Humberto Costantini: Difference between revisions

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== Biography ==
Costantini was born in Buenos Aires, the only child of [[Italian Jews|Italian Jewish]] immigrants who lived in the barrio of Villa Pueyrredon.<ref>{{Cite journal |last=Orgambide |first=Pedro |date=1983 |title=Notas sobre un poema de Humberto Costantini |url=https://www.jstor.org/stable/20542092?seq=3 |journal=Hispamérica |volume=12 |issue=36 |pages=45–49 |issn=0363-0471}}</ref><ref name=":0">{{Cite journal |last=Mejía |first=Adelaida López |date=1991 |title=La visión satírica de Humberto Costantini: "De dioses, hombrecitos y policías" |url=https://www.jstor.org/stable/29740381 |journal=Chasqui |volume=20 |issue=2 |pages=86–97 |doi=10.2307/29740381 |issn=0145-8973}}</ref> He married Nela Nur Fernandez and the couple had three children, Violeta, Ana und Daniel († 2022). A medical [[veterinarian]], he practiced near the city of Lobería, [[Buenos Aires Province]]. In 1955, he returned to the city of Buenos Aires where he worked in various jobs: veterinarian, salesman, potter, and medical researcher. Meanwhile, he worked tirelessly in off-hours, "nailed to the chair" as he said, writing and rewriting his novels.
 
[[Image:Humberto Costantini escribiendo.jpg|thumb|upright=1.2|Humberto Costantini working "nailed to the chair"]]
Costantini was politically active from his youth. In his student days he confronted the Fascists of the Alianza Libertadora Nacionalista and was a member of the Communist Party until serious differences of opinion with the bureaucratic and pro-Soviet leadership caused him to leave it. He greatly admired [[Ernesto Che Guevara]]. In the 1970s he was actively engaged with the revolutionary left and was on official blacklists.
 
In 1976, Costantini was forced into exile in Mexico where he continued writing.<ref name=":0" /> He suffered in an exile that obliged him "to glance through the lists for his loved ones, as if the city had been hit with a typhoon." He conducted narrative workshops regularly, made programs for radio and for television, and he fell in love. As he said on his return: "In short, I lived." Costantini returned to Buenos Aires in 1983 after seven years, seven months and seven days in exile.<ref name=":0" />
 
An admirer of Osvaldo Pugliese, Anibal Troilo ("Pichuco"), and Eduardo Arolas, Constantini was a Tango singer, dancer, and amateur historian. He also composed milongas and tangos, some of which were published and recorded.
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== Works ==
Costantini's oeuvre included short stories, poetry, plays, novels, and radio programs. His first book of stories, ''De Por Aquí Nomás'', was published in 1958. His novel ''De Dioses, Hombrecitos y Policías (The Gods, The Little Guys and the Police),'' written while in hiding from the dictatorial government, was awarded the [[Casa de Las Américas Prize]].<ref>{{Cite web |title=The Gods, the Little Guys, and the Police, by Humberto Costantini (Book Review) - ProQuest |url=https://www.proquest.com/openview/12e0d2fc794b9b8d6518faddc9664e2d/1?pq-origsite=gscholar&cbl=1821054 |access-date=2024-11-07 |website=www.proquest.com |language=en}}</ref> His unfinished work, ''Rapsodía de Raquel Liberman'', recounts the exploits of a Jewish [[prostitute]] enslaved by the sinister organization [[Zwi Migdal]] who ultimately leaves that life behind her. This work shows a fundamental theme of Costani's: "To do what is right in the eyes of [[Jehova]], meaning to fulfill one's destiny."
 
[[Julio Cortázar]] respected Costantini's work: "I love what Humberto Costantini does, and am full of confidence in his work. He is, for me, a very important writer."
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* ''Una vieja historia de caminantes'' (short stories) edition in 1970
* ''Háblenme de Funes'' (three short novels) editions in 1970/1980
* ''Libro de Trelew'' (epic narration) edition in 1971970
* ''Más cuestiones con la vida'' (poems) edition in 1974
* ''Bandeo'' (short stories) editions in 1975/1980
* ''De Dioses, hombrecitos y policías'' (novel) editions in 1979/1984
* ''Una pipa larga, larga, con cabeza de jabalí'' (theater play) edition in 1981
* ''Eli, Eli, Lamma Sabajtani'' edition in 1983<ref>{{Cite journal |last=Costantini |first=Humberto |date=1983 |title=Eli, Eli, Lamma Sabajtani |url=https://www.jstor.org/stable/20542093 |journal=Hispamérica |volume=12 |issue=36 |pages=50–52 |issn=0363-0471}}</ref>
* ''La larga noche de Francisco Sanctis'' (novel) edition in 1984
* ''La larga noche de Francisco Sanctis'' (novel) edition in 1984<ref>{{Cite journal |last=Dillon |first=Alfredo |date=2017 |title=Costantini en el cine: la adaptación de La larga noche de Francisco Sanctis |url=https://publicaciones.sociales.uba.ar/index.php/lis/article/view/3865 |journal=L.I.S. Letra. Imagen. Sonido. Ciudad Mediatizada |language=es |volume=0 |issue=18 |pages=15–36 |issn=2545-658X}}</ref>
* ''En la noche'' (short stories) edition in 1985
* ''Chau, Pericles'' (theater play) edition in 1986