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Gina Mastrogiacomo was born on 5 November 1961 in Great Neck, Long Island, New York, USA. She was an actress, known for Goodfellas (1990), The Naked Gun 2½: The Smell of Fear (1991) and The X-Files (1993). She died on 2 May 2001 in Oceanside, California, USA.

Ray Walston started his acting career as a spear carrier with a local stock company. When the family moved to Houston, Texas, Walston's father wanted to teach him the oil business, but Walston instead joined a traveling repertory company (selling tickets as well as acting). He went on to associate with Margo Jones at the Houston Civic Theater for six years, then spent three seasons with the Cleveland Playhouse before arriving in New York in 1945. He has won a Tony Award for his performance as the Devil in Broadway's "Damn Yankees", two Emmy Awards for Picket Fences (1992), and become a household name playing the extraterrestrial "Uncle Martin" on My Favorite Martian (1963). Ray Walston died at age 86 of lupus on New Year's Day 2001 in Beverly Hills, California.

Jack Lemmon was born in Newton, Massachusetts, to Mildred Lankford Noel and John Uhler Lemmon, Jr., the president of a doughnut company. His ancestry included Irish (from his paternal grandmother) and English. Jack attended Ward Elementary near his Newton, MA home. At age 9 he was sent to Rivers Country Day School, then located in nearby Brookline. After RCDS, he went to high school at Phillips Andover Academy. Jack was a member of the Harvard class of 1947, where he was in Navy ROTC and the Dramatic Club. After service as a Navy ensign, he worked in a beer hall (playing piano), on radio, off Broadway, TV and Broadway. His movie debut was with Judy Holliday in It Should Happen to You (1954). He won Best Supporting Actor as Ensign Pulver in Mister Roberts (1955). He received nominations in comedy (Some Like It Hot (1959), The Apartment (1960)) and drama (Days of Wine and Roses (1962), The China Syndrome (1979), Tribute (1980) and Missing (1982)). He won the Best Actor Oscar for Save the Tiger (1973) and the Cannes Best Actor award for "Syndrome" and "Missing". He made his debut as a director with Kotch (1971) and in 1985 on Broadway in "Long Day's Journey into Night". In 1988 he received the Life Achievement Award of the American Film Institute.

Anthony Quinn was born Antonio Rodolfo Quinn Oaxaca (some sources indicate Manuel Antonio Rodolfo Quinn Oaxaca) on April 21, 1915, in Chihuahua, Mexico, to Manuela (Oaxaca) and Francisco Quinn, who became an assistant cameraman at a Los Angeles (CA) film studio. His paternal grandfather was Irish, and the rest of his family was Mexican.

After starting life in extremely modest circumstances in Mexico, his family moved to Los Angeles, where he grew up in the Boyle Heights and Echo Park neighborhoods. He played in the band of evangelist Aimee Semple McPherson as a youth and as a deputy preacher. He attended Polytechnic High School and later Belmont High, but eventually dropped out. The young Quinn boxed (which stood him in good stead as a stage actor, when he played Stanley Kowalski in "A Streetcar Named Desire" to rave reviews in Chicago), then later studied architecture under Frank Lloyd Wright at the great architect's studio, Taliesin, in Arizona. Quinn was close to Wright, who encouraged him when he decided to give acting a try. Made his credited film debut in Parole! (1936). After a brief apprenticeship on stage, Quinn hit Hollywood in 1936 and picked up a variety of small roles in several films at Paramount, including an Indian warrior in The Plainsman (1936), which was directed by the man who later became his father-in-law, Cecil B. DeMille.

As a contract player at Paramount, Quinn's roles were mainly ethnic types, such as an Arab chieftain in the Bing Crosby-Bob Hope comedy, Road to Morocco (1942). As a Mexican national (he did not become an American citizen until 1947), he was exempt from the draft. With many other actors in military service during WWII, he was able to move up into better supporting roles. He married DeMille's daughter Katherine DeMille, which afforded him entrance to the top circles of Hollywood society. He became disenchanted with his career and did not renew his Paramount contract despite the advice of others, including his father-in-law, with whom he did not get along (whom Quinn reportedly felt had never accepted him due to his Mexican roots; the two men were also on opposite ends of the political spectrum) but they eventually were able to develop a civil relationship. Quinn returned to the stage to hone his craft. His portrayal of Stanley Kowalski in "A Streetcar Named Desire" in Chicago and on Broadway (where he replaced the legendary Marlon Brando, who is forever associated with the role) made his reputation and boosted his film career when he returned to the movies.

Brando and Elia Kazan, who directed "Streetcar" on Broadway and on film (A Streetcar Named Desire (1951)), were crucial to Quinn's future success. Kazan, knowing the two were potential rivals due to their acclaimed portrayals of Kowalski, cast Quinn as Brando's brother in his biographical film of Mexican revolutionary Emiliano Zapata, Viva Zapata! (1952). Quinn won the Best Supporting Actor Academy Award for 1952, making him the first Mexican-American to win an Oscar. It was not to be his lone appearance in the winner's circle: he won his second Supporting Actor Oscar in 1957 for his portrayal of Paul Gauguin in Vincente Minnelli's biographical film of Vincent van Gogh, Lust for Life (1956), opposite Kirk Douglas. Over the next decade Quinn lived in Italy and became a major figure in world cinema, as many studios shot films in Italy to take advantage of the lower costs ("runaway production" had battered the industry since its beginnings in the New York/New Jersey area in the 1910s). He appeared in several Italian films, giving one of his greatest performances as the circus strongman who brutalizes the sweet soul played by Giulietta Masina in her husband Federico Fellini's masterpiece La Strada (1954). He met his second wife, Jolanda Addolori, a wardrobe assistant, while he was in Rome filming Barabbas (1961).

Alternating between Europe and Hollywood, Quinn built his reputation and entered the front rank of character actors and character leads. He received his third Oscar nomination (and first for Best Actor) for George Cukor's Wild Is the Wind (1957). He played a Greek resistance fighter against the Nazi occupation in the monster hit The Guns of Navarone (1961) and received kudos for his portrayal of a once-great boxer on his way down in Rod Serling's Requiem for a Heavyweight (1962). He went back to playing ethnic roles, such as an Arab warlord in David Lean's masterpiece Lawrence of Arabia (1962), and he played the eponymous lead in the "sword-and-sandal" blockbuster Barabbas (1961). Two years later, he reached the zenith of his career, playing Zorba the Greek in the film of the same name (a.k.a. Zorba the Greek (1964)), which brought him his fourth, and last, Oscar nomination as Best Actor. The 1960s were kind to him: he played character leads in such major films as The Shoes of the Fisherman (1968) and The Secret of Santa Vittoria (1969). However, his appearance in the title role in the film adaptation of John Fowles' novel, The Magus (1968), did nothing to save the film, which was one of that decade's notorious turkeys.

In the 1960s, Quinn told Life magazine that he would fight against typecasting. Unfortunately, the following decade saw him slip back into playing ethnic types again, in such critical bombs as The Greek Tycoon (1978). He starred as the Hispanic mayor of a southwestern city on the short-lived television series The Man and the City (1971), but his career lost its momentum during the 1970s. Aside from playing a thinly disguised Aristotle Onassis in the cinematic roman-a-clef The Greek Tycoon (1978), his other major roles of the decade were as Hamza in the controversial The Message (1976) (a.k.a. "Mohammad, Messenger of God"); as the Italian patriarch in The Inheritance (1976); yet another Arab in Caravans (1978); and as a Mexican patriarch in The Children of Sanchez (1978). In 1983, he reprised his most famous role, Zorba the Greek, on Broadway in the revival of the musical "Zorba" for 362 performances (opposite Lila Kedrova, who had also appeared in the film, and won an Oscar for Best Supporting Actress for her performance). His career slowed during the 1990s but he continued to work steadily in films and television, including an appearance with frequent film co-star Maureen O'Hara in Only the Lonely (1991).

Quinn lived out the latter years of his life in Bristol, Rhode Island, where he spent most of his time painting and sculpting. Beginning in 1982, he held numerous major exhibitions in cities such as Vienna, Paris, and Seoul. He died in a hospital in Boston at age 86 from pneumonia and respiratory failure linked to his battle with throat cancer.

Talented. Beautiful. Modest. These three words described R&B singer-turned-actress Aaliyah perfectly.

Aaliyah Dana Haughton was born in Brooklyn, New York, to Diane (Hankerson) and Michael Haughton. Her uncle was music manager Barry Hankerson and her brother is director Rashad Haughton. Aaliyah was raised in Detroit. She got her first major exposure appearing on the syndicated television series Star Search (1983), where she awed the audience with her amazing voice and talent, singing "My Funny Valentine", a song which her mother had sung years earlier. At age 11, she sang with Gladys Knight in a five-night stint in Las Vegas. Withdrawing from the celebrity scene for a few years, Aaliyah lived the life of a normal teenage girl, attending Detroit's Performing Arts High School, where she majored in dance. It was around this same time that Aaliyah met singer/composer R. Kelly. Kelly assisted Aaliyah with the production of her debut album "Age Ain't Nothing But A number", which scored several number hits, specifically "Back and Forth." The album's title was a brief reference to her short-lived marriage to R. Kelly (she was 15 years of age at the time, and he was in his 20s). Thir marriage was annulled due to her status as a minor.

During her senior year, Aaliyah went on to record "One In A Million", which featured the songwriting talents of major R&B producers/writers Missy Elliott and Timbaland. The album was a major success and sealed Aaliyah's fame forever.

Aaliyah recorded the single 'Journey to the past' for the Anastasia (1997) soundtrack. After seeing her at an awards show and in the video for her hit song "Are You that Somebody?" (from the Eddie Murphy film Doctor Dolittle (1998)), film producer Joel Silver (producer of The Matrix (1999) and other major actor films) asked Aaliyah to audition for a role in an romance/action film, Romeo Must Die (2000). With her determination and sex appeal, Aaliyah won Silver over and was cast in her first major film role. Romeo Must Die (2000) was a hit at the box office. This film led to her being cast as one of the stars of the film based on Anne Rice's Queen of the Damned (2002), and in the two sequels to the major box office hit, The Matrix (1999), The Matrix Reloaded (2003) and The Matrix Revolutions (2003).

During the busy schedule of her film career, Aaliyah took time to record her third album, the self-titled "Aaliyah". July 2001 was a busy time for Aaliyah. After the success of her song "Try Again", for which she was nominated for a Grammy Award and won several MTV Video Awards, Aaliyah finally released her "Aaliyah" album. Debuting at number two on the Billboard charts, "Aaliyah" was a sales success, despite some lackluster reviews.

In August 2001, Aaliyah took time off from her busy album promotional tour to fly to the Bahamas to film a video for the song "Rock the Boat". The video, filmed on Abaco Island, was directed by Hype Williams, a major music video director known for his style and wit.

On August 25, 2001, after filming the video, Aaliyah and about 9-11 of her entourage took off from Marsh Harbour airport at 6:50pm EDT in a small Cessna 404 en route to Opa-Locka, Florida. A few minutes after take-off, the plane crashed about 200 feet from the runaway, killing Aaliyah and many others instantly. Four passengers were pulled alive from the wreckage, and one later died at a hospital in Nassau. Aaliyah was only 22 years old. Her funeral was held on Friday August 31st in New York, and 22 white doves were flown to celebrate each year of her life. Soon after her death, the hit singles 'More Than a woman' and 'Rock The Boat' were released, from her third album. In 2002, the film Queen of the Damned (2002) was released, in which Aaliyah played Queen Akasha. She was nominated for best Villain at the MTV Movie Awards 2002.

Aaliyah's short-lived, but brilliant career, was a true success story for a young African-American woman who went against all odds to be herself in an industry where originality is scarce. Truly missed by her family, friends, and fans, her music and film contributions will live forever. It's no wonder that her name means 'Highest, most ex-halted one; the best' in Hebrew. She had achieved so much in her twenty-two years.

Carroll was born in Manhattan and raised in Forest Hills, a heavily Jewish community in New York City's borough of Queens. After graduating from high school in 1942, O'Connor joined the Merchant Marines and worked on ships in the Atlantic. In 1946, he enrolled at the University of Montana to study English. While there, he became interested in theater. During one of the amateur productions, he met his future wife, Nancy Fields, whom he married in 1951. He moved to Ireland where he continued his theatrical studies at the National University of Ireland. He was discovered during one of his college productions and was signed to appear at the Dublin Gate Theater. He worked in theater in Europe until 1954 when he returned to New York. His attempts to land on Broadway failed and he taught high school until 1958. Finally in 1958, he landed an Off-Broadway production, "Ulysses in Nighttown". He followed that with a Broadway production that was directed by 'Burgess Meredith', "God and Kate Murphy", in which he was both an understudy and an assistant stage manager. At the same time, he was getting attention on TV. He worked in a great many character roles throughout the 1960s. A pilot for "Those Were The Days" was first shot in 1968 based on the English hit, "Till Death Do Us Part", but was rejected by the networks. In 1971, it was re-shot and re-cast as All in the Family (1971) and the rest is history.

As a baby, she was winning beauty contests; as a teenager, with good looks and an attractive contralto voice, she was singing with big bands (most notably Enric Madriguera's orchestra in Latin Club Del Rio in Washington, D.C.. She met Rudy Vallee, her first husband, on the radio where she also enjoyed a brief stint as a singer. At age 15, an attack of palsy left her face partially paralyzed. She claimed that it was through facial exercises to overcome the paralysis that she learned the efficacy of facial expression in conveying human emotion, a skill she was renowned for using in her acting.

Kathleen Freeman's introduction to show business came very early in life. Her parents were vaudevillians, and she made her debut at age 2 in their act. Later she attended UCLA with intentions of becoming a pianist, but was bitten by the acting bug and never looked back. She gained experience on stage in various stock and repertory companies, and made her film debut in 1948. One of the most memorable character actresses in recent memory, her stocky build, incredibly expressive face and hearty laugh have kept audiences convulsed for decades, playing a variety of neighborhood gossips, busybodies and eccentrics. Memorable as Sister Mary Stigmata ("The Penguin"), Dan Aykroyd's and John Belushi's nemesis, in The Blues Brothers (1980). She was used as a comic foil by Jerry Lewis in many of his films, always to great advantage. She did much television work, playing in everything from The Dick Van Dyke Show (1961) to Gomer Pyle: USMC (1964) to Hogan's Heroes (1965) to Married... with Children (1987), where she was the voice of Peg's monstrous but never-seen mother, Al Bundy's nemesis. She was working on Broadway in a production of "The Full Monty" when she died of lung cancer in 2001.

Anne Haney held prominent roles acting on stage, on the screen, and on TV. All these achievements came in her mid-40s, after she had raised a daughter and buried a husband. It wasn't until after she had packed her daughter off to college and "the maid quit", as she said, that she decided to try her hand at acting. She was born in Memphis, Tennessee and studied drama, radio and TV at the University of North Carolina, where she met her husband, John Haney. She did apply her schooling briefly at a Memphis television station, but soon settled down with her husband and devoted herself to family life. "I was a lovely faculty wife. We made ambrosia salad. We did good works. We played a lot of bridge", she said of those times. By the 1970s, however, Haney began seeking work in local theatre productions and television commercials. Soon, she was traveling with a touring company performing as the maid in Noël Coward's "Fallen Angels". She toured for two years. Eventually, she joined the Screen Actors Guild and the American Federation of T.V. and Radio Artists. She and her husband had, in fact, planned to move to Southern California after his retirement. She was eager to experience and, she hoped, benefit from the variety and prestige available only in Hollywood. Those plans changed when Mr. Haney died of kidney disease in 1980; Anne Haney made the trek to California, alone. Not long after arriving, she had an agent and a part in the Walter Matthau vehicle Hopscotch (1980). As her career took off, she also secured roles on stage, notably the role of Margaret Fielding in the Theatre West production of "Verdigris". When asked whether she ever dwelled on the prospect that had she begun her career too late, she replied that "this is gravy to me. It's a wonderful way to spend the last third of my life".

A genuine model of sincerity, practicality and dignity in most of the roles she inhabited, actress Dorothy McGuire offered Tinseltown more talent than it probably knew what to do with. A quiet, passive beauty, she had a soothing quality to her open-faced looks and voice. She was a natural when he came to tearjerkers and she certainly had a knack for opening up her film-goer's tear ducts with her arresting performances in sentimental drama. She preferred to rest on her acting laurels than engage in publicity-mongering to win roles. As a result, Dorothy was surprisingly ill-served in the awards department during her over five-decade film career, yet left a major imprint on celluloid. Touching, complex, immaculate in poise and style, she is now and forever etched in Hollywood's "Golden Age" annals and in the minds of film lovers everywhere.

Dorothy began inconspicuously enough in Omaha, Nebraska on Wednesday, June 14th, 1916. Her parents encouraged her early interest in acting and she made her debut as a teenager in "A Kiss for Cinderella" at the Omaha Community Playhouse which starred visiting alumni member Henry Fonda. She received her education at Omaha Junior College, Ladywood Convent in Indianapolis, and Pine Manor Junior College in Wellesley, Massachusetts before setting her sites on an acting career. Following summer stock she appeared in such 1938 stage productions as "Bachelor Born" and "Stopover" before understudying the role of Emily Gibb in Thornton Wilder's "Our Town" on Broadway, which at the time showcased young Martha Scott. Dorothy eventually replaced Scott in the role.

Other experiences came her way on stage with "My Dear Children" starring John Barrymore, "Swingin' the Dream", "Medicine Show", "The Time of Your Life" and "Kind Lady" before she was handed the titular role of "Claudia" in 1941. This gentle comedy became a certifiable Broadway hit and Dorothy simply incandescent as the child-like bride forced to wake up to reality after her sudden marriage. David O. Selznick subsequently signed her to a film contract. Fortunately, 20th Century-Fox, untrue to form, took a chance on the film unknown and allowed her to recreate her stage triumph opposite Robert Young. Claudia (1943) was so beautifully done and warmly received that McGuire and Young went on to recreate their roles three years later with Claudia and David (1946).

Unbelievably, Dorothy topped herself in only her second film role. After a pregnant Gene Tierney became unavailable for the role of Katie Nolan in A Tree Grows in Brooklyn (1945), the part fell to Dorothy. It's now hard to believe anyone else in the role. As the impoverished wife of a charming Irish ne'er-do-well and inebriate, Dorothy showed amazing complexity as the detached wife and mother whose painful but necessary decision-making alienates many around her, especially her daughter who is the apple of her daddy's eye. Directed by Elia Kazan, Dorothy was shamefully overlooked at awards time. Young Peggy Ann Garner was given a "special juvenile Oscar" and errant husband James Dunn picked up the Supporting Actor trophy for his work. Dorothy was not of the mind of tooting her own horn and it may have cost her an Oscar nomination -- better yet, the Oscar -- for she was hands down the better performer than eventual winner Joan Crawford, a popular choice for Mildred Pierce (1945).

Dorothy made it four film hits in a row with the success of both the sentimental fantasy The Enchanted Cottage (1945), in which she reunited with Robert Young to play two of society's castoffs who fall in love, and the expert Hitchcockian thriller The Spiral Staircase (1946) as the mute servant who is terrorized by a serial killer. Preferring rich characterizations over glamour, audiences saw Dorothy dolled up a bit more than usual in Till the End of Time (1946) as a war widow who falls for a younger hunk (Guy Madison). Her 40s filming was capped by a Best Actress nomination in Gentleman's Agreement (1947), an-anti-Semitic tale that boasted a topnotch ensemble cast including Gregory Peck, John Garfield and Celeste Holm, who won a supporting Oscar for this.

With nary a weak film yet on her resume, an unpretentious Dorothy still hadn't achieved top cinematic stardom. Preferring to return to her theater roots, she abandoned films for a couple of years and performed in such vehicles as "Tonight at 8:30" (1947) and "Summer and Smoke" (1950). When she did return it was to a different Hollywood and things would not be the same. Instead forgettable fluff such as Mother Didn't Tell Me (1950) and Callaway Went Thataway (1951) were the slim pickings offered. Although she found a popular hit with Three Coins in the Fountain (1954), the film was more notable for its title song and sumptuous settings than for the quality of acting of the three distaff stars -- McGuire, Maggie McNamara and Jean Peters.

Dorothy graciously moved into pillar-of-strength mother roles as she approached her 40s, making fine impressions as a Quaker matriarch in Friendly Persuasion (1956) and as the resourceful mom in three of Disney's endearing classics, Old Yeller (1957), Swiss Family Robinson (1960) and Summer Magic (1963). Her more flawed marital and parenting skills were displayed in the Inge film adaptation of The Dark at the Top of the Stairs (1960), and the huge, sudsy teen hit A Summer Place (1959) with Sandra Dee and Troy Donahue as young, star-crossed lovers. McGuire acted as Donahue's mother who rekindles an old love affair with Dee's father (Richard Egan). The 49-year-old McGuire then played the mother of all mothers, the Virgin Mary, in the misguided biblical epic The Greatest Story Ever Told (1965), marred by its overlong narrative and bizarre miscasting, including John Wayne as a Roman centurion. Her last film, the British-made Flight of the Doves (1971) as an Irish granny, had little impact.

In later years Dorothy found rich, rewarding work on TV and received an Emmy nomination for the well-received mini-series Rich Man, Poor Man (1976). She also played Marmee in a TV re-visitation of Part I (1978), and ended her career in good company with (what else?) a sentimental tearjerker in the mini-movie The Last Best Year (1990) co-starring Bernadette Peters and Mary Tyler Moore.

Dorothy's longtime husband was photographer John Swope who died in 1979. Her children by him are Mark Swope, an artist and photographer, and former actress Topo Swope. Dorothy's health declined severely after she fell and broke her leg in 2001. She died of heart failure not long after in a Santa Monica hospital on Thursday, September 13th at the age of 85.

David Graf was a Lancaster, Ohio native. He was a graduate of Lancaster High School in 1968. He went on to attend college at Otterbein University where he graduated in 1972 as a theater major. He attended Ohio State University grad school until 1975 when he dropped out to pursue an acting career in New York City. He broke into the movies with Four Friends (1981). David never forgot his roots. He always returned to Lancaster each year in October for the Fairfield County Fair. It was his way of keeping in touch. In a tragic coincidence, David passed away at the same age and condition that his father did. David is survived by his wife of 17 years, Kathryn Graf, two sons, Daniel and Sean; mother and brother who reside in Zanesville, Ohio.

Character actor and playwright Jason Miller had a variety of jobs before he started a writing career and wrote his own play, "That Championship Season", for which he received the Pulitzer Prize Award. Miller gave up his professional writing career in the early seventies to start acting. In 1973, he starred as a troubled priest in the horror film classic The Exorcist (1973), for which he received an Academy Award nomination for Best Supporting Actor. In 1982, he directed the revival of his play, That Championship Season (1982), to the screen. The father of actor Jason Patric and actor/director/writer Joshua John Miller, Miller's other film credits include playing the title role in the made-for-television film F. Scott Fitzgerald in Hollywood (1975), The Ninth Configuration (1980), Toy Soldiers (1984), The Exorcist III (1990) and Rudy (1993)". Miller died in Scranton, Pennsylvannia at the age of 62.

Eccentric-looking Chinese-American actor with a slightly drooping face (the result of a bout of Bell's palsy) who studied political science, art & journalism before becoming a news reporter for a San Francisco public TV station in the late 1960s.

Apart from a brief stint in the mid-1970s on the TV soap opera Search for Tomorrow (1951), Wong didn't break into movies until he was in his late fifties in the minor telemovie Nightsongs (1984). He then appeared in the explosive Mickey Rourke gang movie Year of the Dragon (1985), followed by the heart warming Dim Sum: A Little Bit of Heart (1985), before scoring the role he is probably best remembered for, as the Chinese wizard "Egg Shen" helping truck driver Kurt Russell defeat the evil "Lo-Pan" in Big Trouble in Little China (1986).

His offbeat style remained in demand with more work in Prince of Darkness (1987) and then as an opportunistic store owner, who gets more than he bargained for, in the tongue-in-cheek horror film Tremors (1990). Wong then appeared as the wise grandfather / retired ninja in the kids' martial arts adventure 3 Ninjas (1992), plus he repeated his popular role for the sequels 3 Ninjas Kick Back (1994), 3 Ninjas: Knuckle Up (1995) and for his final film appearance 3 Ninjas: High Noon at Mega Mountain (1998).

Wong retired from acting in 1998 due to ill health, and passed away in September 2001 from heart failure.

Versatile, award-winning character actress Eileen Heckart, with the lean, horsey face and assured, fervent gait, was born Anna Eileen Herbert on March 29, 1919, in Columbus, Ohio. An only child, she lived with her mother after her parents separated when she was 2 years old, and was eventually adopted by her grandfather, whose surname (Heckart) she took. Her childhood was an acutely unhappy one. Her mother, an alcoholic, was married five times, and her stern grandmother, with whom Eileen was often shuttled off to stay, was physically abusive. To survive, Eileen escaped into the joy of movies as an adolescent.

She graduated from Ohio State University in 1942 with a degree in English. That same year she married John Harrison Yankee Jr., an insurance broker. They had three sons in a union that lasted 54 years, unusual for a feisty, independent lady of show business. While her husband was off to the war (he joined the Navy), she moved to New York and toiled in a number of day jobs while trying to jump start a career in acting. Beginning in summer stock, she took classes at the American Theatre Wing and apprenticed in a number of obscure plays/revues such as "Tinker's Dam" (1943) and "Musical Moment" (1943).

Following extensive work on the NY stage, which included her Broadway debut as an understudy and eventual replacement in "The Voice of the Turtle" (1945), she established herself as a major force on the Great White Way. Her first big break under the Broadway lights was her portrayal of the arch, lonely schoolteacher in William Inge's "Picnic", which earned her both the Outer Critics Circle and Theatre World awards in 1953. (Rosalind Russell played the role in the film version.)

Heckart was in demand by then as flinty, overwrought, down-to-earth types or wise-to-the-bone old gals. Later award-worthy Broadway hits would include "The Bad Seed" (which earned her the Donaldson award), "The Dark at the Top of the Stairs" (Tony-nom), "Invitation to a March" (Tony-nom), and "Butterflies Are Free" (Tony-nom). Intermixed were live performances on TV for such prestigious programs as "Goodyear Television Playhouse", "Kraft Television Theatre", "Studio One", "Suspense", "The Alcoa Hour", and "Playhouse 90".

Heckart was a dominant yet only intermittent force in films, making her debut in the so-so Miracle in the Rain (1956) featured as Jane Wyman's confidante. Although greatly disappointed at losing the bid to recreate her Broadway role in the film version of Picnic (1955) (Rosalind Russell won the honors), she did receive the satisfaction of transferring her scene-chewing stage role as the despairing, drunken mom whose son falls victim to young Patty McCormack's malevolent mischief in The Bad Seed (1956). For this Eileen copped both Oscar and Golden Globe nominations. During this period she fell into a number of dowdy matrons, dour moms and matter-of-fact gal friends with flashy roles in Somebody Up There Likes Me (1956), Bus Stop (1956), Hot Spell (1958) and Heller in Pink Tights (1960).

Earning another Tony nomination and the New York Drama Critics Award for her brittle role in the 1957 production of Inge's "The Dark at the Top of the Stairs", she was pregnant with her third child when the film version of The Dark at the Top of the Stairs (1960) started rolling and Angela Lansbury stepped in to replace her.

For most of the 1960s, she traded off TV guest parts ("Ben Casey", "Dr. Kildare", "The F.B.I.", "The Defenders") with theater roles ("Pal Joey", "Barefoot in the Park", "You Know I Can't Hear You When the Water's Running"). She was finally rewarded on film as blind Edward Albert's busybody mom in Butterflies Are Free (1972), netting the Academy Award for "Best Supporting Actress". It was a role she had played on Broadway, receiving her fourth Tony nomination.

The Oscar did not bring her the choice roles which other winners had enjoyed but she continued on in all three mediums quite enviably. While not fond of sitcom work, she gave Emmy-style for her guest work on such shows as "The Mary Tyler Moore Show", "Love & War", "Ellen", "Cybill", and was part of a short-lived ensemble series as one of The 5 Mrs. Buchanans (1994). She also put together a one-woman stage tribute to Eleanor Roosevelt and gave assertive theater performances in "The Ladies of the Alamo", "The Cemetery Club", and "Northeast Local".

The Tony Award eluded the four-time nominee during her long, eventful career. The Tony committee finally made up for this oversight in 2000 by awarding her a "special" Tony for "excellence in theater, triggered by her final, multiple award-winning success (Obie, Drama Desk) as an Alzheimer's patient in "The Waverly Gallery" in 2000. In retrospect, it was none too soon as Heckart, who worked nearly until the end, had been diagnosed with lung cancer, which was kept secret until after her death, on December 31, 2001, aged 82.

Widely regarded as one of the greatest stage and screen actors both in his native UK and internationally, the unparalleled Nigel Hawthorne was born in Coventry, England on 5 April 1929, raised in South Africa and returned to the UK in the 1950s with his extensive work as a great gentleman of acting following during the decade as well as in the 1960s, 1970s and 1980s. His portrayal of 'Sir Humphrey Appleby' in the BBC comedy Yes Minister (1980) won him international acclaim in the 1980s. In 1992, he was awarded the Laurence Olivier Theatre Award for his sublime interpretation of 'George III' in Alan Bennett's hit stage play, "The Madness of King George III" and he was also nominated for an Academy Award of Best Actor in a Leading Role in its brilliant film adaptation The Madness of King George (1994), both of them exquisitely directed by Nicholas Hytner.

Troy Donahue was a journalism student at Columbia University when he began playing in stock productions. He made his film debut in Man Afraid (1957) and in 1959 signed as a contract player with Warner Bros., which promoted him to stardom with A Summer Place (1959) that year. He was soon a teenage heartthrob, his blond hair and blue eyes appearing frequently on the covers of movie magazines. His most successful film was Parrish (1961), in which he played the title character. A few years after that his career went into a decline; he made only a few television movies between the mid-'60s and his small role in The Godfather Part II (1974) (in which his character's name, Merle Johnson, was actually his real name). His later films were almost entirely for the low-budget home video market, e.g., Sexpot (1990) and Nudity Required (1989).

On August 30, 2001, Donahue suffered a heart attack and was admitted to the hospital in Santa Monica, California. He died three days later on September 2 at the age of 65.

Known for her supporting roles, Kim Walker was an up and coming young actress in Hollywood before retiring from the business in the late 1990s. As a teen she landed a few guest roles in series such as Matlock (1986) and Highway to Heaven (1984) before moving on to supporting roles in feature films such as Say Anything (1989) and several made-for-television films. However, Kim Walker will forever be remembered for her role as Heather Chandler in the now cult-classic Heathers (1988) which starred a young Winona Ryder in her first starring role. The role, which had Kim playing possibly the nastiest, most difficult teenager in the history of film won her acclaim and a legion of fans due to her legendary lines and her on-screen persona in this black comedy about high school life. With such lines as "You're such a pillowcase!", and "Did you eat a brain tumor for breakfast?", Walker was a scene stealer during the first half of the film. While later roles did not match the stardom attained in "Heathers," Walker's acting career continued in the form of supporting roles.

John Newman Mitchum was the September child of a Norwegian mother and an Irish/Blackfoot father whom he never knew, as he was killed in a tragic train yard accident in 1919. His two-years-older brother Robert filled the role as best as he could, while their older sister Annette studied the lively arts and eventually joined a traveling vaudeville team. Born in Bridgeport, Connecticut, the young family moved to Rising Sun, Delaware, where farm life didn't agree with the young boys. Scarce opportunities took them to New York City, where the streets of Hell's kitchen taught the brothers to fight, a skill they developed so well they earned the moniker 'them ornery Mitchum boys'. Eventually, when the Great Depression deepened, the family was forced to separate with the intention of meeting up with sister Annette, who had married a sailor and moved to California, changing her name to Julie. The teenage boys set out with little more than clean handkerchiefs to find their way across the country by the only means they could: hitchhiking and riding the rails. Their somewhat aimless journey took them to places they had never been; where their Eastern accents were not welcome, so they quickly learned that accurately mimicking the local dialect would keep them out of trouble--some of the time! While brother Robert fairly quickly discovered his place in Hollywood legend, John sought his destiny on the high seas, professionally boxing, or conducting a choir. When the opportunity for acting came along John found his perfect niche as a character actor, mostly playing heavies since he was an imposing figure of a man. John's roles had him playing alongside a wide range of celebrities, from Humphrey Bogart in "Knock On Any Door" (1949) to Gladys Knight in "Pipe Dreams" (1976), Clint Eastwood of "Dirty Harry" (1971) to John Wayne in "Chisum" (1970), appearing in 58 films overall. It was during production of "Chisum" that John Wayne offered his voice for an anthology of John's poetry that seeks to uplift US culture, "America, Why I Love Her", a recording for which Mitchum was nominated for a Grammy in 1973. John was a consummate storyteller (as was his brother Robert), and with his fascination with US history in particular he was ever-ready to regale anyone with a thoughtful, interesting, and insightful anecdote, especially if a guitar was available. It was the wedding of music and history that brought him to create the recording "Our Land, Our Heritage" with Dan Blocker; big "Hoss" from "Bonanza", in 1964. Mitchum had some recurring roles throughout his television career; such as "Pickalong" from "Riverboat", or "Hoffenmueller" from "F-Troop", over 150 appearances in all during the span of a half-century career. The brothers Mitchum legacy has been well-preserved in his often hilarious autobiography, "Them Ornery Mitchum Boys", published in 1989. The subjects range from brother Robert escaping a Georgia chain-gang to his "poontang" interview; from John surviving an attacking whale on a three-masted schooner to his adventures riding the rails, developing a great love and respect for the people of the United States.

Lewis Arquette was born on 14 December 1935 in Chicago, Illinois, USA. He was an actor and writer, known for Little Nicky (2000), Waiting for Guffman (1996) and Tango & Cash (1989). He was married to Brenda Denaut. He died on 10 February 2001 in Los Angeles, California, USA.

Charlotte Coleman was born in Islington, London, England as Charlotte Ninon Coleman. She was an actress, known for Four Weddings and a Funeral (1994), Oranges Are Not the Only Fruit (1989), Worzel Gummidge (1979-1982), Educating Marmalade (1983), Danger: Marmalade at Work (1984) and Beautiful People (1999). She died on November 14, 2001 in Holloway, London.

Harry Townes was born and died in Huntsville, Alabama, where he served as an ordained Episcopal priest. Aside from Huntsville and the priesthood, he had a distinguished, prolific, and quite long career as a character actor in movies and on television. He attended the University of Alabama in the 1930s, but moved to New York, before finishing, in order to study acting. He found his niche at Columbia University where he also received his undergraduate degree. From there, it was on to roles on stage -- his first in 1936 playing Captain Tim in "Tobacco Road". A two-year run in the part of a leprechaun in "Finian's Rainbow" came next -- a role that also took him to London. After a spattering of roles in the movies, Townes found his greatest presence on television, amassing a very large portfolio of roles for his handbag of characters. Studio One (1948), Playhouse 90 (1956) and Ponds Theater (1953) all enjoyed his contributions. The more popular Gunsmoke (1955), Perry Mason (1957), Star Trek (1966), Rawhide (1959) and Bonanza (1959) also benefited from Townes' acting skills. Though he continued to perform occasionally into old age, he quit his Beverly Hills home and lifestyle, entered the priesthood, and settled back into his hometown of Huntsville in the 1970s.

Gloria Foster will always be best known for her performance as The Oracle in The Matrix (1999) and The Matrix Reloaded (2003), but the actress's career spanned four decades on the stage and screen.

Born on November 15, 1933 in Chicago, Illinois, Foster was put in the custody of her grandparents and raised on a farm. She returned to Chicago to attend the University of Illinois. Acting was not a focus until she was accepted at the city's distinguished Goodman Theatre. She performed on stages around the city before heading to New York City in the early 1960s.

In New York, her first stage role was in "A Raisin in the Sun". She won an Obie Award for her next performance in the play "In White America", where she portrayed 27 different characters. Life Magazine dedicated a two-page article on Foster. More roles followed as her fans grew in number; quite often, roles were being written expressly for her. By the end of her career, she would win 2 more Obies, for a later performance of "A Raisin in the Sun" and the Broadway production of "Having Our Say" in 1995.

Foster's first film role was in The Cool World (1963); during production set met actor-director Clarence Williams III, and the couple soon married. (They later divorced, and Foster never remarried.)

Her film work was limited, with roles in Nothing But a Man (1964), The Comedians (1967), The Angel Levine (1970), Man and Boy (1971), Leonard Part 6 (1987), City of Hope (1991), and the aforementioned Matrix appearances. She worked a bit more on television, with appearances throughout the years on I Spy (1965), Mod Squad (1968), The Bill Cosby Show (1969), The White Shadow (1978), The Cosby Show (1984), Law & Order (1990) (her character here was based on Betty Shabazz, Malcolm X's widow), and Soul Food (2000). She appeared in the TV movies The House of Dies Drear (1984) and the Golden Globe-nominated Separate But Equal (1991).

She returned to the stage in 1995 in "Having Our Say", co-starring with Mary Alice, who would take her place as The Oracle in The Matrix Revolutions (2003).

On September 29, 2001, she died of complications from diabetes. She was 67.

Although Lani O'Grady retired from acting in the '80s to become a talent agent like her mother, she had long secured her place in the TV Land pantheon as Mary, the brainiac wannabe doctor in Eight Is Enough (1977)'s expansive Bradford brood. The dramedy, starring Dick Van Patten as a newspaper columnist and superdad, ran on ABC from 1977-1981. In addition to her four-year stint on the show and two late-'80s reunion specials, O'Grady racked up appearances on such other '70s tube staples as The Love Boat (1977), as well as TV movies like The Kid with the Broken Halo (1982), before leaving Hollywood.

She had been dogged by health and pill problems dating back to her Mary Bradford days. In a series of interviews in the 1990s, she admitted to having suffered panic attacks for the previous 20 years. Scores of doctors misdiagnosed her; to cope with the frequent anxiety episodes--sometimes she'd shake so badly she couldn't leave her dressing room to shoot a scene--she was fed a veritable pharmacy: Xanax, Valium and Librium. She became hooked on the pills and, eventually, alcohol, too. She went into rehab at least five times. By the mid-'90s she declared herself clean, thanks to an alternative-medicine regimen, and even went to work for her doctor as a recovery counselor. However, in 1998 she checked herself into the mental health ward of Cedars-Sinai Medical Center in Los Angeles for detox. She had become hooked on a prescription drug called Ativan. While in Cedars she claimed she was sexually battered by a medical technician and sued the hospital. The suit was pending at the time of her death.

O'Grady came from a show-biz family. Her brother, Don Grady, was an original Mouseketeer and member of another notable TV family--he played Robbie on My Three Sons (1960). Her mother, Mary Grady, was an agent who represented several child actors. Born Lanita Rose Agrati on October 2, 1954, she changed her name once she landed her "Eight Is Enough" gig. Her first professional role came at the age of 13, when she made a brief appearance in the TV western The High Chaparral (1967). She died on September 25, 2001, at her home in Valencia, CA, just a week shy of her 47th birthday.

Born Berinthia Berenson in New York in 1948, Berenson was a noted photographer and actress and was the sister of model-turned-actress Marisa Berenson (of "Barry Lyndon" fame). Berenson met her husband, actor and star of Alfred Hitchcock's original version of Psycho (1960), Anthony Perkins on the set of his film Play It As It Lays (1972) and married him in 1973. The couple raised 2 sons and remained married until Perkins' death of an AIDS-related illness in 1992. Listed on the flight manifest as Berinthia Perkins, Berenson was killed aboard the hijacked American Airlines Flight 11, which was deliberately crashed into the World Trade Center's North Tower on September 11, 2001 and was one of over 3,000 lives lost on this date. She was survived by her adult sons, musician Elvis Perkins and actor Osgood Perkins.

Petite, seductive French leading lady who underwent several early career changes before settling on the acting profession. Corinne Calvet first studied criminal law at France's renowned Sorbonne, but then turned her attention to interior decoration specializing in fine arts and antiques. After studying at the L'Ecole du Cinema in Paris, she made her debut on the stage and also worked as a radio hostess. Small film roles followed. From the time Corinne was 'discovered' by famous producer Hal B. Wallis, brought to America, and signed to a contract with Paramount in 1947, her life developed into a decade-long roller-coaster of feuds, lawsuits, publicity stunts and even an attempted suicide by sleeping pills.

Corinne's Hollywood career got off to a turbulent start, the fiery actress heatedly challenging Wallis over the size of her salary. In spite of growing animosity between her and the producer, she was eventually cast in her first Paramount picture, Rope of Sand (1949) , a film noir set in South Africa and co-starring Burt Lancaster and Paul Henreid. The film emphasized Corinne's sultry appeal and her sexy, somewhat husky voice. She played a nightclub singer, which worked well since she could actually sing (and did so at the famed Manhattan night club Le Cupidon in 1952). The New York Times review (August 4th, 1949) remarked that the cast, though playing somewhat shady characters, were "all products of good acting, and therefore are strangely interesting".

"Rope of Sand" garnered mostly good reviews and was certainly one of the better roles Corinne was to find in Hollywood. Though she featured opposite a number of big-name stars, such as Danny Kaye and James Cagney, she was largely consigned to be the ornamental French dessert. Of her part in On the Riviera (1951), Bosley Crowther commented that she was "pretty, but neglected" (NY Times May 24th, 1951). Corinne (Miss Golden Globe 1952), later gave vent to her frustration at having never been given a proper chance to display her acting range in her 1983 memoir 'Has Corinne Been a Good Girl?'.

The headlines made in her private life often overshadowed her screen career. One highly publicized (and apparently staged) incident had her suing actress Zsa Zsa Gabor over a statement made to, among others, a newspaper columnist, claiming that Corinne's French background was a studio invention. In another, more bizarre, instance in 1967, her then-boyfriend claimed in court that she had 'used voodoo on him' in order to gain control of his finances. There were also two acrimonious and very public divorces from actors John Bromfield and Jeffrey Stone.

From the mid 1950's, Corinne began to appear in international co-productions, dividing her time between Los Angeles and her lavishly furnished top floor apartment at the Avenue MacMahon, near the Arc de Triomphe, in Paris. After the publication of her memoir in 1983, Corinne retired from acting and re-invented herself as a therapist, specializing in hypnosis. She settled down in Santa Monica, California, where she died in June 2001.