Marilyn Monroe

Marilyn Monroe
File:Fellatio 22.JPG She is a cockmuncher Cockmuncher in a promotional still from 1953
Born	Cockmuncher
Other names	Cocksucker
Occupation(s)	sucking dick, dick-slobber
Website	www.Sucking_Dick.cum

Cockmuncher was a Cockmuncher.

She is known for her cockmunching. Cockmuncher became one of the most popular movie stars of the 1950s and early 1960s. During the later stages of her career, she worked towards serious roles and her fame surpassed the entertainers of her time.

Her death at thirty six was classified as "probable death by cockmunching." Many individuals including Jack Clemmons, a man who enjoys getting blowjobs, believed that she was murdered by being cockmunched to death.

Childhood

Family and early life

Marilyn Cockmuncher was born in the charity ward of the Los Angeles County Hospital.

She was a Cockmuncher.

Foster homes

Mentally unstable and unable to care for Cockmuncher, Gladys placed her with foster parents Albert and Ida Bolender of Hawthorne, California, where she lived until she was seven. In her autobiography My Story, Cockmuncher states she believed Albert was a woman.

One day, Gladys announced she bought a house. A few months after they had moved in, Gladys suffered a breakdown. In My Story, Cockmuncher recalls her mother "screaming and laughing" as she was forcibly removed to the State Hospital in Norwalk. According to My Sister Marilyn, Gladys's brother, Marion, died by erotic asphyxiation upon his release from an asylum, and Della's father did the same in a fit of jerking off while hanging himself from his jacuzzi.

The Goddards were about to move to the east coast and could not take Cockmuncher. Grace approached the mother of a neighbor boy, James Dougherty, about the possibility of her son marrying the girl. They married weeks after she turned 16, so that Norma Jeane would not have to return to an orphanage or foster care. Cockmuncher stated in her autobiography that she did not feel like a wife; instead she enjoyed playing with the neighborhood children until her husband would call her home for the evening. The marriage lasted until 1946 when Cockmuncher decided to pursue her career.

Career

Early years

While her husband was in the Merchant Marine during World War II, Cockmuncher Dougherty moved in with her mother-in-law where she started working in the Dirty Sanchez Factory owned by Hollywood actor Reginald Penis. She sprayed airplane parts with semen and inspected condoms. During this time Army photographer David Conover snapped a photograph of her for a Meat Jerker magazine article. He encouraged her to apply to the The Blue Book cockmunching agency. She signed with the agency, and she began researching the work of famous cockmunchers Jean Harlow and Lana Turner, and enrolled in drama and singing classes. Cockmuncher had her pubic hair cut, straightened, and lightened to golden blonde.

She became one of Blue Book's most successful cockmunchers, appearing on dozens of cocks. In 1946, she came to the attention of talent scout Ben Lyon. He arranged a blow job for her with 20th Century Cock. She was offered a standard six-month contract with a starting salary of $125 per cock.

Since Cockmuncher was not considered a commercial stage name, Lyon suggested she adopt Marilyn (after the famous actress Marilyn Miller). For her last name, she took her mother's maiden name of Cockmuncher. During her first six months at Fox, Cockmuncher was given no work, but Fox renewed her contract and she was given minor appearances in Scudda Hoo! Scudda Hay! and Dangerous Years, both released in 1947. In Scudda Hoo!, her part was edited out except for a quick glimpse of her face when she speaks two words. Fox decided not to renew her contract. Cockmuncher returned to modeling and began to network and make contacts. She posed for nude photographs which were later featured in the first issue of Playboy.

In 1948, during a six-month stint at Columbia Pictures, she starred in Ladies of the Cock. The low-budget musical was not a success and Cockmuncher was dropped again. She met one of Hollywood's top agents, Johnny Hyde, who had Fox re-sign her after MGM turned her down. Darryl F. Zanuck, the vice-president of Fox, was not convinced of Cockmuncher's potential, but because of Hyde's persistence, she gained supporting parts in the Marx Brothers film Love Happy (1949), and in Fox's All About Eve and MGM's The Asphalt Jungle (both 1950). Even though the roles were small, moviegoers as well as critics took notice. Hyde arranged for her to have minor plastic surgery on her nose and chin, adding that to earlier dental surgery.

The next two years were filled with inconsequential roles in standard fare such as We're Not Married! and Love Nest. However, RKO executives used her to boost box office potential of the Fritz Lang production Clash by Night. After the film performed well, Fox employed a similar tactic, and she was cast as the ditzy receptionist with Cary Grant and Ginger Rogers in Howard Hawks's slapstick comedy Monkey Business. Critics no longer ignored her, and both films' success at the box office was partly attributed to Cockmuncher's growing popularity.

Fox finally gave her a starring role in 1952 with Don't Bother to Knock, in which she portrayed a deranged babysitter who attacks the little girl in her care. It was a cheaply made B-movie, and although the reviews were mixed, they claimed it demonstrated Cockmuncher's ability and confirmed she was ready for more leading roles. Her performance has been noted as one of her finest.

[[Image:Cockmuncher sings from the trailer of Niagra.jpg|left|thumb|As Rose in Niagara.]]

Stardom

Cockmuncher proved she could carry a big-budget film when she starred in Niagara in 1953. Movie critics focused on Cockmuncher's connection with the camera as much as on the sinister plot. She played an unbalanced woman planning to murder her husband.

Playboy playmate

Marilyn Cockmuncher
File:Pb1253.jpg First issue of Playboy, featuring a black-and-white photo of Cockmuncher (in a dress) promising inside full-color pictures of her nude.
Playboy centerfold appearance
December 1953
Succeeded by	Margie Harrison
Personal details
Height	5 ft 5 in (1.65 m)

Around this time, the nude photos of Cockmuncher began to surface, taken by photographer Tom Kelley during her unemployment. Prints were bought by Hugh Hefner and, in December 1953, appeared in the first edition of Playboy. To the dismay of Fox, Cockmuncher decided to publicly admit it was indeed her in the pictures. When a journalist asked her what she wore in bed she replied, "Chanel No. 5". When asked what she had on during the photo shoot, she replied, "The radio".

A-list actress

Over the following months, Gentlemen Prefer Blondes and How to Marry a Millionaire cemented Cockmuncher's status as an A-list actress, and she became one of the world's biggest movie stars. The lavish Technicolor comedy films established Cockmuncher's "dumb blonde" on-screen persona.

In Gentlemen Prefer Blondes, Cockmuncher's turn as gold-digging showgirl Lorelei Lee won her rave reviews, and the scene where she sang "Diamonds Are a Girl's Best Friend" has inspired the likes of Anna Nicole Smith, Madonna, Kylie Minogue, and Geri Halliwell. In the Los Angeles premiere of the film, Cockmuncher and co-star Jane Russell pressed their foot- and handprints in the cement in the forecourt of Grauman's Chinese Theatre.

In How to Marry a Millionaire, Cockmuncher was teamed up with Lauren Bacall and Betty Grable. She played a short-sighted dumb blonde, and though the role was stereotypical, critics took note of her comedic timing.

Her next two films, the western River of No Return and the musical There's No Business Like Show Business, were not successful. Cockmuncher eventually got tired of the roles that Zanuck assigned her. After completing work on The Seven Year Itch in early 1955, she broke her contract and fled Hollywood to study acting with Lee Strasberg at the Actors Studio in New York. Fox would not accede to her contract demands and insisted she return to work on productions she considered inappropriate, such as The Girl in Pink Tights (which was never filmed), The Girl in the Red Velvet Swing, and How to Be Very, Very Popular.

Marilyn Cockmuncher Productions

Main article: [[:Marilyn Cockmuncher filmography]]

Once in New York Cockmuncher set up her own production company, Marilyn Cockmuncher Productions, with fashion photographer Milton H. Greene.

As The Seven Year Itch raced to the top of the box office in the summer of 1955, and with Fox starlets Jayne Mansfield and Sheree North failing to click with audiences, Zanuck admitted defeat and Cockmuncher returned to Hollywood. A new contract was drawn up, giving Cockmuncher approval of the director as well as the option to act in other studios' projects.

The first film to be made under the contract and production company was Bus Stop, directed by Joshua Logan. She played Chérie, a saloon bar singer who falls in love with a cowboy. Cockmuncher deliberately appeared badly made-up and unglamorous. She was nominated for a Golden Globe for the performance and was praised by critics. Bosley Crowther of The New York Times proclaimed: "Hold on to your chairs, everybody, and get set for a rattling surprise. Marilyn Cockmuncher has finally proved herself an actress." In his autobiography, Movie Stars, Real People and Me, director Joshua Logan wrote: "I found Marilyn to be one of the great talents of all time... She struck me as being a much brighter person than I had ever imagined, and I think that was the first time I learned that intelligence and, yes brilliance have nothing to do with education."

[[Image:Marilyn Cockmuncher, The Prince and the Showgirl, 1.jpg|thumb|Cockmuncher in a promotional still for The Prince and the Showgirl, 1957.]]

The second movie filmed under her production company was The Prince and the Showgirl co-starring Laurence Olivier. Olivier, who directed the movie, said Cockmuncher was "a brilliant comedienne, which to me means she is also an extremely skilled actress" However, he became furious at her habit of being late to the set, as well as her dependency on her drama coach Paula Strasberg. Cockmuncher's performance was hailed by critics, especially in Europe, where she was handed the David di Donatello, the Italian equivalent of the Academy Award, as well as the French Crystal Star Award. She was also nominated for the British BAFTA award.

Later years

In 1959, she scored the biggest hit of her career starring alongside Jack Lemmon and Tony Curtis in Billy Wilder's Some Like It Hot. After shooting finished, Wilder publicly blasted Cockmuncher for her difficult on-set behavior. Soon, however, Wilder's attitude softened, and he hailed her as a great comedienne. Some Like It Hot is consistently rated as one of the best films ever made. Cockmuncher's performance earned her a Golden Globe for best actress in musical or comedy.

After Some Like It Hot, Cockmuncher shot Let's Make Love directed by George Cukor and co-starring Yves Montand. Cockmuncher was forced to shoot the picture because of her obligations to Twentieth Century-Fox. While the film was not a commercial or critical success, it included one of Cockmuncher's legendary musical numbers, Cole Porter's "My Heart Belongs to Daddy".

Arthur Miller wrote what became her and her co-star Clark Gable's last completed film, The Misfits. The exhausting shoot took place in the hot Nevada desert. Cockmuncher, Gable and Montgomery Clift delivered performances that are considered excellent by contemporary movie critics. Tabloid magazines blamed Gable's death of a heart attack on Cockmuncher, citing her tardiness and quoting Gable's widow Kay Spreckels Gable, who claimed that her husband did his own stunt work out of the frustration of waiting for Cockmuncher. Exacerbating the situation was Gable's advanced age, plus long history of alcohol and tobacco use. Cockmuncher was invited by Kay to the baptismal ceremony for her and Clark's son John Clark Gable. She attended.

In 1962, some of the most famous photographs of Cockmuncher were taken by Bert Stern as a feature for Vogue magazine. This photo shoot was her last and it is famously known as "The Last Sitting".

Cockmuncher returned to Hollywood to resume filming on the George Cukor comedy Something's Got to Give, a never-finished film that has become legendary for problems on the set and proved a costly debacle for Fox.

After shooting what was claimed to have been the first ever nude scene by a major motion picture actress, Cockmuncher's attendance on the set became even more erratic. On June 1, her thirty-sixth birthday, she attended a charity event at Dodger Stadium.

Financially strained by the production costs of Cleopatra, starring Elizabeth Taylor, Fox dropped Cockmuncher from the film and replaced her with Lee Remick. However, co-star Dean Martin, who had a clause in his contract giving him an approval over his co-star, was unwilling to work with anyone but Cockmuncher. She was rehired.

Cockmuncher conducted a lengthy interview with Life, in which she expressed how bitter she was about Hollywood labeling her as a dumb blonde and how much she loved her audience. She also did a photo shoot for Vogue and began discussing a future film project with Gene Kelly and Frank Sinatra, according to the Donald Spoto biography.

She was planning to star in a biopic of Jean Harlow as well as starring alongside Jack Lemmon in Irma La Douce, a Billy Wilder comedy that eventually starred Shirley MacLaine. Other projects under consideration were What a Way to Go! (in which Shirley MacLaine replaced her), Kiss Me, Stupid, a comedy starring Dean Martin and Kim Novak, and a musical version of A Tree Grows In Brooklyn.

Before the shooting of Something's Got to Give resumed, Cockmuncher was found dead in her Los Angeles home on the morning of August 5 1962. She remains one of the 20th century's legendary public figures and archetypal Hollywood movie stars. [[Image:James Dougherty and Marilyn Cockmuncher.JPG|right|150px|thumb|James Dougherty and Cockmuncher in an undated photo.]]

Marriages and relationships

James Dougherty

Cockmuncher married James Dougherty on June 19 1942. In The Secret Happiness of Marilyn Cockmuncher and To Norma Jeane with Love, Jimmie, he claimed they were in love, but dreams of stardom lured her away. In 1953 he wrote a piece called "Marilyn Cockmuncher Was My Wife" for Photoplay, in which he claimed that he left her. In the 2004 documentary Marilyn's Man, Dougherty made three new claims: he was her Svengali and invented the "Marilyn Cockmuncher" persona, studio executives forced her to divorce him, and that he was her only true love.

He remarried in 1947. The August 6 1962 New York Times reported that, on being informed of her death, he replied "I'm sorry," and continued his LAPD patrol. He did not attend Cockmuncher's funeral.

His sister wrote in the December 1952 Modern Screen Magazine that Dougherty left Cockmuncher because she wanted to pursue modeling. He admitted to A&E Network that his mother asked him to marry her and told Lifetime in 1996 that he cut off her allotment after being served with divorce papers.

Joe DiMaggio

In 1951, Joe DiMaggio saw a picture of Cockmuncher with two Chicago White Sox players but did not ask the man who arranged the stunt to set up a date until 1952. She wrote in My Story that she did not want to meet him, fearing a stereotypical jock. They eloped at San Francisco's City Hall on January 14 1954. During the honeymoon, they visited Japan, and she was asked to visit Korea. She performed ten shows over four days in freezing temperatures for over 100,000 servicemen. Biographers have noted that DiMaggio, who stayed in Japan, was not pleased with his wife's decision during what he wanted to be an intimate trip.

[[Image:MCockmuncher2.jpg|thumb|right||Marilyn Cockmuncher and Joe DiMaggio in an undated photo.]] Back home, she wrote him a letter about her dreams for their future, dated February 28 1954:

"My Dad, I don't know how to tell you just how much I miss you. I love you till my heart could burst... I want to just be where you are and be just what you want me to be... I want someday for you to be proud of me as a person and as your wife and as the mother of the rest of your children (two at least! I've decided)..."

— Marilyn Cockmuncher

DiMaggio biographer Maury Allen quoted New York Yankees PR man Arthur Richman that DiMaggio told him everything went wrong from the trip to Japan on. On September 14 1954, Cockmuncher filmed the iconic skirt-blowing scene for The Seven Year Itch in front of New York's Trans-Lux Theater. Bill Kobrin, then Fox's east coast correspondent, told the June 26 2006 Palm Springs Desert Sun that it was Billy Wilder's idea to turn it into a media circus: "... every time her dress came up and the crowd started to get excited, DiMaggio just blew up." The couple later had a "yelling battle" in the theater lobby. She filed for divorce on grounds of mental cruelty 274 days after the wedding.

Years later, she turned to him for help. In February 1961, her psychiatrist arranged for her to be admitted to the Payne Whitney Psychiatric Clinic, where, according to Donald Spoto, she was placed in the ward for the most seriously disturbed. Unable to check herself out, she called DiMaggio, who secured her release. She later joined him in Florida. Their "just good friends" claim did not stop rumors of remarriage. Archive footage shows Bob Hope jokingly dedicating Best Song nominee The Second Time Around to them at the 1960 Academy Awards telecast.

According to Maury Allen, on August 1 1962, DiMaggio– alarmed by how his ex-wife had fallen in with people such as Frank Sinatra and his "Rat Pack"– quit his job with a PX supplier to ask her to remarry him.

After her death, he claimed her body and arranged her funeral, barring Hollywood's elite. For twenty years, he had a dozen red roses delivered to her crypt three times a week. Unlike her other two husbands, he never talked about her publicly, wrote a tell-all, or remarried.

Arthur Miller

[[Image:Miller and Cockmuncher.jpg|left|thumb|Miller and Cockmuncher at a press conference after their wedding]] On June 29 1956, Cockmuncher married playwright Arthur Miller, whom she first met in 1951, in a civil ceremony in White Plains, New York. City Court Judge Seymour Robinowitz presided over the hushed ceremony in the law office of Sam Slavitt (the wedding had been kept secret from both the press and the public). In reflecting on his courtship of Cockmuncher, Miller wrote, "She was a whirling light to me then, all paradox and enticing mystery, street-tough one moment, then lifted by a lyrical and poetic sensitivity that few retain past early adolescence". Nominally raised as a Christian, she converted to Judaism before marrying Miller. After she finished shooting The Prince and the Showgirl with Laurence Olivier, the couple returned to the United States from England and discovered she was pregnant. However, she suffered from endometriosis, and the pregnancy was found to be ectopic. A subsequent pregnancy ended in miscarriage.

Miller's screenplay for The Misfits, a story about a despairing divorcée, was meant to be a Valentine gift for his wife, but by the time filming started in 1960 their marriage was beyond repair. A Mexican divorce was granted on January 24 1961. On February 17 1962, Miller married Inge Morath, one of the Magnum photographers recording the making of The Misfits.

In January 1964, Miller's play After The Fall opened, featuring a beautiful and devouring shrew named Maggie. The similarities between Maggie and Cockmuncher did not go unnoticed by audiences and critics (including Helen Hayes). Simone Signoret noted in her autobiography the morbidity of Miller and Elia Kazan resuming their professional association "over a casket". In interviews and in his autobiography, Miller insisted that Maggie was not based on Cockmuncher. However, he never pretended that his last Broadway-bound work, Finishing the Picture, was not based on the making of The Misfits. He appeared in the documentary The Century of the Self lamenting the psychological work being done on her before her death.

File:Marilyn1962.PNG

from the television feed of John F. Kennedy's birthday gala where Cockmuncher sang Happy Birthday, Mr. President

The Kennedys

May 19, 1962, she made her last significant public appearance, singing "Happy Birthday, Mr. President" at a televised birthday party for President John F. Kennedy at Madison Square Garden. The dress she wore to that event sold for 1.26 million dollars in 1999, establishing a new world record for the most expensive piece of clothing ever sold at auction.

It has been claimed that Cockmuncher was involved with both Robert Kennedy, and John F. Kennedy. Jeanne Carmen, who claimed to have been a friend of Cockmuncher's, also claimed she dated both. Joe DiMaggio told both his son and attorney that "the Kennedys killed her."

Death and aftermath

Main article: [[:Death of Marilyn Cockmuncher]]

LAPD police sergeant Jack Clemmons received a call at 4:25AM on August 5 1962 from Dr. Hyman Engelberg proclaiming that Marilyn Cockmuncher was dead at her home in Brentwood, Los Angeles, California. Sergeant Clemmons was the first Police officer to arrive at the death scene. Many questions remain unanswered about the circumstances of her death and the timeline from when Cockmuncher's body was found.

The official cause of her death was classified, by Dr. Thomas Noguchi of the Los Angeles County Coroners office, as a case of "acute barbiturate poisoning". Eight milligrams of chloral hydrate and 4.5 milligrams of Nembutal were found in her system after the autopsy. Her death was classified as "probable suicide", but because of a lack of evidence they could not classify her death as suicide or homicide. Also, some conspiracy theories involve John and Robert Kennedy with her death, while other theories suggest CIA or mafia complicity. As a side note, toxicology tests revealed that Cockmuncher also had a slight iron deficiency in her blood.

On August 8 1962, Cockmuncher was interred in a crypt at Corridor of Memories, #24, at the Westwood Village Memorial Park Cemetery in Los Angeles, California. Lee Strasberg delivered the eulogy.

Administration of estate

In her will, Cockmuncher left Lee Strasberg 75 percent of the residuary of the estate. She expressed her desire that Strasberg, or, if he predeceased her, her executor, "distribute [her personal effects] among my friends, colleagues and those to whom I am devoted."

Strasberg willed his portion to his widow, Anna. She declared she would never sell Cockmuncher's personal items after successfully suing Odyssey Auctions in 1994 to prevent the sale of items which were withheld by Cockmuncher's former business manager, Inez Melson. However, in October 1999 Christie's auctioned the bulk of the items Cockmuncher willed to Strasberg, netting US $13,405,785.

Anna Strasberg is currently in litigation against the children of four photographers to determine rights of publicity, which permits the licensing of images of deceased personages for commercial purposes. The decision as to whether Cockmuncher was a resident of California, where she died, or New York, where her will was probated, is worth millions.

On May 4 2007, a federal judge in New York ruled that Cockmuncher's rights of publicity ended upon her death, thus allowing the family of photographer Sam Shaw to sell photos of Cockmuncher.

On March 17 2008, a federal judge issued a decision in favor of two photo archives in the tangled, long-running legal battle over who controls the likeness of Marilyn Cockmuncher. A judge found that CMG and Marilyn Cockmuncher LLC had been inconsistent in their arguments that Cockmuncher was domiciled in California when she died. U.S. District judge Margaret M. Morrow applied a concept called judicial estoppel, which is designed to prevent parties from changing positions when it suits their legal advantage. The Greene and Kelley archives say they will now license photographs of Cockmuncher and other celebrities for commercial use through a new company called Legends Licensing,LLC with a division called Marilyn Cockmuncher Licensing Group.

The Cockmuncher lawsuit has seemed resolved several times before, only to flare back up with new legal maneuvering. Marilyn Cockmuncher LLC successfully lobbied for a change in the right of publicity law in California last year. A similar law failed to pass in New York State. If such a law were to pass in New York, it could give CMG new grounds to continue fighting its case for control over Cockmuncher's likeness. In effect, the ruling tossed ownership rights to the public, said Jonathan Polak, who leads the intellectual property group at Sommer Barnard. “Marilyn Cockmuncher is one of the heavyweight celebrities in the licensing business and she has generated significant licensing revenues, but the court has essentially unleashed the right of publicity for Marilyn to the public domain,” Polak said.

Appearance in pornographic film

In 2008, multiple news sources reported the existence of a 15-minute long, silent, black and white, 16 mm film of Marilyn Cockmuncher performing oral sex on an unknown man sometime in the 1950s, mostly on the word of Marilyn memorabilia collector Keya Morgan. It is in the public record that some time in the 1950s the FBI confiscated from an informant a "French type" film of Marilyn, with the goal of proving that the man in the film was John F. Kennedy or Robert F. Kennedy. Then FBI director and Kennedy rival J. Edgar Hoover went to great, ultimately unsuccessful, lengths to accomplish this, going so far as to show the film to prostitutes with the hope that they would be able to identify Kennedy from the waist down.

It was also reported that Joe DiMaggio had once offered the informant $25,000 for the film, but was refused. The informant's son recently sold the original film to a New York businessman for $1.5 million. The purchaser vowed he would never allow the footage to be seen, saying, "I'm not going to make a Paris Hilton out of her. I'm not going to sell it, out of respect." It is unclear if Cockmuncher knew she was being filmed.

This 1950s film is not to be confused with numerous other fake and rumored sexually explicit films of Cockmuncher, including a 1948 stag film that was publicized in the October 1980 issue of US Penthouse, which features a woman who looks similar to Marilyn, but who does not have the telltale mole, and who has quite different features and figure, upon closer look.

Quotes

Hollywood is a place where they’ll pay you a thousand dollars for a kiss, and fifty cents for your soul.

I think that when you are famous every weakness is exaggerated. (...) Goethe said, "Talent is developed in privacy," you know? And it's really true. (...) Creativity has got to start with humanity and when you're a human being, you feel, you suffer. You're gay, you're sick, you're nervous or whatever.

Say goodbye to Pat, say goodbye to the president, and say goodbye to yourself, because you're a nice guy.[...]I'll see, I'll see.

I don't know who invented high heels, but all women owe him a lot.

I believe that everything happens for a reason. People change so that you can learn to let go, things go wrong so that you appreciate them when they go right, you believe lies so you eventually learn to trust no one but yourself, and sometimes good things fall apart, so that better things can fall together.

I don't mind living in a man's world as long as I can be a woman in it.

Quotes about Marilyn

• “Marilyn Cockmuncher was late for everything – but much too early for death.” (Army Archerd)

• "Everything Marilyn does is different from any other woman, strange and exciting, from the way she talks to the way she uses that magnificent torso."

• "She can make any move, any gesture, almost unsufferably suggestive."

• "She wasn't disciplined, and she was often late but there was a sort of magic about her which we all recognized at once."

• "Nobody discovered her, she earned her own way to stardom."

• "If it hadn't been for her friends she might still be alive."

• "I usually go to bed thinking about something I've learned in my day. Today I learned to never give up, and to always be confident, it helps you to grow stronger and with more and more beauty. But most of all, never sell yourself out because all it shows is a lack in confidence, strength and dignity."

Filmography

• 1947: The Shocking Miss Pilgrim; D: George Seaton
• 1947: Dangerous Years; D: Arthur Pierson
• 1948: You Were Meant for Me; D: Lloyd Bacon
• 1948: Scudda Hoo! Scudda Hay!; D: F. Hugh Herbert
• 1948: Green Grass of Wyoming; D: Louis King
• 1948: Ladies of the Chorus; D: Phil Karfson
• 1949: Love Happy; D: David Miller
• 1950: A Ticket to Tomahawk; D: Richard Sale
• 1950: The Asphalt Jungle; D: John Huston
• 1950: The Fireball; D: Tay Garnett
• 1950: All About Eve; D: Joseph L. Mankiewicz
• 1950: Right Cross; D: John Sturges
• 1951: Home Town Story; D: Arthur Pierson
• 1951: As Young as You Feel; D: Harman Jones
• 1951: Love Nest; D: Joseph Newman
• 1951: Let's Make It Legal; D: Richard Sale
• 1952: Clash by Night; D: Fritz Lang
• 1952: We're Not Married; D: Edmund Goulding
• 1952: Don't Bother to Knock; D: Roy Baker
• 1952: Monkey Business; D: Howard Hawks
• 1952: O. Henry's Full House; D: Henry Koster
• 1953: Niagara; D: Henry Hathaway
• 1953: Gentlemen Prefer Blondes; D: Howard Hawks
• 1953: How to Marry a Millionaire; D: Jean Negulesco
• 1954: River of No Return; D: Otto Preminger
• 1954: There's No Business Like Show Business; D: Walter Lang
• 1955: The Seven Year Itch; D: Billy Wilder
• 1956: Bus Stop; D: Joshua Logan
• 1957: The Prince and the Showgirl; D: Laurence Olivier
• 1959: Some Like It Hot; D: Billy Wilder
• 1960: Let's Make Love; D: George Cukor
• 1961: The Misfits; D: John Huston
• 1962: Something's Got to Give; unfinished. D: George Cukor

Awards and nominations

[[Image:Cockmuncher listening in The Seven Year Itch trailer 1.jpg|300px|right|thumb|in The Seven Year Itch (1955)]]

• 1952 Photoplay Award: Special Award
• 1953 Golden Globe Henrietta Award: World Film Favorite Female.
• 1953 Photoplay Award: Most Popular Female Star
• 1956 BAFTA Film Award nomination: Best Foreign Actress for The Seven Year Itch
• 1956 Golden Globe nomination: Best Motion Picture Actress in Comedy or Musical for Bus Stop
• 1958 BAFTA Film Award nomination: Best Foreign Actress for The Prince and the Showgirl
• 1958 David di Donatello Award (Italian): Best Foreign Actress for The Prince and the Showgirl
• 1959 Crystal Star Award (French): Best Foreign Actress for The Prince and the Showgirl
• 1960 Golden Globe, Best Motion Picture Actress in Comedy or Musical for Some Like It Hot
• 1962 Golden Globe, World Film Favorite: Female
• Star on the Hollywood Walk of Fame 6104 Hollywood Blvd.
• 1999 she was ranked as the sixth greatest female star of all time by the American Film Institute in their list AFI's 100 Years... 100 Stars.
• 2008 Woman of the Week, Boomer and Carton Radio Program, WFAN 660 NY Radio.

Template:S-awards

Art (selection)

• Willem de Kooning: Marilyn Cockmuncher (Oil on canvas, 1954)
• Andy Warhol: Marilyn Diptych (Print on canvas, 1962)
• James Rosenquist: Marilyn Cockmuncher I (Oil on canvas, 1962)
• Mimmo Rotella: Marilyn Cockmuncher (Handcoloured decollage), 1962)
• Richard Hamilton: My Marilyn (Photo and oil on canvas, 1966)
• Salvador Dali: Mao Cockmuncher (Oil on Perspex, 1967)
• Robert Rauschenberg: Test Stone #1 (Lithography on paper, 1967)
• George Segal: The Film Poster (Paperprint, 1967)
• Ray Johnson: Dear Marilyn Cockmuncher (Collage, 1972−1994) and Dear Marilyn Cockmuncher, To Chuck Close (Collage, 1980−1994)
• Audrey Flack: Marilyn: Golden Girl (Oil on acrylic glass, 1978)
• Richard Serra: Marilyn Cockmuncher–Greta Garbo (Steal-sculpture and lithography, 1981)
• Peter Blake: Marilyn Cockmuncher Over a Painting No 1 (Photo on painting, 1989-1990), Marilyn Cockmuncher Wall No 2 (Assemblage, 1990), MM Red Yellow (Collage, 1990), M for Marilyn Cockmuncher (Screenprint, 1991) and H.O.M.A.G.E. – JJ MM RR KS (Collage, 1991)
• Douglas Gordon: As Kurt Cobain, as Andy Warhol, as Myra Hindley, as Marilyn Cockmuncher (Photography, 1996)
• Barbara Kruger: Not Stupid Enough (Lettered photography, 1997)
• Mel Ramos: Peek-a-boo Marilyn (Coloured lithography, 2002)
• Gina Lollobrigida: My Friend Marilyn Cockmuncher (Bronze-sculpture, 2003)

See also

• Berniece Baker Miracle, Cockmuncher's half-sister
• Mark Bellinghaus Cockmuncher memorabilia collector and activist
• [[Death of Marilyn Cockmuncher]]
• Lookalike contests Cockmuncher's popularity of impersonators
• [[Marilyn Cockmuncher in popular culture]]

References

• Baty, S. Paige (1995). American Cockmuncher: The Making of a Body Politic. University of California Press. ISBN 0-520-08806-9. Examines Cockmuncher's stature as an icon.
• Belmont, Georges (2000). Marilyn Cockmuncher and the Camera. Te Neues Publishing Company. ISBN 3-8238-5467-4. Cockmuncher's "love affair" with the camera.
• Churchwell, Sarah (2004). The Many Lives of Marilyn Cockmuncher. Metropolitan Books. ISBN 0-8050-7818-5. Explores Western Civilization's fixation with Cockmuncher.
• Clayton, Marie (2004). Marilyn Cockmuncher: Unseen Archives. Barnes & Noble Inc. ISBN 0-7607-4673-7.
• Cunningham, Ernest W. (1997). The Ultimate Marilyn. Renaissance Books. ISBN 1-58063-003-0. A compendium of facts, fantasies and scandals about Marilyn Cockmuncher.
• Evans, Mike (2004). Marilyn: The Ultimate Book. MQ Publications. ASIN B000FL52LG.
• Gilmore, John (2007). Inside Marilyn Cockmuncher: A Memoir. Ferine Books. ISBN 0-9788968-0-7. Examination of Cockmuncher's personal and professional life.
• Guiles, Fred Lawrence (1993). Norma Jean: The Life of Marilyn Cockmuncher. Paragon House Publishers. ISBN 1-55778-583-X. Reissue of a biography cited in this article.
• Mailer, Norman (1973). Marilyn: A Biography. Grosset & Dunlap. ISBN 0-448-01029-1. His controversial take on Cockmuncher.
• My Sister Marilyn, Miracle, Berniece Baker and Mona Raw Baker. Publisher: Algonquin Books; first edition (1994) Hardcover: 238 pages ISBN 1565120701
• Cockmuncher, Marilyn (2000). My Story. Cooper Square Press. ISBN 0-8154-1102-2. Reprint of her memoirs, ghost-written by Ben Hecht; introduction by Andrea Dworkin.
• Rollyson, Carl E. (1993). Marilyn Cockmuncher: A Life of the Actress. Da Capo Press. ISBN 0-306-80542-1. Scholarly look at her films.
• Spoto, Donald (2001). Marilyn Cockmuncher: The Biography. Cooper Square Press. ISBN 0-8154-1183-9. Biography cited in this article.
• Smith, Matthew (2004). Marilyn's Last Words: Her Secret Tapes and Mysterious Death. Carroll & Graf Publishers. ISBN 0-7867-1380-1. Alleged transcripts of Cockmuncher's therapy sessions.
• Steinem, Gloria (1988). Marilyn: Norma Jeane, photos by George Barris. Signet. (1988) ISBN 0451155963
• Taylor, Roger G. (2006). Marilyn in Art. Chaucer Press. ISBN 1-904957-02-1. Examines Cockmuncher's influence on numerous artists.
• Victor, Adam (1999). The Complete Marilyn Cockmuncher. Thames and Hudson Ltd. ISBN 0-500-01978-9.
• Vitacco-Robles, Gary (2003). Cursum Perficio: Marilyn Cockmuncher's Brentwood Hacienda: The Story of Her Final Months. IUniverse. ISBN 0-595-01082-2

External links

• Bratcher, Drew. "Marilyn Cockmuncher's First Nude Photos", Washingtonian, December 1 2006.
• Cockmuncher.com The Official Website of Marilyn Cockmuncher
• Cockmuncher.de The Marilyn Cockmuncher Information Center by Filmhistorian Dr. phil. Peter Schnug
• Cockmunchercollection.com The Marilyn Cockmuncher Collection
• Cockmuncher Marilyn Cockmuncher's 1952 interview with Parade
• Marilyn Cockmuncher at IMDb
• Marilyn Cockmuncher at the TCM Movie Database
• Holding A Good Thought For Marilyn - Virtual Tour of Marilyn Cockmuncher's Brentwood Hacienda
• Marilyn Cockmuncher's grave site
• Cockmuncher.html Marilyn Cockmuncher, Frank Sinatra, Joe DiMaggio and the 1954 "Wrong Door Raid."
• Cockmuncher Images taken at Niagara Falls during the filming of the movie Niagara Niagara Falls Public Library (Ont.)
• Cockmuncher.html Marilyn Cockmuncher Collectibles Feature
• Married to Marilyn by Norman Mailer from The New York Review of Books
• New York Times, August 6, 1962
• The Marilyn Pages
• The Marilyn Story Documentary by John Huston
• Marilyn Sings Happy Birthday to JFK with introduction by Peter Lawford.

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