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Sir Christopher Frank Carandini Lee was perhaps the only actor of his generation to have starred in so many films and cult saga. Although most notable for personifying bloodsucking vampire, Dracula, on screen, he portrayed other varied characters on screen, most of which were villains, whether it be Francisco Scaramanga in the James Bond film, The Man with the Golden Gun (1974), or Count Dooku in Star Wars: Episode II - Attack of the Clones (2002), or as the title monster in the Hammer Horror film, The Mummy (1959).

Lee was born in 1922 in London, England, where he and his older sister Xandra were raised by their parents, Contessa Estelle Marie (Carandini di Sarzano) and Geoffrey Trollope Lee, a professional soldier, until their divorce in 1926. Later, while Lee was still a child, his mother married (and later divorced) Harcourt George St.-Croix (nicknamed Ingle), who was a banker. Lee's maternal great-grandfather was an Italian political refugee, while Lee's great-grandmother was English opera singer Marie (Burgess) Carandini.

After attending Wellington College from age 14 to 17, Lee worked as an office clerk in a couple of London shipping companies until 1941 when he enlisted in the Royal Air Force during World War II. Following his release from military service, Lee joined the Rank Organisation in 1947, training as an actor in their "Charm School" and playing a number of bit parts in such films as Corridor of Mirrors (1948). He made a brief appearance in Laurence Olivier's Hamlet (1948), in which his future partner-in-horror Peter Cushing also appeared. Both actors also appeared later in Moulin Rouge (1952) but did not meet until their horror films together.

Lee had numerous parts in film and television throughout the 1950s. He struggled initially in his new career because he was discriminated as being taller than the leading male actors of his time and being too foreign-looking. However, playing the monster in the Hammer film The Curse of Frankenstein (1957) proved to be a blessing in disguise, since the was successful, leading to him being signed on for future roles in Hammer Film Productions.

Lee's association with Hammer Film Productions brought him into contact with Peter Cushing, and they became good friends. Lee and Cushing often than not played contrasting roles in Hammer films, where Cushing was the protagonist and Lee the villain, whether it be Van Helsing and Dracula respectively in Horror of Dracula (1958), or John Banning and Kharis the Mummy respectively in The Mummy (1959).

Lee continued his role as "Dracula" in a number of Hammer sequels throughout the 1960s and into the early 1970s. During this time, he co-starred in The Hound of the Baskervilles (1959), and made numerous appearances as Fu Manchu, most notably in the first of the series The Face of Fu Manchu (1965), and also appeared in a number of films in Europe. With his own production company, Charlemagne Productions, Ltd., Lee made Nothing But the Night (1973) and To the Devil a Daughter (1976).

By the mid-1970s, Lee was tiring of his horror image and tried to widen his appeal by participating in several mainstream films, such as The Private Life of Sherlock Holmes (1970), The Three Musketeers (1973), The Four Musketeers: Milady's Revenge (1974), and the James Bond film The Man with the Golden Gun (1974).

The success of these films prompted him in the late 1970s to move to Hollywood, where he remained a busy actor but made mostly unremarkable film and television appearances, and eventually moved back to England. The beginning of the new millennium relaunched his career to some degree, during which he has played Count Dooku in Star Wars: Episode II - Attack of the Clones (2002) and as Saruman the White in the Lord of the Rings trilogy. Lee played Count Dooku again in Star Wars: Episode III - Revenge of the Sith (2005), and portrayed the father of Willy Wonka, played by Johnny Depp, in the Tim Burton film, Charlie and the Chocolate Factory (2005).

On 16 June 2001, he was created a Commander of the Order of the British Empire in recognition of his services to drama. He was created a Knight Bachelor on 13 June 2009 in the Queen's Birthday Honours List for his services to drama and charity. In addition he was made a Commander of the Order of St John on 16 January 1997.

Lee died at the Chelsea and Westminster Hospital on 7 June 2015 at 8:30 am after being admitted for respiratory problems and heart failure, shortly after celebrating his 93rd birthday there. His wife delayed the public announcement until 11 June, in order to break the news to their family.

Richard St John Harris was born on October 1, 1930 in Limerick, Ireland, to a farming family, one of nine children born to Mildred (Harty) and Ivan Harris. He attended Crescent College, a Jesuit school, and was an excellent rugby player, with a strong passion for literature. Unfortunately, a bout of tuberculosis as a teenager ended his aspirations to a rugby career, but he became fascinated with the theater and skipped a local dance one night to attend a performance of "Henry IV". He was hooked and went on to learn his craft at the London Academy of Music and Dramatic Art (LAMDA), then spent several years in stage productions. He debuted on screen in Shake Hands with the Devil (1959) and quickly scored regular work in films, including The Wreck of the Mary Deare (1959), The Night Fighters (1960) and a good role as a frustrated Australian bomber pilot in The Guns of Navarone (1961).

However, his breakthrough performance was as the quintessential "angry young man" in the sensational drama This Sporting Life (1963), which scored him an Oscar nomination. He then appeared in the WW II commando tale The Heroes of Telemark (1965) and in the Sam Peckinpah-directed western Major Dundee (1965). He next showed up in Hawaii (1966) and played King Arthur in Camelot (1967), a lackluster adaptation of the famous Broadway play. Better performances followed, among them a role as a reluctant police informer in The Molly Maguires (1970) alongside Sir Sean Connery. Harris took the lead role in the violent western A Man Called Horse (1970), which became something of a cult film and spawned two sequels. As the 1970s progressed, Harris continued to appear regularly on screen; however, the quality of the scripts varied from above average to woeful.

His credits during this period included directing himself as an aging soccer player in The Hero (1970); the western The Deadly Trackers (1973); the big-budget "disaster" film Juggernaut (1974); the strangely-titled crime film 99 and 44/100% Dead! (1974); with Connery again in Robin and Marian (1976); Gulliver's Travels (1977); a part in the Jaws (1975); Orca (1977) and a nice turn as an ill-fated mercenary with Richard Burton and Roger Moore in the popular action film The Wild Geese (1978).

The 1980s kicked off with Harris appearing in the silly Bo Derek vanity production Tarzan the Ape Man (1981) and the remainder of the decade had him appearing in some very forgettable productions. However, the luck of the Irish was once again to shine on Harris's career and he scored rave reviews (and another Oscar nomination) for The Field (1990). He then locked horns with Harrison Ford as an IRA sympathizer in Patriot Games (1992) and got one of his best roles as gunfighter English Bob in the Clint Eastwood western Unforgiven (1992). Harris was firmly back in vogue and rewarded his fans with more wonderful performances in Wrestling Ernest Hemingway (1993); Cry, the Beloved Country (1995); The Great Kandinsky (1995) and This Is the Sea (1997). Further fortune came his way with a strong performance in the blockbuster Gladiator (2000) and he became known to an entirely new generation of film fans as Albus Dumbledore in the mega-successful Harry Potter and the Sorcerer's Stone (2001) and Harry Potter and the Chamber of Secrets (2002). His final screen role was as "Lucius Sulla" in Caesar (2002).

Harris died of Hodgkin's disease, also known as Hodgkin's lymphoma, in London on October 25, 2002, aged 72.

One of the world's most famous and distinguished actresses, Dame Maggie Smith was born Margaret Natalie Smith in Essex. Her Scottish mother, Margaret (Hutton), worked as a secretary, and her English father, Nathaniel Smith, was a teacher at Oxford University. Smith has been married twice: to actor Robert Stephens and to playwright Beverley Cross. Her marriage to Stephens ended in divorce in 1974. She was married to Cross until his death in 1998. She had two sons with Stephens, Chris Larkin and Toby Stephens who are also actors.

Maggie Smith's career began at the Oxford Playhouse in the 1950s. She made her film debut in 1956 as one of the party guests in Child in the House (1956). She has since performed in over sixty films and television series with some of the most prominent actors and actresses in the world. These include: Othello (1965) with Laurence Olivier, The Prime of Miss Jean Brodie (1969), California Suite (1978) with Michael Caine and Jane Fonda, A Room with a View (1985), Richard III (1995) with Ian McKellen and Jim Broadbent, Franco Zeffirelli's Tea with Mussolini (1999) with Judi Dench, Joan Plowright and Cher and Gosford Park (2001) with Kristin Scott Thomas and Clive Owen, directed by Robert Altman. Maggie Smith has also been nominated for an Oscar six times and won twice, for The Prime of Miss Jean Brodie (1969) and California Suite (1978).

Smith later appeared in the very successful 'Harry Potter' franchise as the formidable Professor McGonagall as well as in Julian Fellowes' ITV drama series, Downton Abbey (2010) (2010-2011) as the Dowager Countess of Grantham.

Alan Rickman was born on a council estate in Acton, West London, to Margaret Doreen Rose (Bartlett), of English and Welsh descent, and Bernard Rickman, of Irish descent, who worked at a factory. Alan Rickman had an older brother (David), a younger brother (Michael), and a younger sister (Sheila). When Alan was 8 years old, his father died. He attended Latymer Upper School on a scholarship. He studied Graphic Design at Chelsea College of Art and Design, where he met Rima Horton, who would later become his longtime partner.

After three years at Chelsea College, Rickman did graduate studies at the Royal College of Art. He opened a successful graphic design business, Graphiti, with friends and managed it for several years before his love of theatre led him to seek an audition with the Royal Academy of Dramatic Art (RADA). At the relatively late age of 26, Rickman received a scholarship to RADA, which started a professional acting career that has lasted nearly 40 years, a career which has spanned stage, screen and television, and overlapped into directing, as well. In 1987, he first came to the attention of American audiences as the Vicomte de Valmont in "Les Liaisons Dangereuses" on Broadway (he was nominated for a Tony Award for his performance in the role). Denied the role in the film version of the show, Rickman instead made his first film appearance opposite Bruce Willis in Die Hard (1988) as the villainous Hans Gruber. His take on the urbane villain set the standard for screen villains for decades to come.

Although often cited as being a master of playing villains, Rickman actually played a wide variety of characters, such as the romantic cello-playing ghost Jamie in Anthony Minghella's Truly Madly Deeply (1990) and the noble Colonel Brandon of Sense and Sensibility (1995). He treated audiences to his comedic abilities in such films as Dogma (1999), Galaxy Quest (1999) and The Hitchhiker's Guide to the Galaxy (2005), and roles like Dr. Alfred Blalock in Something the Lord Made (2004), and as Alex Hughes in Snow Cake (2006), showcased his ability to play ordinary men in extraordinary situations. Rickman even conquered the daunting task of singing a role in a Stephen Sondheim musical as he took on the role of Judge Turpin in the movie adaptation of Sweeney Todd: The Demon Barber of Fleet Street (2007). In 2001, Rickman introduced himself to a whole new, younger generation of fans by taking on the role of Severus Snape in the film versions of J.K. Rowling's Harry Potter and the Sorcerer's Stone (2001). He continued to play the role through the eighth and last movie Harry Potter and the Deathly Hallows: Part 2 (2011).

Alan Rickman died of pancreatic cancer on 14 January 2016. He was 69 years old.

Sir Ian Holm was one of the world's greatest actors, a Laurence Olivier Award-winning, Tony Award-winning, BAFTA-winning and Academy Award-nominated British star of films and the stage. He was a member of the prestigious Royal Shakespeare Company and has played more than 100 roles in films and on television.

He was born Ian Holm Cuthbert on September 12, 1931, in Goodmayes, Essex, to Scottish parents who worked at the Essex mental asylum. His mother, Jean Wilson (née Holm), was a nurse, and his father, Doctor James Harvey Cuthbert, was a psychiatrist. Young Holm was brought up in London. At the age of seven he was inspired by the seeing 'Les Miserables' and became fond of acting. Holm studied at the Royal Academy of Dramatic Arts, graduating in 1950 to the Royal Shakespeare Company. There he emerged as an actor whose range and effortless style allowed him to play almost entire Shakespeare's repertoire. In 1959 his stage partner Laurence Olivier scored a hit on Ian Holm in a sword fight in a production of 'Coriolanus'. Holm still had a scar on his finger.

In 1965 Holm made his debut on television as Richard III on the BBC's The Wars of the Roses (1965), which was a filmed theatrical production of four of Shakespeare's plays condensed down into a trilogy. In 1969 Holm won his first BAFTA Film Award Best Supporting Actor for The Bofors Gun (1968), then followed a flow of awards and nominations for his numerous works in film and on television. In 1981, he played one of his best known roles, Sam Mussabini in Chariots of Fire (1981), for which he was nominated for Oscar for Best Actor in a Supporting Role. In the late 1990s, he gave a highly-acclaimed turn as the lawyer, Mitchell, in Atom Egoyan's The Sweet Hereafter (1997), and was subsequently cast in a number of high-profile Hollywood films of the next decade, playing Father Vito Cornelius in The Fifth Element (1997), Bilbo in The Lord of the Rings: The Return of the King (2003), and Professor Fitz in The Aviator (2004), as well as Zach Braff's character's father Gideon in Garden State (2004). His last non-Hobbit film role was a voice part as Skinner in Ratatouille (2007).

Ian Holm had five children, three daughters and two sons from the first two of his four wives and from an additional relationship. In 1989 Holm was created a Commander of the British Empire (CBE), and in 1998 he was knighted for his services to drama. He died in London in June 2020.

British actress Dame Diana Rigg was born on July 20, 1938 in Doncaster, Yorkshire, England. She has had an extensive career in film and theatre, including playing the title role in "Medea," both in London and New York, for which she won the 1994 Tony Award for Best Actress in a Play.

Rigg made her professional stage debut in 1957 in the Caucasian Chalk Circle, and joined the Royal Shakespeare Company in 1959. She made her Broadway debut in the 1971 production of "Abelard & Heloise." Her film roles include Helena in A Midsummer Night's Dream (1968); Lady Holiday in The Great Muppet Caper (1981); and Arlene Marshall in Evil Under the Sun (1982). She won the BAFTA TV Award for Best Actress for the BBC miniseries Mother Love (1989), and an Emmy Award for her role as Mrs. Danvers in the adaptation of Rebecca (1997). In 2013, she appeared with her daughter Rachael Stirling on the BBC series Doctor Who (2005) in an episode titled "The Crimson Horror" and plays Olenna Tyrell on the HBO series Game of Thrones (2011).

From 1965 to 1968, Rigg appeared on the British television series The Avengers (1961) playing the secret agent Mrs. Emma Peel. She became a Bond girl in On Her Majesty's Secret Service (1969), playing Tracy Bond, James Bond's only wife, opposite George Lazenby. She was appointed Commander of the Order of the British Empire (CBE) at the 1988 Queen's New Years Honours for her services to drama. She was appointed Dame Commander of the Order of the British Empire (DBE) at the 1994 Queen's Birthday Honours for her services to drama.

Dame Diana Rigg died of lung cancer on September 10, 2020, she was 82 years old.

Award-winning actress Helen Elizabeth McCrory was born in London, England, to Welsh-born Anne (Morgans) and Scottish-born Iain McCrory, a diplomat from Glasgow. After training at the Drama Centre London, Helen began her career on stage in the UK and won the Manchester Evening News' Best Actress Award for her performance in the National Theatre's "Blood Wedding" and the Ian Charleson award for classical acting for playing "Rose Trelawney" in "Trelawney of the Wells." Helen's theatre work continued to win her critical praise and a large fan base through such work as the Royal Shakespeare Company's "Les Enfant du Paradis" opposite Joseph Fiennes, Rupert Graves and James Purefoy. At the Almeida Theatre, her productions included "The Triumph of Love" opposite Chiwetel Ejiofor and the radical verse production, "Five Gold Rings," opposite Damian Lewis.

Helen also worked extensively at the Donmar Warehouse playing lead roles in "How I Learnt to Drive," "Old Times" directed by Roger Michel, and in Sam Mendes' farewell double bill of "Twelfth Night" and "Uncle Vanya" (a triumph in both London and New York). For her performance in "Twelfth Night," Helen was nominated for the Evening Standard Best Actress Award, and the New York Drama Desk Awards. She also founded the production company "The Public" with Michael Sheen, producing new work at the Liverpool Everyman, The Ambassadors and the Donmar (in which she also starred).

With over twenty productions under her belt, Mike Coveney recently wrote "We celebrate the careers of great actors Olivier, Ashcroft, Richardson, Gielgud, Dench, the Redgraves, Gambon, Walter, Sher, Russell Beale and McCrory."

On the small screen, Helen's first television film, Karl Francis' Streetlife (1995) with Rhys Ifans, won her the Welsh BAFTA, Monte Carlo Best Actress Award and the Royal Television Society's Best Actress Award, for her extraordinary performance as "Jo." The Edinburgh Film Festival wrote "simply the best performance this year." She went on to win Critics Circle Best Actress Award for her role as the barrister "Rose Fitzgerald" in the Channel 4 series North Square (2000), having been previously nominated for her performance in The Fragile Heart (1996). Helen showed diversity as an actress, appearing in comedies such as Lucky Jim (2003) with Stephen Tompkinson or Dead Gorgeous (2002) with Fay Ripley, as well as dramas such as Joe Wright's The Last King (2003) (for which she was nominated for the LA Television Awards) and Anna Karenina (2000).

Helen McCrory died on 16 April, 2021, in London, of cancer. She was 52, and was survived by her husband Damian Lewis and their two children.

One of the brightest, most tragic movie stars of Hollywood's Golden Era, Judy Garland was a much-loved character whose warmth and spirit, along with her rich and exuberant voice, kept theatre-goers entertained with an array of delightful musicals.

She was born Frances Ethel Gumm on 10 June 1922 in Minnesota, the youngest daughter of vaudevillians Ethel Marian (Milne) and Francis Avent "Frank" Gumm. She was of English, along with some Scottish and Irish, descent. Her mother, an ambitious woman gifted in playing various musical instruments, saw the potential in her daughter at the tender age of just 2 years old when Baby Frances repeatedly sang "Jingle Bells" until she was dragged from the stage kicking and screaming during one of their Christmas shows and immediately drafted her into a dance act, entitled "The Gumm Sisters," along with her older sisters Mary Jane Gumm and Virginia Gumm. However, knowing that her youngest daughter would eventually become the biggest star, Ethel soon took Frances out of the act and together they traveled across America where she would perform in nightclubs, cabarets, hotels and theaters solo.

Her family life was not a happy one, largely because of her mother's drive for her to succeed as a performer and also her father's closeted homosexuality. The Gumm family would regularly be forced to leave town owing to her father's illicit affairs with other men, and from time to time they would be reduced to living out of their automobile. However, in September 1935 the Gumms', in particular Ethel's, prayers were answered when Frances was signed by Louis B. Mayer, mogul of leading film studio MGM, after hearing her sing. It was then that her name was changed from Frances Gumm to Judy Garland, after a popular '30s song "Judy" and film critic Robert Garland.

Tragedy soon followed, however, in the form of her father's death of meningitis in November 1935. Having been given no assignments with the exception of singing on radio, Judy faced the threat of losing her job following the arrival of Deanna Durbin. Knowing that they couldn't keep both of the teenage singers, MGM devised a short entitled Every Sunday (1936) which would be the girls' screen test. However, despite being the outright winner and being kept on by MGM, Judy's career did not officially kick off until she sang one of her most famous songs, "You Made Me Love You," at Clark Gable's birthday party in February 1937, during which Louis B. Mayer finally paid attention to the talented songstress.

Prior to this her film debut in Pigskin Parade (1936), in which she played a teenage hillbilly, had left her career hanging in the balance. However, following her rendition of "You Made Me Love You," MGM set to work preparing various musicals with which to keep Judy busy. All this had its toll on the young teenager, and she was given numerous pills by the studio doctors in order to combat her tiredness on set. Another problem was her weight fluctuation, but she was soon given amphetamines in order to give her the desired streamlined figure. This soon produced the downward spiral that resulted in her lifelong drug addiction.

In 1939, Judy shot immediately to stardom with The Wizard of Oz (1939), in which she portrayed Dorothy, an orphaned girl living on a farm in the dry plains of Kansas who gets whisked off into the magical world of Oz on the other end of the rainbow. Her poignant performance and sweet delivery of her signature song, 'Over The Rainbow,' earned Judy a special juvenile Oscar statuette on 29 February 1940 for Best Performance by a Juvenile Actor. Now growing up, Judy began to yearn for meatier adult roles instead of the virginal characters she had been playing since she was 14. She was now taking an interest in men, and after starring in her final juvenile performance in Ziegfeld Girl (1941) alongside glamorous beauties Lana Turner and Hedy Lamarr, Judy got engaged to bandleader David Rose in May 1941, just two months after his divorce from Martha Raye. Despite planning a big wedding, the couple eloped to Las Vegas and married during the early hours of the morning on July 28, 1941 with just her mother Ethel and her stepfather Will Gilmore present. However, their marriage went downhill as, after discovering that she was pregnant in November 1942, David and MGM persuaded her to abort the baby in order to keep her good-girl image up. She did so and, as a result, was haunted for the rest of her life by her 'inhumane actions.' The couple separated in January 1943.

By this time, Judy had starred in her first adult role as a vaudevillian during WWI in For Me and My Gal (1942). Within weeks of separation, Judy was soon having an affair with actor Tyrone Power, who was married to French actress Annabella. Their affair ended in May 1943, which was when her affair with producer Joseph L. Mankiewicz kicked off. He introduced her to psychoanalysis and she soon began to make decisions about her career on her own instead of being influenced by her domineering mother and MGM. Their affair ended in November 1943, and soon afterward Judy reluctantly began filming Meet Me in St. Louis (1944), which proved to be a big success. The director Vincente Minnelli highlighted Judy's beauty for the first time on screen, having made the period musical in color, her first color film since The Wizard of Oz (1939). He showed off her large brandy-brown eyes and her full, thick lips and after filming ended in April 1944, a love affair resulted between director and actress and they were soon living together.

Vincente began to mold Judy and her career, making her more beautiful and more popular with audiences worldwide. He directed her in The Clock (1945), and it was during the filming of this movie that the couple announced their engagement on set on January 9, 1945. Judy's divorce from David Rose had been finalized on June 8, 1944 after almost three years of marriage, and despite her brief fling with Orson Welles, who at the time was married to screen sex goddess Rita Hayworth, on June 15, 1945 Judy made Vincente her second husband, tying the knot with him that afternoon at her mother's home with her boss Louis B. Mayer giving her away and her best friend Betty Asher serving as bridesmaid. They spent three months on honeymoon in New York and afterwards Judy discovered that she was pregnant.

On March 12, 1946 in Los Angeles, California, Judy gave birth to their daughter, Liza Minnelli, via cesarean section. It was a joyous time for the couple, but Judy was out of commission for weeks due to the cesarean and her postnatal depression, so she spent much of her time recuperating in bed. She soon returned to work, but married life was never the same for Vincente and Judy after they filmed The Pirate (1948) together in 1947. Judy's mental health was fast deteriorating and she began hallucinating things and making false accusations toward people, especially her husband, making the filming a nightmare. She also began an affair with aspiring Russian actor Yul Brynner, but after the affair ended, Judy soon regained health and tried to salvage her failing marriage. She then teamed up with dancing legend Fred Astaire for the delightful musical Easter Parade (1948), which resulted in a successful comeback despite having Vincente fired from directing the musical. Afterwards, Judy's health deteriorated and she began the first of several suicide attempts. In May 1949, she was checked into a rehabilitation center, which caused her much distress.

She soon regained strength and was visited frequently by her lover Frank Sinatra, but never saw much of Vincente or Liza. On returning, Judy made In the Good Old Summertime (1949), which was also Liza's film debut, albeit via an uncredited cameo. She had already been suspended by MGM for her lack of cooperation on the set of The Barkleys of Broadway (1949), which also resulted in her getting replaced by Ginger Rogers. After being replaced by Betty Hutton on Annie Get Your Gun (1950), Judy was suspended yet again before making her final film for MGM, entitled Summer Stock (1950). At 28, Judy received her third suspension and was fired by MGM, and her second marriage was soon dissolved.

Having taken up with Sidney Luft, Judy traveled to London to star at the legendary Palladium. She was an instant success and after her divorce from Vincente Minnelli was finalized on March 29, 1951 after almost six years of marriage, Judy traveled with Sid to New York to make an appearance on Broadway. With her newfound fame on stage, Judy was stopped in her tracks in February 1952 when she became pregnant by her new lover, Sid. At the age of 30, she made him her third husband on June 8, 1952; the wedding was held at a friend's ranch in Pasadena. Her relationship with her mother had long since been dissolved by this point, and after the birth of her second daughter, Lorna Luft, on November 21, 1952, she refused to allow her mother to see her granddaughter. Ethel then died in January 1953 of a heart attack, leaving Judy devastated and feeling guilty about not reconciling with her mother before her untimely demise.

After the funeral, Judy signed a film contract with Warner Bros. to star in the musical remake of A Star Is Born (1937), which had starred Janet Gaynor, who had won the first-ever Academy Award for Best Actress in 1929. Filming soon began, resulting in an affair between Judy and her leading man, British star James Mason. She also picked up on her affair with Frank Sinatra, and after filming was complete Judy was yet again lauded as a great film star. She won a Golden Globe for her brilliant and truly outstanding performance as Esther Blodgett, nightclub singer turned movie star, but when it came to the Academy Awards, a distraught Judy lost out on the Best Actress Oscar to Grace Kelly for her portrayal of the wife of an alcoholic star in The Country Girl (1954). Many still argue that Judy should have won the Oscar over Grace Kelly. Continuing her work on stage, Judy gave birth to her beloved son, Joey Luft, on March 29, 1955. She soon began to lose her millions of dollars as a result of her husband's strong gambling addiction, and with hundreds of debts to pay, Judy and Sid began a volatile, on-off relationship resulting in numerous divorce filings.

In 1961, at the age of 39, Judy returned to her ailing film career, this time to star in Judgment at Nuremberg (1961), for which she received an Oscar nomination for Best Supporting Actress, but this time she lost out to Rita Moreno for her performance in West Side Story (1961). Her battles with alcoholism and drugs led to Judy's making numerous headlines in newspapers, but she soldiered on, forming a close friendship with President John F. Kennedy. In 1963, Judy and Sid finally separated permanently, and on May 19, 1965 their divorce was finalized after almost 13 years of marriage. By this time, Judy, now 41, had made her final performance on film alongside Dirk Bogarde in I Could Go on Singing (1963). She married her fourth husband, Mark Herron, on November 14, 1965 in Las Vegas, but they separated in April 1966 after five months of marriage owing to his homosexuality. It was also that year that she began an affair with young journalist Tom Green. She then settled down in London after their affair ended, and she began dating disk jockey Mickey Deans in December 1968. They became engaged once her divorce from Mark Herron was finalized on January 9, 1969 after three years of marriage. She married Mickey, her fifth and final husband, in a register office in Chelsea, London, England on March 15, 1969.

She continued working on stage, appearing several times with her daughter Liza. It was during a concert in Chelsea, London, England that Judy stumbled into her bathroom late one night and died of an overdose of barbiturates, the drug that had dominated her much of her life, on June 22, 1969 at the age of 47. Her daughter Liza Minnelli paid for her funeral, and her former lover James Mason delivered her touching eulogy. She is still an icon to this day with her famous performances in The Wizard of Oz (1939), Meet Me in St. Louis (1944), Easter Parade (1948), and A Star Is Born (1954).

Bob Hoskins was described by the director John Mackenzie as "an actor from the British tradition but with an almost American approach, an instinctive approach to acting and knowing how to work with the camera". He was born on October 26, 1942, in Bury St. Edmund's, Suffolk, where his mother was living after being evacuated as a result of the heavy bombings. He is the son of Elsie Lillian (Hopkins), a nursery school teacher and cook, and Robert William Hoskins, Sr., who drove a lorry and worked as a bookkeeper. Growing up, Hoskins received only limited education and he left school at 15, but with a passion for language and literature instilled by his former English teacher.

A regular theatre-goer, Hoskins dreamed of starring on stage, but before he could do so he had to work odd jobs for a long time to make ends meet. His acting career started out more by accident than by design, when he accompanied a friend to watch some auditions, only to be confused for one of the people auditioning, getting a script pushed into his hands with the message "You're next". He got the part and acquired an agent. After some stage success, he expanded to television with roles in television series such as Villains (1972) and Thick as Thieves (1974). In the mid-'70s, he started his film career, standing out when he performed alongside Richard Dreyfuss in John Byrum's Inserts (1975) and in a smaller part in Richard Lester's Royal Flash (1975).

Hoskins broke through in 1978 in Dennis Potter's mini TV series, Pennies from Heaven (1978), playing "Arthur Parker", the doomed salesman. After this, a string of high-profile and successful films followed, starting with his true major movie debut in 1980's The Long Good Friday (1980) as the ultimately doomed "Harold Shand". This was followed by such works as The Cotton Club (1984), Mona Lisa (1986), which won him an Oscar nomination as well as a BAFTA award, Cannes Film Festival and Golden Globe), Who Framed Roger Rabbit (1988) (Golden Globe nomination), Mermaids (1990), Hook (1991), Nixon (1995), Felicia's Journey (1999) and Enemy at the Gates (2001).

Hoskins always carefully balanced the riches of Hollywood with the labor of independent film, though leaned more towards the latter than the former. He worked at smaller projects such as Shane Meadows' debut TwentyFourSeven (1997), in which he starred as "Allen Darcy". Besides this, he found time to direct, write and star in The Raggedy Rawney (1988), as well as direct and star in Rainbow (1995), and contributing to HBO's Tales from the Crypt (1989) and Tube Tales (1999).

Suffering from Parkinson's disease in later years, Hoskins died of pneumonia at age 71 in a London hospital.

Ingrid Bergman was one of the greatest actresses from Hollywood's lamented Golden Era. Her natural and unpretentious beauty and her immense acting talent made her one of the most celebrated figures in the history of American cinema. Bergman is also one of the most Oscar-awarded actresses, tied with Meryl Streep and Frances McDormand, all three of them second only to Katharine Hepburn.

Ingrid Bergman was born on August 29, 1915 in Stockholm, Sweden, to a German mother, Frieda Henrietta (Adler), and a Swedish father, Justus Samuel Bergman, an artist and photographer. Her mother died when she was only two and her father died when she was 12. She went to live with an elderly uncle.

The woman who would be one of the top stars in Hollywood in the 1940s had decided to become an actress after finishing her formal schooling. She had had a taste of acting at age 17 when she played an uncredited role of a girl standing in line in the Swedish film Landskamp (1932) in 1932 - not much of a beginning for a girl who would be known as "Sweden's illustrious gift to Hollywood." Her parents died when she was just a girl and the uncle she lived with didn't want to stand in the way of Ingrid's dream. The next year she enrolled at the Royal Dramatic Theatre School in Stockholm but decided that stage acting was not for her. It would be three more years before she would have another chance at a film. When she did, it was more than just a bit part. The film in question was The Count of the Old Town (1935), where she had a speaking part as Elsa Edlund. After several films that year that established her as a class actress, Ingrid appeared in Intermezzo (1936) as Anita Hoffman. Luckily for her, American producer David O. Selznick saw it and sent a representative from Selznick International Pictures to gain rights to the story and have Ingrid signed to a contract. Once signed, she came to California and starred in United Artists' 1939 remake of her 1936 film, Intermezzo (1939), reprising her original role. The film was a hit and so was Ingrid.

Her beauty was unlike anything the movie industry had seen before and her acting was superb. Hollywood was about to find out that they had the most versatile actress the industry had ever seen. Here was a woman who truly cared about the craft she represented. The public fell in love with her. Ingrid was under contract to go back to Sweden to film Only One Night (1939) in 1939 and June Night (1940) in 1940. Back in the US she appeared in three films, all well-received. She made only one film in 1942, but it was the classic Casablanca (1942) opposite Humphrey Bogart.

Ingrid was choosing her roles well. In 1943 she was nominated for an Academy Award for her role in For Whom the Bell Tolls (1943), the only film she made that year. The critics and public didn't forget her when she made Gaslight (1944) the following year--her role of Paula Alquist got her the Oscar for Best Actress. In 1945 Ingrid played in Spellbound (1945), Saratoga Trunk (1945) and The Bells of St. Mary's (1945), for which she received her third Oscar nomination for her role of Sister Benedict. She made no films in 1947, but bounced back with a fourth nomination for Joan of Arc (1948). In 1949 she went to Italy to film Stromboli (1950), directed by Roberto Rossellini. She fell in love with him and left her husband, Dr. Peter Lindstrom, and daughter, Pia Lindström. America's "moral guardians" in the press and the pulpits were outraged. She was pregnant and decided to remain in Italy, where her son was born. In 1952 Ingrid had twins, Isotta and Isabella Rossellini, who became an outstanding actress in her own right, as did Pia.

Ingrid continued to make films in Italy and finally returned to Hollywood in 1956 in the title role in Anastasia (1956), which was filmed in England. For this she won her second Academy Award. She had scarcely missed a beat. Ingrid continued to bounce between Europe and the US making movies, and fine ones at that. A film with Ingrid Bergman was sure to be a quality production. In her final big-screen performance in 1978's Autumn Sonata (1978) she had her final Academy Award nomination. Though she didn't win, many felt it was the most sterling performance of her career. Ingrid retired, but not before she gave an outstanding performance in the mini-series A Woman Called Golda (1982), a film about Israeli prime minister Golda Meir. For this she won an Emmy Award as Best Actress, but, unfortunately, she did not live to see the fruits of her labor.

Ingrid died from cancer on August 29, 1982, her 67th birthday, in London, England.

Distinguished character actor David Hattersley Warner was born on July 29, 1941 in Manchester, England, to Ada Doreen (Hattersley) and Herbert Simon Warner. He was born out of wedlock and raised by each of his parents, eventually settling with his itinerant father and stepmother. He only saw his mother again on her deathbed. As an only child from a dysfunctional family, young David excelled neither at academia nor at athletics. He attended eight schools and "failed his exams at all of them." After a series of odd jobs, he was accepted against all odds at Royal Academy of Dramatic Art (RADA), and became a member of the Royal Shakespeare Company.

When he first took up acting, it was not with the notion of a prospective career, but rather to escape (in his own words) 'a messy childhood.' Warner received some early mentoring from one of his teachers, and made his theatrical debut in 1962 at the Royal Court Theatre as Snout in A Midsummer Night's Dream, directed by Tony Richardson. A year later, he became the youngest-ever actor to play Hamlet at the Royal Shakespeare Company. Comedy may not have been his forte as much as the likes of Falstaff, Lysander and (on several occasions) Henry VI. Eventually becoming disaffected with the theatre (and plagued for some years by stage fright), Warner found himself better served by the celluloid medium. His first big break came on the strength of his small part in A Midsummer Night's Dream, courtesy of Tony Richardson who cast him in his bawdy period romp Tom Jones (1963) as the mendacious, pimple-faced antagonist Blifil, who vied with Albert Finney for the affections of Susannah York. A proper starring turn on the big screen followed in due course with the title role in Morgan! (1966), Warner playing a deranged artist with Marxist leanings who goes to absurd lengths to reclaim his ex-wife (played by Vanessa Redgrave), including blowing up his mother-in-law. In yet another off-beat satire, Work Is a Four Letter Word (1968), Warner played a corporate drop-out who grows psychedelic mushrooms in an automated world of the future. Combined with his two-year stint as Hamlet with the RSC, Warner became a star at age 24.

By the 1970s, he had become one of Britain's most sought-after character actors and went on to enjoy an illustrious and prolific career on both sides of the Atlantic, throughout which he rarely spurned a role offered him. Tall and somewhat ungainly in appearance, Warner excelled at troubled, introspective loners, outcasts and mavericks or downright sinister individuals. The latter have included SS General Reinhardt Heydrich in Holocaust (1978), Jack the Ripper in Time After Time (1979), Picard's sadistic Cardassian torturer Gul Madred in Star Trek: The Next Generation (1987), the villainous ex-Pinkerton man Spicer Lovejoy in Titanic (1997) and the evil geniuses of Time Bandits (1981) (a role turned down by Jonathan Pryce) and Tron (1982). He also essayed the creature to Robert Powell 's Frankenstein (1984).

Less eccentric roles saw him as the doomed photojournalist who literally loses his head in The Omen (1976) (Warner later described the experience of working alongside Gregory Peck as a career highlight), the sympathetic, but equally ill-fated Klingon Chancellor Gorkon in Star Trek VI: The Undiscovered Country (1991) and the sad, likeable fantasist Aldous Gajic, searching for the Grail in Babylon 5 (1993). Warner also appeared in a trio of films for which he was handpicked by the director Sam Peckinpah. Best of these is arguably the comedy western The Ballad of Cable Hogue (1970), with Warner well cast as the roving-eyed, itinerant Reverend Joshua Duncan Sloane. Warner won an Emmy Award for Outstanding Supporting Actor in a Limited Series for his performance as the Roman Senator Pomponius Falco in the miniseries Masada (1981). Following a three-decade long absence, Warner returned to the stage in 2001 for the role of Andrew Undershaft in Shaw's Major Barbara. In 2004, he played the title role in King Lear at the Chichester Theatre Festival in England. More recently, he appeared on TV as Professor Abraham Van Helsing in Penny Dreadful (2014), as Rabbi Max Steiner in Ripper Street (2012) and as Kenneth Branagh's ailing father in Wallander (2008).

A riveting screen presence, the ever-versatile and charismatic David Warner passed away aged 80 from cancer at Denville Hall, an entertainment industry care home, in Northwood, London, on 24 July 2022.

One of England's most successful and enduring character actors, with a prolific screen career on television and in films, Robert Hardy was acclaimed for his versatility and the depth of his performances.

Born in Cheltenham in 1925, he studied at Oxford University and, in 1949, he joined the Shakespeare Memorial Theatre at Stratford-upon-Avon. Television viewers most fondly remember him as the overbearing Siegfried Farnon in All Creatures Great & Small (1978) but his most critically acclaimed performance was as the title character of Winston Churchill: The Wilderness Years (1981). His portrayal of Britain's wartime leader was so accurately observed that, in the following years, he was called on to reprise the role in such productions as The Woman He Loved (1988) and War and Remembrance (1988).

Unlike some British character actors, Hardy was not a Hollywood name and his work in films was therefore restricted to appearances in predominantly British-based productions such as The Spy Who Came in from the Cold (1965), Frankenstein (1994) and Sense and Sensibility (1995). However, in the 21st century, Hardy came to the attention of a whole new generation for his performances in the hugely successful Harry Potter films, while also continuing to make regular appearances in British television series. His co-star from All Creatures Great & Small (1978), Peter Davison, quite simply described Hardy as an "extraordinary" actor who would "never do the same thing twice" when he was acting with him. He was awarded the CBE for services to acting. He died in August 2017.

Often credited as the greatest comedian of all time, Peter Sellers was born Richard Henry Sellers to a well-off acting family in 1925 in Southsea, a suburb of Portsmouth. He was the son of Agnes Doreen "Peg" (Marks) and William "Bill" Sellers. His parents worked in an acting company run by his grandmother. His father was Protestant and his mother was Jewish (of both Ashkenazi and Sephardi background). His parents' first child had died at birth, so Sellers was spoiled during his early years. He enlisted in the Royal Air Force and served during World War II. After the war he met Spike Milligan, Harry Secombe and Michael Bentine, who would become his future workmates.

After the war, he set up a review in London, which was a combination of music (he played the drums) and impressions. Then, all of a sudden, he burst into prominence as the voices of numerous favorites on the BBC radio program "The Goon Show" (1951-1960), and then making his debut in films in Penny Points to Paradise (1951) and Down Among the Z Men (1952), before making it big as one of the criminals in The Ladykillers (1955). These small but showy roles continued throughout the 1950s, but he got his first big break playing the dogmatic union man, Fred Kite, in I'm All Right Jack (1959). The film's success led to starring vehicles into the 1960s that showed off his extreme comic ability to its fullest. In 1962, Sellers was cast in the role of Clare Quilty in the Stanley Kubrick version of the film Lolita (1962) in which his performance as a mentally unbalanced TV writer with multiple personalities landed him another part in Kubrick's Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) in which he played three roles which showed off his comic talent in play-acting in three different accents; British, American, and German.

The year 1964 represented a peak in his career with four films in release, all of them well-received by critics and the public alike: Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964), for which he was Oscar nominated, The Pink Panther (1963), in which he played his signature role of the bumbling French Inspector Jacques Clouseau for the first time, its almost accidental sequel, A Shot in the Dark (1964), and The World of Henry Orient (1964). Sellers was on top of the world, but on the evening of April 5, 1964, he suffered a nearly fatal heart attack after inhaling several amyl nitrites (also called 'poppers'; an aphrodisiac-halogen combination) while engaged in a sexual act with his second wife Britt Ekland. He had been working on Billy Wilder's Kiss Me, Stupid (1964). In a move Wilder later regretted, he replaced Sellers with Ray Walston rather than hold up production. By October 1964, Sellers made a full recovery and was working again.

The mid-1960s were noted for the popularity of all things British, from the Beatles music (who were presented with their Grammy for Best New Artist by Sellers) to the James Bond films, and the world turned to Sellers for comedy. What's New Pussycat (1965) was another big hit, but a combination of his ego and insecurity was making Sellers difficult to work with. When the James Bond spoof Casino Royale (1967) ran over budget and was unable to recoup its costs despite an otherwise healthy box-office take, Sellers received some of the blame. He turned down an offer from United Artists for the title role in Inspector Clouseau (1968), but was angry when the production went ahead with Alan Arkin in his place. His difficult reputation and increasingly erratic behavior, combined with several less successful films, took a toll on his standing. By 1970, he had fallen out of favor. He spent the early years of the new decade appearing in such lackluster B films as Where Does It Hurt? (1972) and turning up more frequently on television as a guest on The Dean Martin Show (1965) and a Glen Campbell TV special.

In 1974, Inspector Clouseau came to Sellers rescue when Sir Lew Grade expressed an interest in a TV series based on the character. Clouseau's creator, writer-director Blake Edwards, whose career had also seen better days, convinced Grade to bankroll a feature film instead, and The Return of the Pink Panther (1975) was a major hit release during the summer of Jaws (1975) and restored both men to prominence. Sellers would play Clouseau in two more successful sequels, The Pink Panther Strikes Again (1976) and Revenge of the Pink Panther (1978), and Sellers would use his newly rediscovered clout to realize his dream of playing Chauncey Gardiner in a film adaptation of Jerzy Kosinski's novel "Being There". Sellers had read the novel in 1972, but it took seven years for the film to reach the screen. Being There (1979) earned Sellers his second Oscar nomination, but he lost to Dustin Hoffman for Kramer vs. Kramer (1979).

Sellers struggled with depression and mental insecurities throughout his life. An enigmatic figure, he often claimed to have no identity outside the roles that he played. His behavior on and off the set and stage became more erratic and compulsive, and he continued to frequently clash with his directors and co-stars, especially in the mid-1970s when his physical and mental health, together with his continuing alcohol and drug problems, were at their worst. He never fully recovered from his 1964 heart attack because he refused to take traditional heart medication and instead consulted with 'psychic healers'. As a result, his heart condition continued to slowly deteriorate over the next 16 years. On March 20, 1977, Sellers barely survived another major heart attack and had a pacemaker surgically implanted to regulate his heartbeat which caused him further mental and physical discomfort. However, he refused to slow down his work schedule or consider heart surgery which might have extended his life by several years.

On July 25, 1980, Sellers was scheduled to have a reunion dinner in London with his Goon Show partners, Spike Milligan and Harry Secombe. However, at around 12 noon on July 22, Sellers collapsed from a massive heart attack in his Dorchester Hotel room and fell into a coma. He died in a London hospital just after midnight on July 24, 1980 at age 54. He was survived by his fourth wife, Lynne Frederick, and three children: Michael, Sarah and Victoria. At the time of his death, he was scheduled to undergo an angiography in Los Angeles on July 30 to see if he was eligible for heart surgery.

His last movie, The Fiendish Plot of Dr. Fu Manchu (1980), completed just a few months before his death, proved to be another box office flop. Director Blake Edwards' attempt at reviving the Pink Panther series after Sellers' death resulted in two panned 1980s comedies, the first of which, Trail of the Pink Panther (1982), deals with Inspector Clouseau's disappearance and was made from material cut from previous Pink Panther films and includes interviews with the original casts playing their original characters.

The son of a Lancashire bookmaker, Albert Finney came to motion pictures via the theatre. In 1956, he won a scholarship to RADA where his fellow alumni included Peter O'Toole and Alan Bates. He joined the Birmingham Repertory where he excelled in plays by William Shakespeare. A member of the Royal Shakespeare Company, Finney understudied Laurence Olivier at Stratford-upon-Avon, eventually acquiring a reputation as 'the new Olivier'. He first came to critical attention by creating the title role in Keith Waterhouse's "Billy Liar" on the London stage. His film debut soon followed with The Entertainer (1960) by Tony Richardson with whom had earlier worked in the theatre. With the changing emphasis in 60s British cinema towards gritty realism and working-class milieus, Finney's typical screen personae became good-looking, often brooding proletarian types and rebellious anti-heroes as personified by his Arthur Seaton in Karel Reisz's Saturday Night and Sunday Morning (1960). His exuberant defining role, however, was in the bawdy period romp Tom Jones (1963) in which Finney revealed a substantial talent for comedy. In the same vein, he scored another hit opposite Audrey Hepburn in the charming marital comedy Two for the Road (1967).

By 1965, Finney had branched out into production, setting up Memorial Enterprises in conjunction with Michael Medwin. In 1968, he directed himself in Charlie Bubbles (1968) and three years later produced the Chandleresque homage Gumshoe (1971), in which he also starred as Eddie Ginley, a bingo-caller with delusions of becoming a private eye. From 1972 to 1975, Finney served as artistic director of the Royal Court Theatre. His intermittent forays to the screen confirmed him as a versatile international actor of note, though not what one might describe as a mainstream star. His roles have ranged from Ebenezer Scrooge in the musical version of Scrooge (1970) to Daddy Warbucks in Annie (1982) and (in flamboyant over-the-top make-up) Hercule Poirot in Murder on the Orient Express (1974). He appeared as Minister of Police Joseph Fouché in Ridley Scott's superb period drama The Duellists (1977) and as a grandiloquent Shakespearean actor in The Dresser (1983) for which he received an Oscar nomination. For the small screen Finney essayed Pope John Paul II (1984) and was a totally believable Winston Churchill in the acclaimed The Gathering Storm (2002). His final movie credit was in the James Bond thriller Skyfall (2012).

Finney was five-times nominated for Academy Awards in 1964, 1975, 1984, 1985 and 2001. He won two BAFTA Awards in 1961 and 2004. True to his working-class roots, he spurned a CBE in 1980 and a knighthood in 2000, later explaining his decision by stating that the 'Sir thing' "slightly perpetuates one of our diseases in England, which is snobbery". Albert Finney was diagnosed with kidney cancer in 2011. He died on February 7 2019 at a London hospital from a chest infection at the age of 82. Upon his death, John Cleese described him as "the best" and "our greatest actor".

A leading man of prodigious talents, Peter O'Toole was born and raised in Leeds, Yorkshire, England, the son of Constance Jane Eliot (Ferguson), a Scottish nurse, and Patrick Joseph O'Toole, an Irish metal plater, football player and racecourse bookmaker. Upon leaving school, he decided to become a journalist, beginning as a newspaper copy boy. Although he succeeded in becoming a reporter, he discovered the theater and made his stage debut at age 17. He served as a radioman in the Royal Navy for two years, then attended the Royal Academy of Dramatic Arts, where his classmates included Albert Finney, Alan Bates and Richard Harris.

O'Toole spent several years on-stage at the Bristol Old Vic, then made an inconspicuous film debut in the Disney classic Kidnapped (1960). In 1962, he was chosen by David Lean to play T.E. Lawrence in Lean's epic drama Lawrence of Arabia (1962). The role made O'Toole an international superstar and received him his first Academy Award nomination for Best Actor in a Leading Role. In 1963, he played Hamlet under Laurence Olivier's direction in the premiere production of the Royal National Theater. He continued successfully in artistically rich films as well as less artistic but commercially rewarding projects. He received Academy Award nominations (but no Oscar) for seven different films.

However, medical problems (originally thought to have been brought on by his drinking but which turned out to be stomach cancer) threatened to destroy his career and life in the 1970s. He survived by giving up alcohol and, after serious medical treatment, returned to films with triumphant performances in The Stunt Man (1980) and My Favorite Year (1982). His youthful beauty lost to time and drink, O'Toole has found meaningful roles increasingly difficult to come by, though he remained one of the greatest actors of his generation. He had two daughters, Pat and Kate O'Toole, from his marriage to actress Siân Phillips. He also had a son, Lorcan O'Toole, by model Karen Brown.

On December 14, 2013, Peter O'Toole died at age 81 in London, England.

Best known as Hammer Films' most seductive female vampire of the early 1970s, the Polish-born Pitt possessed dark, alluring features and a sexy figure that made her just right for Gothic horror! Ingrid Pitt (born Ingoushka Petrov) survived World War II and became a well-known actress on the East Berlin stage, however, she did not appear on screen until well into her twenties. She appeared in several minor roles in Spanish films in the mid 1960s, mostly uncredited, before landing the supporting role of undercover agent "Heidi", assisting Clint Eastwood and Richard Burton defeat the Third Reich in Where Eagles Dare (1968).

Her exotic looks and eastern European accent came to the notice of Hammer executives who cast Pitt as vampiress "Mircalla" in the sensual horror thriller The Vampire Lovers (1970). The film was a box office success with its blend of horror and sexual overtones, and Pitt was a beautiful, yet ferocious bloodsucker. Next up, Pitt was cast by Amicus Productions as another gorgeous vampire in the episode entitled "The Cloak" in the superb The House That Dripped Blood (1971). This time, Ingrid played an actress appearing in horror films alongside screen vampire Jon Pertwee, but then later reveals herself to be a real vampire keen on recruiting fresh blood.

Ingrid donned the fangs for her third vampire film in a row, Countess Dracula (1971) which was loosely based around the legend of the 16th century bloodthirsty Countess Elizabeth Bathory. Whilst not as successful, as the two prior outings, Ingrid Pitt had firmly established herself as one of the key ladies of British horror of the 1970s. She then appeared in the underrated at the time - now widely regarded as a classic - The Wicker Man (1973) as an uncooperative civil servant annoying Edward Woodward in his search for a missing child. Further work followed in The Final Option (1982), as "Elvira" in the adaptation of the John le Carré Cold War thriller Smiley's People (1982), Wild Geese II (1985) and The Asylum (2000).

Ingrid Pitt made regular appearances at horror conventions and fan gatherings, had penned several books on her horror career, and she relished talking to fans about her on screen vampiric exploits. Ingrid's fan club is known as the "Pitt of Horror"! A much loved and genuine cult figure of modern horror cinema, she died on November 23, 2010, just two days after her 73rd birthday.

Ava Lavina Gardner was born on December 24, 1922 in Grabtown, North Carolina, to Mary Elizabeth (née Baker) and Jonas Bailey Gardner. Born on a tobacco farm, where she got her lifelong love of earthy language and going barefoot, Ava grew up in the rural South. At age 18, her picture in the window of her brother-in- law's New York photo studio brought her to the attention of MGM, leading quickly to Hollywood and a film contract based strictly on her beauty. With zero acting experience, her first 17 film roles, 1942-1945, were one-line bits or little better. After her first starring role in B-grade Whistle Stop (1946), MGM loaned her to Universal for her first outstanding film The Killers (1946). Few of her best films were made at MGM which, keeping her under contract for 17 years, used her popularity to sell many mediocre films. Perhaps as a result, she never believed in her own acting ability, but her latent talent shone brightly when brought out by a superior director, as with John Ford in Mogambo (1953) and George Cukor in Bhowani Junction (1956).

After three failed marriages, dissatisfaction with Hollywood life prompted Ava to move to Spain in 1955; most of her subsequent films were made abroad. By this time, stardom had made the country girl a cosmopolitan, but she never overcame a deep insecurity about acting and life in the spotlight. Her last quality starring film role was in The Night of the Iguana (1964), her later work being (as she said) strictly "for the loot". In 1968, tax trouble in Spain prompted a move to London, where she spent her last 22 years in reasonable comfort. Her film career did not bring her great fulfillment, but her looks may have made it inevitable; many fans still consider her the most beautiful actress in Hollywood history. Ava Gardner died at age 67 of bronchial pneumonia on January 25, 1990 in Westminister, London, England.

Bernard Hill was an English actor. He was well recognized for playing King Théoden in The Lord of the Rings film trilogy, Captain Edward Smith in Titanic, and Luther Plunkitt, the Warden of San Quentin Prison in the Clint Eastwood film True Crime. Hill was also known for playing roles in television dramas, including Yosser Hughes, the troubled "hard man" whose life is falling apart in Alan Bleasdale's groundbreaking Boys from the Blackstuff in the 1980s, and more recently, as the Duke of Norfolk in the BBC adaptation of Hilary Mantel's Wolf Hall.

Popular British character actor Tom Wilkinson was born in Leeds, West Yorkshire, England, and came from a long line of urban farmers. He was the son of Marjorie (Percival) and Thomas Wilkinson. Economic hardships forced his family to move to Canada for a few years when Wilkinson was a child; then, after he had returned to England, he attended and graduated from the University of Kent at Canterbury with a degree in English and American Literature.

Wilkinson first became active in film and television in the mid-1970s, but did not become familiar to an international audience until 1997. That was when he starred as one of six unemployed workers who strip for cash in Best Picture nominee The Full Monty (1997), and went on to win a BAFTA for Best Performance by an Actor in a Supporting Role. That same year, he was featured in Oscar and Lucinda (1997) and Wilde (1997). Wilkinson was also shown to memorable effect as a theatre financier with acting aspirations in Best Picture winner Shakespeare in Love (1998).

Over the next few years, Wilkinson would become more popular, especially with American audiences, with such roles as General Cornwallis alongside Mel Gibson in the blockbuster The Patriot (2000) and as the grief-stricken father, Matt Fowler, in the critically acclaimed Best Picture nominee In the Bedroom (2001). For his role in that movie, he received an Academy Award nomination for Best Actor in a Leading Role.

Since then, Wilkinson has made memorable appearances in Eternal Sunshine of the Spotless Mind (2004), Batman Begins (2005), The Exorcism of Emily Rose (2005), Valkyrie (2008), Duplicity (2009), The Ghost Writer (2010), The Debt (2010) and The Best Exotic Marigold Hotel (2011), among others. Wilkinson also received his second Academy Award nomination for his acclaimed role in Michael Clayton (2007).

Wilkinson won an Emmy Award for his work as Benjamin Franklin in HBO's John Adams (2008) mini-series. The same year, he received an Emmy nomination for his role in HBO movie Recount (2008), and has also received Emmy nominations for Normal (2003) and The Kennedys (2011).

Wilkinson had two children, Alice and Molly, with his wife Diana Hardcastle.

If a film were made of the life of Vivien Leigh, it would open in India just before World War I, where a successful British businessman could live like a prince. In the mountains above Calcutta, a little princess is born. Because of the outbreak of World War I, she is six years old the first time her parents take her to England. Her mother thinks she should have a proper English upbringing and insists on leaving her in a convent school - even though Vivien is two years younger than any of the other girls at the school. The only comfort for the lonely child is a cat that was in the courtyard of the school that the nuns let her take up to her dormitory. Her first and best friend at the school is an eight-year-old girl, Maureen O'Sullivan who has been transplanted from Ireland. In the bleakness of a convent school, the two girls can recreate in their imaginations the places they have left and places where they would some day like to travel. After Vivien has been at the school for 18 months, her mother comes again from India and takes her to a play in London. In the next six months Vivien will insist on seeing the same play 16 times. In India the British community entertained themselves at amateur theatricals and Vivien's father was a leading man. Pupils at the English convent school are eager to perform in school plays. It's an all-girls school, so some of the girls have to play the male roles. The male roles are so much more adventurous. Vivien's favorite actor is Leslie Howard, and at 19 she marries an English barrister who looks very much like him. The year is 1932. Vivien's best friend from that convent school has gone to California, where she's making movies. Vivien has an opportunity to play a small role in an English film, Things Are Looking Up (1935). She has only one line but the camera keeps returning to her face. The London stage is more exciting than the movies being filmed in England, and the most thrilling actor on that stage is Laurence Olivier. At a party Vivien finds out about a stage role, "The Green Sash", where the only requirement is that the leading lady be beautiful. The play has a very brief run, but now she is a real actress. An English film is going to be made about Elizabeth I. Laurence gets the role of a young favorite of the queen who is sent to Spain. Vivien gets a much smaller role as a lady-in-waiting of the queen who is in love with Laurence's character. In real life, both fall in love while making this film, Fire Over England (1937). In 1938, Hollywood wants Laurence to play Heathcliff in Wuthering Heights (1939). Vivien, who has just recently read Gone with the Wind (1939), thinks that the role of Scarlett O'Hara is the first role for an actress that would be really exciting to bring to the screen. She sails to America for a brief vacation. In New York she gets on a plane for the first time to rush to California to see Laurence. They have dinner with Myron Selznick the night that his brother, David O. Selznick, is burning Atlanta on a backlot of MGM (actually they are burning old sets that go back to the early days of silent films to make room to recreate an Atlanta of the 1860s). Vivien is 26 when Gone with the Wind (1939) makes a sweep of the Oscars in 1939. So let's show 26-year-old Vivien walking up to the stage to accept her Oscar and then as the Oscar is presented the camera focuses on Vivien's face and through the magic of digitally altering images, the 26-year-old face merges into the face of Vivien at age 38 getting her second Best Actress Oscar for portraying Blanche DuBois in A Streetcar Named Desire (1951). She wouldn't have returned to America to make that film had not Laurence been going over there to do a film, Carrie (1952) based on Theodore Dreiser's novel "Sister Carrie". Laurence tells their friends that his motive for going to Hollywood to make films is to get enough money to produce his own plays for the London stage. He even has his own theater there, the St. James. Now Sir Laurence, with a seat in the British House of Lords, is accompanied by Vivien the day the Lords are debating about whether the St James should be torn down. Breaking protocol, Vivien speaks up and is escorted from the House of Lords. The publicity helps raise the funds to save the St. James. Throughout their two-decade marriage Laurence and Vivien were acting together on the stage in London and New York. Vivien was no longer Lady Olivier when she performed her last major film role, The Roman Spring of Mrs. Stone (1961).

David Soul achieved pop icon status as handsome, blond-haired, blue-eyed Detective Kenneth Hutchinson on the cult "buddy cop" TV series Starsky and Hutch (1975), Soul also had a very successful singing career recording several albums, with worldwide number one hit singles including "Silver Lady" & "Don't Give Up on Us Baby".

Originally from Chicago, Illinois, David Soul is the son of a minister who was at one time serving as the religious affairs advisor to the U.S. High Commission in Berlin. At 24 years of age, young Soul joined a North Dakota musical revue, was noticed by a keen-eyed talent scout, and signed to a studio contract. He went on to study acting with the Irene Daly School of The Actors Company, and with the Columbia Workshop in Hollywood. He first appeared on TV in small roles in shows including I Dream of Jeannie (1965), Flipper (1964) and All in the Family (1971). Regular TV work kept coming in for Soul including making masked appearances on The Merv Griffin Show (1962), as the popular singer known only as "The Covered Man."

In 1973, Soul was fortunate enough to be cast as one of the corrupt motorcycle cops in the Clint Eastwood thriller Magnum Force (1973), where his talents came to the attention of several TV execs who were looking for someone to play one of the lead roles in the upcoming Starsky and Hutch (1975) TV series. After four seasons, the show came to an end, yet Soul's talents were still in demand. He quickly went on to appear as the meek writer turned terrified vampire hunter Ben Mears in the chilling television mini-series Salem's Lot (1979), and then as Jake in the interesting television movie Homeward Bound (1980).

Several undemanding movies and TV series appearances followed for Soul. However in 1988 he scored rave reviews for his portrayal of real life, cold-blooded cop killer Michael Lee Platt in In the Line of Duty: The F.B.I. Murders (1988). It was considered highly controversial for its intense level of violence in a made for TV production.

David Soul remained very busy throughout the 1990s and beyond, in both film and on stage productions. He has toured internationally in several theater productions, including playing the narrator in the critically-acclaimed production of Willy Russell's Blood Brothers, plus a successful UK tour performing in Ira Levin's Deathtrap. Fans of the original TV series were glad to see Soul back with Paul Michael Glaser doing a cameo appearance in the big-budget movie version of Starsky & Hutch (2004).

Throughout his life, Soul has continually championed social causes often utilizing his own funds to raise awareness on issues including the impact of the Vietnam War, the shutdowns in the US steel industry, animal welfare, world hunger and HIV education. Soul has for several years made his home in the United Kingdom, where he has appeared at the Edinburgh Festival, on several British TV shows and has become a keen soccer fan supporting English club, Arsenal FC.

Richard Attenborough, Baron Attenborough of Richmond-upon-Thames, was born in Cambridge, England, the son of Mary (née Clegg), a founding member of the Marriage Guidance Council, and Frederick Levi Attenborough, a scholar and academic administrator who was a don at Emmanuel College and wrote a standard text on Anglo-Saxon law. The family later moved to Leicester where his father was appointed Principal of the university while Richard was educated at Wyggeston Grammar School for Boys in Leicester and at the Royal Academy of Dramatic Art (RADA).

His film career began with a role as a deserting sailor in In Which We Serve (1942), a part that contributed to his being typecast for many years as a coward in films like Dulcimer Street (1948), Operation Disaster (1950) and his breakthrough role as a psychopathic young gangster in the film adaptation of Graham Greene's novel, Brighton Rock (1948). During World War II, Attenborough served in the Royal Air Force.

He worked prolifically in British films for the next 30 years, and in the 1950s appeared in several successful comedies for John Boulting and Roy Boulting, including Private's Progress (1956) and I'm All Right Jack (1959). Early in his stage career, Attenborough starred in the London West End production of Agatha Christie's "The Mousetrap", which went on to become one of the world's longest-running stage productions. Both he and his wife were among the original cast members of the production, which opened in 1952 and (as of 2007) is still running.

In the 1960s, he expanded his range of character roles in films such as Seance on a Wet Afternoon (1964) and Guns at Batasi (1964), for which he won the BAFTA Award for Best Actor for his portrayal of the regimental Sergeant Major. He appeared in the ensemble cast of The Great Escape (1963), as Squadron Leader "Roger Bartlett" ("Big X"), the head of the escape committee.

In 1967 and 1968, he won back-to-back Golden Globe Awards in the category of Best Supporting Actor, the first time for The Sand Pebbles (1966), starring Steve McQueen, and the second time for Doctor Dolittle (1967), starring Rex Harrison. He would win another Golden Globe for Best Director, for Gandhi (1982), in 1983. Six years prior to "Gandhi", he played the ruthless "Gen. Outram" in Indian director Satyajit Ray's period piece, The Chess Players (1977). He has never been nominated for an Academy Award in an acting category.

He took no acting roles following his appearance in Otto Preminger's The Human Factor (1979), until his appearance as the eccentric developer "John Hammond" in Steven Spielberg's Jurassic Park (1993). The following year, he starred as "Kris Kringle" in Miracle on 34th Street (1994), a remake of the 1947 classic. Since then, he has made occasional appearances in supporting roles, including the historical drama, Elizabeth (1998), as "Sir William Cecil".

In the late 1950s, Attenborough formed a production company, "Beaver Films", with Bryan Forbes and began to build a profile as a producer on projects, including The League of Gentlemen (1960), The Angry Silence (1960) and Whistle Down the Wind (1961), also appearing in the first two of these as an actor.

His feature film directorial debut was the all-star screen version of the hit musical, Oh! What a Lovely War (1969), and his acting appearances became more sporadic - the most notable being his portrayal of serial killer "John Christie" in 10 Rillington Place (1971). He later directed two epic period films: Young Winston (1972), based on the early life of Winston Churchill, and A Bridge Too Far (1977), an all-star account of Operation Market Garden in World War II. He won the 1982 Academy Award for Directing for his historical epic, Gandhi (1982), a project he had been attempting to get made for many years. As the film's producer, he also won the Academy Award for Best Picture. His most recent films, as director and producer, include Chaplin (1992), starring Robert Downey Jr. as Charles Chaplin, and Shadowlands (1993), based on the relationship between C.S. Lewis and Joy Gresham. Both films starred Anthony Hopkins, who also appeared in three other films for Attenborough: "Young Winston", "A Bridge Too Far" and the thriller, Magic (1978).

Attenborough also directed the screen version of the hit Broadway musical, "A Chorus Line" (A Chorus Line (1985)), and the apartheid drama, Cry Freedom (1987), based on the experiences of Donald Woods. He was nominated for a Golden Globe Award for Best Director for both films. His most recent film as director was another biographical film, Grey Owl (1999), starring Pierce Brosnan.

Attenborough is the President of RADA, Chairman of Capital Radio, President of BAFTA, President of the Gandhi Foundation, and President of the British National Film and Television School. He is also a vice patron of the Cinema and Television Benevolent Fund.

He is also the patron of the UWC movement (United World Colleges), whereby he continually contributes greatly to the colleges that are part of the organization. He has frequented the United World College of Southern Africa(UWCSA) Waterford Kamhlaba. His wife and he founded the "Richard and Sheila Attenborough Visual Arts Center". He also founded the "Jane Holland Creative Center for Learning" at Waterford Kamhlaba in Swaziland in memory of his daughter, who died in the Tsunami on Boxing Day, 2004. He passionately believes in education, primarily education that does not judge upon color, race, creed or religion. His attachment to Waterford is his passion for non-racial education, which were the grounds on which Waterford Kamhlaba was founded. Waterford was one of his inspirations for directing Cry Freedom (1987), based on the life of Steve Biko.

He was elected to the post of Chancellor of the University of Sussex on 20 March 1998, replacing the Duke of Richmond and Gordon. A lifelong supporter of Chelsea Football Club, Attenborough served as a director of the club from 1969-1982 and, since 1993, has held the honorary position of Life Vice President. He is also the head of the consortium, "Dragon International", which is constructing a film and television studio complex in Llanilid, Wales, often referred to as "Valleywood".

In 1967, he was made a Commander of the Order of the British Empire (CBE). He was knighted in 1976 and, in 1993, he was made a life peer as Baron Attenborough, of Richmond-upon-Thames in the London Borough of Richmond upon Thames.

On 13 July 2006, Attenborough and his brother, David Attenborough, were awarded the titles of Distinguished Honorary Fellows of the University of Leicester "in recognition of a record of continuing distinguished service to the University". Lord Attenborough is also listed as an Honorary Fellow of Bangor University for his continued efforts to film making.

Attenborough has been married to English actress Sheila Sim, since 1945. They had three children. In December 2004, his elder daughter, Jane Holland, as well as her daughter Lucy and her mother-in-law, also named Jane, were killed in the tsunami caused by the Indian Ocean earthquake. A memorial service was held on 8 March 2005, and Attenborough read a lesson at the national memorial service on 11 May 2005. His grandson, Samuel Holland, and granddaughter, Alice Holland, also read in the service.

Attenborough's father was principal of University College, Leicester, now the city's university. This has resulted in a long association with the university, with Lord Attenborough a patron. A commemorative plaque was placed on the floor of Richmond Parish Church. The university's "Richard Attenborough Centre for Disability and the Arts", which opened in 1997, is named in his Honor.

His son, Michael Attenborough, is also a director. He has two younger brothers, the famous naturalist Sir David Attenborough and John Attenborough, who has made a career in the motor trade.

He has collected Pablo Picasso ceramics since the 1950s. More than 100 items went on display at the New Walk Museum and Art Gallery in Leicester in 2007; the exhibition is dedicated to his family members lost in the tsunami.

Billie was born in Coventry but taken to Bradford as a child and raised there and later joined the theatre school at the Civic Playhouse. She first played little boy parts on radio at BBC Manchester before moving into plays on television, On stage she appeared at the National Theatre but is mainly remembered for her 25 years association with the Irish playwright Samuel Beckett. in films she was twice cast with Albert Finney in Charlie Bubbles(1969) and Gumshoe (1995)

Geraldine McEwan was born in Old Windsor, England and made her theatre debut at the age of 14 at the Theatre Royal in Windsor. By the age of 18 she was starring in London's West End in several long-running popular productions. During the 1950s she acted with the Shakespeare Memorial Theatre in Stratford-Upon-Avon and joined the Royal Shakespeare Company in 1961.

She had leading roles as Beatrice in Much Ado About Nothing with Christopher Plummer, Ophelia in Hamlet, The Princess of France in Love's Labour's Lost, Marina in Pericles and played opposite Dorothy Tutin in Twelfth Night which also toured Moscow and Leningrad.

Miss McEwan originated the female lead role in Joe Orton's Loot, captivated Broadway with productions of The School for Scandal, The Private Ear and the Public Eye, and most recently, The Chairs, earning her a Tony nomination for best actress.

As a member of the Royal National Theatre, acting along side Albert Finney, and Laurence Olivier, Geraldine spent the 1960s and 70s with memorable roles including The Dance of Death, Love for Love, A Flea in Her Ear, Chez Nous, Home and Beauty, The Browning Version, Harlequinade and The White Devil. In 1976 she had the distinction of being nominated for an Olivier Award in two separate categories.

In 1983 she won the Evening Standard Best Actress Award for The Rivals. In 1991 she won the BAFTA Best Actress Award for her intense and powerful performance as the Mother in Oranges Are Not the Only Fruit (1989) and in 1995 she won the Evening Standard Best Actress Award for her performance of Lady Wishfort in The Way of the World.

In 1998, McEwan was nominated for a Tony Award in the Best Actress Category for The Chairs. Her numerous television credits include the highly acclaimed The Barchester Chronicles (1982) with Alan Rickman, The Prime of Miss Jean Brodie (1978), Mulberry (1992), and the immensely popular Mapp & Lucia (1985). Her film work includes The Dance of Death (1969) with Laurence Olivier, Robin Hood: Prince of Thieves (1991) with Alan Rickman, Henry V (1989) and Love's Labour's Lost (2000), both with Kenneth Branagh, and most recently The Magdalene Sisters (2002), The Lazarus Child (2004), Vanity Fair (2004) and Carrie's War (2004). In 2003, Geraldine was chosen to play Agatha Christie's Jane Marple. She recently retired from that role after completing 12 hugely popular two-hour mysteries for ITV/PBS.

Anna Massey was born on 11 August 1937 in Thakeham, West Sussex, England, UK. She was an actress, known for Peeping Tom (1960), Frenzy (1972) and The Machinist (2004). She was married to Dr. Uri Andres and Jeremy Brett. She died on 2 July 2011 in London, England, UK.