György Sebők: Difference between revisions
m recategorize |
|||
Line 46: | Line 46: | ||
== References == |
== References == |
||
{{Reflist}} |
{{Reflist}} |
||
== Primary sources == |
== Primary sources == |
||
Line 74: | Line 72: | ||
[[Category:Jacobs School of Music faculty]] |
[[Category:Jacobs School of Music faculty]] |
||
[[Category:20th-century classical pianists]] |
[[Category:20th-century classical pianists]] |
||
[[Category:20th-century male musicians]] |
[[Category:20th-century Hungarian male musicians]] |
||
[[Category:Hungarian emigrants to the United States]] |
[[Category:Hungarian emigrants to the United States]] |
Revision as of 08:57, 19 November 2021
György Sebők | |
---|---|
Born | |
Died | November 14, 1999 | (aged 77)
Nationality | Hungarian, American |
György Sebők (November 2, 1922 – November 14, 1999) was a Hungarian-born American pianist and professor at the Indiana University's Jacobs School of Music in Bloomington, Indiana, United States.
He was known worldwide as a soloist with major orchestras, a recitalist on four continents, a recording artist, and for his master classes, visiting professorships, and the Swiss music festival he organized in Ernen.
Biography
He was born in Szeged, Hungary on November 2, 1922.
Sebők gave his first solo piano recital at age 11. At 14, he played Beethoven's Piano Concerto No. 1 under conductor Ferenc Fricsay—a performance upon which he would reflect many years later.
He enrolled in the Franz Liszt Academy at the age of 16, under the guidance of Zoltán Kodály and Leo Weiner. After graduating, he gave concerts[1] for ten years throughout Eastern and Central Europe and the former Soviet Union.
He won the Grand Prix du Disque in 1957. Sebők was listed in Who's Who in America, Who's Who in Music, the National Register of Prominent Americans, and other biographical dictionaries. He received numerous honors, including the Cross of Merit of the Hungarian Government, La Medaille de la Ville de Paris, Echelon Vermeille, and, in 1996, Kulturpreis des Staates Wallis, (Prix de Consecration). Also in 1996, the French Government bestowed on him the decoration Chevalier de L'Ordre des Arts et des Lettres.
Teaching
In 1949, he was named professor of music at the Béla Bartók Conservatory in Budapest. After the Hungarian revolt of 1956, he settled in Paris. Encouraged by his friend János Starker, at the age of forty, he went to Indiana University School of Music in Bloomington, starting what is considered to be the most productive phase of his career. Starker and Sebők frequently performed together.
Sebők was a guest professor of the Berlin Hochschule der Kunste (HDK) in Germany, there teaching master classes twice a year. He was also an honorary life member of Tokyo's Toho School of Music, and a regular guest teacher at the Banff Centre for Arts; the Amsterdam Sweelinck Conservatorium, the School of Music in Barcelona, and the Hochschule für Musik in Stuttgart. In 1974 he founded and organized annual summer master classes in Ernen, Switzerland for pianists and 'other instruments', and the following year he was a member the jury for the first Paloma O'Shea Santander International Piano Competition.[2] He also founded and directed the "Festival der Zukunft" in Ernen in 1987, which is to this day carrying his legacy with growing numbers of concertgoers. The city's officials made him an honorary citizen—only their third in 800 years.
Quotes
Prior to a 1985 recital at IU's Musical Arts Center, Sebők looked back on his concert at age 14, and drew a connection between that event and his teaching philosophy. "During the third movement I made some mistakes," he recalled, "but I didn't feel guilty about it because I felt I had done my best. We had a neighbor, a music lover, who said to my grandfather about my performance, 'Oh, that was wonderful, but in the third movement something went wrong.' My grandfather became very angry with him and said, 'I don't care, because the sun has spots, too.' That was a beautiful thing for my grandfather to say, I think, and sometimes I remember that: Even the sun has spots."
Similarly, Sebők helped his students overcome fear of mistakes in order to give their best performances.
One has to accept that to be human is to be fallible, and then do the best one can and be captured by the music.
References
- ^ Jean-Pierre Thiollet, 88 notes pour piano solo, "Solo nec plus ultra", Neva Editions, 2015, p.51. ISBN 978 2 3505 5192 0.
- ^ "Winners, Juries, Orchestras and Guest Artists – II International Competition 1975", Santander Piano Competition
Primary sources
- In memoriam : György Sebők
- György Sebők - Artisttrove
- György Sebők - Allmusic
- Tracing Liabraaten's Musical Roots to Liszt & Beethoven
External links
- Biography of György Sebök - Founder of the Musikdorf Ernen Festival
- Sebok: in memoriam - Indiana University.
- Gyorgy Sebok talks on YouTube his feelings during and after the war and plays the Busoni transcription of the Bach's Adagio - BWV 564.
- Gyorgy Nicholas Sebok at Find a Grave
- In memoriam: Gyorgy Sebok Musical Times, Spring 2000.