reviews by art bloggers are overrated and lengthy, and implied that the art blogging community was overly insular.<ref>Finch, Charlie, "A NOT-SO-VAST RIGHT-WING CONSPIRACY" ''artnet Magazine'', {{cite web |url=http://www.artnet.com/magazineus/features/finch/finch10-26-07.asp |title=ArchivedA copyNot-So-Vast Right Wing Conspirancy – artnet Magazine |access-date=2009-01-16 |url-status=live |archive-url=https://web.archive.org/web/20090418041306/http://www.artnet.com/magazineus/features/finch/finch10-26-07.asp |archive-date=18 April 2009}}</ref> The article includes several ''ad hominen'' arguments against specific art bloggers, and ventures the opinion that art blogs "have no readers".
 
In the January 2005 issue of ''[[Art in America]]'',<ref>Rubinstein, Rafael, "Art in the Blogoshere." ''Art in America'', "Front Page," January 2005. {{cite web |url=http://www.firstpulseprojects.com/frontpageaia.pdf |title=Archived copy |access-date=2009-01-09 |url-status=live |archive-url=https://web.archive.org/web/20080807172818/http://www.firstpulseprojects.com/frontpageaia.pdf |archive-date=7 August 2008}}</ref> Raphael Rubinstein mentioned several blogs in the magazine's "Front Page" section, where he penned a brief, annotated survey of 12 art blogs that he found "to be worth regular visits.". Rubinstein opined that "art-related blogs" had not, at the time, become as consequential as blogs in other fields such as poetry or politics.
 
== Academia ==
In December 2008, the art blog [[Maurice Benayoun|''The Dump]]'',<ref>{{cite web|url=http://www.the-dump.net/|title=The-dump|website=www.the-dump.net|access-date=23 April 2018|url-status=live|archive-url=https://web.archive.org/web/20180212143100/http://the-dump.net/|archive-date=12 February 2018}}</ref> where the new-media artist [[Maurice Benayoun]] dumped hundreds of undone art projects, was the first to become a doctorate thesis in art and art science in and of itself: ''Artistic Intentions at Work, Hypothesis for Committing Art'' Université Pantheon Sorbonne (6 December 2008). This PhD was directed by Prof. Anne-Marie Duguet. Jury: Prof. [[Hubertus von Amelunxen]], Louis Bec, artist, Prof. [[Derrick de Kerckhove]], and Prof. Jean da Silva.
 
This PhD was directed by Prof. Anne-Marie Duguet. Jury : Prof. [[Hubertus von Amelunxen]], [[Louis Bec]], artist, Prof. [[Derrick de Kerckhove]], and Prof. Jean da Silva.
In May 2010, ''The Dump – Recycling of Thoughts'', a contemporary art exhibition curated by Agnieszka Kulazińska at Laznia Art Center ([[Gdańsk]], [[Poland]]) presented 9 artists whose works were derived from ''The Dump'' blog project list.<ref>{{cite web|url=http://www.laznia.pl/index.php?idDzial=9&idWpis=525|title=Centrum Sztuki Współczesnej Łaźnia|first=Studio eMart|last=biuro@studioemart.pleMart|website=www.laznia.pl|access-date=23 April 2018|url-status=live|archive-url=https://web.archive.org/web/20160314081644/http://laznia.pl/index.php?iddzial=9&idwpis=525|archive-date=14 March 2016}}</ref>
<br />
In May 2010, ''The Dump – Recycling of Thoughts'', a contemporary art exhibition curated by Agnieszka Kulazińska at Laznia Art Center ([[Gdańsk]], [[Poland]]) presented 9 artists whose works were derived from ''The Dump'' blog project list.<ref>{{cite web|url=http://www.laznia.pl/index.php?idDzial=9&idWpis=525|title=Centrum Sztuki Współczesnej Łaźnia|first=Studio eMart|last=biuro@studioemart.pl|website=www.laznia.pl|access-date=23 April 2018|url-status=live|archive-url=https://web.archive.org/web/20160314081644/http://laznia.pl/index.php?iddzial=9&idwpis=525|archive-date=14 March 2016}}</ref>
 
==Other coverage ==
Other coverage of art blogs includes interviews of art bloggers, reviews of art blog sitesites, and recommendations of favouritefavorite sites. Art Connect has produced around 90 reviews of art blogs, and undertakes interviews with art bloggers.<ref>[http://www.loveart-gallery.com/art-blog-reviews/ Art Connect review of art blogs] {{webarchive |url=https://web.archive.org/web/20090124135259/http://www.loveart-gallery.com/art-blog-reviews/ |date=24 January 2009 }}</ref> The [[Courtauld Institute of Art]], in London, maintains a list of recommended art blogs.<ref>List of art blogs recommended by the Courtauld Institute of Art, London, {{cite web |url=http://www.courtauld.ac.uk/booklibrary/collections_services/links.shtml/ |title=Courtauld Institute of Art : Book Library Useful Links |access-date=2009-01-10 |url-status=live |archive-url=https://web.archive.org/web/20081029201701/http://www.courtauld.ac.uk/booklibrary/collections_services/links.shtml |archive-date=29 October 2008}}</ref> Directories such as Yahoo! Directory and BlogCatalog maintain a list of user-submitted art blogs.
.<ref>List of art blogs recommended by the Courtauld Institute of Art, London, {{cite web |url=http://www.courtauld.ac.uk/booklibrary/collections_services/links.shtml/ |title=Archived copy |access-date=2009-01-10 |url-status=live |archive-url=https://web.archive.org/web/20081029201701/http://www.courtauld.ac.uk/booklibrary/collections_services/links.shtml |archive-date=29 October 2008}}</ref> Directories such as Yahoo! Directory and BlogCatalog maintain a list of user submitted art blogs.
 
==List of notable art blogs==
<!-- IF YOU DON'T PAY ATTENTION TO THIS MESSAGE, YOUR EDIT WILL BE ROLLED BACK WITHOUT WARNING.
 
ONLY place entries here that are links to actual Wikipedia articles about notable blogs. External links, redlinks, substubs, non-notable sites or sites that are not blogs will be removed. If you have questions, use the talk page. Please try to keep entries in alphabetical order. Adding unnecessary links or text anywhere else will also be removed. Thanks.
 
Please see "WP:WEB" for information on notability for websites on Wikipedia.
Editors are encouraged to "WP:WTAF". -->
 
*''[[Mira Schor|A Year of Positive Thinking]]''<ref>{{cite web|url=http://ayearofpositivethinking.com/|title=A Year of Positive Thinking - Mira Schor|website=ayearofpositivethinking.com|access-date=23 April 2018|url-status=live|archive-url=https://web.archive.org/web/20110707202156/http://ayearofpositivethinking.com/ |archive-date=7 July 2011}}</ref> is published by artist and activist [[Mira Schor]], "a cheerful postscript" to her book of essays on art, culture and politics called ''A Decade of Negative Thinking''.
*''[[Paddy Johnson|Art F City]],''" founded by [[Paddy Johnson]], thisis an officially non-profit art blog that covers new art in New York. At the''The NYTimesNew York Times'', Holland Cotter named AFC as a blog that "combines criticism, reporting, political activism and gossip on an almost-24-hour news cycle."<ref>Holland Cotter,"Lost in the Gallery-Industrial Complex," New York Times, 17 January 2014.{{cite web |url=https://www.nytimes.com/2014/01/19/arts/design/holland-cotter-looks-at-money-in-art.html |title=ArchivedHolland copyCotter Looks at Money in Art – the New York Times |website=[[The New York Times]] |access-date=2017-02-26 |url-status=live |archive-url=https://web.archive.org/web/20170729010753/https://www.nytimes.com/2014/01/19/arts/design/holland-cotter-looks-at-money-in-art.html |archive-date=29 July 2017}}</ref>
*''[[Maurice Benayoun|The Dump]]'' by the French new media artist [[Maurice Benayoun]] deliveringdelivers hundreds of undone art projects<ref>[http://www.cgw.com/Print.aspx?Page=/Publications/CGW/2009/Volume-32-Issue-4-Apr-2009-/Without-Bounds.aspx] {{webarchive|url=https://web.archive.org/web/20110716201324/http://www.cgw.com/Print.aspx?Page=%2FPublications%2FCGW%2F2009%2FVolume-32-Issue-4-Apr-2009-%2FWithout-Bounds.aspx |date=16 July 2011 }} ''Without Bounds'' by Barbara Robertson in CGW volume 32 issue 4 April 2009</ref>
* ''[[Hyperallergic]]'', founded by the art critic Hrag Vartanian and his husband Veken Gueyikian in October 2009. The site describes itself as a "forum for serious, playful and radical thinking."<ref>{{cite web|url=http://hyperallergic.com/|title=Hyperallergic|website=Hyperallergic|access-date=23 April 2018|url-status=live|archive-url=https://web.archive.org/web/20180323204905/https://hyperallergic.com/|archive-date=23 March 2018}}</ref>
*''[[NEWSgrist]]'',<ref>{{cite web|url=http://newsgrist.typepad.com/|title=NEWSgrist - where spin is art|website=newsgrist.typepad.com|access-date=23 April 2018|url-status=live|archive-url=https://web.archive.org/web/20180323152450/http://newsgrist.typepad.com/|archive-date=23 March 2018}}</ref> maintained by artist [[Joy Garnett]], began in March 2000 as an e-zine devoted to the politics of art and culture in the digital age. For four years, it was distributed entirely by email subscription.
*''[[PORT]]'', co-founded in 2005 by Jennifer Armbrust and [[Jeff Jahn]] (who still maintains the site), ''PORT''<ref>{{cite web|url=http://www.portlandart.net/|title=PORT: portlandart.net - Portland art + news + reviews|website=www.portlandart.net|access-date=23 April 2018|url-status=live|archive-url=https://web.archive.org/web/20171121025150/http://www.portlandart.net/|archive-date=21 November 2017}}</ref> focuses on critical content related to the Portland art scene. ''PORT'' describes itself as "dedicated to catalyzing critical discussion and disseminating information about art as lensed through Portland, Oregon." In the November 2007 ''Art in America'' roundtable Plagens described ''PORT'' as, "the closest thing to the virtues (paid critics, office help, etc.) of a print art magazine on the Internet...." . In 2007, [[Tyler Green (journalist)|Tyler Green]] described ''PORT'' as, "The undisputed champ of the regional art blogs." on ''Off Center'', the Walker Art Center's blog.
*''The[[Two SiloCoats of Paint]],''<ref>{{cite web|url=[http://thesilowww.raphaelrubinsteintwocoatsofpaint.com/|title=The SiloTwo byCoats Raphaelof Rubinstein|website=thesilo.raphaelrubinstein.com|access-date=23Paint] April 2018{{webarchive|url-status=live|archive-url=https://web.archive.org/web/2018032209470920140705141241/http://thesilowww.raphaelrubinsteintwocoatsofpaint.com/ |archive-date=225 MarchJuly 2014 2018}}</ref> is maintainedfounded by art[[Sharon criticButler]] andin poet2007, Raphaelis Rubinstein.dedicated A revisionist "dictionary" ofto contemporary artpainting aimedand atrelated challenging existing accounts of art since 1960subjects and to offerreceived a fresh look at some well-known artists, The Silo was originally funded by an Andy Warhol/Creative Capital/Warhol Foundation Arts Writing Grant in 2013–14.
*''[[Two Coats of Paint]],''<ref>[http://www.twocoatsofpaint.com/ Two Coats of Paint] {{webarchive|url=https://web.archive.org/web/20140705141241/http://www.twocoatsofpaint.com/ |date=5 July 2014 }}</ref> founded by [[Sharon Butler]] in 2007, is dedicated to contemporary painting and related subjects. Received a Creative Capital/Warhol Foundation Arts Writing Grant in 2013–14.
*''[[Wooster Collective]]''<ref>{{cite web|url=http://www.woostercollective.com/|title=Wooster Collective|website=Wooster Collective|access-date=23 April 2018|url-status=dead|archive-url=https://web.archive.org/web/20151027052728/http://woostercollective.com/|archive-date=27 October 2015}}</ref> was founded in 2001. This site focuses on ephemeral art placed on streets in cities around the world. Updated by Marc and Sara Schiller, the site also offers podcasting with music and interviews featuring street artists.
*[https://artschooldb.com/schooldb/virtual-art-academy/ Virtual Art Academy]was created to make structured academy-caliber art education available to everyone. This way the academy gives students everywhere the same opportunity to learn to paint at a high level.
 
==References==