Says: A photograph of the Venus de Milo is a derivative work. Luckily, the artist died more than 2000 years ago, so the statue is in the public domain - no copyright problems here! If you create a replica of the statue, it's not copyrightable by you, either. - Is this true? Can we search Google for sculptures or something whichs creator died over 100 years before? --Stefan-Xp07:35, 25 June 2006 (UTC)[reply]
By "it", I didn't mean the photograph, but the replica. The sentence leads to misunderstandings, so I removed it. --Fb7823:37, 26 June 2006 (UTC)[reply]
By the way, this image has had caption with the phrase Luckyly, the artist died... for years. I understand people has to die somewhen, and that humanity takes advantage of expiration of copyirights, but I don't think it's good taste to describe an author's death as a lucky event. --Javier ME (talk) 09:08, 24 September 2008 (UTC)[reply]
Not necessarily; there are numerous court cases in the United States finding that a scale model of a public domain object was copyrighted, because the reduction and simplification of details in the model required creative decisionmaking. Postdlf17:37, 27 November 2006 (UTC)[reply]
«By taking a picture, you do create a copyright for your own work (i.e. the photograph). At the same time, the rights of the original still exists and don't go away. By taking the picture, you do something only the original copyright holder is allowed to do.»
About the last sentence in italics. Afaik, you are allowed to take the picture, you just may not release it publicly. -Samulili08:39, 25 June 2006 (UTC)[reply]
How do you interpret the line "The owner of copyright under this title has the exclusive rights (...) to prepare derivative works based upon the copyrighted work"? --Fb7813:56, 26 June 2006 (UTC)[reply]
There seems to be a misunderstanding about PD-old. You don't need to mention the source of a PD-old image. If the copyright of a work is expired, no one holds any rights to the image. If someone puts it up his/her webpage, he holds no rights to it. If he/she requires to have their name or website mentioned, that might even be illegal in some legislations, because you can't take PD-old images and say you have rights on them if it isn't so. --Fb7814:00, 26 June 2006 (UTC)[reply]
Yes of course, but that is no legal requirement, only an internal one. Most links to third party sites are pretty useless when it comes to PD claims (see all the misleading PD claims from archives, image collections etc.) When you upload an image, you should specify its creator and, if possible, the death date of the creator and the time when it was created. Those are the things that are important, not where exactly you got the image from. --Fb7823:29, 26 June 2006 (UTC)[reply]
What's the difference between a legal requirement and an internal one?? We still require it! Obviously a website is not the best source but it's better than nothing (which is what we frequently get) and at least it's a starting point. pfctdayelise (translate?) 01:31, 27 June 2006 (UTC)[reply]
Sure, you're right. It's just that there seem to be so many misconceptions about copyright flying around on Commons that it's really important to tell people the actual facts. What's legal, what's not, what information has to be provided, why does it have to be provided. Let me put it this way: We're pushing the envelope of the law sometimes, but we respect it. There's no need to be more restrictive than copyright law itself. So we have to clearly tell people: PD images are free information, no one can claim it's their property. That's important to know! Then again, they must give us information so we can double-check the status, because there are too many doubtful cases.
By the way, question: Do you happen to know if there ever was a voting or anything about which country's legislations have to be taken into account? Legally spoken, you can be sued for copyright infringement in any country of the world, but it would probably be more practical if we require e.g. PD images to be PD in their country of origin and in the US as well.
Sure, try it. I'm not too good with tables myself. When coloring, beware of special cases (such as the UK, where murals and other 2D artwork are not covered, whereas they do seem to be covered by the Swiss version of Panoramafreiheit!) BTW, thanks for the link to de:Wikipedia:Wappen! Lupo13:39, 27 June 2006 (UTC)[reply]
Actually, it is always a requirement in many legislations (particularly in many European countries) to name the author of a work upon distribution because even after copyright expires, some moral rights may still subsist. —LX (talk, contribs)14:30, 3 November 2007 (UTC)[reply]
This thing about 3D, it isn't universal is it? Afaik, there is nothing in the Finnish copyright act about a photograph of a 3D object being treated differently from a photograph of a 2D object. Therefore, if I'm not mistaken, when a photograph of a PD-old statue or a framed painting is taken by a Finn and published in Finland, it can be used as such without cropping. -Samulili08:16, 27 June 2006 (UTC)[reply]
Actually, no, now that I think of more clearly. Rather, even a picture of 2D PD-old object can't be used without a permission. -Samulili10:27, 29 June 2006 (UTC)[reply]
I think this needs to be rewritten to emphasise the applicability of a particular country's law. I am deeply unhappy to see "derivative work, delete" slapped on things without any mention of the source nation and which laws, exactly, one is applying the concept to.
For example, Australia: Copyright Act 1968
"Division 7--Acts not constituting infringements of copyright in artistic works"
SECT 65: Sculptures and certain other works in public places: "The copyright in a work to which this section applies that is situated, otherwise than temporarily, in a public place, or in premises open to the public, is not infringed by the making of a painting, drawing, engraving or photograph of the work[...]."
SECT 66: Buildings and models of buildings: "The copyright in a building or a model of a building is not infringed by the making of a painting, drawing, engraving or photograph of the building or model[...]."
That's Panorama freedom, which differs from country to country and is even unknown in some countries. It does exist e.g. in Austria (including indoor views), Germany (outdoor views only, image must also be taken from a public place: taking an image of the Hundertwasser house in Vienna from a private flat on the first floor of the building across the street and then publishing that image is ok in Austria, but not in Germany), Switzerland (including murals), or the UK (two-dimensional reproductions of three-dimensional originals only, murals excluded). It does not exist in e.g. France (and thus nighttime photos of the illuminated Eiffel towernighttime photos of the illuminated Eiffel tower (that's the one I was thinking of. Lupo 15:21, 13 July 2006 (UTC)) are, as derivative works of the lighting, which is considered art, subject to the copyright of the lighting), or Belgium (viz. the Atomium debate), and in the U.S., it exists only for images of buildings (17 USC 120), but does not exist for sculptures (see the current debate on the Chicago Millenium park). As the "Hundertwasser house" case beautifully illustrates, something may be ok in its country of origin, but forbidden in some other country. So which country's laws do you want to apply? Country of origin and U.S.? Or only U.S. law? In both cases only images of buildings may stay. Only country of origin? Then hosting some such images in the U.S. may be illegal. It's a mess, and another case on which some official guideline from our lawyers might be helpful. Lupo11:15, 13 July 2006 (UTC)[reply]
Well normally country of origin seems to be the most appropriate. I'm not denying there's plenty of countries with stupid laws where these rights do not apply. I just would like to see some care taken. pfctdayelise (translate?) 11:18, 13 July 2006 (UTC)[reply]
There is one rather important matter that this article does not treat -- packaging on which a logo is present. For instance, have a look at this photo of a bottle of liquor. The copyrighted logo is the photo's principal subject, yet the bottle itself is also shown.
And what about this shot of a diet coke can that also includes a glass? Are we allowed to have pictures of consumer products on the Commons that include packaging or not? Harder still is this photo of a barn with logos and slogans on it.
I'm tempted to say that such photos whose principal subjects are logos aren't kosher, but such a rule would be easily transformable into a blanket ban on all photos of consumer products. I'm no lawyer, I give up, someone who knows what she/he's doing please comment. This issue can't be ducked, because there are already so many such photos on the Commons. --Zantastik04:27, 17 July 2006 (UTC)[reply]
Trademark law exists to protect the association of a trademark with a product. Photos that include trademarks do not remove the connection. The can with the Pepsi logo on it is obviously a can of Pepsi cola. While somebody could download the image and use it or modify it in a way that would violate the trademark, I don't think that should be Wikimedia's concern. —TheMuujTalk18:46, 3 September 2006 (UTC)[reply]
I'd say yes. The artist who makes the mural holds the copyright to the art; a photograph of the mural is a derivative work. Same goes for graffiti art like this: [1] The latter point has been contested on this enwiki talk page and my co-debater suggested I bring the issue here. Any thoughts? Haukurth13:02, 4 September 2006 (UTC)[reply]
Do you mean the "vandalism, not art" argument? I think that's completely bollocks. Copyright does not protect only publically accepted art but things that are original (threshold of originality). -Samulili14:49, 4 September 2006 (UTC)[reply]
So you are saying that an artist owns a copyright on medium they do not own, cannot stop from being destroyed and cannot claim ownership of without going to jail, further ownership is not stated, nor is copyright status observable by lack of identifiable ownership. I would like to see a legal ruling supporting this, not just ones own opinion. --74.64.42.19719:03, 4 September 2006 (UTC)[reply]
Photographs of buildings and artworks in public spaces
I don't understand the use of Positive and Negative before the lists of countries. Does Positive mean derivative works are ok or not ok? And is that only for 'permanently installed' artworks? Or public artworks in general? --Duncancumming19:37, 3 September 2006 (UTC)[reply]
Graffiti are only a small part of the issue. (In fact, Graffiti are more complex, as we don't know whether illegally painted graffiti are eligible to copyright at all. I doubt it. Legally painted murals, however, certainly are subject to copyright.) To answer the original question: positive means the country does have "freedom of panorama". See COM:FOP for the details, which vary from country to country. Lupo08:03, 2 November 2006 (UTC)[reply]
I nominated the photograph Image:OCC-FIREBIKE.JPG for deletion in August. There was no consensus to delete the image. However, I feel that the issue wasn't discussed in the perspective of Threshold of originality. Albeit unusual, I feel simply arguing, "but it's a motorcycle" dismisses the act of artistic creation that to me clearly has been at work in this particular case, and would be in comparable cases. __meco20:31, 12 November 2006 (UTC)[reply]
Though no doubt creativity was involved in its design, and it would probably get one in all sorts of trouble if you started selling a motorbike of the same design, there is generally considered to be an exception for photography of utilitarian objects. This exception is similar in scope to the "freedom of panorama" that exists in some countries.--Pharos04:36, 25 June 2007 (UTC)[reply]
Most (if not all) of the images in this category, which are all photographs of sculptures, fail to provide any source information for those sculptures. Postdlf17:35, 27 November 2006 (UTC)[reply]
Since you did not create (the creative part of) the work but the African painter, he has the copyright of the picture, not you. Even you are owning the work, you cannot release it into the Public Domain without the consent of the author. If you want to have more details, you might want to have a look at derivative works. --Matt31415:35, 17 March 2007 (UTC)[reply]
This sounds wrong to me. If I buy a print, I don't get the copyright. But if I buy the original, by default, I get the copyright as well. Yes, the two can be separated, but that has to be done explicitly. Regards, Ben Aveling23:37, 23 June 2007 (UTC)[reply]
By default, copyright, or parts thereof, are not transferred when you buy an item. So it is in fact the opposite: transferring the copyright must be explicitly stated. Samulili12:27, 24 June 2007 (UTC)[reply]
Yes, believe me, if you bought a painting or sculpture from a leading modern artist, and started going into business selling reproductions, you would get your pants sued off.--Pharos14:35, 24 June 2007 (UTC)[reply]
I have removed the paragraph now to not encourage such uploads, and I hope that my version can be restored again. We cannot accept gray areas such as Nazi or Soviet pictures, and for graffiti it amounts to the same. --Rtc11:01, 11 April 2007 (UTC)[reply]
Would someone come to a decision on this? (One of my uploads kicked off this whole question of graffiti and street murals.) I wouldn't mind the images that I uploaded being deleted, but I would be furious if, after days of waiting around with a disputed speedy tag on my images resulted in the addition to policy, future uploads were deleted because of this waffling. If it's acceptable, the policy should say so and it should be encouraged. If it's not acceptable, such images should be deleted. There appeared to be a well-formed discussion with multiple users at Commons:Village pump/Archive/2007Feb#Graffiti, so I suppose it's up to Rtc to make the argument as to why they're wrong. I have no idea what the Nazi/Soviet reference means. - BanyanTree07:15, 23 April 2007 (UTC)[reply]
Under France: "Thankfully none of this applies in Australia. Is it only a matter of time? Let's hope not." Title: "Photography is Not (yet) a Crime". And the page ends with a petition. Maybe I don't know the backgrounds, and certainly the page is not just propaganda. But it does have a POV. Samulili07:54, 12 April 2007 (UTC)[reply]
Pictures that have been deleted only because of copyright will one day come out of copyright. Is there any plan to undelete them? Should there be? Regards, Ben Aveling13:10, 12 April 2007 (UTC)[reply]
The vast majority of these will not come out of copyright for many decades, and who knows what the situation will be like then. It's probably not worth it to keep track of these at all, except maybe the ones that we know will enter the public domain in less than a decade.--Pharos04:17, 25 June 2007 (UTC)[reply]
I'm sure somebody could come up with a bot to review images that have been deleted for more than 70 years, but it'll be another 50 years before review will begin. HarveyPrototype (talk) 19:32, 26 May 2024 (UTC)[reply]
Images of products and vehicles used to identify their subjects
Those examples should be fine. The idea is basically that something like a photograph of a collectible toy based on a copyrighted fictional character would be unacceptable. And likewise something that's say, just a close-up of a logo on a commercial product.--Pharos00:13, 25 June 2007 (UTC)[reply]
The policy several times refers to "toys" as art that can't be freely photographed; but surely this only really applies to "branded" toys like action figures. I don't see such restrictions applying to photographs of yo-yos. Surely this can be clarified?--Pharos07:51, 25 June 2007 (UTC)[reply]
It's not the branding itself that matters but the originality od shape. An action figure is legally 'original', but a conventionally-shaped yo-yo is not. There may, however, be copyright in any artwork on the side. --MichaelMaggs12:44, 15 September 2007 (UTC)[reply]
After making some possibly bold edits, I realised that this page claims to be a policy. In fact, it has been categorised as a policy since its inception. Was its categorisation as policy preceded by any discussion to determine that the way it was worded had a "wide acceptance among editors"? If so, where? If it is indeed a policy, it should have {{Policy}} at the top. Personally, I think it's too poorly structured and worded to be even a guideline, let alone a policy.
Just to be clear: I agree wholeheartedly that all Commons users must abide by the law. I just don't think we need to turn an imperfect guide on how not to break the law into policy. —LX (talk, contribs)17:55, 21 July 2007 (UTC)[reply]
Being a wiki made by non-professionals, the page naturally has its issues with quality. This issues should be addressed just the way you did. In spite of the problems, the summary does reflect a policy that has been followed since before this page (IIRC) and after it. That's why I think it's fair to label this as a policy. Samulili18:17, 21 July 2007 (UTC)[reply]
No, it roughly reflects a consensus here on Commons and covers some legal concepts which we are required to follow regardless of policies and guidelines. However, it simply is not stable enough nor formulated rigorously enough to be a policy. It was never tagged with {{Proposed}}, and its acceptance as a supposed policy was never discussed. I'm removing the policy marking and settling for {{Guideline}} as a compromise (really, even calling it a guideline should be preceded by discussion, but it's better than calling it a policy). —LX (talk, contribs)11:58, 3 November 2007 (UTC)[reply]
I think this is a greatly mistaken, process-bound view of how a wiki works. It's policy because everyone must follow it. "Policy" does not mean "we had a vote". Similarly, "guideline" does not mean "we can't be bothered to have a vote".
Of course it doesn't mean that, since Commons policies are typically based on consensus rather than votes. This page was boldly tagged as a policy. I disagreed with that and felt that there was no demonstrated consensus for it, so as a compromise, I suggested tagging it as a guideline instead. I think that's perfectly in line with how consensus is built.
This has more to do with the state of the document than with processes. I simply felt that the page was in need of greater improvements than {{Policy}} suggests. For example, while the page was still marked as a policy, it claimed that "You are not permitted on Commons to upload photographs of works of art that are still copyrighted," which is certainly not true, and not something that everyone must follow. It is, for example, perfectly permissible to upload a CC-by-sa licensed photo of a copyrighted CC-by-sa work of art. —LX (talk, contribs)14:14, 5 August 2008 (UTC)[reply]
As anyone who has attended one of these Parades at Disney theme parks, photography and videos are positively encouraged. These are all copyrighted and trademarked characters. Are the images derivative works? While we are at it, whats the status on these images (copyrighted statue etc.) in a public place. Derivative works?:
Again, these are in designated "photography encouraged" area of the theme parks. I'd like to know the status of these images before I upload anymore of them and waste my time later if they get deleted. Yes, I was on a holiday... and took a lot of pictures... --Eqdoktor09:24, 15 September 2007 (UTC)[reply]
Yes, all of these are derivatives, and need to be deleted. Masses of images along these lines have gone already, but more are being uploaded all the time, and some do slip though. A good summary of the law can be found at Commons:Derivative works#I know that I can't upload photos of copyrighted art (like paintings and statues), but what about toys? Toys are not art!. The general rule is that 3D models and sculptures are always copyright, and unless they are old enough to be PD they can't stay here. There are exceptions in a very few countries (such as the UK), where photo of sculptures in a public place are allowed - see Freedom of panorama - but that applies neither to Disneyland Florida nor Disneyland Paris.
You mention that in Disney parks there are areas where photography is encouraged. Unfortunately, that does not mean that Disney is granting the photographer the type of free licence that is needed here. The encouragement is simply for holiday snaps for private use only. If you were to try to use one of those images commercially you would almost certainly get a lawyer's letter and quite possibly a writ. Commons requires fully free licences, including commercial use. It would be good to be able to host these images, but unfortunately we can't --MichaelMaggs12:42, 15 September 2007 (UTC)[reply]
I have put in the request for all the above images to be speedily deleted as copyvio - derivative works unsuitable for commons. --Eqdoktor06:25, 17 September 2007 (UTC)[reply]
The mascot character is copyrighted, so yes, this is a derivative work. This is the same as a man dressed in a Mickey Mouse costume at Disneyland.--Pharos21:33, 24 September 2007 (UTC)[reply]
I disagree. Carlton the bear is nothing else than a polar bear and is not copyright protected in the way Mickey Mouse is. / FredJ21:40, 24 September 2007 (UTC)[reply]
I think that Carlton has a rather simple design. There a several more creative designs in Category:Mascots. But I don't know how teams are claiming their mascots. Even though Carlton is now deleted I hope this discussion can continue and the issue solved. -- Cecil22:53, 24 September 2007 (UTC)[reply]
Here's a set of coasters made from crochet, paper mache, and decoupage. The photograph is a derivative work of the original design. Commons has a clear right to host this particular image because the original crafter photographed and uploaded it.
In light of this discussion I suggest we update the wording here to include the following:
Freehand sketches or paintings that are obvious copies of a copyrighted photograph are derivative works.
Also, an unrelated suggestion that's informed some of my own recent uploads:
Utilitarian items that are the works of a craft artist are copyrightable. So although an ordinary set of coasters would not be subject to copyright, an handcrafted set of coasters would be. Uploading a photograph of this type of item could affect the artist's livelihood since the crafter may wish to continue exclusive production, or sell design instructions to a magazine, or market a kit for hobbyists to recreate the item.
On suggestion 2: So we are to recognize proprietary interests in "starving artist" handcrafted coasters, but not on "corporate" manufactured coasters? A double standard, no? Both have equally copyrightable 2-D designs, but they're also both utilitarian objects as I see it. I don't think allowing photographs would put kit-selling or anything like that in danger — surely this would be the same issue as for as a statue under FOP, where the sculptor retains rights to the work itself, but not the right to restrict photography.--Pharos02:30, 11 December 2007 (UTC)[reply]
See this existing policy section. Ordinary utilitarian items are exempt from copyright. What the current policy fails to articulate sufficiently is that copyright does apply to items where a substantial creative component exists separate from the utilitarian function. In the particular case of professional craft artists infringement poses a serious threat to their livelihood. It is relatively easy to imitate designs, mass produce them in a country that has a low wage scale, and resell in a country that has a higher wage scale. It's not actually a corporate/starving artist distinction. Some corporations mass produce copyrightable utilitarian items. For instance, Disney. Durova11:32, 11 December 2007 (UTC)[reply]
derivative works of files from Wikimedia:Commons - always allowed?
Naturally it's allowed to create derivative works of files from Wikimedia:Commons. You must only keep the license conditions of the file.
The above is from Commons:Derivative works#Derivative works of files from Wikimedia:Commons, and it confuses me. I was directed here from a discussion on Commons:Deletion_requests where an existing Commons image A (that had a copyrighted poster in the background) was cropped to make image B (isolating the poster). A was accepted as being "free" (ie. Ok for Commons) while B was accepted as being a copyright violation (because it isolated the copyrighted poster).
Assuming US law, I *think* I understand the copyright argument (that A is copyright of the photographer while B is copyright of the poster maker).
This is often problematic, if the artwork is not the primary content of the image or is not clearly recognizable: in that case, usually only the creator of the resulting picture (recording, etc.) holds a copyright. For instance, when taking a photograph of a group of people in a museum, the photo may also show some painting on the walls. In that case the copyright of those painting does not have to be taken into account. The distinction however is not very clear.
Note that the License for all aspects has to be determined and mentioned explicitly.
Does that last sentence mean the uploader must attend to all parts of the image and specify what copyrighted elements are within? For example, "this image contains copyrighted paintings X and Y and this license does not extend to derivatives that isolate them"?
I had thought (probably wrongly I now suspect) that a Commons image was truly freely modifiable (in the copyright and licensing senses only) as long as the license conditions are observed.
So, have I understood this correctly?
If I take Image:HK Worldwide House The Beverly Hills Central Tram Stop 1.JPG (a photo of a tramstop containing copyrighted hoardings), read the CCSA license (In short: you are free to distribute and modify the file as long as you attribute its author(s) or licensor(s)), and make a crop of one hoarding, then the resulting cropped image becomes copyrighted by the hoarding's artist, and certainly not by me? And I would need the artist's permission to use it. And that Commons should not accept it. That seems to be what the Copyright law insists on.
Maybe my questions boil down to: should the original license indicate that there are copyrightable elements inside; and/or should Commons' Upload text add a warning that not all derivatives of free images are accepted?
-Wikibob21:52, 27 May 2008 (UTC)[reply]
This section was added by me, and I see now it was a fault, sorry for that. I hide it until this objections are checked. I think you are right, we should reshape it so that thats clear. (and probably obtain more opinions..)--Luxo20:30, 28 May 2008 (UTC)[reply]
Michael Maggs has clarified my query Commons talk:Licensing#Images with copyrighted artwork in background?. Images containing copyrighted background are in a questionable (and possibly problematic) state where as a whole they *may* not infringe copyright (only a court can decide), but that a crop could most definitely infringe copyright. The uploader is responsible (as always), but it seems Commons should not offer any guarantees. -Wikibob10:35, 4 June 2008 (UTC)[reply]
Maps should also be included in the list of works. User-created maps are derivatives, but since political boundaries and geographic features constitute information, such works cannot be copyrighted. The style is copyrighted though. This is a FAQ. Nichalp (talk) 08:00, 2 August 2008 (UTC)[reply]
Maps should be treated the same way as text. Maps as a representation of reality (roads, railways, etc) and will look similar even if drawn independantly. You are allowed to use copyrigthed maps as a source and starting point, but everything has to be extensively redrawn and be your own work and style. (Symbols, characters, legenda, etc) Just copying a map as a background and adding a few lines is not sufficient. Just the same way as an article can be rewriten in your own words. I think Geodata is only copyrigthable as a complete dataset, the same way a telefon directory can be protected not an individual telefon adres.
An easy way to draw maps is to take a google earth snapshot of the area, draw the roads and other wanted features and information. When this is done remove all GE background. It is not recognizable as a GE picture and is an original map in your own style. It takes some time and effort off course. Smiley.toerist (talk) 10:28, 16 January 2010 (UTC)[reply]
Just because it was not forbidden to record the song, it does not mean that it is allowed to release the bootleg under a free licence. At most concert locations it is not forbidden to use a non-professional camera simply for the reason that it is nearly impossible to control it (too much people in a crowd and too many mobile phones). Even if you obtain the permission to work with a professional camera at a concert, it still is not allowed to use videos. Accredidations only apply for photos. For videos, sound, ... (all things where you record copyrighted material) you need a special permission by the band in form of a contract, where they tell you what you are allowed to do and how you are allowed to use the material. Unless you don't have this kind of contract, you can't release it under a free licence. -- Cecil (talk) 04:16, 10 November 2008 (UTC)[reply]
Depends on which comic you think of. Your own work (something like BD-propagande colour en.jpg) can be uploaded under every free licence you like. Fan art is not allowed even it's your own work. Of course it's not allowed to upload (for example) a scaned Simpsoncomic.
I have been told that the boat Going Merry (en:Going Merry#Usopp) is a 3D model of a boat depicted in the One Piece manga series. Some images I found on the internet confirm this, pointing to some similarity between the real boat and the 2D one. Is this the same situation as, e.g., the cartoon-inspired dolls and toys, etc? Or is it too general a design (after all, it's a boat) to be considered a derivative work? Patríciamsg15:36, 9 December 2008 (UTC)[reply]
As I was about to upload a photo I have taken I noted that as derivative works they are not permitted (IE: Photographs of art, statues, commercial packaging and often toys), unless the statue itself is similarto the example of the Venus de Milo statue given on the article page, or (presumably) in the background of a photo and not the main image topic!
This page and the accompanying diagram intimate that if one has authorization from the copyright holder of the subject being photographed, one may take a picture of the work and upload it. However, I'm not aware that this has ever been done, nor have I ever heard of a sculpture of other three-dimensional work of art being placed under e.g. a Creative Commons license. How does this process work? Do you only need to request authorization for just a particular photo, or do you need the object itself to be under a general free license? Could Commons provide guidance about how to go about this? I presume OTRS gets involved. Dcoetzee (talk) 05:55, 3 May 2009 (UTC)[reply]
I see a lot of images on the commons where people have photographed historical markers or plaques, or signs. Examples include:
Orange CT historic marker.jpg
Peter Herdic Historic Marker.JPG
Nathan Clifford Historic Marker.JPG
Auburn Auto Historic Marker.jpg
Two Hearted River Historic Marker.JPG
TrinitySiteHistoricalMarkerHighwaySign.jpg
My understanding was that these signs and markers were original art work and were copyrighted, even though they are displayed in public places, and that photographs were derivative works. In each case noted above, the uploader claimed it to be original work, and in most cases released the photo into the public domain. I'm thinking they don't have that right because they don't own the copyright, and that such images should be deleted.
Are these public markers and signs copyrighted? Does it make a difference if the site is part of the federal government?
I live in Boston and could photograph a ton of such signs, but because of the risk of copyright violation I haven't. Could you clear this up for me? Thanks! Pmcyclist (talk) 18:57, 17 June 2009 (UTC)[reply]
Can I publish a photograph under free license of a painting that I own but was created by another who died in 1997? If so, which category would I tag it so it is not deleted? WilliamKF (talk) 00:03, 1 August 2009 (UTC)[reply]
No. Such a photograph would be a derivative work that would violate the copyright held by that person's heirs until 2067. (Alternatively, it may be considered a mere copy of the original work - in either case you do not possess sole rights.) Physical ownership of the work confers no rights unless those rights were explicitly transferred by the sales contract. Dcoetzee (talk) 02:50, 1 August 2009 (UTC)[reply]
Who owns the copyrights of photographs of sheet music
a wiki editor photographs a few measures of a published composition;
wiki editor/photographer files photograph in Wiki Commons as "own work" with name of composer & opus number of composition, but not the name of the publisher of the sheet music;
wiki editor/photographer publishes this photograph in wiki article as "own work";
giving name of composer & of composition;
with no mention of publisher, country, year, etc.
Example:
photograph of first measures of a Chopin's mazurka properly attributed to Chopin & given proper opus number;
but:
wiki editor/photographer attributes to himself the creation & ownership of the photograph with no mention whatsoever of name of publisher, year of publication etc.
I'm a bit late to answering this, but in case anyone else is wondering, my understanding is: the sheet music is just an arrangement of simple shapes (much like typeset text) so neither it nor a plain picture of it has any copyright protection per se, as distinct from the music. See also Commons:Threshold of originality and maybe Commons:Licensing#FONTDingolover6969 (talk) 11:24, 9 May 2022 (UTC)[reply]
I don't see how it would (and I don't understand the ratio decidendi in that discussion). Copyright would be rather pointless if producing "too many copies" of a work implied forfeiting one's rights. Action figures are mass produced, and we currently use that as our cardinal example. Andy Warhol's works are also produced in large numbers (for some definition of large numbers). Perhaps the apparent confusion lies in failure to understand the relationship between utilitarian objects and mass-produced objects. Utilitarian objects are often mass-produced, but that doesn't mean that all mass-produced objects are utilitarian in nature. I suppose one could have a theological argument over the utility of idolatry, though ;-) —LX (talk, contribs)15:48, 15 March 2010 (UTC)[reply]
I have a question about a specific example that I don't see addressed anywhere. I'm working on a discography article over at en.wikipedia, and I'd like to illustrate it with an image in the infobox. Typically discography articles on en.wiki are illustrated with a freely-licensed photo of the artist, but in this case I can find no such image (and a new one cannot be created, as the group broke up in 2005). However, it occurs to me that an even more appropriate image for a disography article would be a photo of a collection of their physical releases, as the subject of a discography article is the releases rather than the artist. With that in mind, I have arranged and taken a photo of my own collection of this artist's releases. Having experience dealing with album images at en.wiki, it occurs to me that the picture I've taken is likely a derivative work, and thus I should probably double-check before I do anything with it. In scanning this page I don't see any mention of photos containing album art as being derivative works, though common sense tells me it probably falls under the general umbrella of "works of art". I figure I can't be the first person to have thought of using a photo like this, so I'm surprised that I can't find any specific guidance on the subject either here or at en.wiki. So basically I have 2 questions:
Is the photo I've taken considered a derivative work? If so, obviously it's inappropriate for Commons, but I'll have to ask at en.wiki if it can still be used there.
If so, should text be added to this guideline page explaining the "derivative work" status of photos containing album art? I might, for example, wish to illustrate the Record shop article by taking a photo of the interior of such a shop, but that photo will undoubtedly contain many examples of copyrighted album art (just as a photo of a crowd will undoubtely contain many examples of copyrighted clothing designs and logos). We have specific explanations in this guidelines for things like action figures, but not for albums.
As a side question, what about theseimages? Both are freely licensed from Flickr, but both seem to be more or less derivative works. The latter one, in particular, fits the "kid holding a Winnie the Pooh doll" example given in these guidelines. Would it be inappropriate to use that image somewhere in the Misfits (band) article? Sorry for the long series of questions; I'm used to dealing with cases that are pretty cut & dry, and these have me a bit befuddled. --IllaZilla (talk) 05:37, 2 May 2010 (UTC)[reply]
The paragraph regarding maps has been removed. This removal should be done after a discussion on the issues.Afil (talk) 17:19, 12 May 2010 (UTC)[reply]
The problem is not if anybody considers the statement reasonable or not. The issue has been settled by United States courts beyond any doubt. The paragraph has been rewritten indicating the legal basis of the statements. It you are aware of the jurisprudence of any other country, please add the information for that country. Afil (talk) 01:06, 16 May 2010 (UTC)[reply]
You have now introduced in these edits an enormous amount of text that is not specific for maps. And you cite Karjala in a way that infringes on his copyright. I will remove the paragraph again. The purpose of this page is to tell people what is not allowed - but the section is written to suggest that one can get away with almost copying of maps. /Pieter Kuiper (talk) 10:13, 16 May 2010 (UTC)[reply]
The paragraph simply states what the United States legislation and jurisprudence states on the matter. The purpose of the page is to indicate what is allowed and what is not allowed by the law. And the law is the law, regardless if you like it or not or if you agree with it or not. Removing the paragraph simply ignores the issue.
If have anything more about the matter than an uninformed oppinion, please provide the additional legal information. For instance, you could indicate what the Dutch legislation incates about the legal protection of maps and particularly what verdicts Dutch courts have issued on the matter. That would be much more helpful tnan vandalizing the article by simply deleting the paragraph.
) what's the actual difference between a new version of a file already uploaded to Wikimedia Commons earlier, and a derivative work? As far as I can see, a Commons file's identity is firstly defined by its file name + file name extension, i.e. as long as I upload a new file with the name of an already existing older file, the uploaded file will be considered as a new version of the older file, and not as a derivative (or completely new) work, regardless of the actual contents of the new file. One consequence of that is that the new file will overwrite the old one in all articles where the old one occured...
) on the other hand, if I upload the contents of an already existing Commons file with a new file name an/or new file name extension (e.g. SVG instead of PNG), even without any further changes, it will be considered as a derivative work, entitling me to appear as its initial author?
) from which point on I will _have_ to upload a modification of an earlier Commons file as a new work, i.e. with a new filename, instead of uploading it as a new version? Change of colors, resolution, point of view...
) are there any limitations that I have to obey when creating a derivative work of a Wikimedia Commons file, within the Wikimedia project, or in the world outside? May I deform, or even scar (intentionally or not) the original work, and still say that my work has been based on that work, eventually with some harm for the reputation of the initial author as e.g. in the case of a bad translation? Or saying it more clearly: are there any rules that prevent a Commons file from conscious or unconscious crippling? E.g. by converting graphics from one format to another, which the initial author intentionally avoided etc. Or can the initial author then say: No thanks, in that case I prefer not to be furtherly mentioned?
I see that in another section of this page, the photographs of people in costumes in Disney Parks are not allowed, but Category:Mascots is full, and I am seeking the deletion of File:Sentai-goranger-1975.jpg because it should have never been released to the public domain. However, SchuminWeb claims that these costumes are "useful items" and that the ensembles are too simplistic in design to be copyrighted, even though the design is owned in some form by the Toei Company, TV Asahi, Bandai, and the estate of Shotaro Ishinomori. What is the proper course of action here?—Ryūlóng (竜龍) 00:07, 21 August 2011 (UTC)[reply]
And if that is allowed, would the following photos be suitable for Flickr to Commons transers?
If it's because there are other people in the photo with Kami, could we not crop them out to show the muppet Kami only ? Something doesn't make sense, a totally free image of a muppet isn't allowed, a less free CC image of a muppet is allowed? Oaktree b (talk) 01:43, 27 October 2011 (UTC)[reply]
The difference is that, as the file description of File:Big&Small.jpg explains, Kindle Entertainment, the copyright holder of Big & Small, have approved the licensing of that photo. It has nothing to do with the presence of other people in the photo. It's strictly a matter of whether or not all copyright holders have approved the license. —LX (talk, contribs)15:45, 18 November 2011 (UTC)[reply]
Copyright tags for derivative works. Do we need something different?
Am I correct that the recommended procedure for indicating the licensing of a derivative work is to place tags for both the derivative and for the original work with the file? The actual text that emerges from this "concatenation" procedure seems clumsy. Thus the PD-US tag doesn't indicate whether an image itself is public domain in the US, or rather that the image is a derivative work of something like a sculpture that is PD-US.
Why is this important? There are many photographs of artworks in Commons where the photographer has not indicated the license for the original artwork. One example: File:FDR memorial.jpg. I'd say that it needs to be easier during the uploading process to indicate that a work is derivative and that it is either licensed or in the public domain. Easchiff (talk) 12:05, 18 November 2011 (UTC)[reply]
I agree that we currently seem to lack a good way of fully expressing this situation. We have the little known {{PD-art-70-3d}} and the freedom of panorama templates for explaining why the depiction of the underlying work is permitted in some specific cases, but we don't seem to have a generic multilingual wrapper template similar to {{Self}} for other types of cases. —LX (talk, contribs)16:00, 18 November 2011 (UTC)[reply]
In my and the opinion of others the Information template should be reworked to include nearly everything which is on the file page. Also it should make the "source" field more clear (for photos: separate between the photo source and the work shown) - and - yes, maybe also provide way of expressing why a depicted work is allowed to be depicted. See User_talk:Saibo/Archive/2011#Template:Information. Cheers --Saibo (Δ) 17:51, 18 November 2011 (UTC)[reply]
Thanks for the clarifications. I agree that the Information template is pretty ambiguous. I hadn't discovered {{PD-art-70-3d}}, which is much better than using {{PD-US}}; thanks for that tip. I'll take a look into what could be done to get the upload process to clarify whether there's an artwork involved. Easchiff (talk) 19:44, 18 November 2011 (UTC)[reply]
I don't get that template. Isn't the photograph template it includes duplicating the same things in the artwork template it includes? Rd232 (talk) 19:22, 29 December 2012 (UTC)[reply]
How so? What's duplicative? The photograph (of the art) and the art (that's been photographed) are different things. For example: the photographer and the artist are probably different people. --Elvey (talk) 23:31, 21 May 2013 (UTC)[reply]
If you created this file, please note that the fact that it has been proposed for deletion does not necessarily mean that we do not value your kind contribution. It simply means that one person believes that there is some specific problem with it, such as a copyright issue. Please see Commons:But it's my own work! for a guide on how to address these issues.
Please remember to respond to and – if appropriate – contradict the arguments supporting deletion. Arguments which focus on the nominator will not affect the result of the nomination. Thank you!
Pictures of toy and model cars are plentiful in the commons. It seems pictures of the models themselves are acceptable if there is not direct copyright infringement blatantly showing logos. The same seems true for real automobiles where pictures of the object are plentiful. This does not seem to be in the same legal realm as action or comic figures which are copyrighted.--Cstevencampbell (talk) 03:34, 15 April 2013 (UTC)[reply]
This is not correct. All models have a copyright in the USA. This includes:
models of things that do not have a copyright -- e.g. automobiles or living creatures, including humans,
models of objects that once had a copyright but are now PD -- e.g. the Venus de Milo,
models of copyrighted works -- in which case there are two copyrights, that of the original and that of the model.
The same is true in many other countries.
Many of our images of models are of works that are PD because they were made in the USA and there was no notice or no renewal. Some are PD because they are old. Many others should be deleted. . Jim . . . . (Jameslwoodward) (talk to me) 12:32, 10 September 2013 (UTC)[reply]
"Replicas of artworks: Exact replicas of public domain works, like tourist souvenirs of the Venus de Milo, cannot attract any new copyright as exact replicas do not have the required originality. Hence, photographs of such items can be treated just like photographs of the artwork itself."
"As in most jurisdictions, the level of originality required for copyright protection of works of applied art is higher." What is the source for this statement? As far as I have read (e.g. here; a court case from Slovenia), the demanded level of originality is actually lower, because the possibility of creativity is more limited with such works. --Eleassar(t/p)20:20, 28 October 2013 (UTC)[reply]
What is the situation here, they are adverts designed for public consumption in a public space. I wanted to use one of the following images to illustrate marketing on Batman: Arkham city:
Perhaps this has already been asked; but what about creating maps de novo based on fictional works? Eg re-creating a map of Tolkien's "middle -earth". Would that be considered 'derivative' work of a copyrighted creation ?Slovenski Volk (talk) 21:44, 5 January 2014 (UTC)[reply]
Why this official guideline is not mentioning any thing about the requirements that must be satisfied in a derivative work? All CC licenses have some requirements. See this discussion too. Jee15:45, 16 March 2014 (UTC)[reply]
According to this US court case, scale models are subject to copyright: "First, the District Court held that plaintiff's plastic scale model airplanes were proper subject matter for copyright protection." The scale models themselves were eligible for copyright protection (even thought the planes likely were not). This probably means that photos of scale models not in the public domain (regardless of whether the object modeled is protected by copyright) would need a Commons-acceptable license from the model builder before being posted here. We already have a section on toys. I suggest this be expanded to include scale models, since these do not always fall into the category of toys. For some examples here at Commons, see File:Scale model of L'Opera Garnier.jpg, File:OperaCoupe 20070324.jpg, File:Château du Louvre 1, Paris 25 April 2012.jpg, and File:CastleLouvreModel.jpg. --Robert.Allen (talk) 19:48, 9 June 2014 (UTC)[reply]
Thanks for the information. This seems to confirm what I felt must be the case. Is there a link to that here? I did not see one and looked quite a while for something relevant to this issue. In any case, couldn't this also be mentioned here? --Robert.Allen (talk) 20:18, 9 June 2014 (UTC)[reply]
The Casebook is indeed linked from this page (see the grey bar at the top of this section). As this particular page is about derivative works as a broad copyright concept, linking directly to the very specific issue of models is probably not appropriate. That said, the current casebook summary is a indeed a poorly-written and arbitrary hodgepodge of examples (cave paintings - really?); something like "Sculptural works: models, dolls, figurines, carvings, ceramics, maquettes, molds, relief sculptures, etc." (and similar for other categories of works) would certainly be a more useful bullet point than what is currently there. Эlcobbolatalk20:31, 9 June 2014 (UTC)[reply]
I admit I did not read the whole page. I was scanning for something that might be relevant to scale models and zeroed in on the toys section, so I missed the link to the Casebook. Not sure I have enough understanding of these issues to make any changes, so I hope you will. In any case, thank you for the help! --Robert.Allen (talk) 08:32, 10 June 2014 (UTC)[reply]
This statement is not quite true “Patents are public knowledge, so publishing a depiction of a patented object on Commons cannot in itself constitute patent infringement.” You can get design patents on computer images, such as icons. So displaying a patented computer image would constitute infrigement. On the other hand, I don't think we should worry about design patent infringement. I'd like to suggest that the sentence simply be taken out.--Nowa (talk) 14:15, 2 August 2014 (UTC)[reply]
A question: I wonder if statues of Buddha in the Tibetan tradition can be copyright? These images often strictly follow texts or examples going back a millennium which lay out every proportion and detail of the image down to the tiniest detail. The more precisely a Buddha image follows these prescriptions the better it is considered to be. Though it takes a skilled craftsman to precisely execute there is no originality or creativity involved in the design at all. Does this make such images replicas or derivative works? If so can they be copyright?
In this discussion, the key issue is the absence of clear definition of toys in the guidelines. The advocates seems to be taking an intuitive judgement of applicability. In contrast, the guidelines and its sources rely on a non-intuitive, legal definition that includes doll clothes but excludes "useful" toys like toy stuntplane launchers. There's little sense from either what warrants consideration as a toy. Consider items like frisbees, puppets, architectural models, drones and many others which may or may not be toys depending on a definition. It would be very helpful to have clearer definition or a flowchart to establish what is and is not a toy for the purpose of these guidelines, especially one dealing with the usefulness exclusion.
Kaffiend (talk) 07:06, 5 December 2014 (UTC)[reply]
This is not as complicated as you seem to think. I think that the toy stuntplane launcher decision is an aberration (and, by the way, as a general rule, when you mention a court case on Commons in support of an argument, you should give us a cite). Frisbees and puppets are toys, architectural models are models, also copyrightable as sculpture, drones may be copyrightable if the have no useful purpose -- but if they carry a camera or weapon, then they are utilitarian. Note, too, that even utilitarian objects can have a copyright if their shape or paint job meets the ToO.
Also, you will certainly find it helpful in considering any specific case to simply see if the work is registered at the USCO. Almost all mass produced works will have a registration if they are eligible. Such a look would have saved a lot of time in the Aibo DR. . Jim . . . . (Jameslwoodward) (talk to me) 22:35, 5 December 2014 (UTC)[reply]
You should also note that the utilitarian aspect only is relevant in certain countries. It is of no relevance in some countries such as Sweden and France, which leads to cases like this (photos of two different chair models violated the copyright of the chairs) or this (one torch model violated the copyright of another torch model). --Stefan4 (talk) 23:29, 5 December 2014 (UTC)[reply]
Guys, I think this discussion is symptomatic of the problem with the guidelines and their implementation. Instead of discussing what the guidelines are and how to properly implement them, we have a claim that what is in the guidelines is wrong (they're based on an aberration, or additional cases are relevant). In the AIBO proposal, we also have discussions that seem to be ignoring what the guidelines say and instead we have a discussion at the level of "it's a toy! Delete it!'. Jameslwoodward: I was actually referring to the guidelines themselves and the source cited in the guidelines, not to a legal case. Yo might be right about the USCO, but the current AIBO proposal is based on the TOYS section, not on that. Maybe there should be another discussion on that basis. Kaffiend (talk) 10:28, 6 December 2014 (UTC)[reply]
If I make image of this, would be the violation of copyright? I hope File:M1 Abrams-TUSK.svg is a derivative work too. Please, someone clarify this. I could not get the idea from the project page. Also, I would like to know that is it ok to do derivative work on geographical maps outside of USA. CC: @Jkadavoor: --AntonTalk09:05, 26 January 2015 (UTC)[reply]
Two of my screenshot images were nominated for deletion here.
This policy page was given as the reason, yet I can not see anything regarding computer software applications or screenshots in the policy.
Can this be clarified? For example, if I remove the identifying icons at the top of the image (so that it just shows a table), does it then follow policy? --Andrewssi2 (talk) 03:36, 12 April 2015 (UTC)[reply]
Thanks for link. If I look at Commons:Screenshots#Microsoft_products, it isn't completely clear in my case. I haven't taken a full screenshot of Microsoft Windows, but rather a smaller screenshot of part of a Microsoft Excel screen.
My question above related to the removal of icons. I believe that if I removed the icons then the screenshot becomes compliant? --Andrewssi2 (talk) 22:55, 12 April 2015 (UTC)[reply]
Yes, I would say that is correct. But as I mentioned in the deletion discussion, if all you're looking to represent is the data, then a wiki table would really be the way to go. —LX (talk, contribs)16:26, 13 April 2015 (UTC)[reply]
Image of a scale model artist's conception nominated for deletion
Re: Commons:Deletion requests/File:Maquette du chateau du Louvre (est).jpg: I nominated this photo of a scale model of the medieval Louvre, exhibited at the Louvre. My impression is that it's a large scale model, an artist's conception based on archaeological data and some medieval paintings. It may have been created at the time the Medieval Louvre exhibit was created (c. 1982, ie, when I. M. Pei's Grand Louvre was designed), although no definite information regarding the creation of the model has yet been provided by the uploader. We have more questions than answers and would appreciate meaningful input from more knowledgeable editors. Thanks for help! --Robert.Allen (talk) 22:22, 25 October 2015 (UTC)[reply]
I am the uploader of the photo with DR. The motif of DR is :
Per COM:UA, this model is likely subject to US copyright.
Perhaps, I dont understand the rule very well. But, if you delete this photo in order to follow this rule, you will have to put Deletion Request for all the photos of models on Commons : models of buildings, vehicles, and so on. Except of course the very old ones or those with an authorization of the author or his heirs (if any). --Tangopaso (talk) 19:12, 26 October 2015 (UTC)[reply]
Richard Prince is an artist that photographs other people's photo's. Some of his works have minor and obvious modification, however, many are indistinguishable from the original photo's. A recent (2013?) controversy involved his sales of printed screenshots of instagram for around $100,000. I understand that lack of permission is somehow part of his artistic process. He has been doing this for decades.
I'm not questioning his legitimacy, however, I'm wondering if anyone knowledgeable can comment about his practices in the article, as I believe it's relevant and significant. — Preceding unsigned comment was added by 121.45.218.106 (talk) 05:18, 10 November 2015 (UTC)[reply]
Sounds like an uncool and potentially illegal way of working, but I don't see what relevance it has to this Wikimedia Commons guideline. This is not an article about the topic of derivative works in general; it's a guideline for this project, which helps us determine what we can and cannot host on this site. —LX (talk, contribs)20:29, 12 November 2015 (UTC)[reply]
it is interesting and I would like to contribute. Was reading through the TOT and in Sweden technical drawings are not copyrightable. It would also be interesting to look into details in the US case law. Rybkovich (talk) 06:18, 24 January 2016 (UTC)[reply]
What you are saying about Sweden is not correct; technical drawings are not below the threshold of originality as a set. There was a ruling in 1998 which said that some technical drawings were above the threshold of originality, and then there was another ruling in 2004 which said that another technical drawing was below the threshold of originality. The drawings from the 2004 ruling can be seen under COM:TOO#Sweden. I have not seen the drawings from the 1998 ruling. --Stefan2 (talk) 13:37, 24 January 2016 (UTC)[reply]
"the design of a useful article [...] shall be considered a pictorial, graphic, or sculptural work only if, and only to the extent that, such design incorporates pictorial, graphic, or sculptural features that can be identified separately from, and are capable of existing independently of, the utilitarian aspects of the article."
It is a fact that you can eat non-sculpted chocolate, and that the depicted sculpure can exist without being in chocolate. Furthermore no matter of the material used for a sculpture or for a creative artwork. Christian Ferrer(talk)17:22, 23 April 2017 (UTC)[reply]
That's fine, Jcb, this wasn't meant as a challenge - but can you explain further and suggest how this page might be updated to take your interpretation into account for the future? Thanks. - Themightyquill (talk) 04:13, 26 April 2017 (UTC)[reply]
I have never seen any copyright regulation defining food as a 'work', or e.g. as a 'sculpture'. I don't think we should consider food that way. Jcb (talk) 15:54, 26 April 2017 (UTC)[reply]
That's not how copyright works, and a misinterpretation that leads to closures like this, which is the (United States) copyright equivalent of arguing the earth is flat. Copyright subsists in "original works of authorship fixed in any tangible medium of expression." (17 USC § 102) Original means owing its creation to the author (i.e., a mere prohibition on copying); work of authorship means the creation of a human; tangible medium is self evident. Confections can indeed be original (not copied), have human authors (pâtissier/chocolatier), and in a tangible medium (e.g. chocolate). This is supported by case law; for example, it was found that a Nautilus shell-shaped chocolate dessert was eligible for copyright protection (Chocolates a la Carte Inc. v Presidential Confections Inc.[6][7]) Anecdotally, bakeries in the United States routinely refuse custom orders for copyrighted characters (e.g., a request of a child's birthday cake with Darth Vader would be expected to be denied by any bakery with a modicum of legal sophistication). Similarly, Germany also has findings that suggest artful food arrangements could be copyrightable. Remember, even belt buckles (typically utilitarian as clothing) can be eligible for copyright protection (Kieselstein-Cord v. Accessories by Pearl, Inc.). In the case of Themightyquill's images, an analysis of conceptual separateness needs to be done--not this blatant ignorance. Эlcobbolatalk16:29, 26 April 2017 (UTC)[reply]
It seems to me that the decision to keep these images was based not on a careful analysis of US copyright law, but on the personal view of the closer.
Under US law, we need to consider the concept of "separability”. Normally, useful articles cannot be protected by copyright, but a pictorial, graphic, or sculptural work incorporated in a useful article can be protected if it is ‘separable’ from the article. That occurs if the design features are capable of being “identified separately from, and are capable of existing independently of, the utilitarian aspects of the article” (17 U.S.C. § 101).
“Physical separability” occurs if the feature seeking copyright protection can “be physically separated from the article by ordinary means while leaving the utilitarian aspects of the article completely intact”, for example a sufficiently creative decorative hood ornament on an automobile. (Compendium §924.2(A)). That does not apply here as the Santa Claus design cannot be physically separated from the chocolate of which it is made.
Where a design is not physically separable, the US courts have until very recently upheld copyright where the design met a rather vaguely-defined legal test called "conceptual separability". Although the Santa Claus design did, in my view, meet that test and should have been deleted on that basis, the issue is now moot since in a landmark decision last month the US Supreme Court abolished the "conceptual separability" test entirely. The case is Star Athletica LLC v .Varsity Brands.
In that case, the Supreme Court set out an entirely new test to the effect that a feature incorporated into the design of a useful article is eligible for copyright protection “if, when identified and imagined apart from the useful article, it would qualify as a pictorial, graphic, or sculptural work either on its own or when fixed in some other tangible medium.”
It would seem clear that in this case the Santa Claus design can easily be "imagined apart from the useful article" (ie the chocolate), as a "work… fixed in some other tangible medium" (eg an identical design made of plastic). On that basis, the images need to be deleted as they illustrate designs which are copyright-protected under US law.
Painting or embellishment on a musical instrument could be legally separable works of art. But in general, I'd think the Met is just being overly cautious.--Prosfilaes (talk) 02:14, 5 October 2018 (UTC)[reply]
"However, if the underlying work is still copyright protected, the original copyright holder must also license the underlying work for reuse."
This is not (entirely) correct. The original copyright holder can also give permission for the derivative work without licensing the entire underlying work. For comparison: we have some movie trailers which are derivative works from full movies. The trailers were published in the US without (proper) copyright notice, so their copyright has expired. The full movie can still be protected.
Those trailers aren't legally derivatives from full movies. They were published first, so possibly the movies are derivatives of them.--Prosfilaes (talk) 23:47, 1 October 2018 (UTC)[reply]
Nuance: do note the difference between a trademark and copyright. I don't believe the court discussed copyright? Maybe I'm overlooking something. Effeietsanders (talk) 15:09, 31 August 2020 (UTC)[reply]
Proposed addition: How to make a derivative work on Commons
I would suggest to also add a practical guideline on how to correctly create a derivative work. For example, there's a video with close-ups. What if you want to use a screenshot, or extract the close-up? I'm assuming there may well be tools for all this available to capture the license/description information at the right level. Effeietsanders (talk) 19:53, 28 December 2019 (UTC)[reply]
Being bold, I have removed the maps section (ref diff). It incorrectly gave the impression that any standard survey map, and any map showing borders or other relatively simple features was under COM:TOO. This is false, based on a narrow non-legal reading of US copyright law only, and was being used to argue that virtually all maps were public domain.
Feel free to re-add, but as it is actively misleading, this would need a major rewrite and fact-check before promoting in the official guideline. --Fæ (talk) 12:06, 31 August 2020 (UTC)[reply]
Hm. One should take the whole country to court first and that over a decade ago:
Mickey Mouse & Friends logo
and if the poor mouse indeed cannot be uploaded, then the admins went against this principle, as "significant doubt about the freedom of a particular file, it should be deleted"
"Character copyright status" has been used to delete several public domain images and the rationale comes from this page. There is a misunderstanding about character copyright I would like to correct.
Metro-Goldwyn-Mayer, Inc. v. Am. Honda Motor Co. involved the use of James Bond elements from the films which were still under copyright in Metro-Goldwyn-Mayer, Inc. v. Am. Honda Motor Co. No exception was made for fair use.
I want to correct the wording in the few sentences we have on the topic to:
"Character copyright protection" covers any details of the character that are not depicted in the public domain works, but only appear in later works still under copyright. This applies to making new content using the characters. For instance in a case involving the fictional character Sherlock Holmes and the film, Enola Holmes, it was argued that mannerisms, costuming, and other habits depicted in later works under active copyright cannot be used in the new fictional work. In another example a James Bond like character was used by Am. Honda Motor Co in a commercial, and claimed "fair use" of the character. In Metro-Goldwyn-Mayer, Inc. v. Am. Honda Motor Co. the ruling was that the Am. Honda Motor Co. character used elements of the character James Bond from the copyrighted films. See this summary for more information.
@Richard Arthur Norton (1958- ): I'm afraid your new wording is not entirely accurate and is misleading other editors about the nature of character copyright (e.g. Category talk:PD Cartoon - Superman). The wording needs to be reverted. Your version suggests that depictions of a copyrighted character in a public domain work are public domain, but this is not accurate. So long as the original depiction of the character is copyrighted, all other depictions that reflect elements from the original depiction are also copyrighted, even within an otherwise public domain work. Hope that makes sense. The cases you are describing are about non-copyrighted characters that may have recently-created copyrighted aspects, but that is a different issue than what the section is about (per the section header). Kaldari (talk) 04:12, 26 May 2022 (UTC)[reply]
The difference between your opinion and mine, is that I cite specific case law. Elements of a character that only appear in works under active copyright are protected, not the entire character. The character of Sherlock Holmes is public domain so long as you do not include elements that only appear in the later works still under copyright, for instance traits or apparel that only appear in the movie version of the character. --RAN (talk) 12:30, 26 May 2022 (UTC)[reply]
@Richard Arthur Norton (1958- ): I agree with everything you're saying except the word "only". I also think we are talking past each other a bit, as I'm talking about copyrighted characters and you're talking about public domain characters. The topic of the section is copyrighted characters. If you want to address the law around public domain characters, feel free to create a new section of the page. I wrote the original version of COM:CHAR in 2013 and it cites four court cases, so I don't think it's entirely fair to say that I'm not citing case law. To be honest, though, character copyright protections have been applied inconsistently by courts, and my interpretation is not the only interpretation possible. That said, my interpretation is based on the outcome of numerous deletion discussions that predate COM:CHAR and reflects the consensus of Commons' application of relevant copyright law and jurisprudence, e.g.: Commons:Deletion requests/File:"Appreciate America. Come On Gang. All Out for Uncle Sam" (Mickey Mouse)" - NARA - 513869.tif, Commons:Deletion requests/Donald Duck from Spirit 43, etc. If you want to change that consensus, I think you would need have a discussion at Commons:Village pump/Copyright and present your case there. (Especially if you can get Carl Lindberg to agree with you, I would be open to modifying our guidance here.) Kaldari (talk) 14:26, 26 May 2022 (UTC)[reply]
This page is entirely on derivative works of copyrighted entities of non-free sources, and closes with "mark derivative works for speedy deletion." Shouldn't there be a policy page somewhere on the far more common and relevant case of derivative works of free works? In particular, issues of license compatibility. If using a work marked as cc-by 3.0, is it acceptable to mark the derivative work as cc-by 4.0, for example? What about a collage of a work marked cc-by 3.0, cc-by-sa-4.0, and cc0? Is there a way to explicitly license the user's contributions to a derivative work under a specific license, if this is distinguishable from a derivative part? And so on. If that isn't covered here, it should be covered somewhere - even if the page is rather short. SnowFire (talk) 03:18, 12 August 2022 (UTC)[reply]
Thanks for the links. That said, all three of these are marked as "essays"... is it possibly worth elevating one of them to a policy, or to create a section in this policy specifically covering it? SnowFire (talk) 02:50, 18 August 2022 (UTC)[reply]
Hey all. This is quite trivial, but nonetheless relevant. Winnie the Pooh entered the public domain in 2022 - should we swap in an example that Disney still holds some rights to? :) - Corqe (talk) 17:57, 16 December 2022 (UTC)[reply]
Disney did not create Winnie the Pooh, the character was created by A.A. Milne and his literary works are now PD. Disney owns the copyright of the image of their version of Winnie the Pooh. Just like if you make your own original drawing of the character you will have the copyright to that. Disney's version will become PD 70 years after the death of Walt Disney (or if Disney has corporate authorship, could it then be until 70 years after the company is dissolved?) IANAL. Prolete (talk) 09:46, 9 February 2024 (UTC)[reply]
This section is resolved and can be archived. If you disagree, replace this template with your comment. --HarveyPrototype (talk) 20:28, 26 May 2024 (UTC)
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This section is resolved and can be archived. If you disagree, replace this template with your comment. --HarveyPrototype (talk) 20:28, 26 May 2024 (UTC)