Rank
|
Composer
|
Work
|
Date
|
1
|
Handel
|
Messiah
|
1741
|
2
|
Vivaldi
|
The Four Seasons
|
1725
|
3
|
Allegri
|
Miserere
|
1630s
|
4
|
Handel
|
Water Music
|
1717
|
5
|
Bach, Johann Sebastian
|
St Matthew Passion, BWV 244
|
1727
|
6
|
Pachelbel
|
Canon and Gigue in D
|
1680
|
7
|
Purcell
|
Dido and Aeneas
|
1688
|
8
|
Handel
|
Four Coronation Anthems (includes "Zadok the Priest")
|
1727
|
9
|
Handel
|
Music for the Royal Fireworks
|
1749
|
10
|
Tallis
|
Spem in alium
|
c. 1570
|
11
|
Bach, Johann Sebastian
|
Concerto for 2 Violins in D minor, BWV 1043
|
1723
|
12
|
Bach, Johann Sebastian
|
Goldberg Variations, BWV 988
|
1741
|
13
|
Vivaldi
|
Gloria, RV 589
|
c. 1715
|
14
|
Bach, Johann Sebastian
|
Suite for Solo Cello No. 1, BWV 1007
|
early 18th century
|
15
|
Pergolesi
|
Stabat Mater
|
1736
|
16
|
Bach, Johann Sebastian
|
Brandenburg Concerto No. 3, BWV 1048
|
1721
|
17
|
Bach, Johann Sebastian
|
Herz und Mund und Tat und Leben, BWV 147 (Includes Jesu, Joy of Man's Desiring)
|
1723
|
18
|
Bach, Johann Sebastian
|
Mass in B minor
|
1749
|
19
|
Corelli
|
Twelve concerti grossi, Op. 6 (includes No. 8, Christmas Concerto)
|
1714
|
20
|
Monteverdi
|
Vespers of the Blessed Virgin
|
1610
|
21
|
Bach, Johann Sebastian
|
Toccata and Fugue in D minor, BWV 565
|
early 18th century
|
22
|
Bach, Johann Sebastian
|
Brandenburg Concerto No. 5, BWV 1050
|
1721
|
23
|
Handel
|
Solomon
|
1748
|
24
|
Bach, Johann Sebastian
|
Brandenburg Concerto No. 1, BWV 1046
|
1721
|
25
|
Bach, Johann Sebastian
|
The Well-Tempered Clavier
|
1722, 1742
|
26
|
Anonymous
|
Greensleeves
|
16th century
|
27
|
Purcell
|
Come Ye Sons of Art
|
1694
|
28
|
Handel
|
Serse
|
1738
|
29
|
Bach, Johann Sebastian
|
Brandenburg concerto No. 4, BWV 1049
|
1721
|
30
|
Dowland
|
Lute songs
|
1597–1612
|
31
|
Bach, Johann Sebastian
|
Christmas Oratorio, BWV 248
|
1734
|
32
|
Handel
|
Rinaldo
|
1711
|
33
|
Bach, Johann Sebastian
|
St John Passion, BWV 245
|
1724
|
34
|
Bach, Johann Sebastian
|
Brandenburg concerto No. 2, BWV 1047
|
1721
|
35
|
Bach, Johann Sebastian
|
Brandenburg concerto No. 6, BWV 1051
|
1721
|
36
|
Clarke
|
Prince of Denmark's March
|
c. 1700
|
37
|
Vivaldi
|
Concerto for 2 Mandolins in G Major, RV 532
|
18th century
|
38
|
Handel
|
Giulio Cesare
|
1724
|
39
|
Monteverdi
|
L'incoronazione di Poppea
|
1642
|
40
|
Bach, Johann Sebastian
|
Wachet auf, ruft uns die Stimme, BWV 140
|
1731
|
41
|
Bach, Johann Sebastian
|
Was mir behagt, ist nur die muntre Jagd, BWV 208
|
1713
|
42
|
Bach, Johann Sebastian
|
Orchestral Suite No. 3 in D major, BWV 1068
|
1730
|
43
|
Monteverdi
|
L'Orfeo
|
1607
|
44
|
Handel
|
Dixit Dominus
|
1707
|
45
|
Anonymous
|
O come, O come, Emmanuel
|
8th century
|
46
|
Marais
|
Pièces de viole (includes "The Bells of St. Genevieve")
|
1723
|
47
|
Albinoni
|
Concerto for Oboe in D minor, Op. 9 No. 2
|
1722
|
48
|
Handel
|
Semele
|
1743
|
49
|
Purcell, Henry
|
Music for the Funeral of Queen Mary
|
1695
|
50
|
Bach, Johann Sebastian
|
Magnificat, BWV 243
|
1723, 1733
|
51
|
Anonymous
|
Coventry Carol
|
16th century
|
52
|
Byrd
|
Ave verum corpus
|
1605
|
53
|
Bach, Johann Sebastian
|
Jesu, der du meine Seele, BWV 78
|
1724
|
54
|
Bach, Johann Sebastian
|
Partita for Violin No. 2, BWV 1004
|
early 18th century
|
55
|
Hildegard of Bingen
|
Chants for the Feast of St. Ursula
|
12th century
|
56
|
Purcell
|
The Fairy-Queen
|
1692
|
57
|
Charpentier
|
Te Deum
|
1692
|
58
|
Hildegard of Bingen
|
Kyrie eleison
|
12th century
|
59
|
Praetorius, Michael
|
Terpsichore
|
1612
|
60
|
Bach, Johann Sebastian
|
Ich habe genug, BWV 82
|
1727
|
61
|
Bach, Johann Sebastian
|
The Art of Fugue
|
1750
|
62
|
Bach, Carl Philipp Emanuel
|
Magnificat, Wq215
|
1749
|
63
|
Monteverdi
|
Magnificat Primo
|
c. 17th century
|
64
|
Palestrina
|
Missa Papae Marcelli
|
c. 1562
|
65
|
Purcell, Henry
|
Trumpet Tune and Air
|
late 17th century
|
66
|
Handel
|
Judas Maccabaeus (includes "See, the Conqu’ring Hero Comes!")
|
1746
|
67
|
Bach, Johann Sebastian (actually Stölzel)
|
Bist du bei mir (Notebook for Anna Magdalena Bach)
|
c. 1718
|
68
|
Bach, Johann Sebastian
|
Cello Suite No. 3, BWV 1009
|
early 18th century
|
69
|
Bach, Johann Sebastian
|
Toccata and Fugue in D minor ("Dorian"), BWV 538
|
early 18th century
|
70
|
Bach, Johann Sebastian
|
Concerto for Violin in A minor, BWV 1041
|
early 18th century
|
71
|
Telemann
|
Concerto for Trumpet in D
|
18th century
|
72
|
Handel
|
Concerti grossi, Op. 6
|
1739
|
73
|
Handel
|
Harpsichord Suite in E, HWV 430 (includes The Harmonious Blacksmith)
|
1720
|
74
|
Bach, Johann Sebastian
|
Cello Suite No. 6, BWV 1012
|
early 18th century
|
75
|
Corelli
|
12 Sonatas, Op 5 (includes No 12, "La Folia")
|
1700
|
76
|
Telemann
|
Tafelmusik
|
1733
|
77
|
Bach, Johann Sebastian
|
Cello Suite No. 2, BWV 1008
|
early 18th century
|
78
|
Vivaldi
|
Concerto for Lute or Mandolin in D Major RV 93
|
18th century
|
79
|
Palestrina
|
Stabat Mater in 8 parts
|
16th century
|
80
|
Byrd
|
Mass for Four Voices
|
1593–1594
|
81
|
Rameau
|
Les Indes galantes
|
1735
|
82
|
Handel
|
Alcina
|
1735
|
83
|
Vivaldi
|
Stabat Mater, RV 621
|
1727
|
84
|
Purcell
|
Rejoice in the Lord alway[3]
|
late 17th century
|
85
|
Vivaldi
|
Concerto for two trumpets in C, RV 537
|
early 18th century
|
86
|
Monteverdi
|
Eight Books of Madrigals
|
1587–1638
|
87
|
Handel
|
Ode for St. Cecilia's Day
|
1739
|
88
|
Tartini
|
Devil's Trill Sonata
|
early 18th century
|
89
|
Lully
|
Le Bourgeois gentilhomme
|
1670
|
90
|
Bach, Johann Sebastian
|
Passacaglia and Fugue in C minor, BWV 582
|
early 18th century
|
91
|
Vivaldi
|
Dixit Dominus, RV 594
|
early 18th century
|
92
|
Couperin, François
|
Pièces de Clavecin, book 2
|
1717
|
93
|
Bach, Johann Sebastian
|
Concerto for Violin in E major, BWV 1042
|
early 18th century
|
94
|
Byrd
|
Mass for Five Voices
|
1594–1595
|
95
|
Albinoni
|
Concerto for Oboe in B-flat, Op. 9 No. 11
|
1722
|
96
|
Bach, Johann Sebastian
|
Partitas for keyboard, BWV 825–830
|
1731
|
97
|
Anonymous
|
Llibre Vermell de Montserrat
|
14th century
|
98
|
Heinrich Ignaz Franz Biber
|
Rosary Sonatas (including Passacaglia)
|
late 17th century
|
99
|
Albinoni
|
Concerto for Two Oboes in G, Op. 9 No. 6
|
1722
|
100
|
Anonymous
|
Sumer is icumen in
|
mid 13th century
|