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James Earl Jones
Jones in 2001
Born(1931-01-17)January 17, 1931
DiedSeptember 9, 2024(2024-09-09) (aged 93)
Alma materUniversity of Michigan (BA)
OccupationActor
Years active1953–2021
WorksFull list
Spouses
  • (m. 1968; div. 1972)
  • (m. 1982; died 2016)
Children1
FatherRobert Earl Jones
AwardsFull list

James Earl Jones (January 17, 1931 – September 9, 2024) was an American actor known for his iconic voice acting roles and for his work in theater. Over his career, he received three Tony Awards, two Emmy Awards, and a Grammy Award.

Born in Arkabutla, Mississippi, in 1931, he had a stutter since childhood. Jones said that poetry and acting helped him overcome the challenges of his disability. A pre-med major in college, he served in the United States Army during the Korean War before pursuing a career in acting. Since his Broadway debut in 1957, he performed in several Shakespeare plays including Othello, Hamlet, Coriolanus, and King Lear.[1] Jones worked steadily in theater, winning his first Tony Award in 1968 for his role in The Great White Hope, which he reprised in the 1970 film adaptation, earning him Academy Award and Golden Globe nominations.

Jones won his second Tony Award in 1987, for his role in August Wilson's Fences. He was again nominated for a Tony Award for his roles in On Golden Pond (2005), and The Best Man (2012). Other Broadway performances include Cat on a Hot Tin Roof (2008), Driving Miss Daisy (2010–2011), You Can't Take It with You (2014), and The Gin Game (2015–2016). He received a Special Tony Award for Lifetime Achievement in 2017.[2][3]

Jones made his film debut in Stanley Kubrick's Dr. Strangelove (1964). He received a Golden Globe Award nomination for Claudine (1974). Jones gained international fame for his voice role as Darth Vader in the Star Wars franchise, beginning with the original 1977 film. Jones' other notable roles include in Conan the Barbarian (1982), Matewan (1987), Coming to America (1988), Field of Dreams (1989), The Hunt for Red October (1990), The Sandlot (1993), and The Lion King (1994). Jones reprised his roles in Star Wars media, The Lion King (2019), and Coming 2 America (2021).

He was described as "one of America's most distinguished and versatile" actors for his performances on stage and screen,[4] and "one of the greatest actors in American history".[5] He was inducted into the American Theater Hall of Fame in 1985. He was honored with the National Medal of Arts in 1992, the Kennedy Center Honor in 2002, the Screen Actors Guild Life Achievement Award in 2009 and the Honorary Academy Award in 2011.[6][5] His deep voice was praised as a "stirring basso profondo that has lent gravel and gravitas" to his projects.[7][8]

Early life and education

Jones' father, Robert Earl Jones, in promotional still for the Langston Hughes play Don't You Want to Be Free? (1938)

James Earl Jones was born in Arkabutla, Mississippi, on January 17, 1931,[9] to Ruth (née Connolly); (1911–1986), a teacher and maid, and Robert Earl Jones (1910–2006), a boxer, butler, and chauffeur. His father left the family shortly after James Earl's birth and later became a stage and screen actor in New York and Hollywood.[10] Jones and his father did not get to know each other until the 1950s, when they reconciled. He said in interviews that his parents were both of mixed African-American, Irish, and Native American ancestry.[11][12]

From the age of five, Jones was raised by his maternal grandparents, John Henry and Maggie Connolly,[9] on their farm in Dublin, Michigan; they had moved from Mississippi in the Great Migration.[13] Jones found the transition to living with his grandparents in Michigan traumatic and developed a stutter so severe that he refused to speak. "I was a stutterer. I couldn't talk. So my first year of school was my first mute year, and then those mute years continued until I got to high school."[13] He credits his English teacher, Donald Crouch, who discovered he had a gift for writing poetry, with helping him end his silence.[10] Crouch urged him to challenge his reluctance to speak through reading poetry aloud to the class.[14][15]

In 1949, Jones graduated from Dickson Rural Agricultural School[16] (now Brethren High School) in Brethren, Michigan, where he served as vice president of his class.[17] He attended the University of Michigan, where he was initially a pre-med major.[10] He joined the Reserve Officers' Training Corps and excelled. He felt comfortable within the structure of the military environment and enjoyed the camaraderie of his fellow cadets in the Pershing Rifles Drill Team and Scabbard and Blade Honor Society.[18] During the course of his studies, Jones discovered he was not cut out to be a physician.[citation needed]

Instead, he focused on drama at the University of Michigan with the thought of doing something he enjoyed, before, he assumed, he would have to go off to fight in the Korean War. After four years of college, Jones graduated from the university in 1955 with a Bachelor of Arts with a major in drama.[19][20]

Military service

With the war intensifying in Korea, Jones expected to be deployed as soon as he received his commission as a second lieutenant. As he waited for his orders, he worked on the stage crew and acted at the Ramsdell Theatre in Manistee, Michigan.[21] Jones was commissioned in mid-1953, after the Korean War's end, and reported to Fort Benning (now Fort Moore) to attend the Infantry Officers Basic Course. He attended Ranger School and received his Ranger Tab. Jones was assigned to Headquarter and Headquarters Company, 38th Regimental Combat Team.[22] He was initially to report to Fort Leonard Wood, but his unit was instead sent to establish a cold-weather training command at the former Camp Hale near Leadville, Colorado. His battalion became a training unit in the rugged terrain of the Rocky Mountains. Jones was promoted to first lieutenant prior to his discharge.[23]

Jones moved to New York, where he studied at the American Theatre Wing and worked as a janitor to support himself.[24][25]

Career

External audio
audio icon James Earl Jones talks with Studs Terkel on WFMT; 1968/02, 49:25, Studs Terkel Radio Archive[26]

1953–1972: Early roles and acclaim

Jones began his acting career at the Ramsdell Theatre in Manistee, Michigan. In 1953, he was a stage carpenter, and between 1955 and 1957, he acted and was a stage manager. In his first acting season at the Ramsdell, he portrayed Othello.[27] His early career also included an appearance in the ABC radio anthology series Theatre-Five.[28] In 1957, he made his Broadway debut as understudy to Lloyd Richards in the short-lived play The Egghead by Molly Kazan.[29] The play ran only 21 performances,[30] however three months later, Jones created the featured role of Edward the butler in Dore Schary's Sunrise at Campobello at the Cort Theatre in January 1958.[31]

Jones performs Othello's Act I, scene III monolog from Shakespeare's Othello at the White House Evening of Poetry, Music, and the Spoken Word on May 12, 2009.

During the early to mid 1960s, Jones acted in various works of William Shakespeare, becoming one of the best known Shakespearean actors of the time. He tackled roles such as Othello and King Lear, Oberon in A Midsummer Night's Dream, Abhorson in Measure for Measure, and Claudius in Hamlet. Also during this time, Jones made his film debut in Stanley Kubrick's Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) as the young Lt. Lothar Zogg, the B-52 bombardier. Jones would later play a surgeon and Haitian rebel leader in The Comedians, alongside Richard Burton, Elizabeth Taylor and Alec Guinness.[citation needed]

In December 1967, Jones starred alongside Jane Alexander in Howard Sackler's play The Great White Hope at the Arena Stage in Washington, D.C. Jones took the role of the talented but troubled boxer "Jack Jefferson," who is based on the real champion Jack Johnson. The play was a huge success when it moved to Broadway on October 3, 1968. The play was well received, winning the Pulitzer Prize for Drama. Jones himself won the 1969 Tony Award for Best Actor in a Play, and the Drama Desk Award for his performance.[32]

In 1969, Jones participated in making test films for the children's education series Sesame Street; these shorts, combined with animated segments, were shown to groups of children to gauge the effectiveness of the then-groundbreaking Sesame Street format. As cited by production notes included in the DVD release Sesame Street: Old School 1969–1974, the short that had the greatest impact with test audiences was one showing bald-headed Jones counting slowly to ten. This and other segments featuring Jones were eventually aired as part of the Sesame Street series itself when it debuted later in 1969 and Jones is often cited as the first celebrity guest on that series, although a segment with Carol Burnett was the first to actually be broadcast.[10] He also appeared on the soap opera Guiding Light.[citation needed]

Jones and Jill Clayburgh in the stage production of "Othello" at the Mark Taper Forum in Los Angeles, California on April 9, 1971

In 1973, Jones played Hickey on Broadway at the Circle in the Square Theater in a revival of Eugene O'Neill's The Iceman Cometh. Jones played Lennie on Broadway in the 1974 Brooks Atkinson Theatre production of the adaptation of John Steinbeck's novella, Of Mice and Men, with Kevin Conway as George and Pamela Blair as Curley's Wife. That same year he starred in the title role of William Shakespeare's King Lear opposite Paul Sorvino, René Auberjonois and Raul Julia at the New York City Shakespeare Festival in Central Park.[33]

In 1970, Jones reunited with Jane Alexander in the film adaptation of The Great White Hope. This would be Jones' first leading film role. Jones portrayed boxer Jack Johnson, a role he had previously originated on stage. His performance was acclaimed by critics and earned him an Academy Award nomination for Best Actor. He was the second African-American male performer after Sidney Poitier to be nominated for this award.[10] Variety described his performance declaring, "Jones' recreation of his stage role is an eye-riveting experience. The towering rages and unrestrained joys of which his character was capable are portrayed larger than life."[34] In The Man (1972), Jones starred as a senator who unexpectedly becomes the first African-American president of the United States. The film also starred Martin Balsam and Burgess Meredith.[citation needed]

1973–1983: Rise to prominence

In 1974, Jones co-starred with Diahann Carroll in the film Claudine, the story of a woman who raises her six children alone after two failed and two "almost" marriages. The film is a romantic comedy and drama, focusing on systemic racial disparities black families face. It was one of the first major films to tackle themes such as welfare, economic inequality, and the typical marriage of men and women in the African American community during the 1970s. Jones and Carroll received widespread critical acclaim and Golden Globe nominations for their performances. Carroll was also nominated for an Academy Award for Best Actress.

In 1977, Jones made his debut in his iconic voiceover role as Darth Vader in George Lucas' space opera blockbuster film Star Wars: A New Hope, which he would reprise for the sequels The Empire Strikes Back (1980) and Return of the Jedi (1983). Darth Vader was portrayed in costume by David Prowse in the film trilogy, with Jones dubbing Vader's dialogue in postproduction because Prowse's strong West Country accent was deemed unsuitable for the role by director George Lucas.[35] At his own request, Jones was uncredited for the release of the first two Star Wars films,[36] though he would be credited for the third film and eventually also for the first film's 1997 "Special Edition" re-release.[37] As he explained in a 2008 interview:

When Linda Blair did the girl in The Exorcist, they hired Mercedes McCambridge to do the voice of the devil coming out of her. And there was controversy as to whether Mercedes should get credit. I was one who thought no, she was just special effects. So when it came to Darth Vader, I said, no, I'm just special effects. But it became so identified that by the third one, I thought, OK I'll let them put my name on it.[36]

In 1977, Jones also received a Grammy Award for Best Spoken Word Album for Great American Documents. In late 1979, Jones appeared on the short-lived CBS police drama Paris, which was notable as the first program on which Steven Bochco served as executive producer. Jones also starred that year in the critically acclaimed TV mini-series sequel Roots: The Next Generations as the older version of author Alex Haley.[10]

1985–1999: Established career

In 1987, Jones starred in August Wilson's play Fences as Troy Maxson, a middle aged working class father who struggles to provide for his family. The play, set in the 1950s, is part of Wilson's ten-part "Pittsburgh Cycle". The play explores the evolving African American experience and examines race relations, among other themes. Jones won widespread critical acclaim, earning himself his second Tony Award for Best Actor in a Play. Beside the Star Wars sequels, Jones was featured in several other box office hits of the 1980s: the action/fantasy film Conan the Barbarian (1982), the Eddie Murphy comedy Coming to America (1988), and the sports drama/fantasy Field of Dreams (1989) which earned an Academy Award for Best Picture nomination. He also starred in the independent film Matewan (1987). The film dramatized the events of the Battle of Matewan, a coal miners' strike in 1920 in Matewan, a small town in the hills of West Virginia. He received an Independent Spirit Award nomination for his performance.

Jones with President George H. W. Bush and First Lady Barbara Bush in 1992

In 1985, Jones lent his bass voice as Pharaoh in the first episode of Hanna-Barbera's The Greatest Adventure: Stories from the Bible. From 1989 to 1992, Jones served as the host of the children's TV series Long Ago and Far Away. Jones appeared in several more successful films during the early-to-mid 1990s, including The Hunt for Red October (1990), Patriot Games (1992), The Sandlot (1993), Clear and Present Danger (1994), and Cry, the Beloved Country (1995). He also lent his distinctive bass voice to the role of Mufasa in the 1994 Disney animated film The Lion King. In 1992, Jones was presented with the National Medal of the Arts by President George H. W. Bush. Jones had the distinction of winning two Primetime Emmys[38] in the same year, in 1991 as Best Actor for his role in Gabriel's Fire and as Best Supporting Actor for his work in Heat Wave.[4]

He played lead characters on television in three series. The second show aired on ABC between 1990 and 1992, the first season being titled Gabriel's Fire and the second (after a format revision) Pros and Cons. In both formats of that show, Jones played a former policeman wrongly convicted of murder who, upon his release from prison, became a private eye. In 1995, Jones starred in Under One Roof as Neb Langston, a widowed African-American police officer sharing his home in Seattle with his daughter, his married son with his children, and Neb's newly adopted son. The show was a mid-season replacement and lasted only six weeks, but earned him another Emmy nomination. He also portrayed Thad Green on "Mathnet", a parody of Dragnet that appeared in the PBS program Square One Television. In 1998, Jones starred in the widely acclaimed syndicated program An American Moment (created by James R. Kirk and Ninth Wave Productions). Jones took over the role left by Charles Kuralt, upon Kuralt's death.

Jones guest starred in many television shows over the years, including for NBC's Law & Order, Frasier, and Will & Grace, and ABC's Lois & Clark: The New Adventures of Superman. In 1990, Jones performed voice work for The Simpsons first "Treehouse of Horror" Halloween special, in which he was the narrator for the Simpsons' version of Edgar Allan Poe's poem "The Raven". He also voiced the Emperor of the Night in Pinocchio and the Emperor of the Night and Ommadon in Flight of Dragons.

On July 13, 1993, accompanied by the Morgan State University choir, Jones spoke the U.S. National Anthem before the 1993 Major League Baseball All-Star Game in Baltimore.[39][40] In 1996, he recited the classic baseball poem "Casey at the Bat" with the Cincinnati Pops Orchestra,[41] and in 2007 before a Philadelphia Phillies home game on June 1, 2007.[42] On August 20, 1999, Command & Conquer: Tiberian Sun released starring Jones as a lead character known as General Solomon. Further mentions of General Solomon continue throughout the series, indicating praise for James' outstanding work in the game.

External videos
video icon [1] Jones reciting the National Anthem at the 1993 MLB All Star Game

2000–2009

During the 2000s Jones made appearances on various television shows such as CBS' Two and a Half Men, the WB drama Everwood, Fox's medical drama House, M.D., and CBS' The Big Bang Theory.[43][44]

In 2002, Jones received Kennedy Center Honors at the John F. Kennedy Center in Washington, D.C.. Also at the ceremony included fellow honorees Paul Simon, Elizabeth Taylor, and Chita Rivera. President George W. Bush joked, "People say that the voice of the president is the most easily recognized voice in America. Well, I'm not going to make that claim in the presence of James Earl Jones."[45] Those there to honor Jones included, Sidney Poitier, Kelsey Grammer, Charles S. Dutton, and Courtney B. Vance.

He also did the CNN tagline, "This is CNN", as well as "This is CNN International", and the opening for CNN's morning show New Day. Jones was also a longtime spokesman for Bell Atlantic and later Verizon and DirecTV. He also lent his voice to the opening for NBC's coverage of the 2000 and 2004 Summer Olympics; "the Big PI in the Sky" (God) in the computer game Under a Killing Moon; a Claymation film, The Creation; and several other guest spots on The Simpsons. Jones narrated all 27 books of the New Testament in the audiobook James Earl Jones Reads the Bible.[46] Although uncredited, Jones' voice is possibly heard as Darth Vader at the conclusion of Star Wars: Episode III – Revenge of the Sith (2005). When specifically asked whether he had supplied the voice, possibly from a previous recording, Jones told Newsday: "You'd have to ask Lucas about that. I don't know."[36] On April 7, 2005, Jones and Leslie Uggams headed the cast in an African-American Broadway revival version of On Golden Pond, directed by Leonard Foglia and produced by Jeffrey Finn.[10] In February 2008, he starred on Broadway as Big Daddy in a limited-run, all-African-American production of Tennessee Williams' Pulitzer Prize-winning drama Cat on a Hot Tin Roof, directed by Debbie Allen and mounted at the Broadhurst Theatre. In November 2009, James reprised the role of Big Daddy in Cat On A Hot Tin Roof at the Novello Theatre in London's West End. This production also stars Sanaa Lathan as Maggie, Phylicia Rashad as Big Mamma, and Adrian Lester as Brick. In 2009, Jones appeared as a patient in the fourth episode of the sixth season of the medical drama House M.D. Also in 2009, for his work on film and television, Jones was presented with the Screen Actors Guild Life Achievement Award by Forest Whitaker.

2010–2022

Jones in the 2010 revival of the play Driving Miss Daisy at the Theatre Royal in Sydney

In October 2010, Jones returned to the Broadway stage in Alfred Uhry's Driving Miss Daisy, along with Vanessa Redgrave at the Golden Theatre.[47] In November 2011, Jones starred in Driving Miss Daisy in London's West End, and on November 12 received an honorary Oscar in front of the audience at the Wyndham's Theatre, which was presented to him by Ben Kingsley.[48] In March 2012, Jones played the role of President Art Hockstader in Gore Vidal's The Best Man on Broadway at the Schoenfeld Theatre: he was nominated for a Tony for Best Performance in a Lead Role in a Revival. The play also starred Angela Lansbury, John Larroquette (as candidate William Russell), Candice Bergen, Eric McCormack (as candidate Senator Joseph Cantwell), Jefferson Mays, Michael McKean, and Kerry Butler, with direction by Michael Wilson.[49][50]

Jones with Dame Angela Lansbury in 2013

In 2013, Jones starred opposite Vanessa Redgrave in a production of Much Ado About Nothing directed by Mark Rylance at The Old Vic, London.[51] From February to June 2013, Jones starred alongside Dame Angela Lansbury in an Australian tour of Driving Miss Daisy.[52] In 2014, Jones starred alongside Annaleigh Ashford as Grandpa in the Broadway revival of the George S. Kaufman comedic play You Can't Take It with You at the Longacre Theatre, Broadway. Ashford received a Tony Award for Best Featured Actress in a Play nomination for her performance. On September 23, 2015, Jones opened in a new revival of The Gin Game opposite Cicely Tyson, in the John Golden Theater, where the play had originally premiered (with Hume Cronyn and Jessica Tandy). The play had a planned limited run of 16 weeks.[53] It closed on January 10, 2016.

Jones in 2013

In 2013–2014, he appeared alongside Malcolm McDowell in a series of commercials for Sprint in which the two dramatically recited mundane phone and text-message conversations.[54][55] In 2015, Jones starred as the Chief Justice Caleb Thorne in the American drama series Agent X alongside actress Sharon Stone, Jeff Hephner, Jamey Sheridan, and others. The television series was aired by TNT from November 8 to December 27, 2015, running only one season and 10 episodes. Jones officially reprised his voice role of Darth Vader for the character's appearances in the animated TV series Star Wars Rebels[56][57] and the live-action film Rogue One: A Star Wars Story (2016),[58][59] as well as for a three-word cameo in Star Wars: The Rise of Skywalker (2019).[60]

In 2019, he reprised his voice role of Mufasa for the CGI remake of The Lion King, directed by Jon Favreau, in which he was the only original cast member to do so.[61][62] According to Favreau, Jones' lines remained mostly the same from the original film.[63][64] Chiwetel Ejiofor, who voiced Mufasa's evil brother Scar in the remake, said that "the comfort of [Jones reprising his role] is going to be very rewarding in taking [the audience] on this journey again. It's a once-in-a-generation vocal quality."[63] Jones reprised the role of King Jaffe Joffer in Coming 2 America (2021), the sequel to Coming to America (1988); this was his final screen credit.[65][66]

In 2022, his voice was used via Respeecher software for Darth Vader in the Disney+ miniseries Obi-Wan Kenobi.[67] During production, Jones signed a deal with Lucasfilm authorizing archival recordings of his voice to be used in the future to artificially generate the voice of Darth Vader.[68] In September 2022, Jones announced that he would retire from the role of voicing Darth Vader with future voice roles for Vader being created with Respeecher using archive audio of Jones.[69]

Personal life

In 1968, Jones married actress and singer Julienne Marie, whom he met while performing as Othello in 1964.[70] They had no children and divorced in 1972.[71] In 1982, he married actress Cecilia Hart, with whom he had a son, Flynn.[72][73] Hart died from ovarian cancer on October 16, 2016.[74]

In April 2016, Jones spoke publicly for the first time in nearly 20 years about his long-term health challenge with type 2 diabetes. He was diagnosed in the mid-1990s after his doctor noticed he had fallen asleep while exercising at a gym.[75]

Jones was Catholic, having converted during his time in the military.[76]

Death

Jones died at his home in Pawling, New York, on September 9, 2024, at the age of 93.[65] [77]

Filmography

Jones had an extensive career in film, television, and theater. He started out in film by appearing in the 1964 political satire film Dr. Strangelove as Lt. Lothar Zogg. He then went on to star in the 1970 film The Great White Hope as Jack Jefferson, a role he first played in the Broadway production of the same name.

Jones' television work includes playing Woodrow Paris in the series Paris between 1979 and 1980. He voiced various characters on the animated series The Simpsons in three separate seasons (1990, 1994, 1998).

Jones' theater work includes numerous Broadway plays, including Sunrise at Campobello (1958–1959), Danton's Death (1965), The Iceman Cometh (1973–1974), Of Mice and Men (1974–1975), Othello (1982), On Golden Pond (2005), Cat on a Hot Tin Roof (2008) and You Can't Take It with You (2014–2015).

Awards and honors

Formerly known as the Cort Theatre, now the James Earl Jones Theatre on Broadway

Jones received two Primetime Emmy Awards, two Tony Awards, and a Grammy Award. He also was the recipient of a Golden Globe Award and the Screen Actors Guild Life Achievement Award. In 2011, he received an Academy Honorary Award.[78] As such, he would be a recipient of the EGOT (Emmy, Grammy, Oscar, Tony) if the definition of EGOT counted non-competitive awards.[79]

In 1985, Jones was inducted into the American Theater Hall of Fame[80][81] He was also the 1987 First recipient of the National Association for Hearing and Speech Action's Annie Glenn Award.[82] In 1991, he received the Common Wealth Award for Outstanding Achievement in the Dramatic Arts. In 1992, he was awarded the National Medal of Arts by George H. W. Bush. He received the 1996 Golden Palm Star on the Palm Springs, California, Walk of Stars.[83] Also in 1996, he was given the Golden Plate Award of the American Academy of Achievement presented by Awards Council member George Lucas.[84][85] In 2002, he was the featured Martin Luther King Day speaker for Lauderhill, Florida.[86] In 2011, he received the Eugene O'Neill Theater Center Monte Cristo Award Recipient.[87] He also received an Honorary Academy Award on November 12, 2011.[5] He was the 2012 Marian Anderson Award Recipient.[88][89] Jones won the 2014 Voice Icon Award sponsored by Society of Voice Arts and Sciences at the Museum of the Moving Image. In 2017, he received an Honorary Doctor of Arts from Harvard University.[90] He was honored with a Special Tony Award for Lifetime Achievement in 2017.[91] In 2019, he was honored as a Disney Legend.[92] In March 2022, Broadway's Cort Theatre was renamed the James Earl Jones Theatre in his honour.[93][94]

References

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Further reading