Beware of the Car (Russian: Береги́сь автомоби́ля, translit. Beregis Avtomobilya, English titles Uncommon Thief, or Watch out for the Automobile) is a 1966 Soviet crime comedy drama film directed by Eldar Ryazanov,[1] based on a screenplay by Emil Braginsky and produced by Mosfilm. It stars Innokenty Smoktunovsky, Oleg Yefremov, Andrei Mironov and Anatoli Papanov, among others. Beware of the Car is recognized as a satire of the film noir genre, highly unusual in Brezhnev-era society. It is credited for launching Soviet political satire as a film genre, typified by Ryazanov's work.

Beware of the Car
Soviet billboard theatrical poster of the film
Directed byEldar Ryazanov
Written byEmil Braginsky
Eldar Ryazanov
StarringInnokenty Smoktunovsky
Oleg Yefremov
Andrei Mironov
Anatoli Papanov
Narrated byYury Yakovlev
CinematographyAnatoly Mukasei
Vladimir Nakhabtsev
Music byAndrey Petrov
Production
company
Release date
  • 1966 (1966)
Running time
94 min.
CountrySoviet Union
LanguageRussian

Plot

edit

Yuri Detochkin (Smoktunovsky) is a humble Soviet insurance agent who steals fancy cars from corrupt Soviet officials and scammers, disappointed by the militsiya being unable to fight the crooks. One of Detochkin's victims is Dima Semitsvetov (Mironov), a retail embezzler mocked but tolerated by his colorful father-in-law Semyon Vasilyevich (Papanov), a retired Soviet Army officer. Dima has a dacha (registered to his father-in-law) and a Volga car (registered in his wife's name). Meanwhile, Yuri is a commitmentphobe who has been courting his bus-driver girlfriend for years without settling down with her. In his spare time, Yuri is an amateur actor, and in his latest play, a production of Hamlet, he is playing alongside his friend, Detective Maksim Podberyozovikov (Yefremov). Not knowing who the car thief is, Detective Podberyozovikov investigates the missing cars. When he realises who is stealing them and why, the detective faces a serious moral problem, as he discovers that Detochkin has sold the cars and anonymously transferred the proceeds to the accounts of various orphanages.

Cast

edit

The author's narration was read by Yury Yakovlev.

Production

edit

The film's name is derived from traffic signs warning of locations where cars could potentially hit pedestrians or motorists, such as parking garages.

 
Signs reading "Beware of the Car", warning of locations where cars could potentially hit pedestrians or motorists. These signs were common in Soviet cities.

In the film, Detochkin and Podberezovikov act together in an amateur theatre which rehearses Hamlet – a play from Smoktunovsky's real-life acting career: he was reputed as the "best Hamlet on the Soviet stage" and starred in a celebrated film adaptation.[1]

The waltz[2] performed in the film is a distinguished melody composed by Andrey Petrov. Sergey Nikitin's repertoire includes a song named Glass Gentleman (lyrics by Yevgeny Yevtushenko), which used a waltz from the film.

All of the cars stolen by Detochkin are the GAZ-21 Volga model, the most prestigious Soviet car of the time. The GAZ-21 was the standard personal car for the Soviet elite, a satire element of the film which Ryazanov found very hard to get approved.

One scene featuring a petrol station includes American vehicles such as a 1955 Buick and a 1955 Oldsmobile. These were an extremely rare sighting for the location, since the United States had sanctions on the USSR and did not sell these cars within the Eastern Bloc. According to many modern psychologists, Yuri Detochkin has Asperger's syndrome. For example, in his behavior there are elements of stimming, and an obsession with justice, and various talents (the talent of a burglar, a driver, an actor, and a private detective). At the same time, clumsiness and asociality, as well as altruism.

Awards

edit

The film was the leader of Soviet film distribution for 1966, viewed by 29 million people.[3] Innokenty Smoktunovsky was recognized as the Best Actor of 1966.

The film won awards at the 1966 Edinburgh International Film Festival, 1966 Sydney Film Festival, 1967 Melbourne International Film Festival, and 1969 Cartagena Film Festival.

See also

edit

References

edit
edit