Author:Caroline Elizabeth Sarah Norton
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Works
[edit]Political pamphlets
[edit]- A Voice from the Factories (1836) as reproduced in The Laboring Classes of England (1847) annotated as anonymous author
- Separation of Mother and Child by the Laws of Custody of Infants Considered (1837)
- A Plain Letter to the Lord Chancellor on the Infant Custody Bill (1839)
- Letters to the Mob (1848)
- English laws for women in the nineteenth century (1854)
- A Letter to the Queen on Lord Chancellor Cranworth's Marriage & Divorce Bill (1855)
- A Review of the Divorce Bill of 1856, with propositions for an amendment of the laws affecting married persons (1857)
Poetry collections
[edit]- The Sorrows of Rosalie: A Tale with Other Poems (1829)
- I Do Not Love Thee (1829)
- The Cold Change (1829)
- The Undying One and Other Poems (1830)
- The Faithless Knight (1830)
- The Dream and Other Poems (1840)
- The Child of the Islands (1845)
- Aunt Carry's Ballads for Children (1847)
- Bingen on the Rhine (undated) "Copyrighted 1883 by Porter & Coates, Philadelphia"
- The Centenary Festival (1859)
- The Lady of La Garaye (1862)
Poems
[edit]Novels
[edit]- The Dandies Rout (1825)
- The Wife, and Woman's Reward (1835)
- Stuart of Dunleath (1851)
- Lost and Saved (1863)
- Old Sir Douglas (1866)
Plays
[edit]- The Gypsy Father (1830)
- Vathek (based on the novel by William Beckford, 1830)
Works about Norton
[edit]- "Caroline Elizabeth Sarah Norton (Lady Stirling-Maxwell)" in Littell's Living Age, 134 (1728) (1877)
- "Norton, Caroline Elizabeth Sarah," in A Short Biographical Dictionary of English Literature, by John William Cousin, London: J. M. Dent & Sons (1910)
- "Norton, Caroline Elizabeth Sarah," in Dictionary of National Biography, 1885-1900, London: Smith, Elder, & Co. (1885–1900) in 63 vols.
- "Mrs. Norton," in The Maclise Portrait-Gallery (pp. 53−}58), by William Bates, illustrated by Daniel Maclise, London: Chatto and Windus (1883)
- "Norton, Caroline Elizabeth Sarah," in Encyclopædia Britannica (11th ed., 1911)
Some or all works by this author were published before January 1, 1929, and are in the public domain worldwide because the author died at least 100 years ago. Translations or editions published later may be copyrighted. Posthumous works may be copyrighted based on how long they have been published in certain countries and areas.
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