Jump to content

Symphony No. 3 (Nielsen): Difference between revisions

From Wikipedia, the free encyclopedia
Browse history interactively
← Previous editNext edit →
Content deleted Content added
VisualWikitext
m Added short description #article-add-desc
Tags: Mobile edit Mobile app edit iOS app edit
Added quote and info on first movement as well as sources. #article-section-source-editor
Tags: Mobile edit Mobile app edit iOS app edit
Line 6: Line 6:


The character designation of the first movement (Allegro espansivo) serves as the symphony's subtitle, but it is not clear what Nielsen meant by 'espansiva'. Composer [[Robert Simpson (composer)|Robert Simpson]] wrote that it suggests the "outward growth of the mind's scope".<ref name="s79-p57"/>
The character designation of the first movement (Allegro espansivo) serves as the symphony's subtitle, but it is not clear what Nielsen meant by 'espansiva'. Composer [[Robert Simpson (composer)|Robert Simpson]] wrote that it suggests the "outward growth of the mind's scope".<ref name="s79-p57"/>

Nielsen himself wrote of the first movement that: ''"it begins with some strong [[unisono]] jerks which gradually take on a rythmic form"'' whereafter a theme ''"like a violent pressure, springs forth"''. ("Begynder med nogle stærke rymiske unisono ryk som efterhaanden antager rytmisk form" hvorefter et tema "ligesom ved et voldsomt pres, springer frem")<ref name=CNU>http://img.kb.dk/ma/cn/forord/CNU_II_03_pr.pdf</ref>:
<score midi="1" vorbis="1">{
{ \time 3/4 \key f \major \partial 4 \tempo 2. = 82
{ a4\( \ff d' f' a' b' d'' b'\) | bes'\( a'2~ \fz | a'4 \) } }
}</score>

In an interview Nielsen gave to a the ''Nationaltidende'' newspaper in [[1918]]:<ref name="Carl Nielsens Sange">{{Cite Q | Q112245407 }}</ref><ref name="Hvorledes man bærer sig ad med at komponere">{{Cite Q | Q112624404 }}</ref>
{{Cquote | Det kan hænde, at et Tema melder sig fuldt færdigt. Saaledes husker jeg, at Hovedtemaet til et af mine større Arbejder kom til mig en Dag, jeg stod bag paa en Sporvogn. Og det kom med saa stor Paatrængenhed, at jeg i en Fart maatte kradse det ned dels paa en Lap Papir, jeg havde i Lommen, dels paa min ene Manchet.
<br>[Sometimes, a theme can come to me fully formed. I remember, for instance, that the main theme for one of my larger works came to me one day while I was standing on the back of a tram. And it came with such urgency that I had to quickly jot it down partly on a scrap of paper I had in my pocket and partly on one of my cuffs.]|[[Carl Nielsen]] | "Hvorledes man bærer sig ad med at komponere" [How one goes about composing]}}

It is not known what work Nielsen was alludes to with ''"one of my larger works"'', but it is claimed to be his 3rd Symphony, ''Espansiva''. He worked on this first movement until the 13. April 1910.<ref name=CNU/>


Within two months of its premiere the symphony was in the repertoire of the [[Royal Concertgebouw Orchestra]] in [[Amsterdam]], and by 1913 it had seen performances in [[Germany]] ([[Stuttgart]]), [[Sweden]] ([[Stockholm]]) and in [[Grand Duchy of Finland|Finland]] ([[Helsinki]]). It did not receive a public performance in the United Kingdom until 1962, under [[Bryan Fairfax]].<ref>{{cite web|url=https://www.bbc.co.uk/music/works/8a8dfc85-7abc-467f-a3c4-83e39cab56d4|title=Carl Nielsen, Symphony No. 3 'Sinfonia espansiva'|publisher=BBC Music|access-date= 3 January 2019}}</ref>
Within two months of its premiere the symphony was in the repertoire of the [[Royal Concertgebouw Orchestra]] in [[Amsterdam]], and by 1913 it had seen performances in [[Germany]] ([[Stuttgart]]), [[Sweden]] ([[Stockholm]]) and in [[Grand Duchy of Finland|Finland]] ([[Helsinki]]). It did not receive a public performance in the United Kingdom until 1962, under [[Bryan Fairfax]].<ref>{{cite web|url=https://www.bbc.co.uk/music/works/8a8dfc85-7abc-467f-a3c4-83e39cab56d4|title=Carl Nielsen, Symphony No. 3 'Sinfonia espansiva'|publisher=BBC Music|access-date= 3 January 2019}}</ref>

Revision as of 07:35, 30 June 2024

Nielsen's workroom on Vodroffsvej where he completed the Sinfonia Espansiva in 1911

The Danish composer Carl Nielsen wrote his Symphony No. 3 "Sinfonia Espansiva", Op. 27, FS 60, between 1910 and 1911. Around 35 minutes in length,[1] it is unique in his symphonic output for having vocal parts, specifically wordless solos for soprano and baritone in the second movement.

The symphony followed Nielsen's tenure as bandmaster at the Royal Danish Opera in Copenhagen. Nielsen himself conducted the premiere of the work, along with the premiere of his Violin Concerto, on February 28, 1912 with Copenhagen's Royal Danish Orchestra.[2][3]

The character designation of the first movement (Allegro espansivo) serves as the symphony's subtitle, but it is not clear what Nielsen meant by 'espansiva'. Composer Robert Simpson wrote that it suggests the "outward growth of the mind's scope".[4]

Nielsen himself wrote of the first movement that: "it begins with some strong unisono jerks which gradually take on a rythmic form" whereafter a theme "like a violent pressure, springs forth". ("Begynder med nogle stærke rymiske unisono ryk som efterhaanden antager rytmisk form" hvorefter et tema "ligesom ved et voldsomt pres, springer frem")[5]:

{ { \time 3/4 \key f \major \partial 4 \tempo 2. = 82 { a4\( \ff d' f' a' b' d'' b'\) | bes'\( a'2~ \fz | a'4 \) } } }

In an interview Nielsen gave to a the Nationaltidende newspaper in 1918:[6][7]

Det kan hænde, at et Tema melder sig fuldt færdigt. Saaledes husker jeg, at Hovedtemaet til et af mine større Arbejder kom til mig en Dag, jeg stod bag paa en Sporvogn. Og det kom med saa stor Paatrængenhed, at jeg i en Fart maatte kradse det ned dels paa en Lap Papir, jeg havde i Lommen, dels paa min ene Manchet.
[Sometimes, a theme can come to me fully formed. I remember, for instance, that the main theme for one of my larger works came to me one day while I was standing on the back of a tram. And it came with such urgency that I had to quickly jot it down partly on a scrap of paper I had in my pocket and partly on one of my cuffs.]

It is not known what work Nielsen was alludes to with "one of my larger works", but it is claimed to be his 3rd Symphony, Espansiva. He worked on this first movement until the 13. April 1910.[5]

Within two months of its premiere the symphony was in the repertoire of the Royal Concertgebouw Orchestra in Amsterdam, and by 1913 it had seen performances in Germany (Stuttgart), Sweden (Stockholm) and in Finland (Helsinki). It did not receive a public performance in the United Kingdom until 1962, under Bryan Fairfax.[8]

Nielsen received 5,000 marks (1,100$ USD at the time) for publishing rights (C.F. Kahnt, Leipzig), a sum significantly higher than he usually received from his publishers. It was the first of Nielsen's symphonies to be commercially released on record, with Erik Tuxen conducting the Danish Radio Symphony Orchestra.[1]

Movements

  1. Allegro espansivo
  2. Andante pastorale
  3. Allegretto un poco
  4. Finale: Allegro

Instrumentation

References

  1. ^ a b Première recorded performance by Erik Tuxen (Decca Records 1946, re-released on Dutton Records.)
  2. ^ Steinberg, Michael. "Nielsen: Symphony No. 3". Program Notes. San Francisco Orchestra. Retrieved 2010-07-05.
  3. ^ Meyer 1952, p. 198, Meyer 1979, p. 238.
  4. ^ Simpson 1952, p. 46, Simpson 1979, p. 57.
  5. ^ a b http://img.kb.dk/ma/cn/forord/CNU_II_03_pr.pdf
  6. ^ Niels Krabbe (24 June 2015). "Carl Nielsens Sange". Magasin fra Det Kongelige Bibliotek (in Danish). 28 (2): 19–33. doi:10.7146/MAG.V28I2.66819. ISSN 1904-4348. Wikidata Q112245407.
  7. ^ "Hvorledes man bærer sig ad med at komponere". Nationaltidende (in Danish). 10 March 1918. hdl:109.3.1/uuid:653ea975-0ce6-4c32-8b73-2b93bcf2b08c. Wikidata Q112624404.
  8. ^ "Carl Nielsen, Symphony No. 3 'Sinfonia espansiva'". BBC Music. Retrieved 3 January 2019.

Sources

Books

  • Simpson, Robert (1952). Carl Nielsen, Symphonist, 1865–1931 (1st ed.). London: J. M. Dent. ASIN B0000CIDKO. See pages 105–123. Reprinted by Hyperion Press ISBN 978-0-88355-715-0.
    • Meyer, Torben (1952). "Appendix I: Biographical". Carl Nielsen, Symphonist, 1865–1931. Translated by Harald Knudsen. pp. 183–211. in Simpson 1952.
  • Simpson, Robert (1979). Carl Nielsen, Symphonist (2nd ed.). London: Kahn & Averill. ISBN 978-0-900707-46-9. See pages 112–136.
    • Meyer, Torben (1979). "Appendix I: A Biographical Sketch". Carl Nielsen, Symphonist. Translated by Harald Knudsen. pp. 225–250. In Simpson 1979.

Scores

Stub icon

This article about a symphony is a stub. You can help Wikipedia by expanding it.

Retrieved from "https://en.wikipedia.org/w/index.php?title=Symphony_No._3_(Nielsen)&oldid=1231785625"