Number9ine
Patrick di Santo | |
|---|---|
| Patrick di Santo posed for head shot I, when applying for a passport for The Sound Odyssey Tour with other artists on Mercury/PolyGram Records, asked to submit a press photo di Santo produced the infamous head shot I used between 1988-1998 and head shot II between 1998-2008. Patrick di Santo (American artist, 9) in the infamous head shot II (1998) | |
| Born | Patrick Rocco di Santo July 9, 1965 |
| Other names | 9[2] |
| Occupations |
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| Years active | 1985–present |
| Known for | "Time is Precious, but Truth more Precious than Time"[4] |
| Works | Alright (2013 film) Silhouette (2010 painting) Intimate Instinct (2009 film) MORTAL WALK (2004 album) because (1998 album) Pleasure Freedom (1996 painting) alright (1994 album) Sound Odyssey (1994 tour) wax (1989 album) Dancing heart (1988 painting) |
| Movement | EDM (electronic digital media) |
| Spouses | Alexandra Perez Cid
(m. 1998; div. 2010) |
| Children | 2 |
| Musical career | |
| Genres | |
| Instruments |
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| Labels |
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| Website | www |
9[7] (artist) is media interpretation, heart in symphony with mind; 9 explores the space that is world culture.
An American artist referred to as 9, Patrick di Santo is known for minimalism, lateral thinking and problem solving, when conveying a message. Pushing the boundaries of content, as well as the space it is viewed within, often considered a virtuoso of space and media amplified by Savant Syndrome post 2011 TBI. Also known for extensive work with American Children's Rights, Civil Rights, Human Rights, and Disability Rights movements with his diagnosis in 2012 of Chronic Traumatic Encephalopathy.
Born Patrick Rocco di Santo (/tʃɪˈkoʊni/; on July 9, 1965) and raised in a small farming community, di Santo moved to Pittsburgh, Pennsylvania in 1985, artist Andy Warhol and professors at film school encouraged the young di Santo to New York City after viewing a collaborative Mother Goose (Finnish band) piece staged at the local venue The Syria Mosque. Having had moved to New York City by 1987, traveling often while perfecting artistic skills and commentary on current events through media under the moniker Neun. Soon releasing, I know what I want, and Golden Rule two singles off the compilation album “wax” on Vertigo Records. By 1994 di Santo signed to Mercury/PolyGram Records releasing the single Alright, off the album of the same title coining the phrase EDM (electronic digital media). alright is a brutal, industrial collage of sound reminiscent of the musique concrète, in the 1950’s particularly Karlheinz Stockhausen's Gesang der Jünglinge and John Lennon’s Revolution number 9. The success of these early releases began commercial relationships with Universal, Warner Bros, Post War, Power Station, and BMI under IDP (irresistible demon publishing), later to be renamed Independent Design Production. 1996 gained 9, CMJ artist of the Year for Alright while promoting "The Sound Odyssey Tour" with Alright being included in three other compilations, the second single I walk Alone remastered by Swiss protege Christian Wicked gained airplay on christian, country and alternative stations alike -- Myth became the soundtrack to Savon de Marseille a decade later securing di Santo as a media visionary. In the Daze, Dazed and versus the Orb are collaborations with The Orb, continue to enjoy great club success.
di Santo is noted as one of the most influential, underground talents in the arts today, never sure how the market will receive a piece, 9 is credited for being one of the few minimalists in commercial production -- had sold only 60 thousand media recordings worldwide (2010), 56 prints, 26 Human factors and ergonomics, 16 paintings, 6 instillation exhibits, 5 tours, 4 screen plays, and 2 retrospectives. 9, Firmly states "The goal has never been success perceived by others, but satisfaction with the work produced."
life and career
1965–1984: Early years, life and career
di Santo was born on United States Air Force Strategic Air Command base on July 9, 1965 to media specialist JoanAnn della Scapvula[8] of Watkins Glen, New York and Jet engine mechanic Richard Rocco di Santo de Sarro[8] from Seneca Falls, New York both of European ancestry.[8] One brother who died in Endicott, New York[8] and a second sibling David Richard di Santo.[8] Traveling extensively with family for most of the early years settling in Oswego, New York in 1970, for elementary schooling. Then transferring to private Christian education in Ogdensburg, New York in 1976, settling in Lisbon, New York in 1979. Beginning college at St. Lawrence University[8] in the media program in 1982, excelling in horseback riding, soccer, track, skiing, and photography.
Always with a creative solution di Santo was made responsible for his first feature film Within and Before animation at 6, under the guidance of a progressive education at Fitzhugh Park, Oswego, New York going on to head a first mural at 10, winning media awards early; including Polaroid Innovative Image in 1979, Kodak Best Landscape 1981, going on to direct several Anti Smoking PSA’s. In 1984 moving to Pittsburgh, Pennsylvania to continue media studies, by 1985 living in New York City’s LES working with Francesco Scavullo, Bill Blass, Richard Avedon, Herb Ritts, Andy Warhol, Keith Haring, Jean Michel Basquiat, Allan McCollum,[9]Charles Tracy, Futura 2000, Malcolm McLaren, Christian Wicked Wicht, DJ Lita Nocera, Floyd F. Fisher The Bomb Squad, Bernard Edwards, Shep Pettibone, Kurtis Mantronix, Richard Cox, and Nile Rodgers.
1985–1996: Wax and Alright
Working restoration jobs arranged by friends with Terence Conran, then trading orchids in the Farmers Market, di Santo struck up a friendship with Malcolm McLaren in 1988 completing a soundtrack together for Francesco Scavullo after being introduced at an Art Gallery in SoHo, 9 made appearances in several pieces with McLaren and Scavullo. Head shot I, Head shot II, documentI, and Take a Selfie, di Santo, posed for a Polaroid head shot when he applied for a passport for The Sound Odyssey Tour with other artists on Mercury/PolyGram Records. When asked to submit a press photo di Santo produced the infamous head shot I in black and white used between 1988-1998. Using the same concept di Santo did a second version head shot II, in full color used 1998-2008. During this time moving from the LES to the Abingdon Square Park in the Greenwich Village Historic District[1] creating works in various mediums; Human factors and ergonomics, architecture, music, theatre, film, dance -- including the Frank Gehry "Richard B. Fisher Center", Alvin Ailey, The Joyce Theater, ABT, The Test Site, The MET, Gallery spaces and clubs installations in The Purple Barge, Area, Danceteria, The Bank, The Tunnel, Limelight, The World, Mercury Lounge, Roxy included.
1996–2000: Sound Odyssey Tour, films and space
In 1994 on tour is Europe, di Santo met artist Peter Greenaway,[10] working on a large-scale art installation, the exhibition was called Stairs 1 Geneva, the film comprises one hundred sequences showing the city of Geneva, Switzerland over one hundred days, the white wooden staircases featured are climbed by viewers, who are rewarded at the top with a simple hole framing a living picture postcard, a perfect cinema-image accompanied by a sentence. di Santo interested in this form of installation, assembled 100 phrases, cementing a unique admiration for each other's work.
Comfortable as an Executive Producer 9’s talents lent to a variety of media projects including Universal Pictures development deal on his first script Dark Creature with the novelist Anne Rice, as well as many collaborations with recording artists on other Record Labels. In 1991 working with Liquid Television MTV and Rock in Rio[11] tour, di Santo was living off Union Square with fellow artists DJ Lulu Nocera, Adomo di Gregorio creative director of Barney's New York and Tom Sachs who was just moving into his studio Allied Cultural Prosthetic's in SoHo. Together di Santo and Nocera formed a writing partnership that would produce the sound track to these early exhibits with Record Producer Floyd F. Fisher of The Bomb Squad penning songs and arrangements; for and with other artists including The Rolling Stones, Boyz II Men, Live, The Orb, Madonna, LFO and others. di Gregorio was assembling talent for Barneys New York, and invited Sachs and di Santo to create a scene for Christmas windows Hello Nativity,[12] a comment on the Corporatization of Religion and the fetishization of brands. The Madonna was replaced by Hello Kitty in an Chanel bra, the Biblical Magi; The Simpsons characters, the holy family's.[13] Nativity marked by McDonald's arches. This contemporary revision of the scene received great attention, particularly when di Santo and Sachs did some self promotion, drawing additional attention to it and a local substance abuse campaign on the white vans used to fetch their supplies.
Upon returning to the states in 1995, Ruby Studios photographer Charles Tracy met di Santo; it would prove to be the birth of many great collaborations, including portraiture, commercials, documenting work with American fashion designers, Oscar de la Renta, Tom Ford, Calvin Klein, Marc Jacobs, Stephen Burrows,[14]Fashion Institute of Technology,[15]Anna Sui, and working with models Patti Hansen, , Pat Cleveland, Anna Cleveland, Kate Moss, Hannah Slone-Barton, Chelsea Streifeneder. Over the next decade di Santo honed skills as an installation EP producing some of the best commissioned, and collaborative pieces including Human factors and ergonomics, and architecture, the Minimalist, Hill House and Studio The Union Center, built in the Hudson Valley outside of Kingston, New York in Ulster Park, New York by di Santo with Ruby Studios.
2001–2010: Mileage Tour, Mortal Walk and IIDP
M E D I A iidp brought media to an abandon Hudson Valley IBM facility, the perfect location for this growing film network with 6 projects under development through Universal Pictures. While Incorporated Independent Design Production created in 1998 to host the roster of collaborative works in pre production, including commissions in film and fashion; meeting Robert Altman in Los Angeles the two became friends and began to write "Wise Kingdom" based on the life of Charlemagne. Altman prepared a shoot at The MET, in the Cloisters at Fort Tryon Park, “Cloister” was later edit with only sound being added to the single camera edit and used as a promotional for Max Mara. IDM (independent musik) began production of the follow up sophomore album Mecause Walk, releasing Waking Scream while beginning collaborations with Ruby Studios, The Yankee-Oriel Company, and L’Neuage Neuf Films. Because the first album off the IDM label was held up by attorneys during the couples divorce, the second single Opus off BECAUSE won the latin el Premio de la Gente, 2002 video of the year for collaboration with director Jorge Veras.
1964–1965: Within and Before
During the 1964 New York World's Fair, both parents of di Santo wandered through the exhibits during their trip, they had begun to deeply listen to classics with the anticipation of the birth of their child, Gershwin, Rachmaninoff, Erik Satie. The Unisphere one of the most influential sculptures of the 20th century, a spherical stainless steel representation of the Earth was on exhibit, located in Flushing Meadows–Corona Park in the borough of Queens, New York City. The sphere, which measures 140 feet (43 m) high and 120 feet (37 m) in diameter, was commissioned as part of the Fair.[16] George Harrison had completed the experimental piece Dream Scene, recorded for Wonderwall Music, which was the soundtrack to the psychedelic film Wonderwall, directed by Joe Massot[17] in October 1967.[18] the project afforded Harrison his first opportunity to compose extensively for a single project.[19]that John quite liked. By 1968 the couple had listened to these as well as Revolution 9 the first venture by John Lennon and George Harrison into experimental recordings, The Beatles had introduced avant-garde styling in Tomorrow Never Knows and an unreleased piece called Carnival of Light. Inspired by Stockhausen's Hymnen in particular. John Lennon and Yoko Ono had recently recorded their own avant-garde album, Unfinished Music No.1: Two Virgins. Early on Patrick di Santo had an affinity for Graffiti and media, encompassing a space that could convey a message; installations would be his destiny. Comfortable early in the role of director, finishing a first animation with sound at 6 Within and Before and responsible for a prehistoric mural Beyond with sound by 10, again keeping the attention of the viewer by choreography of space.
Working on local PSA's and entering contests prepared di Santo now using the moniker 9 for film school, beginning St. Lawrence University at 16; continuing film studies in Pittsburgh, Pennsylvania. When not watching the Pittsburgh Penguins and Pittsburgh Steelers di Santo was putting together exhibits, shoots, installations and performances with classmates and local artists -- professors catching a collaboration with Mother Goose (The Finnish band) suggested moving to New York to be more involved in the commercial arts arena, this was cemented when Andy Warhol invited 9 to visit the studio of his friend Keith Haring, in New York.
Notes
- ^ Clinton, County. "Military Service Records Pathfinder". Air Force. Retrieved May 23, 2005.
- ^ "Music - 9 – IDP". BMI. Retrieved April 16, 2006.
- ^ "Media - M E D I A – IIDP". LinkedIn. Retrieved May 4, 2010.
- ^ "Artist - 9 – IDP". Spin. Retrieved March 22, 2004.
- ^ "Music - 9 – IDP". BMI. Retrieved January 4, 2017.
- ^ "Statistics- M E D I A – IIDP". LinkedIn. Retrieved May 4, 2010.
- ^ "9". number9ine.com. Retrieved September 14, 2008.
- ^ a b c d e f Schuyler, County. "1940-1962 Records". Wiki. Retrieved May 23, 2005. Cite error: The named reference "Wiki" was defined multiple times with different content (see the help page).
- ^ "Art". PBS. Retrieved October 16, 2009.
- ^ Greenaway, Peter. "Stairs 1 Geneva". IMDB. Retrieved November 8, 2011.
- ^ Disanto, Tony. "RockinRio". MTV. Retrieved December 21, 2010.
- ^ Weber, Bruce (December 13, 1994). "Barneys Halts Store Display Of Pop Creche in Window". The New York Times. Retrieved February 10, 2008.
- ^ "Strasser O.S.B., Bernard. With Christ Through the Year". Archived from the original on March 26, 2016. Retrieved January 12, 2014.
{{cite web}}:|archive-date=/|archive-url=timestamp mismatch; March 4, 2016 suggested (help); Unknown parameter|dead-url=ignored (|url-status=suggested) (help) - ^ ""Stephen Burrows: When Fashion Danced"". FIT. Retrieved May 23, 2005.
- ^ di Santo, Patrick. "Stephen Burrows". WhiteChapel Gallery. Retrieved May 28, 2005.
- ^ The Encyclopedia of New York City. New Haven, US: Yale University Press. January 1, 2010.
- ^ MacDonald, p. 240.
- ^ Clayson, p. 234.
- ^ Rodriguez, p. 9.
External links
- Patrick di Santo (American artist, 9) official website
- Current, the newspaper about public TV and radio in the United States
- Malcom McLaren,A&E Television Networks, April 2,8, 2014.
- Unisphere 2010,Broadcast Music Incorporated
- Liquid Television at IMDb
- Patrick dI Santo at Stairs 1 Geneva Exhibition
- Mechanics2GO at IMDb
- Mileage 2008,Broadcast Music Incorporated
- Graffiti find it's place in: Graffiti and The Hillhouse, Barbieri, Claudia, New York Times, June 8, 2008.
- Hillhouse, a visit to the Hillhouse, #14, January 2004.
- The way we live now: 3-10-02: questions for Tom Sachs, Deborah Solomon, New York Times, March 10, 2002.
- Mortal Walk, 2002, Because 1998, Alright, 1995 Broadcast Music Incorporated
- Stairs 1 Geneva at IMDb
- Sound Odyssey 1994, Wax 1989 Broadcast Music Incorporated
- Template:Tv.com show
- On the trail of Sojourner Truth SUNY New Paltz, Sojourner Truth Library 1971
- Sojourner Truth Institute
References
- Off the Air.
- Exposure.
- Unisphere. l' Nuage Neuf. 2011.
{{cite book}}: Cite has empty unknown parameter:|1=(help) - Cavu. Rand McNally. 2010.
{{cite book}}: Cite has empty unknown parameter:|1=(help) - Ephigy. Yankee-Oriel Company. 2009.
{{cite book}}: Cite has empty unknown parameter:|1=(help) - Jake. Yankee-Oriel Company. 2008.
{{cite book}}: Cite has empty unknown parameter:|1=(help) - Tracy. Wolf Gallery. 2008.
{{cite book}}: Cite has empty unknown parameter:|1=(help) - Vampire Legends in Contemporary American Culture, What becomes a Legend Most. University Press. 2002.
- Geneva Stairs 1 (1st ed.). United Kingdom. 1995.
- Cartoon Sushi.
- Allan McCollum. Stedelijk Van Abbemuseum. 1989.
- In the American West. Abrams. 1985.
- In the American West, 1979–1984. Abrams. 1985.
- Interview with the Vampire. 1976
- Atlas Shrugged. 1957
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January 2019
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