The Acrobats (Doré): Difference between revisions
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'''''The Acrobats''''' (or ''The Wounded Child'') is an oil-on-canvas painting created in 1874 by French artist [[Gustave Doré]]. It represents a family of acrobats, who work in a circus, struck by a tragedy: their |
'''''The Acrobats''''' (or ''The Wounded Child'') is an oil-on-canvas painting created in 1874 by French artist [[Gustave Doré]]. It represents a family of [[Acrobatics|acrobats]], who work in a circus, struck by a tragedy: their son, mortally wounded in the head, lies in the arms of his mother after an accident during a [[tightrope walking]] performance. |
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==Description== |
==Description== |
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The light in the painting is centered on the child and his mother |
The light in the painting is centered on the child and his mother; the background of the painting, where onlookers observe the scene, is much darker. The painting can be divided into two parts, by drawing an imaginary diagonal going from the upper right corner to the lower left corner. The position of the child follows this line, and it is reinforced by the pallor of his white [[jerkin]] (the folds of the garment show that it is not his skin). |
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The bright colors of the circus clothing contrast |
The bright colors of the circus clothing contrast with the whiteness of the injured child's clothing, yet lit up as if he was beaming with his mother holding his. The child and the mother are characters in a central position, and therefore are seen in full light. The mother is dressed in a [[Bohemianism|Bohemian]] fashion with long, blue frabric, a golden crown, and ballet shoes.<ref name="Cussinet">Cussinet, Marie-France. "Bohémiennes et saltimbanques dans les musées d'Auvergne", in Pascale Auraix-Jonchière and Gérard Loubinoux (dir.), La Bohémienne, figure poétique de l'errance aux xviiie et xixe siècles, Clermont-Ferrand, Presses universitaires Blaise-Pascal, 2005, p. 315 (French)</ref> She holds her dying son in her arms, against her body. Her eyes are closed, and a tear runs down her face as she kisses him. She is seated on a drum and some musical instruments are seen at the right.<ref>[https://historia-arte.com/obras/los-saltimbanquis Los saltimbanquis Tragedia en el circo, Historia-arte.com (Spanish)]</ref> |
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According to Doré, the child is dying from his injuries.<ref name="Appleton">Appleton’s Journal, Issues 276-301, D. |
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This representation recalls a Christian iconographic theme, the Virgin Mary mourning the death of Christ – her son – before the burial, therefore resembling a [[pietà]].{{cn|date=July 2023}} |
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Appleton and Company, New York, 1874, p. 81 https://books.google.com/books?id=VH3QAAAAMAAJ&lpg=PA81&dq</ref> The blood from the child's head wound is soaking into a white cloth his mother is pressing to it. |
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The child is dressed in a tight-fitting white garment and his head wound is surrounded by a heavily bloodstained cloth. His skin, very pale, seems to indicate an approaching death.{{cn|date=July 2023}} |
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In the background in the dark, to the left of the father on the edge of the frame, a crowd of acrobats and onlookers observe the group of the mother and father with the dying son. |
In the background in the dark, to the left of the father on the edge of the frame, a crowd of acrobats and onlookers observe the group of the mother and father with the dying son. |
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Three animals are also shown near the group |
Three animals are also shown near the group: two dogs and an owl. Next to the father, there is a [[bulldog]], who is sitting next to him on his right, and who is also looking sadly to the child. Near the mother is a [[bichon]]. He is covered with a garment whose patterns are similar to those of his owner's dress, but with the blue, gold and silver colors reversed, in negative. The animal puts its left front paw on her and also looks towards the child. The two dogs seem to sympathize with the suffering of their masters and to share their emotion.<ref name="Ministry">[https://www.pop.culture.gouv.fr/notice/joconde/M0121000325 The Acrobats, Ministère de la Culture (French)]</ref> |
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==Symbolism== |
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The position of the father separated from the mother and child follows a motif of Christian paintings of the nativity scene which often depict Joseph as separate from the Virgin Mary and the infant Jesus.<ref name="Cussinet" /> The mother is dressed in blue, which is commonly associated with the Virgin Mary.<ref>Staudt, R. J. (2015, May 28). The Color blue: a May tribute to our lady. Catholic Exchange. https://catholicexchange.com/the-color-blue-a-may-tribute-to-our-lady/</ref> In an interview, Doré commented on the Christian symbolism of the painting, saying "...[''The Acrobats''] would have made a good contrast with ‘The Christian Martyrs,’ being in so entirely different a style."<ref name="Appleton" /> |
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| ⚫ | The only animal not observing the scene is the |
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==Provenance== |
==Provenance== |
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The painting was |
The painting was purchased by the city of Clermont-Ferrand in 1937. It is currently displayed in the city's [https://fr.wikipedia.org/wiki/Mus%C3%A9e_d%27Art_Roger-Quilliot Roger-Quilliot Art Museum] on the floor reserved for 19th century French art.<ref name="Ministry" /> In 2011, the painting was elected as the museum's favorite by its visitors.<ref>[https://france3-regions.francetvinfo.fr/auvergne-rhone-alpes/2014/02/24/du-musee-d-orsay-au-musee-d-ottawa-pour-un-tableau-clermontois-421297.html Du Musée d'Orsay au Musée d'Ottawa pour un tableau clermontois, Franceinfo (French)]</ref> |
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==References== |
==References== |
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[[Category:Musical instruments in art]] |
[[Category:Musical instruments in art]] |
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[[Category:Playing cards in art]] |
[[Category:Playing cards in art]] |
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[[Category:Paintings in Auvergne-Rhône-Alpes]] |
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[[Category:Works about entertainers]] |
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[[Category:Works about child death]] |
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[[Category:Acrobats]] |
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[[Category:Oil on canvas paintings]] |
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Latest revision as of 17:07, 13 July 2024
| The Acrobats | |
|---|---|
 | |
| Artist | Gustave Doré |
| Year | 1874 |
| Medium | Oil on canvas |
| Dimensions | 224 cm × 184 cm (88 in × 72 in) |
| Location | Roger-Quilliot Art Museum, Clermont-Ferrand |
The Acrobats (or The Wounded Child) is an oil-on-canvas painting created in 1874 by French artist Gustave Doré. It represents a family of acrobats, who work in a circus, struck by a tragedy: their son, mortally wounded in the head, lies in the arms of his mother after an accident during a tightrope walking performance.
Description
[edit]The light in the painting is centered on the child and his mother; the background of the painting, where onlookers observe the scene, is much darker. The painting can be divided into two parts, by drawing an imaginary diagonal going from the upper right corner to the lower left corner. The position of the child follows this line, and it is reinforced by the pallor of his white jerkin (the folds of the garment show that it is not his skin).
The bright colors of the circus clothing contrast with the whiteness of the injured child's clothing, yet lit up as if he was beaming with his mother holding his. The child and the mother are characters in a central position, and therefore are seen in full light. The mother is dressed in a Bohemian fashion with long, blue frabric, a golden crown, and ballet shoes.[1] She holds her dying son in her arms, against her body. Her eyes are closed, and a tear runs down her face as she kisses him. She is seated on a drum and some musical instruments are seen at the right.[2]
According to Doré, the child is dying from his injuries.[3] The blood from the child's head wound is soaking into a white cloth his mother is pressing to it.
On the left, the seated and bent father watches the scene. His posture and affect show deep sadness with tears in his eyes. He is still dressed in his all-red clown costume complete with stage makeup and a red hat. He is holding circus slippers.
In the background in the dark, to the left of the father on the edge of the frame, a crowd of acrobats and onlookers observe the group of the mother and father with the dying son.
Three animals are also shown near the group: two dogs and an owl. Next to the father, there is a bulldog, who is sitting next to him on his right, and who is also looking sadly to the child. Near the mother is a bichon. He is covered with a garment whose patterns are similar to those of his owner's dress, but with the blue, gold and silver colors reversed, in negative. The animal puts its left front paw on her and also looks towards the child. The two dogs seem to sympathize with the suffering of their masters and to share their emotion.[4]
The only animal not observing the scene is the owl, who is placed and chained on the edge of the drum where the woman is seated. The owl, with his eyes wide open, gives the impression of looking in the direction of the viewers of the painting.[4]
Symbolism
[edit]The position of the father separated from the mother and child follows a motif of Christian paintings of the nativity scene which often depict Joseph as separate from the Virgin Mary and the infant Jesus.[1] The mother is dressed in blue, which is commonly associated with the Virgin Mary.[5] In an interview, Doré commented on the Christian symbolism of the painting, saying "...[The Acrobats] would have made a good contrast with ‘The Christian Martyrs,’ being in so entirely different a style."[3]
Provenance
[edit]The painting was purchased by the city of Clermont-Ferrand in 1937. It is currently displayed in the city's Roger-Quilliot Art Museum on the floor reserved for 19th century French art.[4] In 2011, the painting was elected as the museum's favorite by its visitors.[6]
References
[edit]- ^ a b Cussinet, Marie-France. "Bohémiennes et saltimbanques dans les musées d'Auvergne", in Pascale Auraix-Jonchière and Gérard Loubinoux (dir.), La Bohémienne, figure poétique de l'errance aux xviiie et xixe siècles, Clermont-Ferrand, Presses universitaires Blaise-Pascal, 2005, p. 315 (French)
- ^ Los saltimbanquis Tragedia en el circo, Historia-arte.com (Spanish)
- ^ a b Appleton’s Journal, Issues 276-301, D. Appleton and Company, New York, 1874, p. 81 https://books.google.com/books?id=VH3QAAAAMAAJ&lpg=PA81&dq
- ^ a b c The Acrobats, Ministère de la Culture (French)
- ^ Staudt, R. J. (2015, May 28). The Color blue: a May tribute to our lady. Catholic Exchange. https://catholicexchange.com/the-color-blue-a-may-tribute-to-our-lady/
- ^ Du Musée d'Orsay au Musée d'Ottawa pour un tableau clermontois, Franceinfo (French)