Diego Velázquez

Diego Velázquez
Diego Velázquez
	Ritrato-han-kalugaringon, 45 × 38 cm
Natawo nga ngaran	Diego Rodríguez de Silva y Velázquez
Natawo	Hunyo 6, 1599; Sevilla, Espanya
Namatay	Agosto 6, 1660 (edad 61); Madrid, Espanya
Nasodhanon	Espanyol
Larangan	Pintura
Gios	Baroque
Mga buhat	Las Meninas, 1656; Rokeby Venus, 1644–1648; The Surrender of Breda, 1634–1635; List of works

Ha hini nga Espanyol nga ngaran; Rodríguez de Silva an syahan o kanan-amay nga apelyido ngan Velázquez an ikaduha o kanan-iroy nga apelyido.

Hi Diego Rodríguez de Silva y Velázquez (Kinatsila: [ˈdjeɣo roˈðɾiɣeθ ðe ˈsilβa i βeˈlaθkeθ]; ginbunyagán Hunyo 6, 1599 – Agosto 6, 1660) amo an usa ka Espanyol nga pintor nga nangunguna nga artista ha Korte ni Hadi Felipe IV ngan usá han labaw nga importante nga mga pintor han Espanyol nga Siglo hin Bulawan. Usá hiyá nga individualista nga artista han kontemporaryo nga panahon nga Baroque. Dugang hin damo nga mga pagpintor hin mga exsena nga mayda importansya ha kaagi ngan ha kultura, nagpintar gihapon hiya hin damo nga mga retrato han kanan-Espanyol nga-hadi nga panimalay, iba nga mga kilalado nga tawo ha Europa, ngan mga ordinaryo nga tawo, nga inmabot han paghimo han iya obra maestra nga Las Meninas (1656).

Tikang han syahan nga ika-upag nga bahin han ika-napulo-kag-siyam nga siglo, an buhat-ha-arte ni Velázquez amo in modelo para han realista ngan impresyonista nga mga pintor, ha partikular hi Édouard Manet. Tikang hadto nga panahon, mga kilalado nga mga artista nga moderno, upod hira Pablo Picasso, Salvador Dalí ngan Francis Bacon, naghatag hin dungog kan Velázquez pinaagi hin paghimo hin mga bersyon han iya mga kilalado nga mga buhat.

Mga pinili nga buhat

Apollo in the Forge of Vulcan (Apolo en la Fragua de Vulcano) (1630) – Oil on canvas, 223 x 290 cm, Museo del Prado, Madrid
Christ in the House of Martha and Mary (1618) – Oil on canvas, 63 x 103.5 cm, National Gallery, London
Cristo crucificado (1631) – Oil on canvas, 248 x 169 cm, Museo del Prado, Madrid
Democritus (c. 1630) – Oil on canvas, 101 x 81 cm, Musée des Beaux-Arts, Rouen
El Triunfo de Baco (Los borrachos) (1628–1629) – Oil on canvas, 165 x 225 cm, Museo del Prado, Madrid
Temptation of St. Thomas (1632) – Oil on canvas, 244 x 203 cm, Museum of Orihuela Cathedral, Spain
Equestrian portrait of Duke de Olivares (1634) – Oil on canvas, 313 x 239 cm, Museo del Prado, Madrid
Esopo (1639–1640) – Oil on canvas, 179 × 94 cm, Museo del Prado, Madrid
Imposición de la casulla a San Ildefonso (1623) – Oil on canvas, 165 × 115 cm, Museo de Bellas Artes, Seville
Old Woman Frying Eggs (c. 1618) – Oil on canvas, 105 × 119 cm, National Gallery, Edinburgh
La reina Isabel de Borbón a caballo (1629) – Oil on canvas, 301 x 314 cm, Museo del Prado, Madrid
Las Hilanderas (The Fable of Arachne) (c. 1657) -Oil on canvas, 167 × 252 cm, Museo del Prado, Madrid
Las Meninas (1656) - Oil on canvas, 318 × 276 cm
Mars Resting (1640) - Oil on canvas, 179 × 95 cm, Museo del Prado, Madrid
Menipo (1639–1640) – Oil on canvas, 179 × 94 cm, Museo del Prado, Madrid
Mercury and Argus (1659) – Oil on canvas, 127 × 248 cm, Museo del Prado, Madrid
Portrait of Count Duke of Olivares (1624) – Oil on canvas, 202 x 107 cm, São Paulo Museum of Art, São Paulo
Portrait of Duke de Olivares (1635) - Oil on canvas, 67 × 54.5 cm, Hermitage Museum, St. Petersburg
Ritrato ni Inocencio X (c. 1650) - Oil on canvas, 141 x 119 cm, Galleria Doria Pamphilj, Roma
Portrait of Juan de Pareja (1650) - Oil on canvas, 81.3 x 69.9 cm, Metropolitan Museum of Art, New York City
Infanta Margarita Teresa in a Pink Dress (c. 1653/1654) - Oil on canvas, 128 x 99,5 cm, Kunsthistorisches Museum, Vienna^[2]
Infanta Margarita Teresa in a Blue Dress (1659) - Oil on canvas, 127 x 107 cm, Kunsthistorisches Museum, Vienna^[3]
Infant Philipp Prosper (1659) - Oil on canvas, 129 x 99 cm, Kunsthistorisches Museum, Vienna^[4]
Portrait of Mother Jerónima de la Fuente (1620) – Oil on canvas, 79 x 51 cm, Museo del Prado, Madrid^[5]^[6]^[7]
Rokeby Venus (La Venus del espejo, c. 1648–1651) – Oil on canvas, 122 × 177 cm, National Gallery, London
The Surrender of Breda (1633–1635) – Oil on canvas, 307 × 367 cm, Museo del Prado, Madrid
The Adoration of the Magi (1619) – Oil on canvas, 203 × 125 cm, Museo del Prado, Madrid
The Lady with a Fan, (c. 1638–1639) – Oil on wood, 69 x 51 cm, The Wallace Collection, London^[5]^[6]^[8]^[9]
The Lunch (c. 1617) – Oil on canvas, 108 x 102 cm, Hermitage Museum, St. Petersburg
The Waterseller of Seville (c. 1620) – Oil on canvas, 105 × 80 cm, Apsley House, London
San Pablo (c.1618) – Oil on canvas, 99 x 78 cm, Museu Nacional d'Art de Catalunya, Barcelona

Pinanbasaran

↑ On-line gallery Prado Museum. Retrieved 31 Oktubre 2013.
↑ Kunsthistorisches Museum, Wien "Infantin Margarita Teresa (1651-1673) in rosafarbenem Kleid | Diego Rodríguez de Silva y Velázquez | um 1653/1654 | Inv. No.: GG_321" Ginhipos 26 Oktubre 2014 han Wayback Machine Retrieved on 27 Enero 2014.
↑ Ipakita an sayop: Invalid <ref> tag; no text was provided for refs named bilddatenbank.khm.at
↑ Ipakita an sayop: Invalid <ref> tag; no text was provided for refs named Kunsthistorisches Museum 1661
↑ ^5.0 ^5.1 Serrano, Hanna, Tanya J. Tiffany and Ronald E. McNair. Mother Jeronima de la Fuente: Founder of First Convent of Nuns in the Philippines, A Woman Religious and Reflection of Christ, University of Wisconsin, Milwaukee, retrieved on 17 Hunyo 2007
↑ ^6.0 ^6.1 Zirpolo, Lillian. Madre Jeronima de la Fuente and Lady With A Fan Two Portraits by Velazquez Reexamined Woman's Art Journal, Vol. 15, No. 1 (Spring – Summer, 1994), pp. 16–21, JStor.org, Retrieved on 24 Hunyo 2007
↑ Great Masters Gallery, Diego Rodriguez de Silva Velazquez Art Reproductions, Jeronima de la Asuncion c.1620, 79 x 51 cm, The Wallace Collection, London, UK, 2007, retrieved on 24 Hunyo 2007
↑ Great Masters Gallery, Diego Rodriguez de Silva Velazquez Art Reproductions, The Lady with a Fan, c.1630/50, The Wallace Collection, London, UK, 2007, retrieved on 24 Hunyo 2007
↑ "Signs of identity in Lady with a Fan by Diego Velazquez: costume and likeness reconsidered". The Art Bulletin. Marso 2004. Ginhipos tikang han orihinal han 16 Oktubre 2007. Ginkuhà 8 Disyembre 2007. |first= missing |last= (help)

Bibliograpiya

Brown, Dale (1969). The World of Velázquez: 1599–1660. New York: Time-Life Books. ISBN 0-8094-0252-1.
Brown, Johnathan (1986) Velázquez: Painter and Courtier Yale University Press, New Haven, ISBN 0-300-03466-0 ;
Brown, Jonathan (1978) Images and Ideas in Seventeenth-Century Spanish Painting Princeton University Press, Princeton, New Jersey, ISBN 0-691-03941-0;
Brown, Johnathan (2008) Collected writings on Velázquez, CEEH & Yale University Press, New Haven, ISBN 978-0-300-14493-2.
Calvo Serraller, Francisco (1999). Velázquez:. Madrid: Electa. ISBN 84-8156-203-3. https://archive.org/details/velazquez0000fran.
Davies, David and Enriqueta Harris (1996) Velázquez in Seville National Gallery of Scotland, Edinburgh, ISBN 0-300-06949-9;
White, John Forbes; Konody, Paul George (1911). "Velazquez, Diego Rodriguez de Silva y". Ha Chisholm, Hugh (ed.). Encyclopædia Britannica. 27 (11th ed.). Cambridge University Press. pp. 974–978.
Domínguez Ortiz, A., Gállego, J., & Pérez Sánchez, A.E. (1989). Velázquez . New York: The Metropolitan Museum of Art. ISBN 9780810939066.
Elizabeth McGrath and Jean Michel Massing The Slave in European Art The Warburg Institute 2012.
"Enriqueta Harris resalta la 'pasión británica' por Velázquez en un simposio en Sevilla" (PDF). El Pais Digital. Ginhipos tikang han orihinal (PDF) han 24 Oktubre 2004. Ginkuhà 9 Abril 2005.
Erenkrantz, Justin R. "The Variations on Past Masters". The Mask and the Mirror. Accessed on 10 Abril 2005.
Goldberg, Edward L. "Velázquez in Italy: Painters, Spies and Low Spaniards". The Art Bulletin, Vol. 74, No. 3 (Sep., 1992), pp. 453–456.
Prater, Andreas (2007) Venus ante el espejo, CEEH, ISBN 978-84-936060-0-8.
"Velázquez, Diego" (1995). Enciclopedia Hispánica. Barcelona: Encyclopædia Britannica Publishers. ISBN 1-56409-007-8.
Wolf, Norbert (1998) Diego Velázquez, 1599–1660: the face of Spain Taschen, Köln, ISBN 3-8228-6511-7;
Moser, Wolf (2011) Diego de Silva Velázquez: Das Werk und der Maler 2 Vols. Edition Saint-Georges, Lyon, ISBN 978-3-00-032155-9
Salort-Pons, Salvador, "Velázquez en Italia", Fundación de Apoyo a la História del Arte Hispanico, Madrid 2002,ISBN 84-932891-1-6

Mga sumpay ha gawas

An Wikimedia Commons mayda media nga nahahanungod han: Diego Velázquez

Velázquez works at the Web Gallery of Art
Velázquez at Artcyclopedia.com
202 paintings by Diego Velázquez Ginhipos 2015-11-26 han Wayback Machine at DiegoVelazquez.org
Diego Velázquez at WikiPaintings.org
Diego Velazquez's Online Exhibition Ginhipos 6 Septyembre 2018 han Wayback Machine at Owlstand.com

[1] On-line gallery Prado Museum. Retrieved 31 Oktubre 2013.

[2] Kunsthistorisches Museum, Wien "Infantin Margarita Teresa (1651-1673) in rosafarbenem Kleid | Diego Rodríguez de Silva y Velázquez | um 1653/1654 | Inv. No.: GG_321" Ginhipos 26 Oktubre 2014 han Wayback Machine Retrieved on 27 Enero 2014.

[bilddatenbank.khm.at-3] Ipakita an sayop: Invalid <ref> tag; no text was provided for refs named bilddatenbank.khm.at

[Kunsthistorisches_Museum_1661-4] Ipakita an sayop: Invalid <ref> tag; no text was provided for refs named Kunsthistorisches Museum 1661

[Serrano-5] 5.0 ^5.1 Serrano, Hanna, Tanya J. Tiffany and Ronald E. McNair. Mother Jeronima de la Fuente: Founder of First Convent of Nuns in the Philippines, A Woman Religious and Reflection of Christ, University of Wisconsin, Milwaukee, retrieved on 17 Hunyo 2007

[Zirpolo-6] 6.0 ^6.1 Zirpolo, Lillian. Madre Jeronima de la Fuente and Lady With A Fan Two Portraits by Velazquez Reexamined Woman's Art Journal, Vol. 15, No. 1 (Spring – Summer, 1994), pp. 16–21, JStor.org, Retrieved on 24 Hunyo 2007

[Wallace-7] Great Masters Gallery, Diego Rodriguez de Silva Velazquez Art Reproductions, Jeronima de la Asuncion c.1620, 79 x 51 cm, The Wallace Collection, London, UK, 2007, retrieved on 24 Hunyo 2007

[8] Great Masters Gallery, Diego Rodriguez de Silva Velazquez Art Reproductions, The Lady with a Fan, c.1630/50, The Wallace Collection, London, UK, 2007, retrieved on 24 Hunyo 2007

[9] "Signs of identity in Lady with a Fan by Diego Velazquez: costume and likeness reconsidered". The Art Bulletin. Marso 2004. Ginhipos tikang han orihinal han 16 Oktubre 2007. Ginkuhà 8 Disyembre 2007. |first= missing |last= (help)

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