Zoe Byrd Akins (October 30, 1886 – October 29, 1958) was an American playwright, poet, and author. She won the 1935 Pulitzer Prize for drama for The Old Maid.
Zoe Akins | |
---|---|
Born | Zoe Byrd Akins October 30, 1886 Humansville, Missouri, U.S. |
Died | October 29, 1958 Los Angeles, California, U.S. | (aged 71)
Occupation | Playwright, screenwriter, novelist, poet |
Years active | 1925-1958 |
Notable awards | Pulitzer Prize for Drama (1935) |
Spouse | |
Relatives | Laurie Metcalf (grandniece) Zoe Perry (great-grandniece)[1] |
Early life
editZoe Byrd Akins was born in Humansville, Missouri, second of three children of Thomas Jasper and Sarah Elizabeth Green Akins. Her family was heavily involved with the Missouri Republican Party, and for several years her father served as the state party chairman. Through her mother, Akins was related George Washington and Duff Green.[2] Her family moved to St. Louis, Missouri when Akins was in her early teens. She was sent to Monticello Seminary in Godfrey, Illinois for her education and later Hosmer Hall preparatory school in St. Louis. While at Hosmer Hall she was a classmate of poet Sara Teasdale, both graduating with the class of 1903. It was at Monticello Seminary that Akins wrote her first play, a parody of a Greek tragedy. Following graduation Akins began writing a series of plays, poetry and criticism for various magazines and newspapers[3] as well as occasional acting roles in St. Louis area theatre productions.
Career and life
editHer first major dramatic work was Papa, written in 1914. The comedy failed even though it greatly impressed both H.L. Mencken and George Jean Nathan,[4] and she continued to write.[5] She followed up with two other plays, The Magical City and Déclassée. The latter play, which starred Ethel Barrymore, was not only a great success but "something of a sensation, and her days of waiting were over."[6] During this time several of her early plays were adapted for the screen. These adaptations were mostly failures, released as silent films in a time when the industry was transitioning to sound. While some "talkie" stars had notable roles in the films (Walter Pidgeon and a young Clark Gable), most of the films are now believed to be lost. In 1930, Akins had another great success with her play, The Greeks Had a Word for It, a comedy about three models in search of rich husbands [7]
In the early 1930s, Akins became more active in film, writing several screenplays as well as continuing to sell the rights to plays such as The Greeks Had a Word for It (1930), which was adapted for the movies three times, in 1932 (as The Greeks Had a Word for Them), 1938 (as Three Blind Mice), and 1953 (How to Marry a Millionaire). Two highlights of this period were the films Sarah and Son (1930) and Morning Glory (1933), the latter remade as Stage Struck. Both films earned their respective female leads (Ruth Chatterton and Katharine Hepburn) Academy Award nominations for Best Actress (Hepburn won).
Akins did not pursue a screenwriting career beyond her early successes. In 1932, she married Hugo Rumbold (in the last year of his life) and, after several Hollywood films, she returned to writing plays and spending time with her family.[8] She was rumored to be in a long-term relationship with Jobyna Howland until Howland's death in 1936. According to Anita Loos, the two squabbled often, "But such gibes actually held the key to their devotion."[9] She was the great-aunt of actress Laurie Metcalf. She lived for a short time in Morrisonville, Illinois.
In 1935, she was awarded the Pulitzer Prize for Drama for her dramatization of Edith Wharton's The Old Maid, a melodrama set in New York City and written in five episodes stretching across time from 1839 to 1854. The play was adapted for a 1939 film starring Bette Davis.
In 1936, Akins co-wrote the screenplay for Camille, adapted from Alexandre Dumas's play and novel, La dame aux camélias The film starred Greta Garbo, Robert Taylor, and Lionel Barrymore, and earned Garbo her third Oscar nomination.
Later life and legacy
editAkins died in her sleep on the eve of her 72nd birthday, in 1958, in Los Angeles. She is buried in San Gabriel District Cemetery.[10]
Akins archives is held in the collection of the Bancroft Library at the University of California, Berkeley.[11]
Selected filmography
edit- Déclassée (1925)
- Her Private Life (1929)
- Sarah and Son (1930)
- Anybody's Woman (1930)
- The Right to Love (1930)
- Working Girls (1931)
- The Greeks Had a Word for Them (1932)
- Christopher Strong (1933)
- Outcast Lady (1934)
- Accused (1936)
- Lady of Secrets (1936)
- Camille (1936)
- The Old Maid (1939)
- Zaza (1939)
References
edit- ^ Hooper, Michael. "Laurie Metcalf biodata". WCHS-TV. Archived from the original on November 8, 2005. Retrieved October 24, 2011.
- ^ Dictionary of Missouri-Biography, Lawrence O. Christensen, University of Missouri Press, 1999.
- ^ "Zoe Akins Arrives", The New York Times, October 12, 1919.
- ^ H.L. Mencken, My Life as Author and Editor, p. 267. 1995, ISBN 978-0679741022
- ^ "Modern Drama; Plays by Miss Akins and Mr. Howard in New Series", The New York Times, April 26, 1914.
- ^ H.L. Mencken, My Life as Author and Editor, p. 267.
- ^ "The Play: Vine Leaves in a Heap" by J. Brooks Atkinson. The New York Times September 26, 1930.
- ^ "Zoe Akins to Be Wed to Hugo Rumbold" The New York Times, March 8, 1932.
- ^ Anita Loos, The Talmadge Girls, p. 98. Viking Press, 1978, ISBN 0670693022
- ^ Resting Places: The Burial Sites of Over 14000 Famous Persons by Scott Wilson, 2016, ISBN 978-0786479924
- ^ "Zoë Akins writings, [ca. 1900-1958]". Online Archive of California. Retrieved July 14, 2022.
External links
edit- Works by or about Zoe Akins at the Internet Archive
- Works by Zoe Akins at LibriVox (public domain audiobooks)
- Zoe Akins at IMDb
- Zoe Akins at the Internet Broadway Database
- Index Entry for Zoe Akins at Poets' Corner