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{{short description|American jazz musician}}
{{refimprove|date=June 2013}}
'''Frederic Homer "Keg" Johnson''' (November 19, [[1908 in music|1908]] – November 8, [[1967 in music|1967]]) was a [[jazz]] trombonist.


{{more citations needed|date=June 2013}}
He was born in [[Dallas]], [[Texas]]. His father was a choir director there and also worked at a local Studebaker plant where Keg also worked for a while.
'''Frederic Homer Johnson''' (November 19, 1908 – November 8, 1967), known professionally as '''Keg Johnson''', was an American [[jazz]] trombonist.


==Early life==
He and his younger brother, [[Budd Johnson]], began their musical careers singing and playing first with their father and later with [[Portia Pittman]], daughter of [[Booker T. Washington]]. Keg played various instruments but is most noted for the trombone. The two brothers played in Dallas-area bands as the [[Blue Moon Chasers]] and later in Ben Smith's Music Makers. Eventually they performed with an Amarillo group led by [[Gene Coy]] called [[The Happy Black Aces]].
He was born in [[Dallas]], [[Texas]]. His father was a choir director there and also worked at a local Studebaker plant where Keg also worked for a while.


He and his younger brother, [[Budd Johnson]], began their musical careers singing and playing first with their father and later with [[Portia Pittman]], daughter of [[Booker T. Washington]]. Keg played various instruments but is most noted for the trombone. The two brothers played in Dallas-area bands as the [[Blue Moon Chasers]] and later in Ben Smith's Music Makers. Eventually they performed with an Amarillo group led by [[Gene Coy]] called [[The Happy Black Aces]].
Around 1928, in [[Kansas City, Missouri|Kansas City]], Keg and Budd played in several bands but by 1930 Keg left for [[Chicago]] to play with [[Louis Armstrong]], recording his first solo on Armstrong's [[Basin Street Blues]] album. When in 1933 Keg went to New York, he played with such greats as [[Fletcher Henderson]] and [[Benny Carter]], eventually playing with [[Cab Calloway]] at the [[Cotton Club]]. Keg remained with [[Cab Calloway]] for some 15 years, coinciding with fellow trombonists [[Claude Jones]] and [[DePriest Wheeler]] and later [[Tyree Glenn]] and [[Quentin Jackson]], as well as other musicians such as [[Dizzy Gillespie]],<ref>[[Gillespie, Dizzy]] (2009) [http://books.google.es/books?id=ACApPO-A3OYC&pg=PA108&dq=Keg+Johnson&hl=en&sa=X&ei=56KXUeiyDqfd7QbasIDQAw&ved=0CEsQ6AEwBg#v=onepage&q=Keg%20Johnson&f=false ''To Be, Or Not... to Bop'', p. 108. U of Minnesota Press] At Google Books. Retrieved 18 May 2013.</ref> before moving to Los Angeles where he briefly changed careers renovating houses. During the 1950s he returned to [[New York]] where he and his brother recorded the album ''Let's Swing''. In 1961, Keg began playing with [[Ray Charles]] and was still in his band when Keg died in Chicago on November 8, 1967.

==Career==
In the late 1920s, the Johnson brothers played in several bands in Dallas, including [[Terrence Holder|Terence Holder]]’s Dark Clouds of Joy.<ref name=koch/> In 1929 they were playing with [[Jesse Stone]],<ref name=koch/> with whom they travelled to [[Kansas City, Missouri|Kansas City]] and joined [[George E. Lee]].<ref name=koch/>

By 1930 Keg had settled in [[Chicago]] playing with [[Jabbo Smith]], [[Cassino Simpson]], and Eddie Mallory, amongst others,<ref name=koch/> before touring and recording with [[Louis Armstrong]] from January 1933,<ref name=koch/> and recording his first solo on Armstrong's ''[[Basin Street Blues]]''.{{fact|date=November 2022}}

In 1933, Keg Johnson went to New York, playing and recording with [[Benny Carter]] (1933–4),<ref name=koch/> [[Fletcher Henderson]] (February–November 1934)<ref name=koch/> and, in 1935, began his long-running collaboration with [[Cab Calloway]]<ref name=koch>Koch, Lawrence; Barry Kernfeld. [https://www.oxfordmusiconline.com/grovemusic/browse?page=106&pageSize=20&sort=titlesort&subSite=grovemusic&t=music_Topics%3A42&t0=music_Eras%3A9 "Johnson, Keg."] ''Grove Music Online''. Oxford University Press. Retrieved 29 November 2022.</ref> at the [[Cotton Club]].

Johnson remained with [[Cab Calloway]] for some 15 years, coinciding with fellow trombonists [[Claude Jones]] and [[DePriest Wheeler]] and later [[Tyree Glenn]] and [[Quentin Jackson]], as well as other musicians such as [[Dizzy Gillespie]],<ref>[[Gillespie, Dizzy]] (2009) [https://books.google.com/books?id=ACApPO-A3OYC&dq=Keg+Johnson&pg=PA108 ''To Be, Or Not... to Bop'', p. 108. U of Minnesota Press.] ''Google Books''. Retrieved 18 May 2013.</ref> before moving to Los Angeles where he briefly changed careers renovating houses.

During the 1950s he returned to [[New York City]] where he and his brother recorded the album ''Let's Swing''. In 1961, Keg began playing with [[Ray Charles]] and was still in his band when Keg died in Chicago on November 8, 1967.

==Personal life==
His son, Frederic Homer "Keg" Johnson, Jr. (October 24, 1939 — May 16, 2015), was a record producer whose first production was the R&B hit, "Going In Circles", performed by [[The Friends of Distinction]]. He also produced [[the Sylvers]], [[Lakeside (band)|Lakeside]], [[Shalamar]], [[LeVert]], [[The Brothers Johnson]], [[Gene Harris]], [[Bobby Womack]], [[the Blind Boys of Alabama]], and more.


His son, Frederic Homer "Keg" Johnson, Jr. (October 24, 1939 — May 16, 2015), was a record producer whose first production was the R&B oldies hit, "Going In Circles" performed by [[The Friends of Distinction]]. He also produced [[The Sylvers]], [[Lakeside (band)|Lakeside]], [[Shalamar]], [[LeVert]], [[The Brothers Johnson]], [[Gene Harris]], [[Bobby Womack]], [[The Blind Boys of Alabama]] and more.
==Discography==
==Discography==
* [[Ray Charles]], ''Genius + Soul = Jazz'' (Impulse!, 1961)
{{expand section|date=October 2015}}
'''With the [[Kenny Clarke/Francy Boland Big Band]]'''
* [[Kenny Clarke/Francy Boland Big Band]], ''[[Handle with Care (Clarke-Boland Big Band album)|Handle with Care]]'' (Atlantic, 1963)
*''[[Handle with Care (Clarke-Boland Big Band album)|Handle with Care]]'' (Atlantic, 1963)
* Kenny Clarke/Francy Boland Big Band, ''[[Now Hear Our Meanin']]'' (Columbia, 1966)
* [[Gil Evans]], ''Out of the Cool'' (Impulse!, 1961)
*''[[Now Hear Our Meanin']]'' (Columbia, 1963 [1965])
* [[Fletcher Henderson]], ''Swing's the Thing'' (Decca, 1961)
* [[Budd Johnson]], ''Let's Swing'' (Prestige Swingville, 1960)


==References==
==References==
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[[Category:1967 deaths]]
[[Category:1967 deaths]]
[[Category:American jazz trombonists]]
[[Category:American jazz trombonists]]
[[Category:Musicians from Dallas, Texas]]
[[Category:American male trombonists]]
[[Category:Musicians from Dallas]]
[[Category:20th-century American musicians]]
[[Category:20th-century American musicians]]
[[Category:20th-century trombonists]]

[[Category:Jazz musicians from Texas]]
[[Category:20th-century American male musicians]]
[[Category:American male jazz musicians]]
[[Category:The Cab Calloway Orchestra members]]


{{US-jazz-trombonist-stub}}
{{US-jazz-trombonist-stub}}

Latest revision as of 09:58, 1 April 2024

Frederic Homer Johnson (November 19, 1908 – November 8, 1967), known professionally as Keg Johnson, was an American jazz trombonist.

Early life

[edit]

He was born in Dallas, Texas. His father was a choir director there and also worked at a local Studebaker plant where Keg also worked for a while.

He and his younger brother, Budd Johnson, began their musical careers singing and playing first with their father and later with Portia Pittman, daughter of Booker T. Washington. Keg played various instruments but is most noted for the trombone. The two brothers played in Dallas-area bands as the Blue Moon Chasers and later in Ben Smith's Music Makers. Eventually they performed with an Amarillo group led by Gene Coy called The Happy Black Aces.

Career

[edit]

In the late 1920s, the Johnson brothers played in several bands in Dallas, including Terence Holder’s Dark Clouds of Joy.[1] In 1929 they were playing with Jesse Stone,[1] with whom they travelled to Kansas City and joined George E. Lee.[1]

By 1930 Keg had settled in Chicago playing with Jabbo Smith, Cassino Simpson, and Eddie Mallory, amongst others,[1] before touring and recording with Louis Armstrong from January 1933,[1] and recording his first solo on Armstrong's Basin Street Blues.[citation needed]

In 1933, Keg Johnson went to New York, playing and recording with Benny Carter (1933–4),[1] Fletcher Henderson (February–November 1934)[1] and, in 1935, began his long-running collaboration with Cab Calloway[1] at the Cotton Club.

Johnson remained with Cab Calloway for some 15 years, coinciding with fellow trombonists Claude Jones and DePriest Wheeler and later Tyree Glenn and Quentin Jackson, as well as other musicians such as Dizzy Gillespie,[2] before moving to Los Angeles where he briefly changed careers renovating houses.

During the 1950s he returned to New York City where he and his brother recorded the album Let's Swing. In 1961, Keg began playing with Ray Charles and was still in his band when Keg died in Chicago on November 8, 1967.

Personal life

[edit]

His son, Frederic Homer "Keg" Johnson, Jr. (October 24, 1939 — May 16, 2015), was a record producer whose first production was the R&B hit, "Going In Circles", performed by The Friends of Distinction. He also produced the Sylvers, Lakeside, Shalamar, LeVert, The Brothers Johnson, Gene Harris, Bobby Womack, the Blind Boys of Alabama, and more.

Discography

[edit]

References

[edit]
  1. ^ a b c d e f g h Koch, Lawrence; Barry Kernfeld. "Johnson, Keg." Grove Music Online. Oxford University Press. Retrieved 29 November 2022.
  2. ^ Gillespie, Dizzy (2009) To Be, Or Not... to Bop, p. 108. U of Minnesota Press. Google Books. Retrieved 18 May 2013.