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Spelling: "Fields's" for the typo "Field's," but I am leaving instances of " Fields' " alone! I am changing "films" in Casting to "film" because we say that Fields did not make another film until 1924; to what other films, then, could this publicity have referred? Feel free to correct me.
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'''''Pool Sharks''''' (also sometimes known as '''''The Pool Shark''''') is a [[1915 in film|1915]] [[silent film|silent]] [[short film]]. The film is notable for being the film acting and writing debut of [[W. C. Fields]], and also features an early [[stop-motion animation]] scene, during a game of [[Pocket billiards|pool]].
'''''Pool Sharks''''' (also sometimes known as '''''The Pool Shark''''') is a [[1915 in film|1915]] [[silent film|silent]] [[short film]]. The film is notable for being the film acting and writing debut of [[W. C. Fields]] and also features early instances of [[stop-motion animation]] during a game of [[Pocket billiards|pool]].


==Plot summary==
==Plot summary==
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===Casting===
===Casting===
Fields helped make this film in [[New York City]], taking time off from the [[Ziegfeld Follies]], as publicity for the films pointed out. Vaudeville was Fields' primary vocation, and it would be nine years before he made his next known film, the 1924 film ''[[Janice Meredith (film)|Janice Meredith]]''.
Fields helped make this film in [[New York City]], taking time off from the [[Ziegfeld Follies]], as publicity for the film pointed out. Vaudeville was Fields' primary vocation, and it would be nine years before he made his next known film, 1924's ''[[Janice Meredith (film)|Janice Meredith]]''.


Fields wore his obviously [[fake moustache]] in this film, as he did in all of his silent films. His character and mannerisms bear some resemblance to [[Charlie Chaplin]]'s, although the persona Fields later developed in his sound comedies is foreshadowed during the picnic scene, when Field's character dumps a small child out of a chair so that he can steal it to get closer to the woman he is chasing.
Fields wore his obviously [[fake moustache]] in this film, as he did in all of his silent films. His character and mannerisms bear some resemblance to [[Charlie Chaplin]]'s, although the persona Fields later developed in his sound comedies is foreshadowed during the picnic scene, when Fields's character dumps a small child out of a chair so that he can steal it to get closer to the woman he is chasing.


===Animation===
===Animation===

Revision as of 23:12, 12 August 2021

Pool Sharks
Directed byEdwin Middleton
Written byW.C. Fields
Produced byFranco Cristaldi
StarringW.C. Fields
Bud Ross
Marian West
Distributed byMutual Film Corporation
Release date
September 19, 1915 (U.S.)
Running time
15 min.
CountryUnited States
LanguageSilent

Pool Sharks (also sometimes known as The Pool Shark) is a 1915 silent short film. The film is notable for being the film acting and writing debut of W. C. Fields and also features early instances of stop-motion animation during a game of pool.

Plot summary

Following a standard style of the era, the film is a romantic slapstick comedy short. Fields and his rival (played by Bud Ross) vie over the affections of a woman (played by Marian West). When their antics get out of hand at a picnic, it is decided that they should play a game of pool. Both of them are pool sharks, and after the game turns into a farce, a fight ensues. Fields throws a ball at his rival, who ducks. The ball flies through the window and breaks a hanging goldfish bowl, soaking the woman they are fighting over and leaving goldfish in her hair. She storms into the pool hall and rejects both men.

Production

Casting

Fields helped make this film in New York City, taking time off from the Ziegfeld Follies, as publicity for the film pointed out. Vaudeville was Fields' primary vocation, and it would be nine years before he made his next known film, 1924's Janice Meredith.

Fields wore his obviously fake moustache in this film, as he did in all of his silent films. His character and mannerisms bear some resemblance to Charlie Chaplin's, although the persona Fields later developed in his sound comedies is foreshadowed during the picnic scene, when Fields's character dumps a small child out of a chair so that he can steal it to get closer to the woman he is chasing.

Animation

The animators hands being seen in a poorly edited sequence in the Billiards scene

Fields was an expert juggler. As with his early films, Pool Sharks was intended to highlight a pool ball juggling act that featured in the actor's vaudeville show. In the final film, however, there is only a brief shot of Fields juggling several billiard balls, as his act was largely replaced with several poorly edited stop motion sequences depicting impossible shots, such as the balls jumping off the table and re-racking themselves on the wall. Though innovative for the time, they are poorly animated, with obvious edits, and the animator's hand can actually be seen moving the balls along in one of the frames.

Reaction

Today, Pool Sharks is best remembered as Fields' first film effort. Film historian William K. Everson critiques the film as an "auspicious debut", with Fields' routines and pacing already finely honed. It was one of two short films Fields made for a company called Gaumont, distributed by Mutual. He and Ross made another short around the same time, His Lordship's Dilemma.

References

  • The Films of W.C. Fields, by Donald Deschner, The Citadel Press, New York, 1966.
  • The Art of W.C. Fields, by William K. Everson, Bonanza Books, New York, 1967.