User:LLCQ/天命真女
天命真女 Destiny's Child | |
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艺人或艺术家 | |
昵称 | Girl's Tyme |
国籍 | 美国 |
音乐类型 | |
出道地点 | 美国德克萨斯州休斯敦 |
活跃年代 |
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唱片公司 | |
网站 | destinyschild |
已离开成员 | |
天命真女(英語:Destiny's Child)是美国女子音乐组合,2013年时的成员包括碧昂丝·诺尔斯、凯莉·罗兰和米歇尔·威廉姆斯。她们的音乐生涯始于1990年在得克萨斯州休斯敦成立的Girl's Tyme[1]。经过多年不温不火后,1997年,由碧昂丝、罗兰、拉塔维娅·罗伯逊和勒托娅·勒基特组成的最初四人组合与哥伦比亚唱片签约,成立天命真女。在发行了歌曲《No, No, No》和第二张畅销专辑《The Writing's on the Wall》(1999年)后,该组合开始受到主流社会的认可,该专辑包含了排名第一的单曲《Bills, Bills, Bills》和《Say My Name》,以及流行单曲《Bug a Boo》和《Jumpin', Jumpin'》。尽管在评论和商业上都取得了成功,但该组合却饱受内部冲突和法律纠纷的困扰,罗伯逊和勒凯特以偏袒诺尔斯和罗兰德为由,试图与该组合的经纪人马修·诺尔斯分道扬镳。
2000年初,罗伯森和勒凯特被威廉姆斯和法拉·富兰克林取代;然而,富兰克林在几个月后退出,组合只剩下三人。她们的第三张专辑《Survivor》(2001年)的主题被公众解读为该组合经历的一种渠道,这张专辑制作了风靡全球的热门歌曲《Independent Women》、《Survivor》和《Bootylicious》。2001年,她们宣布暂停活动,开始追求个人事业[2]。两年后,三人再次聚首,发行了第五张也是最后一张录音室专辑《Destiny Fulfilled》(2004年),该专辑推出了国际热门歌曲《Lose My Breath》和《Soldier》。自2006年该组合正式解散后,诺尔斯、罗兰德和威廉姆斯曾多次重聚,包括在2013年超级碗中场秀和2018年科切拉音乐节[a]。
截至2013年,天命真女已售出6000多万张唱片[3]。Billboard将该组合评为史上最伟大的三人音乐组合之一[4],以及2000年代最成功的艺人中的第九名[5],2008年该组合在其“史上最受欢迎的100位艺人”榜单中名列第68位[6],2016年12月,该杂志将其评为史上最成功的舞厅艺人第90名[7]。该组合曾获得14项葛萊美獎提名,并获得两次最佳R&B演唱双人组合奖和一次最佳R&B歌曲奖。
演艺历程
1990-1997:早期发展与Girl's Tyme
1990年,碧昂丝·诺尔斯在一次女子组合试镜中认识了拉塔维娅·罗伯逊[1]。她们在得克萨斯州休斯敦加入了一个表演说唱和舞蹈的组合。凯莉·罗兰因家庭问题搬到了诺尔斯家,并于1992年加入了她们。她们最初的名称为Girl's Tyme,最终减至六人,包括塔玛尔·戴维斯、妮基·泰勒和妮娜·泰勒[8][9]。
有了诺尔斯和罗兰的加入,Girl's Tyme吸引了全美的关注[8]:西海岸R&B制作人阿尔内·弗雷格专程飞到休斯顿来看她们。他把她们带到了自己位于北加州的Record Plant录音棚,重点放在了诺尔斯的唱功上,因为弗雷格认为她有个性且有演唱能力[8]。为了与Girl's Tyme签订唱片合约,弗雷格的策略是让她们在当时全国最大的电视选秀节目“Star Search”中亮相[8]。然而,她们输掉了比赛,因为诺尔斯为她们选择的歌曲不对[10],她们实际上是在说唱而不是唱歌[1]。
由于组合的失败,诺尔斯的父亲马修·诺尔斯自愿献出自己的时间来管理她们[8][11]。1993年,他决定将原阵容缩减为四人,去掉戴维斯和泰勒姐妹,加入了勒托亚·勒基特[1][8]。除了在休斯顿的教堂练习外,Girl's Tyme还在自家后院和诺尔斯的母亲蒂娜经营的 "头条新闻沙龙 "练习。当沙龙位于休斯顿蒙特罗斯大道时,她们会在沙龙里测试舞步,有时还会向顾客收取小费。里面的人会对她们的试演进行点评。在学生时代,Girl's Tyme在当地演出。而在夏天来临时,马修·诺尔斯成立了一个“训练营”,对她们进行舞蹈和声乐方面的培训[12]。经过严格的训练后,她们开始为SWV、Dru Hill和Immature等当时知名的R&B组合担任开场表演嘉宾[1]。蒂娜·诺尔斯为她们设计了舞台服装[12]。
在早期的音乐生涯中,Girl's Tyme先后更名为Somethin' Fresh、Cliché、The Dolls和Destiny[13]。他们以Destiny的名字与厄勒克特拉唱片签约,但几个月后还没来得及发行专辑就被撤下了[11]。对唱片合约的追求影响了诺尔斯一家:1995年,马修·诺尔斯辞去了医疗设备销售员的工作[8],此举使诺尔斯一家的收入减少了一半,她的父母也因压力而短暂分居[8][11]。1996年,她们更名为Destiny's Child。组合成员诺尔斯声称,该名称取自《聖經》中的一段话,“我们从《圣经》中得到了‘destiny’这个词,但我们不能将这个名字注册为商标,所以我们添加了‘child’,这就像是命运的重生”[b]。蒂娜·诺尔斯表示“destiny”一词是从《以賽亞書》中选取的[15]。
马修·诺尔斯在哥伦比亚唱片公司星探特特蕾莎·拉巴贝拉·怀茨的帮助下,与哥伦比亚唱片公司谈妥了唱片合约,哥伦比亚唱片公司于同年签下了这支乐队[1][9]。在与哥伦比亚公司签约之前,该组合曾在加利福尼亚奥克兰由Tony! Toni! Toné!中的德韦恩·维金斯录制了几首歌曲。唱片公司认为天命真女具有“独特的品质”,因此将歌曲《Killing Time》收录到1997年电影《黑衣人》的原声带中[1][16]。
1997-2000:突破与阵容变化
天命真女于1997年11月以首张同名专辑中的主打单曲《No, No, No》首次登上排行榜,该专辑于1998年2月17日在美国发行,由蒂姆和鲍勃、罗布·福萨里、杰梅因·杜普里、怀克里夫·让、德韦恩·维金斯和科里·鲁尼制作[1]。《天命真女》在美国Billboard 200上排名第67位,在Billboard最佳R&B/Hip-Hop专辑榜上排名第14位[17]。该专辑在美国的销量超过一百万张,获得了美國唱片業協會(RIAA)的白金认证[18]。《No, No, No》的混音版本登上了Billboard热门R&B/Hip-Hop单曲榜第一名,告示牌百大單曲榜第三名。其后续单曲《With Me》未能再现《No, No, No》的成功。与此同时,该组合在浪漫爱情剧《Why Do Fools Fall in Love》的原声专辑中演唱了一首歌曲,而《Get on the Bus》则在欧洲和其他市场限量发行。1998年,天命真女凭借《No, No, No》获得了包括最佳新人奖在内的三项灵魂列车音乐奖[1]。同年晚些时候,该组合还出现在电视情景喜剧《Smart Guy》的一集中。诺尔斯认为她们的首张专辑虽然成功,但还不够,因为作为一张新灵魂唱片,这张专辑对于当时的组合来说过于成熟[19]。
在首张专辑大获成功后,天命真女很快重新进入录音室,并请来了新的制作人阵容,包括凯文·布里格斯[1]和罗德尼·杰金斯。他们于1999年7月27日发行了《The Writing's on the Wall》,这张专辑最终成为他们的突破性专辑[19]。2000年初,《The Writing's on the Wall》在Billboard 200排行榜上名列第五,在R&B排行榜上名列第二[17]。《Bills,Bills,Bills》作为专辑的主打单曲于1999年发行,并登上了公告牌百大热门单曲榜的榜首,成为他们的首支美国冠军单曲[1]。《The Writing's on the Wall》被认为是天命真女的突破性专辑,推动了她们的事业发展,并让更多人认识了她们[12][19]。
1999年12月14日,勒凯特和罗伯逊试图与他们的经理人分道扬镳,声称他保留了过多的组合利润份额,并不公平地偏袒诺尔斯和罗兰德[1][20]。虽然他们从未打算离开组合,但当2000年2月《The Writing's on the Wall》的第三支单曲《Say My Name》的视频发布时,罗伯逊和勒凯特发现有两名新成员加入了诺尔斯和罗兰德[1]。在视频首映之前,诺尔斯在TRL上宣布原成员勒凯特和罗伯逊已经离开了组合[9]。接替她们的是莫妮卡的前伴唱歌手米歇尔·威廉姆斯和有抱负的女歌手法拉·富兰克林[12]。与莫妮卡合作后不久,威廉姆斯在一位编舞师朋友的介绍下加入了天命真女, 她被送往休斯顿,在那里与诺尔斯一家住在一起[12]。
2000年3月21日,罗伯逊和勒基特提起诉讼,控告马修·诺尔斯及其前乐队成员违反合伙关系和信托责任[20]。诉讼之后,双方在媒体上互相诋毁[1]。加入五个月后,富兰克林离开了组合。其余成员称这是因为错过了宣传活动和演唱会。威廉姆斯认为,富兰克林无法承受压力[12]。不过,富兰克林透露,她离开的原因是围绕着纷争的负面情绪,以及她无法在决策中发挥任何控制力[1]。她的离开被认为争议较小。另一方面,威廉姆斯透露,她的加入导致她“与不安全感作斗争”:“我正在将自己与其他成员进行比较,压力就在我身上”[c]。
2000年底,罗伯逊和勒凯特放弃了针对罗兰德和诺尔斯的诉讼,以换取和解,但她们继续对经纪人提起诉讼。作为协议的一部分,双方都被禁止公开谈论对方[1]。罗伯逊和勒克特组建了另一个名为Anjel的女子组合,但也因与唱片公司的问题而退出。虽然乐队成员受到了这场动荡的影响,但这种宣传使命运之子获得了更大的成功,她们也成为了一种流行文化现象[9]。《Say My Name》连续三周蝉联公告牌百大热门单曲榜榜首,第四首单曲《Jumpin', Jumpin'》也成为榜单前十的热门歌曲[19]。《The Writing's on the Wall》最终在美国卖出了800多万张,获得了RIAA八倍白金认证[1][18]。这张专辑的全球销量超过1100万张,是2000年最畅销的专辑之一[21]。在此期间,天命真女开始在流行歌手布蘭妮·斯皮爾斯和克莉絲汀·阿奎萊拉的演唱会上担任开场嘉宾[1]。
随着威廉姆斯加入新的阵容,天命真女为2000年电影《霹雳天使》的原声大碟发行了一首主题曲。《Independent Women Part I》作为单曲于2000年10月发行,从2000年11月到2001年1月,连续11周位居美国公告牌百大热门单曲榜榜首[9],是天命真女职业生涯中位居榜首时间最长的单曲,也是美国当年位居榜首时间最长的单曲[22]。这首单曲的成功发行使《霹雳天使》原声大碟的销量在2001年达到了150万张[13]。2000年,天命真女荣获Soul Train颁发的小萨米·戴维斯年度最佳艺人奖[13]。
2000-2003: 《Survivor》、后续发行、中断和副业
在2001年的Billboard音乐奖上,天命真女赢得了多个奖项,包括年度最佳艺人和年度最佳双人/组合奖[23],并在2001年获得的五个奖项中再次获得年度最佳艺人奖[24]。2000年9月,该组合在第六届Soul Train Lady of Soul奖颁奖典礼上摘得两项桂冠,包括年度最佳R&B/Soul专辑、并凭借《The Writing's on the Wall》获得年度最佳组合奖[25]。从2000年中到2001年初,天命真女录制了第三张专辑《Survivor》。在制作过程中,诺尔斯承担了更多的控制权,几乎参与了整张专辑的联合制作和共同创作[1][26][27]。《Survivor》于2001年春季进入唱片店,并在Billboard 200中排名第一,首周销量超过663,000张[17][28]。前三首单曲《Independent Women Part I》《Survivor》《Bootylicious》在美国进入前三名,在其他国家也取得了成功[1];前两首单曲在英国连续获得冠军[29]。该专辑在美国获得四倍白金认证[18],在澳大利亚获得两倍白金认证[30]。截至2001年7月27日,该专辑共售出600万张[31]。
In the wake of the September 11 attacks, Destiny's Child canceled a European tour and performed in a concert benefit for the survivors.[1] In October 2001, the group released a holiday album, 8 Days of Christmas, which contained updated versions of several Christmas songs.[32] The album managed to reach number thirty-four on the Billboard 200.[17] In February 2001, Destiny's Child won two Grammy awards for "Say My Name": Best R&B Vocal Performance by a Duo or Group and Best R&B Song.[33] They also earned an American Music Award for Favorite Soul/R&B Band/Duo.[1] Also in 2001, Destiny's Child sang backup vocals for Solange Knowles, who was the lead, on the theme song to the animated Disney Channel series The Proud Family. In March 2002, a remix compilation titled This Is the Remix was released to win fans over before a new studio album would be released.[34] The remix album reached number 29 in the United States.[17] The lead single "Survivor" was by some interpreted as a response to the strife between the band members, although Knowles claimed it was not directed at anybody. Seeing it as a breach of the agreement that barred each party from public disparagement, Roberson and Luckett once again filed a lawsuit against Destiny's Child and Sony Music, shortly following the release of This Is the Remix. In June 2002, remaining cases were settled in court.[1]
In late 2000, Destiny's Child announced their plan to embark on individual side projects, including releases of solo albums,[26] an idea by their manager.[35] In 2002, Williams released her solo album, Heart to Yours, a contemporary gospel collection.[1] The album reached number one on the Billboard Top Gospel Albums chart. In the same date Heart to Yours hit stores, Destiny's Child released their official autobiography, Soul Survivors.[36] Rowland collaborated with hip hop artist Nelly on "Dilemma", which became a worldwide hit and earned Rowland a Grammy;[35] she became the first member of Destiny's Child to have achieved a US number-one single. In the same year, Knowles co-starred with Mike Myers in the box-office hit Austin Powers in Goldmember. She recorded her first solo single, "Work It Out", for the film's soundtrack.[1] To capitalize on the success of "Dilemma", Rowland's solo debut album Simply Deep was brought forward from its early 2003 release to September 2002.[37] Rowland's career took off internationally when Simply Deep hit number one on the UK Albums Chart.[38] In the same year, she made her feature film debut in the horror film Freddy vs. Jason. Meanwhile, Knowles made her second film, The Fighting Temptations, and appeared as featured vocalist on her then-boyfriend Jay-Z's single "'03 Bonnie & Clyde", which paved the way for the release of her debut solo album.[39]
Knowles' debut album, Dangerously in Love, was postponed many times until being released in June 2003.[37][40] The album used her first name as a mononymous stage name. Knowles' release was the most commercially successful among the three solo releases.[41] Dangerously in Love debuted at number one on the Billboard 200, selling 317,000 copies.[42] It yielded the number-one hits "Crazy in Love", and "Baby Boy"; and the top-five singles "Me, Myself and I" and "Naughty Girl". The album was certified 4× platinum by the Recording Industry Association of America (RIAA).[43] It remains as Knowles' best-selling album to date, with sales of 5 million copies in the United States, as of June 2016.[44][45] Worldwide, the album has sold more than eleven million copies.[46][47] Knowles' solo debut was well received by critics, earning five Grammy awards in one night for Dangerously in Love, tying the likes of Norah Jones, Lauryn Hill, and Alicia Keys for most Grammys received in one night by a female artist.[48] In November 2003, Williams appeared as Aida on Broadway. In January 2004, she released her second gospel album, Do You Know.[1]
D'wayne Wiggins, who had produced their first recordings as Destiny's Child, filed suit in 2002 against his former counsel (Bloom, Hergott, Diemer & Cook LLP) seeking $15 million in damages for lessening his contractual agreement with the group without his consent, effectively nullifying his original contract that offered Sony Music/Columbia Destiny's Child's exclusive recording services for an initial seven years, in exchange for "certain royalties", instead of royalties only from the first three albums. The case was settled for an undisclosed amount.[49] In June 2003, Mathew Knowles announced that Destiny's Child would expand back to a quartet, revealing Knowles' younger sister, Solange, as the latest addition to the group.[50] Destiny's Child had previously recorded songs with Solange and shared the stage when she temporarily replaced Rowland after she broke her toes while performing. Their manager, however, said the idea was used to test reactions from the public.[51] In August 2003, Knowles herself confirmed that her sister would not be joining in the group, and instead promoted Solange's debut album, Solo Star, released in January 2003.[52]
2003–2006: Destiny Fulfilled and #1's
Three years after the hiatus, members of Destiny's Child reunited to record their fourth and final studio album, Destiny Fulfilled.[1] The album introduces the trio to a harder, "urban" sound, and songs featured are conceptually interrelated.[53] Destiny Fulfilled saw equality in the trio:[19] each member contributed to writing on the majority songs,[54] as well as becoming executive producers aside from their manager.[55] Released on November 15, 2004, Destiny Fulfilled failed to top Survivor; the album reached number two the following week, selling 497,000 copies in its first week, compared to 663,000 for the previous album.[56] Certified three-time platinum in the United States,[18] it was still one of the best-selling albums of 2005, selling over eight million copies worldwide;[46] it pushed the group back into the position of the best-selling female group and American group of the year. Four singles were released from the album: the lead "Lose My Breath", "Soldier", "Cater 2 U" and "Girl"; the first two reached number three in the United States. "Soldier" "Cater 2 U" were certified platinum by the RIAA in 2006.[18]
To promote the album, Destiny's Child embarked on their worldwide concert tour, Destiny Fulfilled... and Lovin' It Tour. On June 11, 2005, while at the Palau Sant Jordi in Barcelona, Spain, the group announced to the audience of 16,000 people that they planned to officially break up once the tour concluded.[57] Knowles stated that the album's title Destiny Fulfilled was not a coincidence and reflected the fact that the breakup was already being planned when the album was being recorded.[58] While making the album, they planned to part ways after their fourteen-year career as a group to facilitate their continued pursuit in individual aspirations. Knowles stated that their destinies were already fulfilled.[58] The group sent a letter to MTV about the decision, saying:
We have been working together as Destiny's Child since we were 9 and touring together since we were 14. After a lot of discussions and some deep soul searching, we realized that our current tour has given us the opportunity to leave Destiny's Child on a high note, united in our friendship and filled with overwhelming gratitude for our music, our fans, and each other. After all these wonderful years working together, we realized that now is the time to pursue our personal goals and solo efforts in earnest...No matter what happens, we will always love each other as friends and sisters and will always support each other as artists. We want to thank all of our fans for their incredible love and support and hope to see you all again as we continue fulfilling our destinies.
—Destiny's Child, MTV[57]
Destiny's Child released their greatest hits album, #1's, on October 25, 2005. The compilation includes their number-one hits including "Independent Woman Part 1", "Say My Name" and "Bootylicious". Three new tracks were recorded for the compilation including "Stand Up for Love", which was recorded for the theme song to the World Children's Day, and "Check on It", a song Knowles recorded for The Pink Panther's soundtrack.[59] Record producer David Foster, his daughter Amy Foster-Gillies and Knowles wrote "Stand Up for Love" as the anthem to the World Children's Day, an annual worldwide event to raise awareness and funds for children causes. Over the past three years, more than $50 million have been raised to benefit Ronald McDonald House Charities and other children's organizations. Destiny's Child lent their voices and support as global ambassadors for the 2005 program.[60] #1's was also released as a DualDisc, featuring the same track listing, seven videos of selected songs and a trailer of the concert DVD Live in Atlanta.[59] The DVD was filmed during the Atlanta visit of the Destiny Fulfilled ... And Lovin' It tour, and was released on March 28, 2006. It has been certified platinum by the RIAA, denoting shipments of over one million units.[18] Notwithstanding the album title, only five of the album's 16 tracks had reached #1 on either the Billboard Hot 100 or the Hot R&B/Hip-Hop Songs chart; writer Keith Caulfield of Billboard magazine suggested that the title was "a marketing angle".[61] Despite this, journalist Chris Harris of MTV said that the album "lives up to its name".[62]
Disbandment and aftermath
Destiny's Child reunited for a farewell performance at the 2006 NBA All-Star Game on February 19, 2006, in Houston, Texas; however, Knowles commented, "It's the last album, but it's not the last show."[63][64] Their final televised performance was at the Fashion Rocks benefit concert in New York a few days later.[63] On March 28, 2006, Destiny's Child was inducted into the Hollywood Walk of Fame, the 2,035th recipient of the coveted recognition.[65] At the 2006 BET Awards, Destiny's Child won Best Group, a category they also earned in 2005 and 2001.[66]
After their formal disbandment, all members resumed their solo careers, each experiencing different levels of success. Since then, Knowles, Rowland, and Williams have continued to collaborate on each other's solo projects through song features, music video appearances, and live performances. Both Rowland and Williams, along with Knowles' sister Solange, appeared in Knowles' music video for her single "Get Me Bodied" (2007). On June 26, 2007, the group made a mini-reunion at the 2007 BET Awards, where Knowles performed "Get Me Bodied" with Williams and Solange as her back-up dancers. After her performance, Knowles introduced Rowland who performed her single "Like This" (2007) with Eve.[67] On the September 2, 2007 Los Angeles stop of The Beyoncé Experience tour, Knowles sang a snippet of "Survivor" with Rowland and Williams, and the latter two rendered a "Happy Birthday" song to Knowles. The performance was featured in Knowles' tour DVD, The Beyoncé Experience Live.[68] In 2008, Knowles recorded a cover of Billy Joel's "Honesty" for Destiny's Child's compilation album Mathew Knowles & Music World Present Vol.1: Love Destiny, which was released only in Japan to celebrate the group's tenth anniversary.[69][70]
Rowland made a cameo appearance in Knowles' music video for her single "Party" (2011),[71][72] and the group's third compilation album, Playlist: The Very Best of Destiny's Child, was released in 2012 to mark the fifteenth anniversary since their formation.[73] The fourth compilation album, Love Songs, was released on January 29, 2013, and included the newly recorded song "Nuclear", produced by Pharrell Williams.[74] "Nuclear" marked the first original music from Destiny's Child in eight years. The following month, Rowland and Williams appeared as special guests for Knowles' Super Bowl XLVII halftime show, where they performed "Bootylicious", "Independent Women" and Knowles' own song "Single Ladies (Put a Ring on It)".[75] A video album titled Destiny's Child Video Anthology was released in May 2013 and featured sixteen of the group's music videos.[76] Knowles and Williams were then featured on Rowland's song "You Changed" from her fourth solo album Talk a Good Game (2013).[77] Later that year, Rowland and Williams made cameo appearances in the music videos for Knowles' songs "Superpower" and "Grown Woman", which were both included on her self-titled fifth solo visual album.[78][79] Williams released the single "Say Yes" in June 2014, featuring Knowles and Rowland.[80] They performed "Say Yes" together during the 2015 Stellar Awards, and the live version of the song was mastered for iTunes in April 2015.[81] On November 7, 2016, the group reunited in a video to try the Mannequin Challenge, which was posted on Rowland's official Instagram account.[82] The group reunited for Beyoncé's headline performance at Coachella in April 2018; the show was filmed and released as the Homecoming documentary and homonymous live album.[83]
Artistry
Musical style and themes
Destiny's Child recorded R&B songs with styles that encompass urban, contemporary, and dance-pop.[84] In the group's original lineup, Knowles was the lead vocalist, Rowland was the second lead vocalist, Luckett was on soprano, and Roberson was on alto.[85][86] Knowles remained as the lead vocalist in the group's final lineup as a trio, however, Rowland and Williams also took turns in singing lead for the majority of their songs.[12][87] Destiny's Child has cited R&B singer Janet Jackson, En Vogue[88] and TLC[89] as their influences.[90] Ann Powers of The New York Times described Destiny's Child music as "fresh and emotional ... these ladies have the best mixes, the savviest samples and especially the most happening beats."[91] In the same publication, Jon Pareles noted that the sound that defines Destiny's Child, aside from Knowles' voice, "is the way its melodies jump in and out of double-time. Above brittle, syncopated rhythm tracks, quickly articulated verses alternate with smoother choruses."[92] The group usually harmonize their vocals in their songs, especially on the ballads. In most instances of their songs, each member sings one verse and chimes in at the chorus.[87] In their third album Survivor (2001), each member sings lead in the majority of the songs.[12] Knowles said, "... everybody is a part of the music ... Everybody is singing lead on every song, and it's so great—because now Destiny's Child is at the point vocally and mentally that it should be at."[93] Knowles, however, completely led songs like "Brown Eyes" and "Dangerously in Love 2". The group explored themes of sisterhood and women's empowerment in songs such as "Independent Women" and "Survivor", but have also been criticized for the anti-feminist message of songs such as "Cater 2 U" and "Nasty Girl".[94][95][96]
Survivor contains themes interpreted by the public as a reference to the group's internal conflict. The title track, "Survivor", which set the theme used throughout the album,[12] features the lyrics "I'm not gonna blast you on the radio ... I'm not gonna lie on you or your family ... I'm not gonna hate you in the magazine" caused Roberson and Luckett to file a lawsuit against the group; the lyrics were perceived to be a violation over their agreement following a settlement in court.[1] In an interview, Knowles commented: "The lyrics to the single 'Survivor' are Destiny's Child's story because we've been through a lot, ... We went through our drama with the members ... Any complications we've had in our 10-year period of time have made us closer and tighter and better."[12] In another song called "Fancy", which contains the lyrics "You always tried to compete with me, girl ... find your own identity", was interpreted by critic David Browne, in his review of the album for Entertainment Weekly magazine, as a response to the lawsuit.[97] Stephen Thomas Erlewine of AllMusic summarized Survivor as "a determined, bullheaded record, intent on proving Destiny's Child has artistic merit largely because the group survived internal strife. ... It's a record that tries to be a bold statement of purpose, but winds up feeling forced and artificial."[98] Despite the album's receiving critical praise, Knowles' close involvement has occasionally generated criticism. Knowles wrote and co-produced the bulk of Survivor.[12] Browne suggested that her help made Survivor a "premature, but inevitable, growing pains album".[97] In the majority of the songs on their final studio album Destiny Fulfilled (2004), the verses are divided into three sections, with Knowles singing first, followed by Rowland, then Williams; the three harmonize together during the choruses.[87]
Public image
Destiny's Child were compared to The Supremes, a 1960s American female singing group, with Knowles being compared to Supremes frontwoman Diana Ross; Knowles, however, has dismissed the notion.[19] Coincidentally, Knowles starred in the film adaptation of the 1981 Broadway musical Dreamgirls as Deena Jones, the frontwoman of the Dreams, a female singing group based on the Supremes. With Knowles' wide role assumed in the production of Survivor, Gil Kaufman of MTV noted that "it became clear that Beyoncé was emerging as DC's unequivocal musical leader and public face".[1] Her dominance to the creative input in the album made the album "very much her work".[97] For Lola Ogunnaike of The New York Times, "It's been a long-held belief in the music industry that Destiny's Child was little more than a launching pad for Beyoncé Knowles' inevitable solo career."[99]
In the wake of Knowles' debut solo album Dangerously in Love (2003), rumors spread about a possible split of Destiny's Child after each member had experienced solo success and had ongoing projects.[57][100] Comparisons were drawn to Justin Timberlake, who did not return to band NSYNC after his breakthrough debut solo album, Justified.[1][100] Rowland responded to such rumors, announcing they were back in the studio together.[101] The group claimed that the reunion was destined to happen[1] and that their affinity to each other kept them cohesive.[53] Margeaux Watson, arts editor at Suede magazine, suggested that Knowles "does not want to appear disloyal to her former partners," and called her decision to return to the group "a charitable one".[99] Knowles' mother, Tina, wrote a 2002-published book, titled Destiny's Style: Bootylicious Fashion, Beauty and Lifestyle Secrets From Destiny's Child, an account of how fashion influenced Destiny's Child's success.[102]
Legacy
Destiny's Child have been referred to as R&B icons,[103] and have sold more than 60 million records worldwide.[104][105] Following the disbandment of Destiny's Child, MTV's James Montgomery noted that "they have left a fairly sizable legacy behind" as "one of the best-selling female pop vocal groups in history."[106] Billboard observed that Destiny's Child were "defined by a combination of feisty female empowerment anthems, killer dance moves and an enviable fashion sense,"[4] while Essence noted that they "set trends with their harmonious music and cutting-edge style."[107] In 2015, Daisy Jones of Dazed Digital published an article on how the group made a significant impact in R&B music, writing "Without a hint of rose tint, Destiny's Child legitimately transformed the sound of R&B forever... their distinct influence can be found peppered all over today's pop landscape, from Tinashe to Ariana Grande."[108] Nicole Marrow of The Cut magazine believed that R&B music in the 1990s and early 2000s "was virtually redefined by the success of powerhouse performers like TLC and Destiny's Child, who preached a powerful litany of embracing womanhood and celebrating individuality."[109] Hugh McIntyre of Forbes wrote that before The Pussycat Dolls and Danity Kane burst onto the music scene in the mid-2000s, Destiny's Child were "the reigning queens" of the girl group genre.[110]
Writing for Pitchfork, Katherine St. Asaph noticed how Destiny's Child defined the revival of girl groups similar to The Supremes in the early-to-mid-'90s, saying:
There is no better microcosm of what happened to Top 40 music between 1993 and 1999 than this. Bands like the “Star Search” winner were buried in a landfill of post-grunge, while R&B groups built out from soul and quiet storm to create a sound innovative enough to earn the “futuristic” label almost everything got in that pre-Y2K time. This bore itself out in the revival in the early-to-mid-’90s of excellent girl groups vaguely in the Supremes mold—TLC, En Vogue, SWV—but it would be Destiny’s Child who would become their true successors.[111]
Destiny's Child's final lineup as a trio has been widely noted as the group's most recognizable and successful lineup.[112][113] Billboard recognized them as one of the greatest musical trios of all time; they were also ranked as the third most successful girl group of all time on the Billboard charts, behind TLC and The Supremes.[4][114] The group's single "Independent Women" (2000) ranked second on Billboard's list of the "Top 40 Biggest Girl Group Songs of All Time on the Billboard Hot 100 Chart".[115] "Independent Women" was also acknowledged by the Guinness World Records as the longest-running number-one song on the Hot 100 by a girl group.[116] The term "Bootylicious" (a combination of the words booty and delicious) became popularized by Destiny's Child's single of the same and was later added to the Oxford English Dictionary in 2006.[117] The term was also used to describe Beyoncé during the 2000s decade due to her curvaceous figure.[118][119] VH1 included "Bootylicious" on their "100 Greatest Songs of the '00s" list in 2011, and Destiny's Child on their "100 Greatest Women in Music" list the following year.[120][121] Additionally, "Independent Women" was ranked as one of NME's "100 Best Songs of the 00s".[122] Destiny's Child was honored at the 2005 World Music Awards with the World's Best Selling Female Group of All Time Award, which included a 17-minute tribute performance by Patti LaBelle, Usher, Babyface, Rihanna, Amerie and Teairra Mari.[123][124] In 2006, the group was awarded a star on the Hollywood Walk of Fame.[65]
Destiny's Child has been credited as a musical influence or inspiration by several artists including Rihanna,[125][126] Meghan Trainor,[127] Fifth Harmony,[128] Little Mix,[129] Girls Aloud,[130][131] Haim,[131][132] Jess Glynne,[133] Katy B,[131][134] and RichGirl.[135] Ciara was inspired to pursue a career in music after seeing Destiny's Child perform on television.[136] Ariana Grande cited Destiny's Child as one of her vocal inspirations, saying that listening to the group's music is how she discovered her range and "learned about harmonies and runs and ad-libs."[137] Meghan Trainor stated that her single "No" (2016) was inspired by the late 1990s and early 2000s sounds of Destiny's Child, NSYNC, and Britney Spears.[138] Fifth Harmony cited Destiny's Child as their biggest inspiration, and even paid tribute to the group by performing a medley of "Say My Name", "Independent Women", "Bootylicious" and "Survivor" on the television show Greatest Hits.[139] Fifth Harmony also incorporated elements of the intro from "Bootylicious" for the intro to their own song "Brave, Honest, Beautiful" (2015).[140]
Discography
- Destiny's Child (1998)
- The Writing's on the Wall (1999)
- Survivor (2001)
- 8 Days of Christmas (2001)
- Destiny Fulfilled (2004)
Members
Band members and studio albums
Tours
- Headlining
- Destiny's Child World Tour (2002)
- Destiny Fulfilled... and Lovin' It (2005)
- Co-headlining
- Total Request Live Tour (with 3LW, Dream, Jessica Simpson, City High, Eve and Nelly with the St. Lunatics) (2001)
- Opening act
- SWV World Tour (opened for SWV) (1996)
- Evolution Tour (opened for Boyz II Men) (1998)
- FanMail Tour (opened for TLC) (1999)[141]
- Introducing IMx Tour (opened for IMx) (2000)
- Christina Aguilera in Concert (opened for Christina Aguilera) (2000)[142]
- (You Drive Me) Crazy Tour (opened for Britney Spears) (2000)
Awards and nominations
Destiny's Child has won three Grammy Awards from fourteen nominations. The group has also won five American Music Awards, two BET Awards, a BRIT Award, a Guinness World Record, and two MTV Video Music Awards.
See also
脚注
References
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External links
- Destiny's Child
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