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Non-free use rationale poster
| Article = Once Upon ay Time in Mumbai Dobaara!
| Use = Infobox
| Media = film
| Name =
| Distributor =
| Publisher =
| Graphic Artist =
| Type =
| Website =
| Owner = [[Balaji Motion Pictures]], [[T-Series]], [[Ekta Kapoor]], [[Sobha Kapoor]]
| Commentary =
| Description =
| Source = https://www.facebook.com/photo.php?fbid=500198830067596&set=a.461658917254921.1073741828.436726436414836&type=1&theater
| Portion =
| Low resolution = Yes. 300x404 pixels. Size reduced considerably to comply with Wikipedia's Low resolution policy. Therefore suitable for display only and if used in counterfeited copies they will of inferior quality to the original and or legal versions.
| Purpose = Infobox
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}}


== Dhoom 3 ==
== Dhoom 3 ==

Revision as of 05:45, 24 December 2013

Non-free use rationale poster | Article = Once Upon ay Time in Mumbai Dobaara! | Use = Infobox | Media = film | Name = | Distributor = | Publisher = | Graphic Artist = | Type = | Website = | Owner = Balaji Motion Pictures, T-Series, Ekta Kapoor, Sobha Kapoor | Commentary = | Description = | Source = https://www.facebook.com/photo.php?fbid=500198830067596&set=a.461658917254921.1073741828.436726436414836&type=1&theater | Portion = | Low resolution = Yes. 300x404 pixels. Size reduced considerably to comply with Wikipedia's Low resolution policy. Therefore suitable for display only and if used in counterfeited copies they will of inferior quality to the original and or legal versions. | Purpose = Infobox | Replaceability = | Other information = }}

Dhoom 3

[1][2]

http://archive.is/jVjn0 https://itunes.apple.com/in/album/drama-queen-from-hasee-toh/id780410092

Title track

[3]

Telugu: [4]

Tamil: [5]

Malang

[6]

Telugu: [7]

Tamil: [8]

Singles

Dedh Ishqiya

https://itunes.apple.com/in/album/zabaan-jale-hai-dedh-ishqiya/id784546618 http://archive.is/KgIFh

https://itunes.apple.com/in/album/jagaave-saari-raina-from-dedh/id784547318 http://archive.is/sYGlt

Akshay Lead

Akshay Kumar hails from Amritsar, Punjab. Born on 9 September 1967 to a Soldier father. Akshay's father retired from the Indian Army and worked as an accountant for UNICEF in Delhi, his birth place. Having a transferable job his Akshay's family had to move to Mumbai when his a 3 year-old in a one-room abode in Sion Koliwada region.

Suprisingly Akshay gained admission to Don Bosco school without interviewing. He learnt from his father that he threw a paper into the waste-paper basket on his own lying on the floor. This courteous gesture was seen by Father Gatty thereby granting him instant admission.


Akshay in an interview with Times of India admitted that he was the type of kid who always spent more time playing in the gallis than studying. His father being a former state-representing wrestler understood his interests and sent him to Bangkok after quitting Khalsa College just opposite to his school to learn Martial Arts. In Bangkok Akshay would join Metro Guest House as a cook at the same time learnt Thai boxing and Tai Chi. He currently holds a Sixth-Degree Black Belt in Martial Art and is among the 15 or so to do so in India.

After his 3-years stint in Bangkok Kumar served as waiter for six months in Purbani Hotel, Dhaka, Bangladesh.

Kolkata

Post Bangladesh Kumar returned to Kolkata, India in 1983. Here he worked as an errand boy in Shiva's Travel Agency near New Market. Talking

Byomkesh Bakshi

http://archive.is/lHXys http://www.epaper.eisamay.com/epapermain.aspx

[9]

Critical reception

Upon release, Once Upon Ay Time In Mumbai Dobaara! received mixed to negative reviews.[10] Noted film critic and analyst, Rajeev Masand writing for CNN-IBN gave the film stars and said "Once Upon Ay Time in Mumbai Dobaara is the equivalent of getting a root canal." He criticised the naivety of the three main leads, describing them as "plain stupid". He also derided Akshay for his on-screen "in-your-face flamboyance" which paled when compared to Ajay Devgn's "sexy nonchalance". He also heaped scorn on the "rat-a-tat punch lines" and Imran Khan, who appeared to be an "urban rich kid slumming it out at a dress-up party". He noted a few strong points such as Sonali Bendre's spirited cameo as Mumtaz and a particularly intelligent scene where Shoiab walks into a police station seemingly to surrender himself but claimed them to be "small mercies in a major misfire".[11]

Writing for The Times of India, Madhureeta Mukherjee awarded the film stars, telling readers to "Watch this story of deewana dons and their dilrubas. There's nothing criminal about it!" She appraised Milan Luthria for being able to capture the essence and aroma of the period in which it is set. She also praised Kumar's acting and portrayal of the Don, Shoaib Khan with "bhai act with flamboyance and mojo. He gets a chance to do what he does best – herogiri (albeit less menacing, more entertaining), with charisma and clap-trap dialoguebaazi." Although she pointed to Imran Khan's ill-at-ease way of playing a rogue and the second half of the film being less engaging than the previous due to dialogue adding drama to the story, claiming it to get "at times too overbearing". She ended with saying "This film has its moments, but it's not as compelling as the prequel."[12]

Subhra Gupta writing for The Indian Express gave the film stars and said that "After all the shoot-outs and bang-bangs are over, you are left with a film which leaves you with so little new that you wonder if there's any juice left in this style of retro gangsta flick. Or are we heading for a third-time-in-Mumbai-Tibara?" Gupta heavily criticised Sonakshi's act as the "goody-two-shoes" heroine Jasmine who is "more naïve than any young woman has the right to be".[13]

Reviewing the film for Koimoi, Mohar Basu gave the title stars and said that "OUATIMD lacks the effervescence and naturalness of its prequel. The vibrancy of the script is diluted with hard-to-believe romance, minimal story; the film falters due to lack of action and the calamity that OUATIMD reflected in abundance. This one isn't really a dull bore but fails to spark off the enigma of the former edition! Crime thrillers and love dramas shouldn't be mingled, it results in an insipid broth like this." Basu disliked the overtness of melodrama in the film; its lack of euphoric stand-out moments in part because of the "lazy" script, claiming it falls apart when compared to its predecessor; the lack-lustred chemistry between the leads and the intended surprise for the audience when Sonakshi declares her lover whilst rejecting another. She questioned the existence of the plot's core theme of obsession over romance which seems out of the blue, considering there are "barely any tender moments or delicate minutes of love". She called Akshay Kumar sleazy in his dialogue delivery, outright hilarious at times for failing to add depth, charisma or persona in a role that "Emraan Hashmi had immortalized". She described Sonakshi Sinha's character as a "chatterbox replete with idiocracy" while saying Imran Khan was "trying-too-hard-to-be-suave", and that the film further imposes the impression of his inherent inability to act. The only highs of the film according to Basu are Sonali Bendre's compelling and convincing act in a single solid scene where she effortlessly conveys the emotional carnage Shoaib's love had caused her over the years and the action scenes in the first hour of the film, notably when both Kumar and Khan jump over a terrace together which showed glimpses of the "panache of what it had attempted on".[14]

Few diffs - 1, 2, Theashworld, 3. 4. Sohambanerjee1998 editing as BLSB!! 16:27, 9 November 2013 (UTC)

references

  1. ^ "'SALMAN KHAN IS THE REAL NUMBER ONE,' AAMIR KHAN TELLS t2 AS DHOOM: 3—HIS "MOST CHALLENGING" FILM —HITS THEATRES ON FRIDAY THE 20TH". Karishma Upadhyay. t2. 15 December 2013. Archived from the original on 15 December 2013. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  2. ^ "'SALMAN KHAN IS THE REAL NUMBER ONE,' AAMIR KHAN TELLS t2 AS DHOOM: 3—HIS "MOST CHALLENGING" FILM —HITS THEATRES ON FRIDAY THE 20TH". Karishma Upadhyay. t2. 15 December 2013. Archived from the original on 15 December 2013. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  3. ^ "Dhoom Machale Dhoom (From "Dhoom:3") - Single". Aditi Singh Sharma & Pritam. ITunes. 14 November 2013. Archived from the original on 16 December 2013. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  4. ^ "Dhoom Machale Dhoom (From "Dhoom:3 - Telugu") - Single". Aditi Singh Sharma & Pritam. ITunes. 14 November 2013. Archived from the original on 16 December 2013. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  5. ^ "Dhoom Machale Dhoom (From "Dhoom:3 - Tamil") - Single". Aditi Singh Sharma & Pritam. ITunes. 14 November 2013. Archived from the original on 16 December 2013. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  6. ^ "Malang (From "Dhoom:3") - Single". Siddharth Mahadevan, Shilpa Rao, Aditi Singh Sharma & Pritam. ITunes. 2 December 2013. Archived from the original on 16 December 2013. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  7. ^ "Tarang (From "Dhoom:3 - Telugu") - Single". Abhishek Nailwal, Shilpa Rao, Aditi Singh Sharma & Pritam. ITunes. 2 December 2013. Archived from the original on 16 December 2013. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  8. ^ "Mayanga (From "Dhoom:3 - Tamil") - Single". Abhishek Nailwal, Mahalakshmi Iyer & Aditi Singh Sharma & Pritam. ITunes. 2 December 2013. Archived from the original on 16 December 2013. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  9. ^ "দিবাকরের ব্যোমকেশ থাকবেন মুম্বইয়ের 'মেসে'হিন্দু হস্টেল নয়৷ ইন্ডোরের শ্যুটিং হবে প্রেসিডেন্সি বিশ্ববিদ্যালয়ে৷ আর কফি হাউজকে ঢেলে সাজানো হবে ১৯৪০ -এর মতো৷ মেসবাড়ির সেট পড়বে মুম্বইতেই৷". অনিরুদ্ধ ধর, Aniruddha Dhar. Eisamay. 4 December 2013. Archived from the original on 5 December 2013. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  10. ^ "Once Upon A Time In Mumbai Dobaara reviews – ReviewGang". ReviewGang. Retrieved 1 September 2013.
  11. ^ OUATIMD Review by Rajeev, Masand of CNN-IBN. "'Once Upon Ay Time in Mumbai Dobaara' review: It is like getting a root canal". Rajeev Masand. CNN-IBN. Retrieved 15 August 2013. {{cite web}}: |first= has generic name (help)
  12. ^ Review of OUATIMD by Madhureeta, Mukherjee of The Times of India. "Once Upon Ay Time In Mumbai Dobaara!". Madhureeta Mukherjee. Times of India. Retrieved 15 August 2013.
  13. ^ "Movie Review: Once Upon Ay Time In Mumbai Dobaara!". Subra Gupta. Indian Express. Retrieved 15 August 2013.
  14. ^ Review and Rating of OUATIMD, by Mohar Basu of Koimoi. "Once Upon A Time In Mumbaai Dobaara! Review". Koimoi. Koimoi. Retrieved 15 August 2013.