Performing arts: Difference between revisions

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The '''performing arts''' are [[The arts|arts]] such as [[music]], [[dance]], and [[drama]] which are performed for an audience.<ref>{{Cite web|title=the-performing-arts noun – Definition, pictures, pronunciation and usage notes {{!}} Oxford Advanced Learner's Dictionary at OxfordLearnersDictionaries.com|url=https://www.oxfordlearnersdictionaries.com/us/definition/english/the-performing-arts?q=performing+arts|access-date=2021-01-19|website=www.oxfordlearnersdictionaries.com|archive-date=30 July 2022|archive-url=https://web.archive.org/web/20220730070105/https://www.oxfordlearnersdictionaries.com/us/definition/english/the-performing-arts?q=performing+arts|url-status=live}}</ref> They are different from the [[visual arts]], which involve the use of paint, canvas or various materials to create physical or static [[art objects]]. Performing arts include a range of disciplines which are performed in front of a live audience, including theatre, music, and dance.
 
[[Theatre]], music, dance, [[object manipulation]], and other kinds of performances are present in all human cultures. The [[history of music]] and [[history of dance|dance]] date to [[pre-historic times]] whereas [[circus skills]] date to at least [[Ancient EgyptGreece]]. Many performing arts are performed professionally. Performance can be in purpose-built buildings, such as theatres and opera houses, on open air stages at festivals, on stages in tents such as circuses or on the street.
 
Live performances before an audience are a form of entertainment. The development of [[Sound recording and reproduction|audio]] and [[video]] recording has allowed for private consumption of the performing arts. The performing arts often aims to express one's emotions and feelings.<ref>{{cite journal|last=Oliver|first=Sophie Anne|title= Trauma, Bodies, and Performance Art: Towards an Embodied Ethics of Seeing |journal= Continuum|date=February 2010|volume=24|pages=119–129|doi=10.1080/10304310903362775|s2cid=145689520}}</ref>