Irmtraud Morgner: Difference between revisions
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'''Irmtraud Elfriede Morgner''' ([[August 22]] [[1933]] – [[May 6]] [[1990]]) was an [[East German]] [[feminist]] [[writer]]. Her 1974 montage novel ''Leben und Abenteuer der Trobadora Beatriz nach Zeugnissen ihrer Spielfrau Laura'' has been translated into English, with the title ''The Life and Adventures of Trobadora Beatrice as Chronicled by Her Minstrel Laura: A Novel in Thirteen Books and Seven Intermezzos''. |
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| name = Irmtraud Elfriede Morgner |
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| image = Bundesarchiv Bild 183-M1116-0010, Berlin, Schriftstellerkongress, Kelm, Koprowski, Fühmann, Morgner.jpg |
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| imagesize = 300 |
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| caption = Morgner (right) at the 7th Congres of GDR Writers |
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| birthdate = {{birth date|1933|8|22|mf=y}} |
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| birthplace = [[Chemnitz]], [[Germany]] |
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| deathdate = {{death date|1990|5|3|mf=y}} |
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| deathplace = [[Berlin]], [[East Germany]] |
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| spouse = Unknown(? - ?)<br>Paul Wiens (1972-1977) |
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| awards = [[Heinrich Mann Prize]] (1975)<br>[[National Prize of East Germany]] (1977)<br>[[Roswitha Prize]] (1985)<br>[[Kassel Literary Prize]] (1989) |
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}} |
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'''Irmtraud Morgner''', (22 August 1933{{ndash}}3 May 1990), was an German writer, best known for works of [[magical realism]] concerned predominantly with the role of gender in [[East Germany|East German]] society. |
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==Life== |
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Irmtraud Morgner was born in 1933 in [[Chemnitz]], the daughter of a [[railroad engineer]]. She took her [[Abitur]] in 1952, before studying ''Germanistik'' ([[German studies]]) and [[Literary studies]] at [[Leipzig]] until 1956. She worked for the magazine ''Neue Deutsche Literatur'' (New German Literature, a journal noted for a degree of confrontation with East German cultural policy) until 1958, after which she lived as freelance author. |
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After producing a number of relatively conventional [[socialist realist]] works, she gained a greater degree of notability and success in 1968 with the novel ''Hochzeit in Konstantinopel'' (Wedding in Constantinople). This work, a blend of realism and fantasy exploring [[feminist]] themes, was a fresh development in East German literature. While her work as a whole is generally argued to be predominantly concerned with gender, Morgner also touches upon other issues in East German society. She clearly satirises the stultifying effect of censorship on literature under the regime, censorship that she herself often fell foul of. Whilst winning notable awards in East Germany, she was nevertheless subject to surveillance herself, and her works to heavy editing and often rejection. |
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Her magnum opus may be considered ''Leben und Abenteuer der Trobadora Beatriz nach Zeugnissen ihrer Spielfrau Laura'' (The Life and Adventures of Trobadora Beatrice as Chronicled by Her Minstrel Laura). A 'novel in thirteen books and seven intermezzos', it may be considered an [[epistolary novel]] as it includes (other than straight narrative) love poetry, morse code, exchanges of correspondence and transcripts. The 'intermezzos' were created from ''Rumba auf einen Herbst'' (Rumba for Autumn), a novel previously rejected by the censors in 1965. Together with its sequel ''Amanda. Ein Hexenroman'' (Amanda. A Witch's Tale), ''…Trobadora Beatriz…'' was to form a trilogy centred on Laura Salman. |
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Morgner was diagnosed with cancer in 1987. The disease did impair her productivity, and she never completed the 'Salman trilogy'. Fragments of the final novel of the were later published posthumously as ''Das heroische Testament'' (The Heroic Testament). Morgner died in Berlin. |
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==Works== |
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* ''Das Signal steht auf Fahrt''. Berlin, 1959 |
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* ''Ein Haus am Rand der Stadt''. Berlin, 1962 |
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* ''Hochzeit in Konstantinopel''. Berlin, 1968 |
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* ''Gauklerlegende''. Berlin, 1970 |
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* ''Die wundersamen Reisen Gustavs des Weltfahrers''. Berlin, 1972 |
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* ''Leben und Abenteuer der Trobadora Beatriz nach Zeugnissen ihrer Spielfrau Laura''. Berlin, 1974 |
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** ''The Life and Adventures of Trobadora Beatrice as Chronicled by Her Minstrel Laura'' (translated by Jeanette Clausen). Nebraska, 2000 |
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* ''Geschlechtertausch'' (with Sarah Kirsch und Christa Wolf). Darmstadt, 1980 |
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* ''Amanda. Ein Hexenroman'' (Amanda. A Witch's Tale). Berlin, 1983 |
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* ''Die Hexe im Landhaus'' (with Erica Pedretti). Zürich, 1984 |
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* ''Der Schöne und das Biest''. Leipzig, 1991 |
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* ''Rumba auf einen Herbst''. Hamburg, 1992 |
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* ''Das heroische Testament'' (The Heroic Testament). München, 1998 |
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* ''Erzählungen''. Berlin, 2006 |
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Morgner was born in [[Chemnitz]] and died in [[Berlin]]. |
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==External links== |
==External links== |
Revision as of 03:16, 14 September 2009
Irmtraud Elfriede Morgner | |
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Notable awards | Heinrich Mann Prize (1975) National Prize of East Germany (1977) Roswitha Prize (1985) Kassel Literary Prize (1989) |
Spouse | Unknown(? - ?) Paul Wiens (1972-1977) |
Irmtraud Morgner, (22 August 1933–3 May 1990), was an German writer, best known for works of magical realism concerned predominantly with the role of gender in East German society.
Life
Irmtraud Morgner was born in 1933 in Chemnitz, the daughter of a railroad engineer. She took her Abitur in 1952, before studying Germanistik (German studies) and Literary studies at Leipzig until 1956. She worked for the magazine Neue Deutsche Literatur (New German Literature, a journal noted for a degree of confrontation with East German cultural policy) until 1958, after which she lived as freelance author.
After producing a number of relatively conventional socialist realist works, she gained a greater degree of notability and success in 1968 with the novel Hochzeit in Konstantinopel (Wedding in Constantinople). This work, a blend of realism and fantasy exploring feminist themes, was a fresh development in East German literature. While her work as a whole is generally argued to be predominantly concerned with gender, Morgner also touches upon other issues in East German society. She clearly satirises the stultifying effect of censorship on literature under the regime, censorship that she herself often fell foul of. Whilst winning notable awards in East Germany, she was nevertheless subject to surveillance herself, and her works to heavy editing and often rejection.
Her magnum opus may be considered Leben und Abenteuer der Trobadora Beatriz nach Zeugnissen ihrer Spielfrau Laura (The Life and Adventures of Trobadora Beatrice as Chronicled by Her Minstrel Laura). A 'novel in thirteen books and seven intermezzos', it may be considered an epistolary novel as it includes (other than straight narrative) love poetry, morse code, exchanges of correspondence and transcripts. The 'intermezzos' were created from Rumba auf einen Herbst (Rumba for Autumn), a novel previously rejected by the censors in 1965. Together with its sequel Amanda. Ein Hexenroman (Amanda. A Witch's Tale), …Trobadora Beatriz… was to form a trilogy centred on Laura Salman.
Morgner was diagnosed with cancer in 1987. The disease did impair her productivity, and she never completed the 'Salman trilogy'. Fragments of the final novel of the were later published posthumously as Das heroische Testament (The Heroic Testament). Morgner died in Berlin.
Works
- Das Signal steht auf Fahrt. Berlin, 1959
- Ein Haus am Rand der Stadt. Berlin, 1962
- Hochzeit in Konstantinopel. Berlin, 1968
- Gauklerlegende. Berlin, 1970
- Die wundersamen Reisen Gustavs des Weltfahrers. Berlin, 1972
- Leben und Abenteuer der Trobadora Beatriz nach Zeugnissen ihrer Spielfrau Laura. Berlin, 1974
- The Life and Adventures of Trobadora Beatrice as Chronicled by Her Minstrel Laura (translated by Jeanette Clausen). Nebraska, 2000
- Geschlechtertausch (with Sarah Kirsch und Christa Wolf). Darmstadt, 1980
- Amanda. Ein Hexenroman (Amanda. A Witch's Tale). Berlin, 1983
- Die Hexe im Landhaus (with Erica Pedretti). Zürich, 1984
- Der Schöne und das Biest. Leipzig, 1991
- Rumba auf einen Herbst. Hamburg, 1992
- Das heroische Testament (The Heroic Testament). München, 1998
- Erzählungen. Berlin, 2006
External links
- Geoff Westgate introduces Irmtraud Morgner (New Books in German)
- Socialist Magical Realism (the Complete Review)