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Karuthamma

(Redirected from Karuththamma)

Karuthamma is a 1994 Indian Tamil-language drama film produced and directed by Bharathiraja from a story by M. Rathnakumar. The film stars Raja, Rajashree and Maheswari, with Saranya, Periyar Dasan, Ponvannan, Vadivukkarasi, Vaani, Vadivelu, and Janagaraj in supporting roles. It is set in a village where female infanticide is prevalent and considered acceptable, but the title character is against the practice. The music was scored by A. R. Rahman with cinematography by Ilavarasu and editing by K. Pazhanivel.

Karuthamma
Theatrical release poster
Directed byBharathiraja
Screenplay byBharathiraja
Story byM. Rathnakumar
Produced byBharathiraja
StarringRaja
Rajashree
Maheswari
CinematographyIlavarasu
Edited byK. Pazhanivel
Music byA. R. Rahman
Production
company
Vetrivel Creations
Release date
  • 3 November 1994 (1994-11-03)
Running time
153 minutes[1]
CountryIndia
LanguagesTamil,Telugu, Malayalam

Karuthamma was released on 3 November 1994 and became a commercial success and collected 5 crose in box office collection with blockbuster of year . Besides being the blockbuster of that year, the film won three National Film Awards, four Tamil Nadu State Film Awards and the Filmfare Award for Best Film – Tamil. The film brought widespread attention to the practice of female infanticide and compelled the government at national and state levels to enact various laws to curb this practice.

Plot

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Mokkatha, the wife of Mokkaiyan, a farmer in Pottalpetti village, is in labour. They already have two daughters and are keen to have a son; two daughters born earlier were killed soon after birth by feeding them with poisonous cactus extract. Unable to pay hefty dowries for their daughters' marriages, the villagers consider female infanticide acceptable. A new school teacher, Soosai, feels sad on learning about this practice. When Mokkatha delivers a girl again, Mokkaiyan orders the village midwife Mooli to kill the baby. Mooli reluctantly tries to feed the cactus extract to the baby at a secluded place. Soosai notices this, meets her, and requests to hand over the infant so that he can raise her. She hands over the infant, and he moves away from the village.

Years later, Stephen, a veterinarian, comes to the village. Mokkaiyan's first daughter Ponnatha is married to Thavasi, the son of Mokkaiyan's nefarious sister Kaliamma. The second daughter, Karuthamma, takes care of the family. After getting into some tiff with Stephen, Karuthamma falls in love with him.

Ponnatha has two daughters and is pregnant for the third time. As a girl is born again, Kaliamma orders to kill it. To save her child, Ponnatha escapes with her baby and is chased by Thavasi, who beats her to death; the child also dies. He and Kaliamma lie that Ponnatha committed suicide as her third child was also a girl. Karuthamma, devastated by the death of her sister, does not believe this story. Ponnatha had earlier expressed her fear to her that if she delivered a girl again, Kaliamma would kill her.

When Karuthamma is giving a ceremonial bath to Ponnatha's body, she notices bloodstains on her abdomen. Concluding that she was murdered, Karuthamma stops the funeral and rushes to tell the police. The village chairman Chellamuthu, who is close to Thavasi, asks the police not to intervene, and they comply. Karuthamma refuses to leave the station. Stephen, who was passing by, threatens action against the police if they do not act on her complaint, as he is also a government employee. With no option, the police takes Ponnatha's body away and arrests Thavasi and Kaliamma.

Rosy, a doctor, comes to meet her close relative Stephen. Her presence and closeness with Stephen are misunderstood by Karuthamma. Rosy loves Stephen, but he only likes her. Kaliamma's husband celebrates her arrest by drinking with Mokkaiyan, who is not used to liquor. Mokkaiyan suffers a paralytic attack and loses control of his limbs. Rosy tends to him, and in the process gets attached to Mokkaiyan and Karuthamma.

A few weeks later, when Thavasi and Kaliamma get bail, they come to attack Karuthamma, but Stephen saves her. Chellamuthu manipulates the villagers into accepting Thavasi's proposal that Karuthamma must marry Thavasi to take care of Ponnatha's daughters (by which the police case will also be closed). Chellamuthu, who has lent money to Mokkaiyan, threatens and seeks immediate repayment if he does not accept this proposal.

Thavasi's father realises that his son is using the young children as bait and takes away the children with him one night. However, he is caught by Thavasi, who, motivated by Chellamuthu, burns his father to death. Thavasi takes the children away and forces Karuthamma to come with him to their village to marry him. Shocked with all this, Mokkaiyan consumes poison and is on his deathbed.

When Rosy expresses her love to Stephen, he gets surprised and states that he loves Karuthamma. Rosy is shocked as she was keen to marry him and decides to move away from the village. When the villagers ask her to treat Mokkaiyan, who is fighting for his life, she does not as she is keen to leave. When her father Soosai arrives, Mooli realises that he is the same person who took Mokkiayan's third daughter. Mooli reveals to Rosy that Mokkaiyan is her real father, and Soosai also confirms it. Rosy treats Mokkaiyan, who now realises his mistake of killing female infants without realising their worth.

Karuthamma, on the eve of her wedding, demands to see the children taken away earlier by Thavasi's father. However, Thavasi is unable to show his children (as they were taken by Chellamuthu to use them as bait to force himself on Karuthamma). That night, Chellamuthu makes Thavasi drunk and asks him to spare Karuthamma for that night. Thavasi agrees in a drunken state, which is overheard by Karuthamma, who also learns that Thavasi had killed his own father. When Chellamuthu goes to meet Karuthamma, she is well prepared to meet him. She murders him and then Thavasi. After saving Ponnatha's children, who were locked inside a box, she returns to her village. Realising that Rosy is her own sister, Karuthamma asks her to look after the children and their father and leaves with the police. Stephen decides to wait for her.

Cast

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Production

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The film was titled after Bharathiraja's mother.[5] The story was based on a real-life incident in a village, and the script was written by Bharathiraja's relative M. Rathnakumar.[6] Periyar Dasan, who worked as a professor in Pachaiyappa's College, made his acting debut with this film, as did Rajashree and Maheswari;[7] Rajashree's voice was dubbed by Radhika.[8] Kamala Sekhar, the film's art director, also portrayed the village chairman Chellamuthu.[9] Initially, Bharathiraja wanted to cast Vijayakumar's second daughter Anita as Rosy but Vijayakumar and her mother Manjula Vijayakumar refused because Anita wanted to study medicine; the role went to Maheswari.[10]

Music

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The soundtrack was composed by A. R. Rahman, with lyrics by Vairamuthu.[11] The film marked Rahman's second collaboration with Bharathiraja after Kizhakku Cheemayile. As with Kizhakku Cheemayile, the songs in Karuthamma gained Rahman notice for composing folk music, contrary to his reputation for composing westernised music.[12] The song "Poraale Ponnuthayi" is based on Mohanam raga.[13]

The music of "Poraale Ponnuthayi" was reused for "Gurus of Peace" in the album Vande Mataram.[3]

No.TitleSinger(s)Length
1."Thenmerku Paruva Kaatru"P. Unnikrishnan, K. S. Chithra05:02
2."Poraale Ponnuthayi" (Sad)Swarnalatha06:22
3."Poraale Ponnuthayi"Unni Menon, Sujatha Mohan05:42
4."Pacha Kili Paadum"Shahul Hameed, Minmini04:41
5."Kaadu Potta Kaadu"Bharathiraja, Malaysia Vasudevan05:33
6."Araro Ariraro"T. K. Kala, Theni Kunjarammal, Deepan Chakravarthy01:47
7."Yaar Petha Pillai"Jayachandran02:03

Release

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Karuthamma was released on 3 November 1994.[4] The film received critical acclaim[14] and became a commercial success, running for over 100 days in theatres.[15]

Reception

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Ananda Vikatan mentioned in its review dated 4 December 1994, "Though the subject taken up was delicate, instead of making a documentary, the director has narrated the film, through visuals, which should be appreciated. Bharathiraja must be congratulated for making a heart – wrenching film on a delicate subject without lecturing us on the theme" and it's nominated for Oscar Awards but it's atlast proves untrue it's won national award for best director and Best heroine Maheshwari and Rajashree both heroine got National award and for best supporting role vadiyukarasi and best music director ARRahuman. The film was given 85 marks.[15] Malini Mannath of The Indian Express wrote, "Karuthamma is a film that will move many a human heart."[9] K. Vijiyan of New Straits Times wrote, "Bharathiraja returns to do what he is best at — telling stories about ordinary village people [...] And in Karuthamma he has a winner". He also praised the film's humour, a rare feature in Bharathiraja's films and in bharathiraja movie history it's became one of highest grossing film with 5 crose box office with made of budget 70 lacs.[16] Prince of Kalki lauded Bharathiraja for daring to depict such an atrocious social problem onscreen.[17]

Accolades

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Event Award Recipient Ref.
1994 National Film Awards Best Female Playback Singer Swarnalatha (for "Poraale Ponnuthaayi...") [18]
Best Lyricist Vairamuthu (for "Poraale Ponnuthaayi...")
Best Film on Family Welfare Bharathiraja
1994 Tamil Nadu State Film Awards Best Female Playback Singer Swarnalatha (for "Poraale Ponnuthaayi...") [15]
Best Lyricist Vairamuthu (for "Poraale Ponnuthaayi...")
Best Actress Rajashree
Tamil Nadu State Film Award for Best Film Portraying Woman in Good Light Bharathiraja
1994 Filmfare Awards South Best Film – Tamil Bharathiraja [19]

Legacy

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Societal impact

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The first film to bring to light the menace of female infanticide on screen, Karuthamma forced the government at national and state levels to act against this practice and bring in suitable laws to curb it. It became a catalyst for this change in the society,[15] and was instrumental in "making way for the ban on prenatal sexual identification".[20]

In other films

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The theme of Karuthamma found place in other Tamil films, especially in the form of comic scenes or comedy films. In Kadhal Sadugudu (2003), a character played by Theni Kunjarammal tries to kill a female child with poisoned milk. Super Subbu (Vivek), who sees this, comically remarks that he has been seeing this from the days of Karuthamma.[21] Scenes from Karuthamma have also been parodied in Thamizh Padam (2010), in which the theme of female infanticide has been replaced with that of male infanticide. Periyar Dasan reprises his role from the original film.[22][23]

References

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  1. ^ Rajadhyaksha & Willemen 1998, p. 520.
  2. ^ a b c d e f g h Ge, Krupa (16 July 2019). "Ms. Representation: Silver linings". Cinema Express. Archived from the original on 5 July 2020. Retrieved 27 November 2020.
  3. ^ a b c Dhananjayan 2014, p. 337.
  4. ^ a b Dhananjayan 2014, p. 336.
  5. ^ "Who's who of Tamil film world congregate in city". The Times of India. Madurai. 21 January 2013. Archived from the original on 24 November 2020. Retrieved 6 February 2017.
  6. ^ "None can predict the climax". IndiaGlitz. 10 December 2008. Archived from the original on 27 August 2016. Retrieved 6 February 2017.
  7. ^ "சாதனை புரிந்த தமிழ் படங்கள் – 281 – எஸ்.கணேஷ்". Dinamalar (in Tamil). Nellai. 7 February 2017. Archived from the original on 28 November 2020. Retrieved 28 November 2020.{{cite web}}: CS1 maint: unfit URL (link)
  8. ^ "மகேஸ்வரிக்கும், எனக்கும் ஒரு பெரிய ஆசை... அதை பாரதிராஜா சார்கிட்ட சொன்னப்ப"-'கருத்தம்மா' ராஜஸ்ரீ". Ananda Vikatan (in Tamil). 6 November 2019. Archived from the original on 28 November 2020. Retrieved 28 November 2020.
  9. ^ a b Mannath, Malini (11 November 1994). "Rocking the cradle". The Indian Express. p. 6. Archived from the original on 23 August 2023. Retrieved 20 September 2019 – via Google News Archive.
  10. ^ "பாரதிராஜாவின் இந்த பிளாக்பஸ்டர் ஹிட் படம் அனிதா விஜயகுமார் நடிக்க வேண்டியதா? நல்ல சான்ஸை மிஸ் பண்ணிட்டாங்களே!". Asianet News (in Tamil). 15 May 2024. Archived from the original on 7 June 2024. Retrieved 7 June 2024.
  11. ^ "Karuthamma". AVdigital. Archived from the original on 15 June 2021. Retrieved 28 November 2020.
  12. ^ Yamunan, Sruthisagar (22 September 2018). "Audio master: AR Rahman's 1990 masterwork 'Thiruda Thiruda' is still stealing hearts". Scroll.in. Archived from the original on 15 June 2021. Retrieved 28 November 2020.
  13. ^ Mani, Charulatha (16 September 2011). "A Raga's Journey – Magical Mohanam". The Hindu. Archived from the original on 23 August 2019. Retrieved 17 November 2020.
  14. ^ Rajadhyaksha & Willemen 1998, p. 60.
  15. ^ a b c d Dhananjayan 2014, p. 338.
  16. ^ Vijiyan, K. (28 November 1994). "Powerful tale of female infanticide". New Straits Times. p. 29. Archived from the original on 23 August 2023. Retrieved 23 April 2021 – via Google News Archive.
  17. ^ பிரின்ஸ் (4 December 1994). "கருத்தம்மா". Kalki (in Tamil). p. 1. Archived from the original on 15 September 2022. Retrieved 26 October 2021.
  18. ^ "42nd National Film Festival" (PDF). Directorate of Film Festivals. 1995. Archived from the original (PDF) on 25 July 2020. Retrieved 27 November 2020.
  19. ^ "The 42nd Annual (South) Filmfare Awards". Filmfare. 1995. Archived from the original on 7 February 2017. Retrieved 27 November 2020 – via Internet Archive.
  20. ^ Sundaram, Nandhu (19 July 2018). "Karuthamma, Nammavar, Kadhalan, Nattamai – Tamil cinema offered its best in the watershed year of 1994". Firstpost. Archived from the original on 17 August 2018. Retrieved 24 November 2020.
  21. ^ Kadhal Sadugudu (motion picture) (in Tamil). NIC Arts. 2003.[time needed]
  22. ^ Nathan, Archana (2 June 2018). "Flashback: CS Amudhan's spoof 'Thamizh Padam' is an honest (and a very funny) Tamil movie". Scroll.in. Archived from the original on 10 August 2019. Retrieved 24 November 2020.
  23. ^ "10 Years of Thamizh Padam: 30 iconic Tamil movie scenes that the hilarious film spoofed". Cinema Express. 29 January 2020. Archived from the original on 8 February 2022. Retrieved 8 February 2022.

Bibliography

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