Jump to content

Gumshoe (film): Difference between revisions

From Wikipedia, the free encyclopedia
Content deleted Content added
No edit summary
 
(4 intermediate revisions by 3 users not shown)
Line 23: Line 23:
}}
}}


'''''Gumshoe''''' is a 1971 British [[black comedy]] film directed (in his debut) by [[Stephen Frears]] and starring [[Albert Finney]], [[Billie Whitelaw]] and [[Frank Finlay]].<ref name="BFIsearch">{{Cite web |title=Gumshoe |url=https://collections-search.bfi.org.uk/web/Details/ChoiceFilmWorks/150032180 |access-date=27 August 2024 |website=British Film Institute Collections Search}}</ref> It was written by [[Neville Smith (actor)|Neville Smith]]. The film follows a bingo-caller who dreams of being a [[private investigator|private eye]].
'''''Gumshoe''''' is a 1971 British [[black comedy]] film that was the cinematic directorial debut of director [[Stephen Frears]]. Written by local author [[Neville Smith (actor)|Neville Smith]], who appears as Arthur, the film is set in [[Liverpool]]. [[Albert Finney]] plays the role of Eddie Ginley, a bingo-caller and occasional club [[comedian]] who dreams of being a [[private investigator|private eye]] of the kind he knows from films and [[Pulp magazine|pulp novels]]. Having put an advertisement in a local newspaper (the ''[[Liverpool Echo]]'') as a birthday present to himself, Ginley is suddenly contacted for what appears to be an actual piece of detective work.


==Plot==
==Plot==
Eddie Ginley works at a bingo hall in Liverpool, England, but dreams of becoming a stylish private investigator like those he has read about and seen in films. After finally placing an advertisement in a local newspaper announcing his detective services, he receives a mysterious offer. Even though Ginley is inexperienced and clueless at certain aspects of investigating, he comes to realize that he is entangled in a serious case involving drugs, murder and even his own family.
Eddie Ginley works at a bingo hall in [[Liverpool]], England, but dreams of becoming a stylish private investigator like those he has read about and seen in films. After finally placing an advertisement in a local newspaper announcing his detective services, he receives a mysterious offer. Although Ginley is inexperienced and clueless in certain aspects of investigating, he soon realises that he is entangled in a serious case involving drugs, murder, and even his own family.


==Cast==
==Cast==
Line 50: Line 50:


==Production==
==Production==
The film has many comic moments as it switches between 'straight' detective novel and affectionate [[Parody|spoof]]. It has some shots of Liverpool buildings that have long since been demolished, including the employment exchange on Leece Street. Several scenes in the London part of the narrative take place in and around the occult [[Atlantis Bookshop]].
The film contains shots of Liverpool buildings that have long since been demolished, including the employment exchange on Leece Street.{{Citation needed|date=August 2024}} Several scenes in the London part of the narrative take place in and around the occult [[Atlantis Bookshop]].


''Gumshoe'' was the first of two films with original music scores by [[Andrew Lloyd Webber]] (the other was ''[[The Odessa File (film)|The Odessa File]]'', in 1974). Some of the music used was originally written for Lloyd Webber's then-abandoned musical version of ''[[Sunset Boulevard (musical)|Sunset Boulevard]]''; the music was restored to its original place when work on the musical was resumed years later. [[Roy Young (musician)|Roy Young]] recorded the song "Baby, You're Good For Me", written by Lloyd Webber and [[Tim Rice]].<ref>[https://www.imdb.com/title/tt0068669/soundtrack?ref_=ttfc_ql_trv_7 Soundtrack Credits] IMDb.com, accessed 17 May 2017</ref>
''Gumshoe'' was the first of two films with original music scores by [[Andrew Lloyd Webber]] (the other was ''[[The Odessa File (film)|The Odessa File]]'', in 1974). Some of the music used was originally written for Lloyd Webber's then-abandoned musical version of ''[[Sunset Boulevard (musical)|Sunset Boulevard]]''; the music was restored to its original place when work on the musical was resumed years later. [[Roy Young (musician)|Roy Young]] recorded the song "Baby, You're Good For Me", written by Lloyd Webber and [[Tim Rice]].<ref>[https://www.imdb.com/title/tt0068669/soundtrack?ref_=ttfc_ql_trv_7 Soundtrack Credits] IMDb.com, accessed 17 May 2017</ref>


A scene was significantly (and clumsily) shortened before release because of its detailed depiction of a [[heroin]] user preparing and taking his "fix". After years of unavailability, ''Gumshoe'' was released on DVD in 2009.<ref>{{cite web |url=http://www.netflix.com/WiMovie/Gumshoe/70042309?strackid=76c63d150f7d0e8d_0_srl&strkid=355734836_0_0&trkid=438381 |title=Netflix available films |work=Netflix.com |access-date=2010-09-13}}</ref>
A scene was significantly shortened before release because of its detailed depiction of a [[heroin]] user preparing and taking his "fix". After years of unavailability, ''Gumshoe'' was released on DVD in 2009.<ref>{{cite web |url=http://www.netflix.com/WiMovie/Gumshoe/70042309?strackid=76c63d150f7d0e8d_0_srl&strkid=355734836_0_0&trkid=438381 |title=Netflix available films |work=Netflix.com |access-date=2010-09-13}}</ref>

== Reception ==
''[[The Monthly Film Bulletin]]'' wrote: "The easiest and most obvious thing to say about Gumshoe is that it is quietly and delightfully funny every inch of the way, all the more so because it never indulges in obvious pastiche, instead filtering its many echoes of the Forties thrillers through the pop-tinted glasses of the Presley Fifties as well as the sober horn-rims of reality. &nbsp;... Gumshoe [is] an extraordinarily difficult film to review, mainly because its various levels are so closely dovetailed that any attempt to take them apart leaves one with limp, meaningless strands in one's hands.&nbsp;...Everything in the film – Stephen Frears' first feature – is exactly right, from the throbbing Forties score down to the end of the cast list (with Fulton Mackay stealing any honours Finney leaves behind) and the brilliantly self-effacing direction; but its most remarkable achievement is perhaps that behind all the jokes and flurries, another Eddie peeps through, vulnerable, lonely and despairing. At the end, sitting with his hat tipped rakishly over his eyes listening to a rock-and-roll record, he is Sam Spade again; but nothing can quite efface the memory of the hurt, lost child whose brother melted down his toy soldiers to sell the lead and who was betrayed by the girl he loved."<ref>{{Cite journal |date=1 January 1972 |title=Gumshoe |url=https://www.proquest.com/docview/1305834652/DA2A466236DF4C7APQ/1 |journal=[[The Monthly Film Bulletin]] |volume=39 |issue=456 |pages=8 |via=ProQuest}}</ref>


==References==
==References==
Line 78: Line 81:
[[Category:1970s British films]]
[[Category:1970s British films]]
[[Category:1971 comedy-drama films]]
[[Category:1971 comedy-drama films]]
[[Category:English-language crime comedy-drama films]]
[[Category:English-language action thriller films]]

Latest revision as of 17:46, 21 September 2024

Gumshoe
UK release poster
Directed byStephen Frears
Written byNeville Smith
Produced byMichael Medwin
StarringAlbert Finney
Billie Whitelaw
CinematographyChris Menges
Edited byCharles Rees
Music byAndrew Lloyd Webber
Production
company
Memorial Enterprises
Distributed byColumbia-Warner Distributors
Release date
  • December 1971 (1971-12) (UK)
Running time
88 minutes
CountryUnited Kingdom
LanguageEnglish

Gumshoe is a 1971 British black comedy film directed (in his debut) by Stephen Frears and starring Albert Finney, Billie Whitelaw and Frank Finlay.[1] It was written by Neville Smith. The film follows a bingo-caller who dreams of being a private eye.

Plot

[edit]

Eddie Ginley works at a bingo hall in Liverpool, England, but dreams of becoming a stylish private investigator like those he has read about and seen in films. After finally placing an advertisement in a local newspaper announcing his detective services, he receives a mysterious offer. Although Ginley is inexperienced and clueless in certain aspects of investigating, he soon realises that he is entangled in a serious case involving drugs, murder, and even his own family.

Cast

[edit]

Production

[edit]

The film contains shots of Liverpool buildings that have long since been demolished, including the employment exchange on Leece Street.[citation needed] Several scenes in the London part of the narrative take place in and around the occult Atlantis Bookshop.

Gumshoe was the first of two films with original music scores by Andrew Lloyd Webber (the other was The Odessa File, in 1974). Some of the music used was originally written for Lloyd Webber's then-abandoned musical version of Sunset Boulevard; the music was restored to its original place when work on the musical was resumed years later. Roy Young recorded the song "Baby, You're Good For Me", written by Lloyd Webber and Tim Rice.[2]

A scene was significantly shortened before release because of its detailed depiction of a heroin user preparing and taking his "fix". After years of unavailability, Gumshoe was released on DVD in 2009.[3]

Reception

[edit]

The Monthly Film Bulletin wrote: "The easiest and most obvious thing to say about Gumshoe is that it is quietly and delightfully funny every inch of the way, all the more so because it never indulges in obvious pastiche, instead filtering its many echoes of the Forties thrillers through the pop-tinted glasses of the Presley Fifties as well as the sober horn-rims of reality.  ... Gumshoe [is] an extraordinarily difficult film to review, mainly because its various levels are so closely dovetailed that any attempt to take them apart leaves one with limp, meaningless strands in one's hands. ...Everything in the film – Stephen Frears' first feature – is exactly right, from the throbbing Forties score down to the end of the cast list (with Fulton Mackay stealing any honours Finney leaves behind) and the brilliantly self-effacing direction; but its most remarkable achievement is perhaps that behind all the jokes and flurries, another Eddie peeps through, vulnerable, lonely and despairing. At the end, sitting with his hat tipped rakishly over his eyes listening to a rock-and-roll record, he is Sam Spade again; but nothing can quite efface the memory of the hurt, lost child whose brother melted down his toy soldiers to sell the lead and who was betrayed by the girl he loved."[4]

References

[edit]
  1. ^ "Gumshoe". British Film Institute Collections Search. Retrieved 27 August 2024.
  2. ^ Soundtrack Credits IMDb.com, accessed 17 May 2017
  3. ^ "Netflix available films". Netflix.com. Retrieved 13 September 2010.
  4. ^ "Gumshoe". The Monthly Film Bulletin. 39 (456): 8. 1 January 1972 – via ProQuest.
[edit]