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| bgcolour =
| bgcolour =
| name = Amedeo Preziosi
| name = Amedeo Preziosi
| image = File:Amedeo Preziosi (foto).jpg
| image = Amedeo Preziosi (foto).jpg
| imagesize =
| caption =
| caption = Amedeo Preziosi
| birth_name = Aloysius-Rosarius-Amadeus-Raymundus-Andreas
| birth_name = Aloysius-Rosarius-Amadeus-Raymundus-Andreas
| birth_date = {{birth date|df=yes|1816|12|2}}
| birth_date = {{birth date|df=yes|1816|12|2}}
| birth_place = [[Crown Colony of Malta]]
| birth_place = [[Crown Colony of Malta]]
| death_date = {{death date and age|df=yes|1882|9|27|1816|12|2}}
| death_date = {{death date and age|df=yes|1882|9|27|1816|12|2}}
| death_place = [[Yeşilköy]], [[Ottoman Empire]]
| death_place = [[Yeşilköy|Santo Stefano]], [[Ottoman Empire]]
| nationality = [[Malta|Maltese]]
| nationality = [[Malta|Maltese]]
| education = [[École nationale supérieure des Beaux-Arts]]
| field = Painting
| field = Painting
| training = [[Giuseppe Hyzler]]
| training = {{ubl|[[Giuseppe Hyzler]]|[[École nationale supérieure des Beaux-Arts|Beaux-Arts de Paris]]}}
| movement = [[Neoclassicism]], [[Romanticism]]
| movement = [[Neoclassicism]], [[Orientalism]], [[Romanticism]]
| works = ''Costumes of Constantinople'' album, ''Stamboul, Recollections of Eastern Life'' album, ''Souvenir du Caïre'' album, ''La Valachie par Preziosi'' sketchbook
| works = ''Costumes of Constantinople'' album, ''Stamboul, Recollections of Eastern Life'' album, ''Souvenir du Caïre'' album, ''La Valachie par Preziosi'' sketchbook
| patrons =
| influenced by =
| influenced =
| awards =
| awards =
}}
}}


'''Amedeo Preziosi''' (2 December 1816 – 27 September 1882) was a [[Maltese people|Maltese]] painter known for his watercolours and prints of the [[Balkans]], [[Ottoman Empire]], and [[Romania]].
'''Amedeo Preziosi''' (2 December 1816 – 27 September 1882) was a [[Maltese people|Maltese]] painter and traveler known for his watercolours and prints of the [[Balkans]], [[Ottoman Empire]], and [[Romania]].


==Biography==
==Biography==
Line 28: Line 23:
Amedeo Preziosi was born in 1816 to a [[Maltese nobility|noble family]] in Malta. His father, Giovanni Francesco Preziosi, had high-level functions in the local administration and represented the [[Maltese people]] at the negotiations of the [[Treaty of Amiens]] in 1802, while his mother, Margareta née Reynaud, was of [[French people|French origin]].<ref>Ionescu, p. 14</ref> Amedeo, the first child of the Preziosi family, was baptised in the [[Basilica of St Dominic, Valletta|Porto Salvo Church]] in [[Valletta]] and given the name Aloysius-Rosarius-Amadeus-Raymundus-Andreas.<ref>Ionescu, p. 14-15</ref> His younger brother [[Leandro Preziosi]] became one of the pioneers of early photography in Malta.<ref>[https://timesofmalta.com/articles/view/Shining-a-light-on-some-patrons-of-photographer-Leandro-Preziosi.637241 Times of Malta], Leandro Preziosi</ref>
Amedeo Preziosi was born in 1816 to a [[Maltese nobility|noble family]] in Malta. His father, Giovanni Francesco Preziosi, had high-level functions in the local administration and represented the [[Maltese people]] at the negotiations of the [[Treaty of Amiens]] in 1802, while his mother, Margareta née Reynaud, was of [[French people|French origin]].<ref>Ionescu, p. 14</ref> Amedeo, the first child of the Preziosi family, was baptised in the [[Basilica of St Dominic, Valletta|Porto Salvo Church]] in [[Valletta]] and given the name Aloysius-Rosarius-Amadeus-Raymundus-Andreas.<ref>Ionescu, p. 14-15</ref> His younger brother [[Leandro Preziosi]] became one of the pioneers of early photography in Malta.<ref>[https://timesofmalta.com/articles/view/Shining-a-light-on-some-patrons-of-photographer-Leandro-Preziosi.637241 Times of Malta], Leandro Preziosi</ref>


Amedeo was attracted by the arts from early age and was taught by [[Giuseppe Hyzler]], a very appreciated painter in Malta.<ref name="p. 15">Ionescu, p. 15</ref> While his father wanted Amedeo to study law, sending him to study at the Law School in [[Sorbonne]], Amedeo was more interested in arts and continues his painting studies at the [[École des Beaux-Arts]].<ref name="p. 15" /> After his return home, Amedeo did not find in Malta a suitable environment for an artist, especially since his father disapproved his chosen career. As such, Amedeo chose to leave the island and move to the [[Near East]], an area lauded by the fellow artists in [[Paris]]. The year when he left Malta for [[Istanbul]] is not known, but is thought to be between 1840 and 1842.<ref name="p. 15" />
Amedeo was attracted by the arts from early age and was taught by [[Giuseppe Hyzler]], a very appreciated painter in Malta.<ref name="p. 15">Ionescu, p. 15</ref> While his father wanted Amedeo to study law, sending him to study at the Law School in [[University of Paris|Sorbonne]], Amedeo was more interested in arts and continues his painting studies at the [[École des Beaux-Arts]].<ref name="p. 15" /> After his return home, Amedeo did not find in Malta a suitable environment for an artist, especially since his father disapproved his chosen career. As such, Amedeo chose to leave the island and move to the [[Near East]], an area lauded by the fellow artists in [[Paris]]. The year when he left Malta for [[Istanbul]] is not known, but is thought to be between 1840 and 1842.<ref name="p. 15" />


The earliest drawings of Istanbul are dated November 1842. Two years later, in 1844, Preziosi was commissioned by [[Robert Curzon, 14th Baron Zouche|Robert Curzon]], the private secretary of the British Ambassador to Istanbul, Lord [[Stratford Canning, 1st Viscount Stratford de Redcliffe]] to create an album called ''Costumes of Constantinople'', which now is located in the collections of the [[British Museum]].<ref name="p. 16">Ionescu, p. 16</ref>
The earliest drawings of Istanbul are dated November 1842. Two years later, in 1844, Preziosi was commissioned by [[Robert Curzon, 14th Baron Zouche|Robert Curzon]], the private secretary of the British Ambassador to Istanbul, Lord [[Stratford Canning, 1st Viscount Stratford de Redcliffe]] to create an album called ''Costumes of Constantinople'', which now is located in the collections of the [[British Museum]].<ref name="p. 16">Ionescu, p. 16</ref>
[[File:Preziosi - Derviş cerşetor.jpg|thumb|200px|left|[[Ottoman Turks|Ottoman]] [[Dervish]] portrayed by Amedeo Preziosi, 1860s circa, [[Muzeul Naţional de Artă al României]]]]
[[File:Preziosi - Derviş cerşetor.jpg|thumb|200px|left|[[Ottoman Turks|Ottoman]] [[Dervish]] portrayed by Amedeo Preziosi, 1860s circa, [[Muzeul Naţional de Artă al României]]]]
In an era when postal cards were still at their beginning and so was the photographic art, Preziosi offered the European tourists and visitors of Istanbul drawings of the city and the surroundings. In 1858, he decided to publish the most popular works as lithographs at the Lemercier workshop in Paris. The chromolithography album, named ''Stamboul, Recollections of Eastern Life'' and re-edited in 1861 as ''Stamboul, Souvenir d'Orient'' was drawn on the lithography stone by Preziosi himself. He published a second album, ''Souvenir du Caïre'', comprising drawings he made during a trip to [[Egypt]].<ref name="p. 16" />
In an era when postal cards were still at their beginning and so was the photographic art, Preziosi offered the European tourists and visitors of Istanbul drawings of the city and the surroundings. In 1858, he decided to publish the most popular works as lithographs at the Lemercier workshop in Paris. The chromolithography album, named ''Stamboul, Recollections of Eastern Life'' and re-edited in 1861 as ''Stamboul, Souvenir d'Orient'' was drawn on the lithography stone by Preziosi himself. He published a second album, ''Souvenir du Caïre'', comprising drawings he made during a trip to [[Ottoman Egypt|Egypt]].<ref name="p. 16" />


Preziosi married a Greek woman of Istanbul, with whom he had four children: Mathilde, Giulia, Catherine and Roberto, living in Hamalbaşi Sokagi in Pera and later in the quiet village of San Stefano (today [[Yeşilköy]]), away from the agitation of the city.<ref name="p. 19">Ionescu, p. 19</ref>
Preziosi married a Greek woman of Istanbul, with whom he had four children: Mathilde, Giulia, Catherine and Roberto, living in Hamalbaşi Sokagi in Pera and later in the quiet village of San Stefano (today [[Yeşilköy]]), away from the agitation of the city.<ref name="p. 19">Ionescu, p. 19</ref>
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[[File:Amedeo Preziosi grave.jpg|thumb|right|Preziosi's grave in the old Roman Catholic churchyard in [[Yeşilköy]] (formerly San Stefano), [[Istanbul]], [[Turkey]].]]
[[File:Amedeo Preziosi grave.jpg|thumb|right|Preziosi's grave in the old Roman Catholic churchyard in [[Yeşilköy]] (formerly San Stefano), [[Istanbul]], [[Turkey]].]]


Preziosi was killed by an [[Accidental discharge|accidental gun discharge]] while hunting. He was buried in the Catholic cemetery of [[Yeşilköy]], Istanbul.
Preziosi was killed by an [[Accidental discharge|accidental gun discharge]] while hunting. He was buried in the Catholic cemetery of Santo Stefano (today [[Yeşilköy]]), Istanbul.


==Legacy==
==Legacy==
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==Notes==
==Notes==
{{reflist}}
{{reflist}}

"Greek woman": I can propose as an addition to the context of this epoch, that his third child and daughter Catherine Preziosi married, in 1884 in Constantinople/Istambul, John Castelli who was issued from the Castelli family, a famous local Italian family, who were Genovese merchants and industrials trading and living for a long time in Greece (Island of Chios) and in Ottoman Empire (Constantinople, Istanbul); so we can say he had relations with the Genovese minority: at this epoch those minorities were influenced by a mixture from Italian, Greek, French and English cultures as can be seen in the children's names, and the fact that the gravestones are written in French, as was his mother. Each community, even under Ottoman power kept his original culture, and first his religion, but practiced various languages; the city remained San Stefano, etc. This relative tolerance and openness ended with the rising of the young Turkish nationalism after 1918, so we do not know where went Amadeo's children, but the Castelli family left Istamboul during the years 1920–1930 as many others minorities. Catherine Preziozi / Castelli lived with John in Tabriz (Iran) during 30 years with a trading activity in carpets, and they had five children; they returned in Constantinople in 1910 but left after for Roma (Italia) in 1917. Catherine is reported to be dead in the year 1923. A great part of Castelli family exiled to Italy, France, some to England, a few to US, but not many to Genova from wHere their ancestors originated and had left more than 8 centuries before.


==References==
==References==
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[[Category:1882 deaths]]
[[Category:1882 deaths]]
[[Category:19th-century Maltese painters]]
[[Category:19th-century Maltese painters]]
[[Category:Maltese artists]]
[[Category:19th-century travelers]]
[[Category:Maltese people of French descent]]
[[Category:Immigrants to Albania]]
[[Category:Immigrants to Romania]]
[[Category:Immigrants to the Ottoman Empire]]

[[Category:Immigrants to Egypt]]
[[Category:Crown Colony of Malta people]]
[[Category:Orientalist painters]]
[[Category:Orientalist painters]]
[[Category:People from Valletta]]
[[Category:People from Valletta]]

Revision as of 11:36, 10 June 2024

Amedeo Preziosi
Born
Aloysius-Rosarius-Amadeus-Raymundus-Andreas

(1816-12-02)2 December 1816
Crown Colony of Malta
Died27 September 1882(1882-09-27) (aged 65)
Santo Stefano, Ottoman Empire
NationalityMaltese
Education
Known forPainting
Notable workCostumes of Constantinople album, Stamboul, Recollections of Eastern Life album, Souvenir du Caïre album, La Valachie par Preziosi sketchbook
MovementNeoclassicism, Orientalism, Romanticism

Amedeo Preziosi (2 December 1816 – 27 September 1882) was a Maltese painter and traveler known for his watercolours and prints of the Balkans, Ottoman Empire, and Romania.

Biography

Amedeo Preziosi, photographic portrait by Nadar (between 1860 and 1870)

Amedeo Preziosi was born in 1816 to a noble family in Malta. His father, Giovanni Francesco Preziosi, had high-level functions in the local administration and represented the Maltese people at the negotiations of the Treaty of Amiens in 1802, while his mother, Margareta née Reynaud, was of French origin.[1] Amedeo, the first child of the Preziosi family, was baptised in the Porto Salvo Church in Valletta and given the name Aloysius-Rosarius-Amadeus-Raymundus-Andreas.[2] His younger brother Leandro Preziosi became one of the pioneers of early photography in Malta.[3]

Amedeo was attracted by the arts from early age and was taught by Giuseppe Hyzler, a very appreciated painter in Malta.[4] While his father wanted Amedeo to study law, sending him to study at the Law School in Sorbonne, Amedeo was more interested in arts and continues his painting studies at the École des Beaux-Arts.[4] After his return home, Amedeo did not find in Malta a suitable environment for an artist, especially since his father disapproved his chosen career. As such, Amedeo chose to leave the island and move to the Near East, an area lauded by the fellow artists in Paris. The year when he left Malta for Istanbul is not known, but is thought to be between 1840 and 1842.[4]

The earliest drawings of Istanbul are dated November 1842. Two years later, in 1844, Preziosi was commissioned by Robert Curzon, the private secretary of the British Ambassador to Istanbul, Lord Stratford Canning, 1st Viscount Stratford de Redcliffe to create an album called Costumes of Constantinople, which now is located in the collections of the British Museum.[5]

Ottoman Dervish portrayed by Amedeo Preziosi, 1860s circa, Muzeul Naţional de Artă al României

In an era when postal cards were still at their beginning and so was the photographic art, Preziosi offered the European tourists and visitors of Istanbul drawings of the city and the surroundings. In 1858, he decided to publish the most popular works as lithographs at the Lemercier workshop in Paris. The chromolithography album, named Stamboul, Recollections of Eastern Life and re-edited in 1861 as Stamboul, Souvenir d'Orient was drawn on the lithography stone by Preziosi himself. He published a second album, Souvenir du Caïre, comprising drawings he made during a trip to Egypt.[5]

Preziosi married a Greek woman of Istanbul, with whom he had four children: Mathilde, Giulia, Catherine and Roberto, living in Hamalbaşi Sokagi in Pera and later in the quiet village of San Stefano (today Yeşilköy), away from the agitation of the city.[6]

Preziosi was proficient in the languages of the region (Greek and Turkish), as well as major European languages (English, French, Italian) and he worked as deputy of the dragoman of the British Embassy as well as the First Dragoman of the Greek legation.[6]

His workshop was routinely visited by tourists wishing to return home with a souvenir of Istanbul, and among his guests was, in April 1869, Edward VII of the United Kingdom, then the Prince of Wales, who bought several watercolours from him. In 1866, as the new Prince of Romania, Carol I visited Istanbul, he met Preziosi and invited him to Romania to make watercolours of the landscapes and people of the country.[7]

Preziosi came to Romania in June 1868 and began drawing scenes from Bucharest as well as several others across the country, including a few which depict Prince Carol I. The sketches he draw were later turned into watercolours in his workshop in Istanbul, which he would then sell to the Prince of Romania for prices ranging from 300 to 1200 Francs.[8] The following year, between May 30 and July 15, Preziosi spent time again in Romania, his drawings, in pencil, ink and watercolours are found in a sketchbook La Valachie par Preziosi, now found at the Municipal Museum in Bucharest.[9]

After his return from his last trip to Romania, little is known of Preziosi. He continued his art in Istanbul, but as photography became widespread, his watercolours were no longer as profitable, since cheap and unlimited numbers of copies could be made of a particular photograph.[10]

Preziosi's grave in the old Roman Catholic churchyard in Yeşilköy (formerly San Stefano), Istanbul, Turkey.

Preziosi was killed by an accidental gun discharge while hunting. He was buried in the Catholic cemetery of Santo Stefano (today Yeşilköy), Istanbul.

Legacy

After his death, his works were forgotten for decades. In Bucharest, his works were presented again to the public in 1934, and in 1985, some of his works were displayed in an exhibition at London's Victoria and Albert Museum dedicated to him and in 2003, an exhibition of his works in Bucharest was organized by the Museum of Bucharest.[11]

Works

  • The Grand Bazaar
    The Grand Bazaar
  • The Silk Bazaar
    The Silk Bazaar
  • Arabian ox cart
    Arabian ox cart
  • A café in Istanbul
    A café in Istanbul
  • Sufi whirling
    Sufi whirling
  • Istanbul boats
    Istanbul boats
  • Dâmbovița River in Bucharest
    Dâmbovița River in Bucharest
  • Visit of Carol I at Pasărea Monastery, Wallachia
    Visit of Carol I at Pasărea Monastery, Wallachia
  • Albanian Mercenaries
    Albanian Mercenaries
  • In a Turkish Park
    In a Turkish Park
  • The Tea Seller from Souvenir of Cairo 1862
    The Tea Seller from Souvenir of Cairo 1862

See also

Notes

  1. ^ Ionescu, p. 14
  2. ^ Ionescu, p. 14-15
  3. ^ Times of Malta, Leandro Preziosi
  4. ^ a b c Ionescu, p. 15
  5. ^ a b Ionescu, p. 16
  6. ^ a b Ionescu, p. 19
  7. ^ Ionescu, p. 19-20
  8. ^ Ionescu, p. 20; 25;27
  9. ^ Ionescu, p. 28-29
  10. ^ Ionescu, p. 40
  11. ^ "Amedeo Preziosi: Painter of an Exotic, Vanished World", SE Times, July 14, 2003

References

  • Adrian-Silvan Ionescu, Preziosi în România, Noi Media Print, 2003, ISBN 973-85881-6-2
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