Hans Rehfisch: Difference between revisions

Content deleted Content added

Inline

Revision as of 14:22, 27 December 2016

Hans Rehfisch (1891–1960), also known as Hans José Rehfisch or H.J. Rehfisch, was a German playwright, short story writer and film script writer. Born in Berlin, where his father Eugen Rehfisch was a physician, Hans began his career as a successful lawyer before turning his hand to literature and the theatre. He became the most famous German playwright of the 1920s.^[1] Together with Erwin Piscator he led the Zentraltheater in 1920, in the Alten Jakobstrasse, Berlin-Mitte. His most notorious work was probably The Dreyfus Affair (1929) a historical play written in collaboration with Wilhelm Herzog. It was made into a German film (1930), a British film (1931) and plagiarised in a Hollywood film. Rehfisch sued Warner Brothers film studios for using his work in the film The Life of Emile Zola (1937) and though he was awarded damages he did not win a writer's credit on the film. ^[2] The Dreyfus Affair was premiered under the pseudonym René Kestner at the Berlin Volksbuhne in 1929, and was to be performed in Paris in 1931. However, after one performance the rightwing Action Francaise mounted riots and the production was withdrawn. ^[3]

Rehfisch also published works under the pseudonyms H.G. Tennyson Holmes, René Kestner, Sydney Phillips, Georg Turner-Krebs, José Rehfisch and Georg Turner. He was a freelance writer until March 1933, when he was arrested by the Nazis in Dresden after the premiere of a play called Hauptmann Grisel's Betrayal, a warning of the dangers of National Socialism. ^[4] He was released on the condition that he left the country never to return, so he escaped first to Vienna and then to London, where he worked first as a metal worker, ^[5] then for the BBC and the US Office of Strategic Services.^[6]

While interred at Sefton Internment Camp on the Isle of Man in 1940, Rehfisch directed a modern-dress production of Julius Caesar (see citation 5 above). Once released and in London, together with the philosopher Hermann Friedmann, the journalist Heinz Jaeger (1899-1975) and the former artistic director of the Staatsschauspiel Dresden Karl Wollf (1876-1952), Rehfisch founded The Club 1943, ^[7] a cultural association of German-speaking emigrants. (This was after he left the FGCL or Free German League of Culture).^[8] In 1944 he edited a symposium On Tyrants: 4 Centuries of Struggle against Tyranny in Germany, published by The Club 1943. Some of his plays written in English were produced in London, for instance G.I. Brides at Sea, which was played at the Granville Theatre of Varieties in Walham Green in July 1946. One of his short stories, titled Guilty Melody, was made into a British film in 1936.

After World War II he taught at The New School for Social Research in New York (1947–49), then returned to Germany in 1950 to settle in Hamburg. He made the first of many visits to East Germany in 1957. Rehfisch wrote many successful plays, mostly on the subject of politics, contemporary society and the abuse of power. Wer weint um Juckenack? or Who Cries for Juckenack (1924) was so popular it was made into a TV film in 1965. ^[9] Rehfisch plays were often forensic in nature, involving the uncovering of truth and often featuring lawyers and judges. He was twice president of the Union of German Stage Writers and Composers (1931–33 and 1951–53). In 1967 his selected works appeared in four volumes, edited by the Eastern German Academy of Arts in Berlin.

In The Dreyfus Affair (1929) Rehfisch used a historical story to denounce militarism and anti-Semitism. It was adapted into a British film, entitled Dreyfus, in 1931. Der Verrat des Hauptmanns Grisel (Captain Grisel's Betrayal) (1932) warned of the approaching fascist dictatorship. His last play, The Boomerang (1960, presented that year at the Leipziger Schauspielhaus) deals with the 1872 trial of A. Bebel and W. Liebknecht. Rehfisch also wrote the novels The Witches of Paris (1951) and Lysistrata’s Marriage (1959). His book about Danton was made into a German film in 1931. ^[10]

His greatest success in the postwar period was the antimilitarist "Colonel Chabert" comedy in 1955-56. He also wrote radio plays, and for a time was chairman of the Society for the Exploitation of Literary Copyrights (GELU).

He was co-writer of an experimental American film called "Dreams That Money Can Buy". A 1947 feature in colour, it was directed by surrealist artist and dada film-theorist Hans Richter, and produced by Kenneth Macpherson and Peggy Guggenheim. Collaborators included Max Ernst, Marcel Duchamp, Man Ray, Alexander Calder, Darius Milhaud and Fernand Léger. The film won the Award for the Best Original Contribution to the Progress of Cinematography at the 1947 Venice Film Festival.

Personal life

Rehfisch married first Lilli Stadhagen (1917-1938) an Adlerian psychoanalyst. They had two children, the poet Beata Duncan and her brother Tom Rehfisch, before divorcing.^[11] He was then married to Antonie Wald from 1942 until his death in Scuol, Switzerland on 9 June 1960.

Plays

Die goldenen Waffen - Tragedy (1913)
Das Paradies - a Tragedy (1919)
Der Chauffeur Martin - A tragedy in 5 acts (1920)
Deukalion - A mythological drama (1921)
Die Erziehung durch „Kolibri“ - Comedy in 3 acts (1922)
Wer weint um Juckenack? (Who Weeps for Juckenack?) - Tragi-comedy in 3 acts (1924)
Nickel and the 36 Righteous (about the Tzadikim_Nistarim) - Comedy in 3 acts (1925)
Duel at the Lido - Comedy in 3 acts (1926)
Darüber läßt sich reden - Berlin Bilderbogen in 3 acts (1926)
Razzia - (Raid) A Berlin tragi-comedy in 9 sketches (1927)
Der Frauenarzt - (The Gynaecologist) play in 3 acts (1928)
Pietro Aretino - Play in 3 Akten (1929)
The Dreyfus Affair - Play in 5 acts (1929) (collaboration with Wilhelm Herzog)
Brest-Litowsk - A drama on European Peace (1930)
Der Verrat des Hauptmanns Grisel - Play in 3 acts (1932)
Doktor Semmelweis - Play (1934)
Gentlemen - Play (1935)
Der lächerliche Sir Anthony - Play (1935)
The Chain'´ - play in 3 acts (1935), as HG Tennyson-Holme
Water for Canitoga - Play in 3 acts (1936)
Erste Liebe - Comedy (1937)
Kampf ums Blatt - Play (1937)
College Boys - Play (1937)
The Iron Road - Play (1938)
G.I. Brides at Sea - Play (1943) (with Lionel Birch)
Quell der Verheissung - Play (1945)
Hände Weg Von Helena! - Play (1951)
Die Eiserne Straße - Play (1952)
Von Der Reise Zurück - Play (1952)
Das Ewig Weibliche - Play (1953)
Der Kassenarzt - Play (1954)
Oberst Chabert - Play in 3 acts based on a story by Balzac (1955)
Strafsache Doktor Helbig (1955)
Jenseits der Angst - Play in 3 acts (1958)
Bumerang - Play (1960)
Verrat in Rom - Play in 3 acts (1960)

Films

Wer weint um Juckenack? - 1965, (screenplay) TV, Germany
Water for Canitoga - 1961 (screenplay) - East Germany
Affäre Dreyfus - 1959 (screenplay) - TV, Germany ^[12]
Frauenarzt, Dr Bertram - 1957, Germany, from his original play ^[13]
Bluebeard (1951 film) -(screenplay) (Franco-German co-production)
Dreams That Money Can Buy (screenplay) - 1947 (produced by Peggy Guggenheim)
Danton (screenplay) - 1931, Germany
Der Letzte Compagnie, The Last Company - 1929/1930, dialogue, Germany
Die Kleine Sklavin -1928, screenplay, Germany

Books

In Tyrannos - Four centuries of struggle against tyranny in Germany. A symposium. (Hrsg. by Hans Rehfisch, 1944)
The Witches of Paris - novel (1957)
Lysistratas Wedding - novel (1959)

References

^ Ritchie, Hamish. Aliens: German and Austrian writers in Exile.
^ Dick, Bernard F. Hal Wallace: Producer to the Stars. p. 52.
^ Katz, Maya B. Revising Dreyfus. p. 25.
^ "Rehfisch in Exile". Aliens. p. 209.
^ "Amateur Refuges on the Isle of Man". Shakespeare and Conflict: A European Perspective. {{cite book}}: Unknown parameter |ed= ignored (help); Unknown parameter |uurl= ignored (help)
^ "Now it Can be Told" (PDF). ajr.org.uk. Sep 1985.
^ "Club 1943: 40th Anniversary Report and Papers". AIM25.
^ Politics by Other Means: The Free German League.
^ "Wer weint um Juckenack". IMDB.
^ Hall, Mordaunt (7 September 1931). "The Screen: ...A German Danton". New York Times.
^ "Tributes to Belsize Park Poet". Ham & High.
^ "Affare Dreyfus". IMDB.
^ "Frauenartzt Dr. Bertram". IMDb.

External links

[1] Ritchie, Hamish. Aliens: German and Austrian writers in Exile.

[2] Dick, Bernard F. Hal Wallace: Producer to the Stars. p. 52.

[3] Katz, Maya B. Revising Dreyfus. p. 25.

[4] "Rehfisch in Exile". Aliens. p. 209.

[5] "Amateur Refuges on the Isle of Man". Shakespeare and Conflict: A European Perspective. {{cite book}}: Unknown parameter |ed= ignored (help); Unknown parameter |uurl= ignored (help)

[6] "Now it Can be Told" (PDF). ajr.org.uk. Sep 1985.

[7] "Club 1943: 40th Anniversary Report and Papers". AIM25.

[8] Politics by Other Means: The Free German League.

[9] "Wer weint um Juckenack". IMDB.

[10] Hall, Mordaunt (7 September 1931). "The Screen: ...A German Danton". New York Times.

[11] "Tributes to Belsize Park Poet". Ham & High.

[12] "Affare Dreyfus". IMDB.

[13] "Frauenartzt Dr. Bertram". IMDb.

[1]

[2]

[3]

[4]

[5]

[6]

[7]

[8]

[9]

[10]

[11]

[12]

[13]

@@ Line 7: / Line 7: @@
 then for the [[BBC]] and the US [[Office of Strategic Services]].<ref>{{cite web|work=ajr.org.uk|title=Now it Can be Told|date=Sep 1985|url=http://www.ajr.org.uk/journalpdf/1985_september.pdf}}</ref>
-While interred at [[Sefton Internment Camp]] on the Isle of Man in 1940, Rehfisch directed a modern-dres production of Julius Caesar (see citation 5 above). Once released and in London, together with the philosopher [[Hermann Friedmann]], the journalist Heinz Jaeger (1899-1975) and the former artistic director of the [[Staatsschauspiel Dresden]] Karl Wollf (1876-1952), Rehfisch founded The Club 1943, <ref>{{cite web|work=AIM25|title=Club 1943: 40th Anniversary Report and Papers|url=http://www.aim25.ac.uk/cgi-bin/vcdf/detail?coll_id=8496&inst_id=104}}</ref>
+While interred at [[Sefton Internment Camp]] on the Isle of Man in 1940, Rehfisch directed a modern-dress production of Julius Caesar (see citation 5 above). Once released and in London, together with the philosopher [[Hermann Friedmann]], the journalist Heinz Jaeger (1899-1975) and the former artistic director of the [[Staatsschauspiel Dresden]] Karl Wollf (1876-1952), Rehfisch founded The Club 1943, <ref>{{cite web|work=AIM25|title=Club 1943: 40th Anniversary Report and Papers|url=http://www.aim25.ac.uk/cgi-bin/vcdf/detail?coll_id=8496&inst_id=104}}</ref>
 a cultural association of German-speaking emigrants. (This was after he left the FGCL or Free German League of Culture).<ref>{{cite book|title=Politics by Other Means: The Free German League|url=https://www.amazon.co.uk/Politics-Other-Means-Culture-1939-1946/dp/0853038627}}</ref>
 In 1944 he edited a symposium ''On Tyrants: 4 Centuries of Struggle against Tyranny in Germany'', published by The Club 1943. Some of his plays written in English were produced in London, for instance ''G.I. Brides at Sea'', which was played at the Granville Theatre of Varieties in Walham Green in July 1946. One of his short stories, titled ''[[Guilty Melody]]'', was made into a British film in 1936.