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'''''The Fugitives''''' also known as '''''The Fugitive Poets''''', is the name given to a group of poets and literary scholars at [[Vanderbilt University]] in [[Nashville, Tennessee]], who published a literary magazine from 1922 to 1925 called ''The Fugitive''.<ref name="prattanthology">{{cite book |last1=Pratt |first1=William C. |title=The Fugitive poets : Modern Southern Poetry in Perspective |date=1991 |publisher=J.S. Sanders |location=Nashville |isbn=1879941007 |edition=1st Sanders}}</ref>{{rp|13}} The group, primarily driven by [[Robert Penn Warren]], [[John Crowe Ransom]], [[Donald Davidson (poet)|Donald Davidson]], and [[Allen Tate]], formed a major [[School of thought|school]] of twentieth century poetry in the United States.<ref name="prattanthology"/>{{rp|13}} With it, a major period of modern Southern literature began.<ref name="prattanthology"/>{{rp|13}} Their poetry was formal and featured traditional prosody and concrete imagery often from experiences of the rural [[Southern United States|south]].<ref name="poetrymag">{{cite web |title=Glossary of Poetic Terms/Schools & Periods/Fugitives |url=https://www.poetryfoundation.org/learn/glossary-terms/fugitives |website=poetryfoundation.org |publisher=Poetry Foundation |access-date=May 13, 2020}}</ref> The group has some overlap with two later movements: [[Southern Agrarians]] and [[New Criticism]].<ref name="prattanthology"/>{{rp|11}}
'''The Fugitives''', also known as the '''Fugitive Poets''', is the name given to a group of poets and literary scholars at [[Vanderbilt University]] in [[Nashville, Tennessee]], who published a literary magazine from 1922 to 1925 called ''The Fugitive''.<ref name="prattanthology">{{cite book |last1=Pratt |first1=William C. |title=The Fugitive poets : Modern Southern Poetry in Perspective |date=1991 |publisher=J.S. Sanders |location=Nashville |isbn=1879941007 |edition=1st Sanders}}</ref>{{rp|13}} The group, primarily driven by [[Robert Penn Warren]], [[John Crowe Ransom]], [[Donald Davidson (poet)|Donald Davidson]], and [[Allen Tate]], formed a major [[School of thought|school]] of twentieth century poetry in the United States.<ref name="prattanthology"/>{{rp|13}} With it, a major period of modern Southern literature began.<ref name="prattanthology"/>{{rp|13}} Their poetry was formal and featured traditional prosody and concrete imagery often from experiences of the rural [[Southern United States|south]].<ref name="poetrymag">{{cite web |title=Glossary of Poetic Terms/Schools & Periods/Fugitives |url=https://www.poetryfoundation.org/learn/glossary-terms/fugitives |website=poetryfoundation.org |publisher=Poetry Foundation |access-date=May 13, 2020}}</ref> The group has some overlap with two later movements: [[Southern Agrarians]] and [[New Criticism]].<ref name="prattanthology"/>{{rp|11}}


== History ==
== History ==


[[File:James Marshall Frank home, Nashville, Tennessee.jpg|thumb|upright=3.0|
[[File:James Marshall Frank home, Nashville, Tennessee.jpg|thumb|upright=1.0|
James Marshall Frank home at 3802 Whitland Avenue, Nashville, Tennessee, where the Fugitive Poets regularly met from 1920 to 1928 <small>''(photo: December, 2021)''</small>]] About 1920, a group consisting of some influential teachers of literature at Vanderbilt, a few [[Town and gown|townies]], and some students began meeting on alternate Saturday nights at the home of James Marshall Frank and his brother-in-law [[Sidney Mttron Hirsch]] on Whitland Avenue in Nashville.<ref name="tnsn1923pix">{{cite news |title=Fugitives Add to Literary Honors Of Tennessee |url=https://www.newspapers.com/image/178341492 |access-date=2 September 2019 |work=Special Feature Section |issue=17 |date=May 27, 1923|volume=15 }}</ref> They met as a poetry workshop with no formal connection with the university. After a couple of years, Hirsch felt their poetry was good enough to publish.<ref name="tnsn1923pix"/> According to author Louise Cowan, "...half-seriously Alec Stevenson suggested as a title "''The Fugitive''" after a poem of Hirsch's which had been read and discussed at an earlier meeting."<ref name="cowanhx">{{cite web |last1=Cowan |first1=Louise |title=The Fugitive Group: A Literary History |url=https://archive.org/stream/fugitivegroup031306mbp/fugitivegroup031306mbp_djvu.txt |website=archive.org |publisher=Louisiana State University Press |access-date=September 4, 2019 |location=Baton Rouge |page=44}}</ref> [[Allen Tate]] stated, "...a Fugitive was quite simply a Poet: the Wanderer, or even the [[Wandering Jew]], the Outcast, the man who carries the secret wisdom around the world".<ref name="cowanhx"/> They published a small literary magazine, ''The Fugitive'' (1922–1925), which showcased their works using [[noms de plume]] at first. Although its publication history was brief, ''The Fugitive'' is considered to be one of the most influential journals in the history of American letters.<ref name="prattanthology"/>{{rp|13}} The Fugitives embodied all the main influences at work in the [[American Renaissance (literature)|American Literary Renaissance]] of the twentieth century.<ref name="prattanthology"/>{{rp|14}}
James Marshall Frank home at 3802 Whitland Avenue, Nashville, Tennessee, where the Fugitive Poets regularly met from 1920 to 1928 <small>''(photo: December, 2021)''</small>]] About 1920, a group consisting of some influential teachers of literature at Vanderbilt, a few [[Town and gown|townies]], and some students began meeting on alternate Saturday nights at the home of James Marshall Frank and his brother-in-law [[Sidney Mttron Hirsch]] on Whitland Avenue in Nashville.<ref name="tnsn1923pix">{{cite news |title=Fugitives Add to Literary Honors Of Tennessee |url=https://www.newspapers.com/image/178341492 |access-date=2 September 2019 |work=Special Feature Section |issue=17 |date=May 27, 1923|volume=15 }}</ref> They met as a poetry workshop with no formal connection with the university. After a couple of years, Hirsch felt their poetry was good enough to publish.<ref name="tnsn1923pix"/> According to author Louise Cowan, "...half-seriously Alec Stevenson suggested as a title "''The Fugitive''" after a poem of Hirsch's which had been read and discussed at an earlier meeting."<ref name="cowanhx">{{cite web |last1=Cowan |first1=Louise |title=The Fugitive Group: A Literary History |url=https://archive.org/stream/fugitivegroup031306mbp/fugitivegroup031306mbp_djvu.txt |website=archive.org |publisher=Louisiana State University Press |access-date=September 4, 2019 |location=Baton Rouge |page=44}}</ref> [[Allen Tate]] stated, "...a Fugitive was quite simply a Poet: the Wanderer, or even the [[Wandering Jew]], the Outcast, the man who carries the secret wisdom around the world".<ref name="cowanhx"/> They published a small literary magazine, ''The Fugitive'' (1922–1925), which showcased their works using [[noms de plume]] at first. Although its publication history was brief, ''The Fugitive'' is considered to be one of the most influential journals in the history of American letters.<ref name="prattanthology"/>{{rp|13}} The Fugitives embodied all the main influences at work in the [[American Renaissance (literature)|American Literary Renaissance]] of the twentieth century.<ref name="prattanthology"/>{{rp|14}}


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==Anthologies==
==Anthologies==


The first comprehensive collection of ''The Fugitives''' poetry was published by William C. Pratt, Professor of English at [[Miami University]] in [[Oxford, Ohio]].<ref name="prattanthology"/>{{rp|11}} Following that, a second anthology was subsequently created after many of the major works were revised. A third anthology, ''The Fugitive poets : Modern Southern Poetry in Perspective'' was published in 1991 by Pratt and included additional works by the original poets.<ref name="prattanthology"/>{{rp|11}}
The first comprehensive collection of the Fugitives' poetry was published by William C. Pratt, Professor of English at [[Miami University]] in [[Oxford, Ohio]].<ref name="prattanthology"/>{{rp|11}} Following that, a second anthology was subsequently created after many of the major works were revised. A third anthology, ''The Fugitive poets : Modern Southern Poetry in Perspective'' was published in 1991 by Pratt and included additional works by the original poets.<ref name="prattanthology"/>{{rp|11}}


==See also==
==See also==
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{{Vanderbilt University}}
{{Vanderbilt University}}
{{Southern Agrarians}}
{{Southern Agrarians}}
{{Allen Tate}}
{{authority control}}
{{authority control}}


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[[Category:Southern United States literature]]
[[Category:Southern United States literature]]
[[Category:20th-century American literature]]
[[Category:20th-century American literature]]
[[Category:Allen Tate]]





Latest revision as of 02:13, 9 July 2024

The Fugitives, also known as the Fugitive Poets, is the name given to a group of poets and literary scholars at Vanderbilt University in Nashville, Tennessee, who published a literary magazine from 1922 to 1925 called The Fugitive.[1]: 13  The group, primarily driven by Robert Penn Warren, John Crowe Ransom, Donald Davidson, and Allen Tate, formed a major school of twentieth century poetry in the United States.[1]: 13  With it, a major period of modern Southern literature began.[1]: 13  Their poetry was formal and featured traditional prosody and concrete imagery often from experiences of the rural south.[2] The group has some overlap with two later movements: Southern Agrarians and New Criticism.[1]: 11 

History

[edit]
James Marshall Frank home at 3802 Whitland Avenue, Nashville, Tennessee, where the Fugitive Poets regularly met from 1920 to 1928 (photo: December, 2021)

About 1920, a group consisting of some influential teachers of literature at Vanderbilt, a few townies, and some students began meeting on alternate Saturday nights at the home of James Marshall Frank and his brother-in-law Sidney Mttron Hirsch on Whitland Avenue in Nashville.[3] They met as a poetry workshop with no formal connection with the university. After a couple of years, Hirsch felt their poetry was good enough to publish.[3] According to author Louise Cowan, "...half-seriously Alec Stevenson suggested as a title "The Fugitive" after a poem of Hirsch's which had been read and discussed at an earlier meeting."[4] Allen Tate stated, "...a Fugitive was quite simply a Poet: the Wanderer, or even the Wandering Jew, the Outcast, the man who carries the secret wisdom around the world".[4] They published a small literary magazine, The Fugitive (1922–1925), which showcased their works using noms de plume at first. Although its publication history was brief, The Fugitive is considered to be one of the most influential journals in the history of American letters.[1]: 13  The Fugitives embodied all the main influences at work in the American Literary Renaissance of the twentieth century.[1]: 14 

Founders

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The group was noted for the number of its members whose works were recognized with a permanent place in the literary canon. Among the most notable Fugitives were John Crowe Ransom, Allen Tate, Merrill Moore, Donald Davidson, William Ridley Wills, and Robert Penn Warren.[5] Other members include Sidney Mttron Hirsch, Stanley P. Johnson, James M. Frank, Jesse Ely Wills, Walter Clyde Curry, Alec B. Stevenson, William Yandell Elliott, and William Frierson.[3] Two of the members (Warren and Tate) later became United States Poets Laureate.[6]

In "The Briar Patch", Robert Penn Warren provided a look at the life of an exploited black person in urban America. "The Briar Patch" was a defense both of segregation, and of the doctrine of "separate but equal," enshrined by Plessy v. Ferguson (1896).[7] (Warren later recanted the views expressed in "The Briar Patch".) Less closely associated with the Fugitives were the critic Cleanth Brooks and the poet Laura Riding.

The Fugitives partly overlapped with a later group, also associated with Vanderbilt, called the Agrarians. Some of the Fugitives were part of the latter group. Another group known as the New Critics, was a later school that emerged from the Fugitives, named for Ransom's 1941 book, The New Criticism.[1]: 11 

Anthologies

[edit]

The first comprehensive collection of the Fugitives' poetry was published by William C. Pratt, Professor of English at Miami University in Oxford, Ohio.[1]: 11  Following that, a second anthology was subsequently created after many of the major works were revised. A third anthology, The Fugitive poets : Modern Southern Poetry in Perspective was published in 1991 by Pratt and included additional works by the original poets.[1]: 11 

See also

[edit]

References

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  1. ^ a b c d e f g h i Pratt, William C. (1991). The Fugitive poets : Modern Southern Poetry in Perspective (1st Sanders ed.). Nashville: J.S. Sanders. ISBN 1879941007.
  2. ^ "Glossary of Poetic Terms/Schools & Periods/Fugitives". poetryfoundation.org. Poetry Foundation. Retrieved May 13, 2020.
  3. ^ a b c "Fugitives Add to Literary Honors Of Tennessee". Special Feature Section. Vol. 15, no. 17. May 27, 1923. Retrieved 2 September 2019.
  4. ^ a b Cowan, Louise. "The Fugitive Group: A Literary History". archive.org. Baton Rouge: Louisiana State University Press. p. 44. Retrieved September 4, 2019.
  5. ^ The Fugitives and Agrarians Archived 2014-02-03 at the Wayback Machine, Vanderbilt University.
  6. ^ "Past Poets Laureate 1937–1960". loc.gov. The Poetry and Literature Center at the U.S. Library of Congress. Retrieved August 6, 2020.
  7. ^ Polsgrove, Carol (2001). Divided Minds: Intellectuals and the Civil Rights Movement. Norton. ISBN 978-0-393-02013-7. Retrieved September 11, 2011.
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