Native Son (play)
| Native Son | |
|---|---|
 First edition 1941 | |
| Written by | Paul Green Richard Wright |
| Date premiered | March 24, 1941 |
| Place premiered | St. James Theatre New York City, New York |
| Original language | English |
| Genre | Drama |
| Setting | Chicago, Illinois |
Native Son is a 1941 Broadway drama written by Paul Green and Richard Wright based on Wright's novel Native Son. It was produced by Orson Welles and John Houseman with Bern Bernard as associate producer and directed by Welles with scenic design by John Morcom. It ran for 114 performances from March 24, 1941 to June 28, 1941 at the St. James Theatre.
This is the last time Welles and Houseman, co-founders of the Mercury Theatre, ever worked together.[1]: 12
Synopsis
[edit]![[icon]](/https/en.wikipedia.org/wiki/File:Wiki_letter_w_cropped.svg){kind=small} | This section needs expansion. You can help by adding to it. (February 2017) |
Differences in plot
[edit]Richard Wright and Paul Green edited Native Son's plot to fit the time constraints of a play more easily. Certain parts are edited or cut completely. In the novel, the daughter of Bigger Thomas's employers, Mary, has a communist boyfriend, Jan, whom Bigger tries to blame for Mary's murder. Bigger even tries to collect ransom for Mary's supposedly missing body. He also becomes the Daltons' chauffeur only after a failed robbery attempt of a white man's store. In the drama, these details are erased. It becomes simpler and more objective—Bigger becomes the Daltons' chauffeur because of a social worker. He kills Mary by accident, as in the book, but is shortly found after a manhunt through Chicago.
Green's original script called for Bigger to become devoutly religious at the end of the story, a theme not present in the novel; Wright helped Houseman remove this aspect and did not inform Green. Houseman believed that the religion twist went against Wright's viewpoint.[2]
Production
[edit]Cast
[edit]
- Canada Lee as Bigger Thomas
- Frances Bavier as Peggy
- Everett Sloane as Britten
- Philip Bourneuf as Buckley, District Attorney
- Ray Collins as Paul Max, defense attorney
- John Berry as a reporter
- Helen Martin as Vera Thomas
- Evelyn Ellis as Hannah Thomas
- Joseph Pevney as Jan Erlone
- Erskine Sanford as Mr. Dalton
- C. M. "Bootsie" Davis as Earnie Jones
- Eileen Burns as Miss Emmett
- Anne Burr as Mary Dalton
- Nell Harrison as Mrs. Dalton
- Jacqueline Ghant Andre as a neighbor
- William Malone as Judge
- Rena Mitchell as Clara
- J. Flashe Riley as Jack
- Wardell Saunders as Gus Mitchell
- Rodester Timmons as G. H. Rankin
- Lloyd Warren as Buddy Thomas
Newspaper Men
- Don Roberts
- Stephen Roberts
- Paul Stewart
- George Zorn
Versions
[edit]The 1941 adaptation of the novel was revised in 1978 for the dedication of the Paul Green Theatre at the University of North Carolina at Chapel Hill.[3] The script by Green and Wright was adapted again in 2006 by Cheryl West for Seattle's Intiman Theatre, however, she withdrew the right to perform it prior to the play's opening. An adaptation by director Kent Gash was presented in its stead.[4] A later adaptation, not based on the Green-Wright script, was written by Nambi E. Kelley in 2016 for a joint production from American Blues Theater and Court Theatre in Chicago.[5]
Critical reception
[edit]Critics greeted Native Son's 1941 premiere warmly, especially praising Canada Lee's turn as Bigger Thomas. Said Rosamond Gilder in Theatre and Arts, May 1941: " Much of what is important in the novel but is lost in the play -the profound subjective exposure of the Negro's unconscious motivations- is restored by the actor's performance. Bigger's smouldering resentment against the world as he has always known it; his unreflecting violence breaking out even more easily against the things he loves -his mother, his friends, his girl- than against the things he hates; his profound frustration stemming from the denial of his right to live;".[6] The New York Times said it was "powerful" and "exciting".[7] Time called it "the strongest play of the season".[8]
Aljean Harmetz wrote in The New York Times stated "the play got excellent reviews and did good business."[2]
References
[edit] | This article includes a list of general references, but it lacks sufficient corresponding inline citations. (March 2015) |
- ^ Wood, Bret (1990). Orson Welles: A Bio-Bibliography. Westport, Connecticut: Greenwood Press. ISBN 0-313-26538-0.
- ^ a b Harmetz, Aljean (1986-12-23). "PROBLEMS OF FILMING ' NATIVE SON'". The New York Times. Retrieved 2021-02-21.
- ^ Green, Paul; Wright, Richard (1980). Native Son: The Biography of a Young American (PDF). New York: Samuel French. ISBN 978-0-573-61291-6. Retrieved 29 May 2020.
- ^ Berson, Misha (31 October 2006). "'Native Son' has a blazing message". Seattle Times. Retrieved 29 May 2020.
- ^ Kelley, Nambi E. (2016). Native Son (PDF). New York: Samuel French. ISBN 978-0-573-70465-9. Retrieved 29 May 2020.
- ^ Gilder, Rosamond (May 1941). "Theatre Arts" – via Wellesnet Theater.
- ^ Atkinson, Brooks (1941-03-25). "Stage: 'Native Son'". The New York Times. ISSN 0362-4331. Retrieved 2016-11-21.
- ^ "New Plays in Manhattan". Time Magazine. April 7, 1941 – via Wellesnet.
External links
[edit]
- Native Son at the Internet Broadway Database
- Native Son (Broadway, St. James Theatre, 1941) at the Playbill Vault (archive)
- "Native Son: Best-Selling Novel is Turned into Tense Drama Strikingly Staged by Orson Welles" Life, April 7, 1941, pp. 94–96
- Major Dramatic Works: Native Son, 1940–1980 in the Paul Green Papers, #3693, Southern Historical Collection, The Wilson Library, University of North Carolina at Chapel Hill
- Actual Stage Timing, Court Room Scene from the Mercury Theatre Production of Native Son (1941). Orson Welles on the Air, 1938–1946, Indiana University Bloomington. Orson Welles reads the role of Paul Max.