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Insane Clown Posse
Datos generales
Origen Delray, Detroit, Michigan, Estados Unidos
Información artística
Otros nombres ICP
Inner City Posse
JJ Boyz
Período de actividad 1989–presente
Discográfica(s) Psychopathic
Artistas relacionados Anybody Killa, Blaze Ya Dead Homie, Dark Lotus, DJ Clay, Psychopathic Rydas, Soopa Villainz, Twiztid
Web
Sitio web InsaneClownPosse.com
Miembros

Violent J (Joseph Bruce)
Shaggy 2 Dope (Joseph Utsler)
Exmiembros

John Kickjazz (John Utsler)
Greez-E (Kalyn Garcia)

Insane Clown Posse es un dúo estadounidense de hip hop originario de Detroit, Michigan. El grupo esta compuesto por Joseph Bruce y Joseph Utsler, que a la vez interpretan a un par de payasos malvados conocidos como Violent J y Shaggy 2 Dope. Insane Clown Posse interpretan un estilo de hip hop violento conocido como horrorcore. El dúo ha ganado dos discos de platino y dos álbumes de oro. Según Nielsen SoundScan, la revista del grupo ha vendido más de 6.5 millones en Estados Unidos y Canadá hasta abril de 2007.[1]​

Originalmente conocido como Inner City Posse, el grupo introdujo letras de temas supernaturales -y de horror- como un medio para distinguirse estilísticamente. El dúo fundo su propia discográfica Psychopathic Records con Alex Abbiss como manager, quien produció y protagonizó Big Money Hustlas y Big Money Rustlas. Ellos fundaron su propia compañía de lucha libre llamada como, Juggalo Championship Wrestling, y luego colaboraron con muchos artistas dedicados al genero Hip hop y rock.

Los temas de Insane Clown Posse se centran en el Dark Carnival, por lo que el duo indica que es una fuerza espiritual que ha revelado una serie de historias conocidas como Joker's Cards. Estas historias son lecciones especificas, diseñadas para cambiar el estilo de vidas de las personas. Insane Clown Posse tiene un dedicado seguimiento, hacia Juggalos y Juggalettes.

Musical career

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Early history (1985–1994)

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Formación del grupo

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Joseph Bruce (Violent J) y Joseph Utsler (Shaggy 2 Dope) se conocieron en Oak Park, un suburbio al norte de Detroit, Michigan. Junto con su hermano Utsler, John y un amigo llamado, Lacy, ellos lucharon en una cochera con un ring que ellos mismo habian construido.[2]​

En 1989, Joseph Bruce (Jagged Joe), Joseph Utsler (Kangol Joe) y John Utsler (Master J), lanzaron una canción titulada "Party at the Top of the Hill" bajo el nombre de los JJ Boys, pero el grupo no se fue tomando en serio la banda.[3]​ Debido a la pobreza y una vida familiar difícil, llevo a Bruce a mudarse a la casa de Rudy "The Rude Boy". En River Rouge, una ciudad al noreste de Detroit.[4]​

Feeling a sense of home and belonging, Bruce formed a gang called Inner City Posse, which was composed of Joseph Utsler, Rudy Hill, other friends of Bruce, and a number of other connections he had made in Southwest Detroit.[4]​ Bruce was jailed for ninety days in 1989–1990 for death threats, robbery, and violating probation;[5]​ this experience convinced him to reduce his involvement in gang life.[5]​ Bruce began his professional wrestling career after getting out of jail, and it was at his first show that he met Rob Van Dam and Sabu, two other first-timers with whom he became very good friends.[5]​ During this time Bruce brought Utsler backstage with him, and all four became close friends.

Bruce became frustrated with the backstage politics of the wrestling business and began searching for another career.[5]​ Back on the streets, Bruce began listening to hip hop with Utsler and with Utsler's brother, John. The trio performed at local night clubs, using the stage names Violent J, 2 Dope, and John Kickjazz, under the name of their gang, Inner City Posse.[3]​ Seeing a need for a manager, Bruce's brother Robert recommended his friend and record store owner Alex Abbiss, who established the Psychopathic Records record label with the group in 1991. Later that year the group released the self-produced EP entitled Dog Beats.[6]​ Growing popularity in the local music scene turned negative for the group's gang, which became the target of growing violence. After receiving jail sentences, the group members abandoned gang life.[5]​

In late 1991, the group invested more money into production than was covered by returns. The group decided that its gangsta rap style was the cause of the problem: Most emcees at the time used similar styles, making it difficult for Inner City Posse to distinguish itself stylistically.[7]​ Referring to local rapper Esham's acid rap style, Bruce suggested the band adapt this genre, in a bid to have Detroit represent acid rap, much as Los Angeles represented gangsta rap. The group agreed, but not to copying the style of Esham closely. Instead, they suggested using horror-themed lyrics as an emotional outlet for all their negative life experiences. They were also unanimous in deciding not to rap openly about Satan, which Esham often did.[7]​

After the change in musical style, the group decided it needed a new name. Utsler suggested keeping the "I.C.P." initials to inform the community that Inner City Posse was not defunct, an idea to which the group agreed.[7]​ Several names were considered before Bruce recalled his dream of a clown running around in Delray, which became the inspiration for the group's new name: Insane Clown Posse. The other members agreed, deciding that they would take on this new genre and name, and would all don face paint due to the success of their former clown-painted hype man.[7]​

Upon returning home that night, Bruce had a dream in which spirits in a traveling carnival appeared to him—an image that would become the basis for the Dark Carnival mythology detailed in the group's Joker's Cards series.[7]​

Carnival of Carnage and Ringmaster

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The group began recording their debut album, Carnival of Carnage, with producer Chuck Miller. After recording only three songs for US$6,000 with Miller, Alex Abbiss made his first major managerial move by finding another producer, Mike E. Clark.[8]​ The group finished recording the album with Clark, who continued to work with them throughout their career. The album featured appearances from local rappers, including Esham and Kid Rock.[6]​ Just weeks prior to the release of their album, John left the group because he felt that it was "taking up too much of [his] life."[8]​ When Bruce and Utsler attempted to call a meeting to talk about the issues, John did not attend.[8]​

"Ghetto Freak Show" (sample)
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"Ghetto Freak Show", from the group's 1992 album Carnival of Carnage.
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Carnival of Carnage was released on October 18, 1992, with distribution within a 120 millas (193,1 km) radius of Detroit.[8]​ Allmusic reviewer Stephen Thomas Erlewine compared the group's performance on the album to "a third-rate Beastie Boys supported by a cut-rate Faith No More, all tempered with the sensibility that made GWAR cult heroes—only with [...] more sexism and jokes that [...] wind up sounding racist."[6]​ The follow-up EP, Beverly Kills 50187, sold well and gained a larger audience. During a live performance of the song "The Juggla", Bruce addressed the audience as Juggalos, and the positive response resulted in the group using the word thereafter.[9]​ The word has been the subject of criticism from both Ben Sisario of Rolling Stone and Allmusic's Erlewine, who suggested the term is similar to the racial slur jigaboo.[6]​[10]​

The group's second studio album, Ringmaster, was released on March 8, 1994, and its popularity enabled the group to sell out larger nightclubs across Detroit.[9]​ Because Bruce and Utsler made reference to the Detroit-produced soft drink Faygo in their songs, they "figured it would be cool to have some on stage with [them]."[11]​ During a concert in 1993, Bruce threw an open bottle of Faygo at a row of concertgoers who were giving them the finger. After receiving a positive response, Bruce and Utsler have since continued to spray Faygo onto audiences.[11]​ A subsequent national tour increased sales of the album,[9]​ earning Ringmaster a gold certification.[12]​ The group's second EP, The Terror Wheel, was released on August 5, 1994. One of the songs from the EP, "Dead Body Man", received considerable local radio play.[9]​ The same year marked their first "Hallowicked" concert, which has since continued annually on Halloween night in Detroit.[9]​

Major releases (1995–1997)

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Riddle Box

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In 1995, Bruce and Utsler attempted to obtain a contract with a major record label. The duo eventually signed a contract with the short-lived Jive Records sub-label Battery Records,[9]​ which released the group's third studio album, Riddle Box, on October 10, 1995.[13]​ After Battery/Jive Records showed little interest in promoting the album, Insane Clown Posse funded the promotion of Riddle Box independently. This effort led the group to Dallas, Texas, where it persuaded several music retail stores to stock the album. Sales averaged 1,500 copies per week as a result.[14]​

The Great Milenko

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Manager Alex Abbiss negotiated a contract with the Walt Disney Company-owned label Hollywood Records, which reportedly paid US$1 million to purchase the Insane Clown Posse contract from Battery/Jive/BMG Records.[15]​ The group started recording its fourth studio album, The Great Milenko, in 1996, during which Disney requested that the tracks "The Neden Game," "Under the Moon," and "Boogie Woogie Wu" be removed. Disney also asked that the lyrics of other tracks be changed, threatening to not release the album otherwise.[16]​[17]​ Bruce and Utsler complied with Disney's requests, and planned to go on a national tour with House of Krazees and Myzery as their opening acts.[16]​

During a music store autograph signing, Insane Clown Posse was notified that Hollywood Records had recalled the album within hours of its release,[16]​ despite having sold 18,000 copies and reaching #63 on the Billboard 200.[18]​[19]​ The group was also informed that its in-store signings and nationwide tour had been canceled, commercials for the album and the music video for "Halls of Illusions" (which had reached #1 on The Box video request channel) were pulled from television, and that the group was dropped from the label.[16]​ It was later revealed that Disney was being criticized by the Southern Baptist Convention at the time because of Disney's promotion of "Gay Days" at Disneyland, in addition to presiding over the gay-themed television sitcom Ellen. The Convention claimed Disney was turning its back on "family values."[20]​ Although Abbiss told the press that Disney had stopped production of The Great Milenko to avoid further controversy, Disney claimed instead that the release of the album was an oversight by their review board, and that the album "did not fit the Disney image" because of its "inappropriate" lyrics,[21]​ which they claimed were offensive to women.[22]​

After the termination of the Hollywood Records contract, Insane Clown Posse signed a new contract with Island/PolyGram Records, which agreed to release the album as intended.[17]​[23]​ Entertainment Weekly music critic David Browne gave the record a C-minus rating: "[With] its puerile humor and intentionally ugly metal-rap tunes, the album feels oddly dated."[18]​ The Great Milenko was certified platinum with over 1.7 million copies sold.[1]​ One of the group's first projects with Island Records was an hour-long documentary titled Shockumentary, which aired on MTV. The station initially refused to play the documentary, but Island Records persuaded them to air it as a personal favor.[23]​ Shockumentary helped increase album sales from 17,000 to 50,000 copies per week.[23]​ Island also rereleased the group's first two albums.

Nationwide tour with House of Krazees and Myzery

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Two days after the ECW program, Insane Clown Posse began its rescheduled nationwide tour with House of Krazees and Myzery. Their first concert, held in Orlando, Florida, was hand-picked by Insane Clown Posse and free to the public.[24]​ Halfway through the tour, Brian Jones of House of Krazees had a falling out with his band members. Jones left the group, forcing House of Krazees to quit the tour.[24]​

The success of the tour enabled Bruce and Utsler to purchase new houses both for each other and for their families.[23]​ Bruce even told his mother to quit her job because he would pay her expenses.[25]​

Eminem feud

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In late 1997, Bruce took Myzery to St. Andrew's Hall. Eminem, then an unknown local emcee, approached Bruce and handed him a flyer advertising the release party for The Slim Shady EP. The flyer read, "Featuring appearances by Esham, Kid Rock, and ICP (maybe)."[25]​ Bruce asked why Eminem was promoting a possible Insane Clown Posse appearance without first contacting the group. Eminem explained, "It says 'maybe.' Maybe you will be there; I don't know. That's why I'm asking you right now. You guys comin' to my release party, or what?"[25]​ Bruce, upset over not being consulted, responded, "Fuck no, I ain't coming to your party. We might have, if you would've asked us first, before putting us on the fuckin' flyer like this."[25]​ Eminem took Bruce's response as a personal offense, subsequently attacking the group in radio interviews. Bruce and Utsler responded later in 1999 by releasing a parody of Eminem's "My Name Is" entitled "Slim Anus". Barbs between Insane Clown Posse and Eminem continued.[26]​

The House of Horrors Tour

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One month after ICP's Strangle-Mania Live, Insane Clown Posse began their second nationwide tour, "The House of Horrors Tour", with Myzery added as one of the opening acts. While searching for the second opening act, Bruce received a telephone call at his home from former House of Krazees members Jamie Spaniolo and Paul Methric, who told Bruce that the group was officially disbanded and asked to be on the tour.[25]​ Spaniolo and Methric provided a demo tape containing three songs: "2nd Hand Smoke", "Diemotherfuckdie", and "How Does It Feel?"[25]​ Bruce was extremely impressed, and immediately had a contract drafted with Psychopathic Records for the new group to sign. Bruce, Spaniolo, and Methric agreed on the band name Twiztid. The House of Horrors Tour thus featured Insane Clown Posse, with opening groups Twiztid, Myzery, and Psycho Realm.[25]​

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On November 16, 1997, Bruce was arrested on an aggravated battery charge after allegedly striking an audience member thirty times with his microphone at a concert in Albuquerque, New Mexico. Bruce was held for four hours before being released on US$5,000 bail.[27]​ The January 1998 issue of Spin magazine ran a four-page cartoon lampooning Insane Clown Posse and Juggalos, claiming that the group was offensive "not for their obscenity, but for their stupidity." Spin likened Insane Clown Posse's stage act to "a sort of circus karaoke" and portrayed the group's fans as overweight suburbanites. On the group's website, Bruce responded to the article by stating, "I could give a fuck less."[28]​

After a show in Indianapolis, Insane Clown Posse's tour bus stopped at a Waffle House in Greenfield, Indiana. When a customer began to harass Spaniolo and Bruce, a fight broke out between the customer and all of the bands' members.[25]​ Months later on June 4, 1998, Bruce and Utsler pleaded guilty to misdemeanor disorderly conduct charges (reduced from battery) in an Indiana court and were fined US$200 each. Members of Twiztid, Myzery, and Psycho Realm were charged with battery.[29]​ The group's tour was briefly derailed in January 1998, when their tour bus drifted off a highway and down an embankment, leaving Frank Moreno of Psycho Realm with a concussion. As a result of the accident, Insane Clown Posse postponed two shows scheduled for Cleveland, Ohio, on January 22 and January 23, but honored their promise to perform on January 25 and January 26.[30]​

Mainstream success (1998–2000)

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Panic attacks

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On April 19, 1998, in Minneapolis, Minnesota, Bruce suffered a panic attack during a performance and was carried off stage.[31]​ Bruce, who later recalled being completely "out of it",[31]​ found scissors and cut off his dreadlocks.[31]​ After suffering another panic attack once he returned home, Bruce opted to spend three days in a Michigan mental health program.[31]​ Insane Clown Posse later cancelled the last two weeks' worth of dates on its United States tour,[31]​ but subsequently launched their first European tour.[32]​[33]​

The Amazing Jeckel Brothers

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By late 1998 over one million copies of The Great Milenko had been sold,[34]​ and Insane Clown Posse was ready for its fifth album, The Amazing Jeckel Brothers. Working with Mike E. Clark and Rich "Legs Diamond" Murrell, Bruce and Utsler developed their album with the highest of hopes. The group was known nationally, but were not taken very seriously. Hoping to receive the respect Bruce and Utsler felt they deserved, they planned to feature well-known, respected rappers on their album.[34]​ Bruce stated outright that he wanted to involve Snoop Dogg and Ol' Dirty Bastard. They paid Snoop Dogg US$40,000 to appear on the song "The Shaggy Show." Snoop Dogg also helped them contact Ol' Dirty Bastard, who was paid US$30,000 for his appearance. Ol' Dirty Bastard recorded his track in a matter of two days; however, his recording consisted of nothing more than him rambling about "bitches."[34]​ It took Bruce and Utsler a week to assemble just four rhymes out of his rambling, and had to re-record the track and title it "Bitches."[34]​ Finally, Insane Clown Posse contacted Ice-T, who charged them only US$10,000.[34]​ The group felt that Ice-T's song did not belong on the album, and was instead released on a later album, Psychopathics from Outer Space.[34]​

To help increase their positive publicity, the group hired the Nasty Little Man publicity team.[34]​ The team set up a photo shoot for Insane Clown Posse that was to appear on the cover of Alternative Press magazine in Cleveland. On the set of the photo shoot, a member of the publicity team approached Bruce and explained that in the song "Fuck the World", the lyric that stated "Fuck the Beastie Boys and the Dalai Lama" needed to be changed.[34]​ Insulted, Bruce exclaimed that his music would not be censored again—referring to Disney's previous requirement of censure.[34]​ Nasty Little Man told Bruce that the Beastie Boys were not only clients of the company but also personal friends, and the Beastie Boys told the company to make Bruce change the lyric.[34]​ In response, Bruce fired Nasty Little Man and asked its team to leave the photo shoot.[34]​

The Amazing Jeckel Brothers was released on May 25, 1999, and reached #4 on the Billboard album charts,[35]​ and has since been certified platinum by the RIAA.[12]​ Stephen Thomas Erlewine gave the album a "four out of five stars" rating, stating that "[Insane Clown Posse] actually delivered an album that comes close to fulfilling whatever promise their ridiculous, carnivalesque blend of hardcore hip-hop and shock-metal had in the first place".[36]​ Rolling Stone writer Barry Walters gave the album a "two out of five stars" rating, writing that "no musical sleight of hand can disguise the fact that Shaggy and J remain the ultimate wack MCs."[37]​ At the same time as The Amazing Jeckel Brothers' release, Island Records merged with Def Jam Records. It quickly became apparent to Bruce and Utsler that Def Jam Records had no interest in them.[34]​ Eminem, who had begun to gain mainstream success, insulted Insane Clown Posse in interviews, tours, and the song "Till Hell Freezes Over."[34]​

Big Money Hustlas

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On Insane Clown Posse's previous tour (The House of Horrors Tour), they had watched the movie Big Ballers.[34]​ The group as well as Twiztid loved the video. After Insane Clown Posse finished its The Amazing Jeckel Brothers album, Bruce and Utsler decided to create their own movie, Big Money Hustlas, with the same low-budget comedy style as Big Ballers. Island Records gave them US$250,000 to begin work on the movie.[34]​ Bruce and Utsler were contacted by John Cafiero, who said that he was a fan of Insane Clown Posse, and offered to direct the movie.[34]​ Insane Clown Posse asked Mick Foley to appear in the movie as "Cactus Sac", a parody of his "Cactus Jack" persona. Cafiero retained the Misfits, Fred Berry, and, at Bruce's request, Harland Williams.[34]​ The script was written by Bruce, and filmed in New York City.[34]​ Bruce played a crime boss and Utsler portrayed a police detective.[38]​[39]​ The stage crew members, which showed their dislike for Insane Clown Posse, were a source of contention. Despite the crew striking twice, the movie was filmed in two months.[34]​

Woodstock 1999

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While on "The Asylum In-store Tour", Bruce and Utsler were informed by Abbiss that they were offered US$100,000 to perform at Woodstock 1999.[40]​ They were excited about the offer, as it indicated their impact on the music industry. Some people perceived participating in Woodstock 1999 was a sell-out for the group; however, Bruce and Utsler disagreed. As Bruce explains, "[Woodstock] sold out the mainstream style for us! Woodstock never came to us and asked us to change one fuckin' thing about us or our show! They wanted ICP just as ICP is, and nothing else. If that ain't fresh, then I don't know what the fuck is!"[40]​

Amazing Jeckel Brothers Tour troubles

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After Woodstock 1999, Insane Clown Posse began its "Amazing Jeckel Brothers Tour", along with musicians Biohazard, Krayzie Bone, Twiztid, Mindless Self Indulgence, and Coal Chamber.[40]​ Biohazard, Mindless Self Indulgence, Krayzie Bone, and Twiztid were well-received by audiences;[40]​ however, Coal Chamber was not. Insane Clown Posse fans were not purchasing tickets, as they did not like Coal Chamber.[40]​ For the three shows that Coal Chamber played, there were multiple ticket refunds.[40]​ Bruce and his brother, Rob, made the decision to eliminate Coal Chamber from the tour. After doing so, there were no tickets returned for the remainder of the tour dates.[40]​ Bruce and Utsler claimed that Coal Chamber had been removed from the tour because of equipment problems, but later revealed the true reason for their actions on The Howard Stern Show, which aired August 19, 1999.[40]​ Bruce continued by saying, "Nobody will tell you that, because everybody's afraid of your crumpet-ass bitch manager."[40]​ Later that night Stern contacted Bruce and Utsler, asking them to appear on his show the following day to talk with Coal Chamber's manager, Sharon Osbourne.[40]​

Before the show went on air, Osbourne bet Bruce and Utsler US$50,000 that Insane Clown Posse's next album would not even sell 200,000 copies—a bet that Bruce accepted.[40]​ On air Osbourne informed Bruce and Utsler that Coal Chamber filed a lawsuit for breach of contract.[41]​ Osbourne stated that her group was to receive US$12,500 per show for a scheduled two-month package tour. Bruce reiterated that Coal Chamber's music did not appeal to Insane Clown Posse fans, and that ticket refunds decreased after Coal Chamber had been removed from the tour.[41]​ Osbourne then made public the bet with Bruce about Insane Clown Posse's next album, also stating that the duo would be subsequently dropped from their distributor. In Osbourne's words, "You're dead. Your career is over."[41]​ Bruce predicted that the group's next album would sell at least 500,000 copies;[41]​ however, the bet officially stood at 200,000 copies as agreed by both Bruce and Osbourne backstage.[40]​

Bizzar and Bizaar

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On January 10, 2000, Utsler collapsed on stage during a performance at the House of Blues in Chicago and was rushed to Northern Hospital. He was diagnosed with flu-related symptoms and abnormally low blood sugar. As a result of the incident, the following week's concert dates were rescheduled.[42]​ In June 2000, Eminem physically attacked Douglas Dail, an Insane Clown Posse affiliate, threatening him with a gun in the parking lot of a car audio store in Royal Oak, Michigan.[43]​ Eminem pleaded guilty to a lesser charge in exchange for two years probation and a US$10,000 fine.[44]​ In July 2000, Bruce and Utsler staged the first annual Gathering of the Juggalos at the Novi Expo Center in Novi, Michigan.[45]​ Described by Bruce as a "Juggalo Woodstock", the Gathering of the Juggalos was a three-day music festival that featured wrestling, games, seminars, contests, sideshows, and performances by all Psychopathic Records' artists.[45]​ Also featured at the event were Vampiro—who both wrestled and performed—Project Born, and Kottonmouth Kings.[45]​ On July 18, 2000, Big Money Hustlas was released direct-to-video.[34]​

After the Gathering of the Juggalos, Insane Clown Posse set out to release its sixth and seventh studio albums—Bizzar and Bizaar—as a double album. While recording the albums, the duo had a fallout with long-time producer Mike E. Clark.[45]​ Bizzar and Bizaar were the last complete albums Clark would produce with Insane Clown Posse until his return in 2007. Bruce and Utsler flew to Denver, Colorado to add the finishing touches to the albums.[45]​ Bizzar and Bizaar were released on October 31, 2000, peaking at #20 and #21, respectively, on the Billboard 200.[46]​[47]​ In The New Rolling Stone Album Guide, Ben Sisario wrote that the albums "qualify as ICP's masterworks of both merchandising and music." Both albums were given a "three out of five stars" rating.[10]​ The combined sales were around 400,000 copies, exceeding the bet placed previously with Sharon Osbourne; Osbourne did not come through with payment for having lost the bet.[45]​

Two music videos were released from the albums: "Tilt-a-Whirl," from Bizaar, and "Let's Go All The Way," from Bizzar. MTV agreed to play "Let's Go All The Way" on their network, airing it once in the late evening.[45]​ Bruce and Utsler decided to bombard Total Request Live (TRL) with requests for the video.[45]​ While on their "Bizzar Bizaar Tour," Insane Clown Posse posted on its website that December 8 was the day for their fans request the video. Bruce and Utsler named that day "The Mighty Day of Lienda," meaning "The Mighty Day of All or Nothing."[45]​ On December 8, Rudy Hill, Robert Bruce, Tom Dub, and six other Psychopathic Records employees and friends drove down to New York City. They were met by nearly 400 Insane Clown Posse fans standing outside in front of the TRL studio window, all with signs supporting the duo.[45]​ Thirty minutes before the show began, Viacom security guards and New York City police officers were dispatched to remove all the fans from the sidewalk.[45]​ When some fans, including Robert Bruce, refused to move because it was a public street and no other individuals were asked to move, they were assaulted.[45]​ All telephone requests for the video to be played were ignored, and Insane Clown Posse was never mentioned during the show.[45]​ MTV later informed Island Records that the heads of the network must choose the band first before it can become eligible to be featured on TRL.[45]​

Independent releases (2001–present)

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Bruce and Utsler left Island Records, signing a contract with D3 Entertainment to distribute every release on Psychopathic Records, which would remain independently funded, produced, and recorded.[48]​ Insane Clown Posse had their own studio built, called "The Lotus Pod."[45]​ In the spring of 2001, Insane Clown Posse's road manager William Dail was arrested in Omaha, Nebraska for allegedly choking a man who waved an Eminem t-shirt in front of the band. Dail was charged for misdemeanor assault and battery. The charges were reduced to a US$100 fine after he plead guilty to a lesser charge.[49]​[50]​

The second Gathering of the Juggalos was held from July 13–July 15 at the SeaGate Convention Centre in Toledo, Ohio.[45]​ The event featured the same activities as the first Gathering of the Juggalos, as well as guests such as Bone Thugs-n-Harmony, Vanilla Ice, and Three 6 Mafia.[45]​ On June 15, 2001, Bruce was arrested in Columbia, Missouri for an outstanding warrant in St. Louis stemming from an incident in February 2001. That incident involved Insane Clown Posse allegedly attacking employees of a St. Louis radio station over disparaging remarks that a disc jockey made on the air. The police used several squad cars to detain Bruce, Utsler, and two associates a few miles from a venue where the group had completed a concert. Bruce was transferred to St. Louis the following day and released on bail without charge on June 18.[51]​

The Wraith: Shangri-La

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The face of the sixth Joker's Card is "The Wraith"—or simply, Death. The card featured two "exhibits", Shangri-La and Hell's Pit, which would each be given its own album.[52]​ On November 5, 2002, Insane Clown Posse released their eighth studio album, The Wraith: Shangri-La, where it is revealed that the hidden message of their music was always to follow God and make it to Heaven.[52]​ Ben Sisario criticizes the series' ending in the Rolling Stone Album Guide, writing "the whole thing was some bland divine plan [...] Is this man's final dis of God, or His of us?"[10]​ Some critics perceived the spiritual element of the storyline as a joke or a stunt. Allmusic writer Bradley Torreano wrote that "Even if it is a joke, it isn't a funny one, or even a clever one."[53]​ According to Bruce, "We went on an in-store tour right when the sixth Joker Card came out. It was the most moving thing we ever went through in our lives. All across the country, it had such an effect. People would come to the in-stores crying, thanking us. A very, very emotional time. [...] Some people might've been upset by that, but through our eyes all we did was touch a lot of people. We definitely wanted it to be something everlasting. Maybe a 19-year-old might not understand or like that ending now. But later, when he has four kids, he might think, 'That was the shit.'"[54]​

The Wraith: Shangri-La debuted at #15 on Billboard's Top Independent Albums.[55]​ In September 2003, Insane Clown Posse was voted the worst band of any musical genre in Blender, with The Wraith: Shangri-La named as the group's worst album.[56]​ The magazine also gave the album a positive review for its "charming, good-natured idiocy."[57]​

Insane Clown Posse went on the 75-date "Shangri-La World Tour", where they performed across the United States, Australia, and Europe.[52]​ Bruce and Utsler signed a new contract with Sony BMG's RED Distribution, and launched the Psychopathic Europe record label.[48]​

Hell's Pit and post "Joker's Cards" era

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Following the release of The Wraith: Shangri-La, Bruce admitted that he was considering not completing the production of Hell's Pit. He is quoted as describing Shangri-La as "the end of the road. It's the end of the Joker's Cards. After this I could do anything I want, for the rest of my life. The positivity was so unbelievable."[58]​ On August 31, 2004, Insane Clown Posse released their ninth studio album, Hell's Pit, the second exhibit of The Wraith, intended to warn listeners of the horrors of Hell. Bruce described the album as the darkest, most painful work he had ever done.[59]​ Two versions of the album were released, each containing a different DVD. One release featured a live concert and a twelve-minute music video for the song "Real Underground Baby", and another featured a short film for the song "Bowling Balls", which was the first 3-D film shot in high-definition video.[59]​ In 2005, D12 and Insane Clown Posse ended their feud, with the help of member Proof.[60]​ Attempts to officially end the feud between Eminem and Insane Clown Posse have been unsuccessful,[61]​[62]​ but Bruce states that the rivalry has ended.[63]​

On February 1, 2006, Insane Clown Posse fan Jacob D. Robida attacked individuals in a gay bar in New Bedford (Massachusetts) with a handgun and a hatchet—a weapon featured in the logo of the group's record label, Psychopathic Records.[64]​[65]​ Robida had a swastika tattoo and flaunted Nazi insignias and paraphernalia on his website.[66]​ On February 5, Robida shot and killed a traffic officer during a routine stop. When police pulled Robida over during a later stop, he killed his girlfriend, Jennifer Bailey of Charleston, West Virginia, then opened fire on the police. Robida was shot twice in the head during the shootout with the police, and later died in the hospital.[65]​ On February 7, Insane Clown Posse released a statement on the Robida attacks. The group's manager Alex Abbiss extended Bruce and Utsler's condolences and prayers to the families of the victims, stating that "It's quite obvious that this guy had no clue what being a Juggalo is all about. If anyone knows anything at all about ICP, then you know that they have never, ever been down or will be down with any racist or bigotry bullshit."[67]​

On October 21, 2006, Insane Clown Posse performed at one of twenty benefit shows organized by MySpace as part of the "Rock for Darfur" campaign to raise awareness of the War in Darfur and funds for the region's aid.[68]​ On March 20, 2007, Insane Clown Posse released their tenth studio album, The Tempest, which debuted at #20 on the Billboard 200 and sold nearly 33,000 copies in its first week.[12]​[69]​ In 2008, Bruce and Utsler starred in the film Death Racers. It was released direct-to-video on September 16, 2008 by The Asylum.[70]​ In December 2008, John Antonelli filed a lawsuit against the group after being struck by an unopened two-liter of Faygo during a performance at the Fargo nightclub The Hub, formerly known as Playmakers. Antonelli is seeking at least $50,000 in damages. The lawsuit also names the venue, Playmakers, as a defendant. An attorney for Playmakers states that only Bruce should be held liable.[71]​

A prequel to Big Money Hustlas, entitled Big Money Rustlas, has begun filming, and will be in the western genre.[54]​ Bruce and Utsler plan to tour theaters around the country to screen the film before its DVD release.[54]​ Insane Clown Posse's eleventh studio album, Bang! Pow! Boom!, was released on September 1, 2009. It debuted at #1 on the Billboard Top Independent Albums chart and #4 on the Billboard 200.[72]​[73]​ The Detroit News music critic Adam Graham gave the album a B rating, describing it as "the best material the Clowns have touched since 1999's The Amazing Jeckel Brothers."[74]​

Style

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Lyrics and music

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"Jake Jeckel" (sample)
noicon
"Jake Jeckel", from the group's 1999 album The Amazing Jeckel Brothers.
¿Problemas al reproducir este archivo?

Insane Clown Posse's performance style is often described as horrorcore hip hop, which "utilize[s] shocking (and blatantly over the top) narratives to give an over-exaggerated, almost cartoon-like version of urban deprivation in Detroit", according to author Sara Cohen.[75]​ The group's early work features a raw, minimalistic sound, which later evolved into a more rock-oriented style.[76]​ The group's lyrics serve as morality tales,[7]​ with songs focusing on subjects such as cannibalism,[18]​ murder and necrophilia.[77]​ Insane Clown Posse's debut album, Carnival of Carnage, features a politically-oriented focus, criticizing elitism and prejudice against those who live in the ghetto,[78]​ while the album's liner notes criticize the Gulf War.[78]​ The group's lyrics have opposed racism, bigotry,[79]​ domestic violence, and child abuse.[80]​

Insane Clown Posse has covered songs by Geto Boys,[81]​ Sly Fox,[82]​ and Above the Law.[83]​ Bruce and Utsler refer to the acid rap style of Esham as an influence on their own music,[7]​ while Bruce has expressed admiration for Pearl Jam[84]​ and Michael Jackson.[85]​ Kimberly Chun of the San Francisco Chronicle described Insane Clown Posse's musical style as a mixture of "dub, goth, metal, shock rock and hip-hop, with a WWF announcer's delivery and shuffling stoner beats thrown in for good measure."[86]​ Mike E. Clark's production for the group incorporates elements such as "carnival organ riffs, power chords and shotgun blasts [...] banjolike plucking and Van Halen-esque guitar squeals,"[37]​ while Bruce and Utsler sometimes alternate between rapping and screaming.[87]​ Bruce has stated "We do our own genre of music".[88]​ In his review of The Tempest, Allmusic's David Jeffries writes that Bruce and Utsler "[rap] in a carnival barker fashion that fits with their circus motif, their Insane Clown disguises, and Mike E. Clark's big top-inspired production."[89]​ Insane Clown Posse has influenced similar acts, such as Axe Murder Boyz,[90]​ Blaze Ya Dead Homie[91]​ and Boondox.[92]​

Live performances

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Insane Clown Posse is known for their elaborate concert performances. In Marley Brant's Tales from the Rock 'n' Roll Highway, Bruce described a typical performance: "We toss out, kick out, and shoot out into the crowd about three to four hundred two-liters of Faygo at every show. [...] We bring with us monsters, dancing clowns, girls, trampolines, and pure and absolute madness to the stage. [...] Shaggy and I know that without all that crazy shit going on around us, we'd just be two more idiots walking back and forth, rapping on stage. [...] ICP's motto has always been 'Fuck keepin' it real: we just keep it entertaining.'"[11]​ Performances feature backdrops including, among other settings, a game show set and a cemetery.[93]​[94]​ Bruce stated, "We always have a different set, not only for Hallowicked but every tour we go out on. We've been around so long that we get to dig up the many cool sets that we used back in the day and then get to use them again on a national level. Something we might've done once in '94 at St. Andrew's Hall, we can go back again and now do it nationwide-style."[54]​

On tour following the release of Carnival of Carnage, Insane Clown Posse was scheduled to perform at Ferris State University in Big Rapids, Michigan. After the group was announced by their manager, Alex Abbiss, Bruce remembers that "[w]e came out with no microphones or nothing; we were just right up in the people's faces. Shaggy and I were just fuckin' yelling over our own cassette. The people were staring at us in amazement and bewilderment. They must have been in shock and awe. We finished our two-song set, and the crowd [...] didn't cheer or boo. They just stood there, stunned."[11]​

The group was unable to bring the large amounts of Faygo needed for their concerts to their European tours without a sales permit visa because customs believed that the group had intended to sell the soda at their concerts.[32]​ As a result, the group's European record label purchased similar quantities of another soda and created fake Faygo stickers to label the bottles. According to Bruce, "The craziness was this: they were not the regular two-liter bottles we're used to; they were some other amount [...] maybe one-and-a-half-liter bottles. Over there, they make their plastic bottles taller and thinner. [...] when you're doing what we do with them—that makes a world of difference."[11]​ During a performance in England, Bruce recounts that he "rocketed one of them bottles off my foot and that motherfucker shot straight up and out like a guided Patriot missile, right towards the disco ball high above the crowd. [...] The bottle nailed the disco ball, and [...] came falling down [...] on top of some English kid's head. [...] We must've knocked fifteen or twenty people flat-out cold on that tour [...] Shaggy and I both had black eyes and several injuries and bruises ourselves from them things hittin' us."[11]​

Bruce and Utsler did not expect many of their fans to attend Woodstock 1999, and were surprised when thousands of people chanted "I-C-P! I-C-P!" as they waited for the group to perform.[40]​ Bruce told his stage crew that he would pay US$2,000 to each person who ran around the stage naked, and two people took up his offer. Insane Clown Posse also brought naked women on stage.[40]​ Bruce and Utsler felt that because the tickets to the event were over-priced, they needed to "give something back."[11]​ According to Bruce, "We brought along these big beach balls. We announced to the crowd that they each had a hundred dollars taped to them, and then we proceeded to kick about thirty of them into the crowd. Then we rolled out these bigger giant-ass beach balls and announced, 'These ones have five hundred bucks taped to them!' We booted a gang of them into the human sea."[11]​[40]​ Bruce also recounts that their set had multiple technical problems, and the audience was not allowed to get close to the stage, which made the duo feel less connected with them.[40]​

Wrestling career

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Both Bruce and Utsler began wrestling as single competitors in 1983 in their backyard wrestling promotion Tag Team Wrestling, later renamed National All-Star Wrestling.[2]​ The two moved on to compete in various independent promotions in Michigan from 1990 to 1997 before making an appearance together in Extreme Championship Wrestling (ECW) as Insane Clown Posse.[24]​ In 1998, the team had a three month stint in World Wrestling Federation (WWF) where they wrestled alongside The Oddities and, later, The Headbangers.[95]​ After leaving the company, they went to wrestle for World Championship Wrestling (WCW) with The Dead Pool and The Dark Carnival between 1999 and 2000.[95]​ On December 19, 1999, Bruce and Utsler created their own wrestling promotion, Juggalo Championshit Wrestling (now known as Juggalo Championship Wrestling).[96]​ In 2004, they briefly wrestled in NWA Total Nonstop Action.[97]​ The duo continues to wrestle today in Juggalo Championship Wrestling as well as in various independent promotions.

Insane Clown Posse gained fame for being both professional musicians and professional wrestlers. Overall, they are two-time JCW Tag Team Champions. Additionally, Bruce is a one-time JCW Tag Team Champion with 2 Tuff Tony, and Utsler is a one-time JCW Heavyweight Champion. Bruce and Utsler are also founding members of the Juggalo World Order.

Discography

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Filmography

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References

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  1. ↑ a b «Insane Clowns prospera aún cuando disminuyen las ventas de su álbum». Reuters/Billboard. 2 de abril de 2007. Consultado el 24 de septiembre de 2008. 
  2. ↑ a b Bruce, Joseph; Hobey Echlin. «JJ Boys and The Royal Oak Township». En Nathan Fostey, ed. ICP: Behind the Paint (second edición). Royal Oak, Michigan: Psychopathic Records. p. 51–61. ISBN 09741846083 |isbn= incorrecto (ayuda).  Parámetro desconocido |= ignorado (ayuda); Parámetro desconocido |origmonth= ignorado (ayuda); Texto «enlaceautor» ignorado (ayuda)
  3. ↑ a b Bruce, Joseph; Hobey Echlin. «Complete Discography». En Nathan Fostey, ed. ICP: Behind the Paint (second edición). Royal Oak, Michigan: Psychopathic Records. p. 539–540. ISBN 09741846083 |isbn= incorrecto (ayuda).  Parámetro desconocido |origmonth= ignorado (ayuda);
  4. ↑ a b Bruce, Joseph; Hobey Echlin. «Rude Boy and the Magical Land of Toxic Waste». En Nathan Fostey, ed. ICP: Behind the Paint (second edición). Royal Oak, Michigan: Psychopathic Records. p. 108–111. ISBN 09741846083 |isbn= incorrecto (ayuda).  Parámetro desconocido |= ignorado (ayuda); Parámetro desconocido |origmonth= ignorado (ayuda); Texto «enlaceautor» ignorado (ayuda)
  5. ↑ a b c d e Bruce, Joseph; Hobey Echlin. «Intelligence and Violence». En Nathan Fostey, ed. ICP: Behind the Paint (second edición). Royal Oak, Michigan: Psychopathic Records. p. 125–132. ISBN 09741846083 |isbn= incorrecto (ayuda).  Parámetro desconocido |= ignorado (ayuda); Parámetro desconocido |origmonth= ignorado (ayuda); Texto «enlaceautor» ignorado (ayuda)
  6. ↑ a b c d All Music Guide to Hip-Hop: The Definitive Guide to Rap & Hip-hop. Backbeat Books. 2003. pp. 229-231. ISBN 0879307595. 
  7. ↑ a b c d e f g Bruce, Joseph; Hobey Echlin. «The Dark Carnival». En Nathan Fostey, ed. ICP: Behind the Paint (second edición). Royal Oak, Michigan: Psychopathic Records. p. 174–185. ISBN 09741846083 |isbn= incorrecto (ayuda).  Parámetro desconocido |= ignorado (ayuda); Parámetro desconocido |origmonth= ignorado (ayuda); Texto «enlaceautor» ignorado (ayuda)
  8. ↑ a b c d Bruce, Joseph; Hobey Echlin. «The Broken Path of a Dream». En Nathan Fostey, ed. ICP: Behind the Paint (second edición). Royal Oak, Michigan: Psychopathic Records. p. 198–208. ISBN 09741846083 |isbn= incorrecto (ayuda).  Parámetro desconocido |= ignorado (ayuda); Parámetro desconocido |origmonth= ignorado (ayuda); Texto «enlaceautor» ignorado (ayuda)
  9. ↑ a b c d e f Bruce, Joseph; Hobey Echlin. «Ringmaster's Word». En Nathan Fostey, ed. ICP: Behind the Paint (second edición). Royal Oak, Michigan: Psychopathic Records. p. 237–253. ISBN 09741846083 |isbn= incorrecto (ayuda).  Parámetro desconocido |= ignorado (ayuda); Parámetro desconocido |origmonth= ignorado (ayuda); Texto «enlaceautor» ignorado (ayuda) Error en la cita: Etiqueta <ref> no válida; el nombre «BehindthePaint231» está definido varias veces con contenidos diferentes
  10. ↑ a b c Brackett, Nathan, ed. (2004). The New Rolling Stone Album Guide. Simon and Schuster. pp. 405-6. ISBN 0743201698. 
  11. ↑ a b c d e f g h Brant, Marley (2004). Tales from the Rock 'n' Roll Highway. Billboard Books. pp. 43-52. ISBN 082308437X. 
  12. ↑ a b c «Certification for Insane Clown Posse». RIAA Gold and Platinum Certification Database. Consultado el 5 de mayo de 2008. 
  13. ↑ Bruce, Joseph; Hobey Echlin. «Complete Discography». En Nathan Fostey, ed. ICP: Behind the Paint (second edición). Royal Oak, Michigan: Psychopathic Records. p. 552. ISBN 09741846083 |isbn= incorrecto (ayuda).  Parámetro desconocido |= ignorado (ayuda); Parámetro desconocido |origmonth= ignorado (ayuda); Texto «enlaceautor» ignorado (ayuda)
  14. ↑ Bruce, Joseph; Hobey Echlin. «Fuck Jive». En Nathan Fostey, ed. ICP: Behind the Paint (second edición). Royal Oak, Michigan: Psychopathic Records. p. 268–269. ISBN 09741846083 |isbn= incorrecto (ayuda).  Parámetro desconocido |= ignorado (ayuda); Parámetro desconocido |origmonth= ignorado (ayuda); Texto «enlaceautor» ignorado (ayuda)
  15. ↑ «Insane Clowns Point The Finger At Disney». MTV. July 3, 1997. Consultado el 4 de mayo de 2008. 
  16. ↑ a b c d Bruce, Joseph; Hobey Echlin. «Banned by a Filthy Rat». En Nathan Fostey, ed. ICP: Behind the Paint (second edición). Royal Oak, Michigan: Psychopathic Records. p. 306–314. ISBN 09741846083 |isbn= incorrecto (ayuda).  Parámetro desconocido |= ignorado (ayuda); Parámetro desconocido |origmonth= ignorado (ayuda); Texto «enlaceautor» ignorado (ayuda)
  17. ↑ a b «Insane Clowns Land On Island Records». MTV. July 17, 1997. Consultado el 4 de mayo de 2008. 
  18. ↑ a b c Browne, David (July 25, 1997). «Review of The Great Milenko». Entertainment Weekly. Consultado el 8 de mayo de 2008. 
  19. ↑ «Insane Clown Posse Angry At Disney's Decision». MTV. July 4, 1997. Consultado el 4 de mayo de 2008. 
  20. ↑ «Insane Clown Posse Album Recalled». MTV. June 27, 1997. Consultado el 4 de mayo de 2008. 
  21. ↑ «Disney Silences Insane Clown Posse». MTV. June 27, 1997. Consultado el 4 de mayo de 2008. 
  22. ↑ «Insane Clown Posse Mulling Over Options». MTV. June 30, 1997. Consultado el 4 de mayo de 2008. 
  23. ↑ a b c d Bruce, Joseph; Hobey Echlin. «Disney's Hoe Tactics». En Nathan Fostey, ed. ICP: Behind the Paint (second edición). Royal Oak, Michigan: Psychopathic Records. p. 330–335. ISBN 09741846083 |isbn= incorrecto (ayuda).  Parámetro desconocido |= ignorado (ayuda); Parámetro desconocido |origmonth= ignorado (ayuda); Texto «enlaceautor» ignorado (ayuda)
  24. ↑ a b c Bruce, Joseph; Hobey Echlin. «Calling of the Road». En Nathan Fostey, ed. ICP: Behind the Paint (2nd Edition edición). Royal Oak, Michigan: Psychopathic Records. p. 336–349. ISBN 09741846083 |isbn= incorrecto (ayuda).  Parámetro desconocido |= ignorado (ayuda); Parámetro desconocido |origmonth= ignorado (ayuda); Texto «enlaceautor» ignorado (ayuda)
  25. ↑ a b c d e f g h Bruce, Joseph; Hobey Echlin. «Life on the Road». En Nathan Fostey, ed. ICP: Behind the Paint (second edición). Royal Oak, Michigan: Psychopathic Records. p. 353–365. ISBN 09741846083 |isbn= incorrecto (ayuda).  Parámetro desconocido |= ignorado (ayuda); Parámetro desconocido |origmonth= ignorado (ayuda); Texto «enlaceautor» ignorado (ayuda)
  26. ↑ Meinzer, Melissa (November 9, 2006). «Juggalos Are Us: Get past the clown makeup, the violent lyrics and the sea of thrown soda and we're all about family, say Insane Clown Posse fan». Pittsburgh City Paper. Consultado el 31 de mayo de 2008. 
  27. ↑ «Insane Clown Charged With Battery». MTV. November 20, 1997. Consultado el 4 de mayo de 2008. 
  28. ↑ «Insane Clowns Swing At "Spin" As Tour Nears». MTV. January 7, 1998. Consultado el 4 de mayo de 2008. 
  29. ↑ Bendersky, Ari (June 11, 1998). «Insane Clown Posse Plead Guilty». Rolling Stone. Consultado el 26 de diciembre de 2007. 
  30. ↑ «Insane Clown Posse Sidetracked By Bus Accident». MTV. January 26, 1998. Consultado el 4 de mayo de 2008. 
  31. ↑ a b c d e Bruce, Joseph; Hobey Echlin. «Angels and Devils». En Nathan Fostey, ed. ICP: Behind the Paint (second edición). Royal Oak, Michigan: Psychopathic Records. p. 381–383. ISBN 09741846083 |isbn= incorrecto (ayuda).  Parámetro desconocido |= ignorado (ayuda); Parámetro desconocido |origmonth= ignorado (ayuda); Texto «enlaceautor» ignorado (ayuda)
  32. ↑ a b Bruce, Joseph; Hobey Echlin. «Juggalos of the World». En Nathan Fostey, ed. ICP: Behind the Paint (second edición). Royal Oak, Michigan: Psychopathic Records. p. 387–388. ISBN 09741846083 |isbn= incorrecto (ayuda).  Parámetro desconocido |= ignorado (ayuda); Parámetro desconocido |origmonth= ignorado (ayuda); Texto «enlaceautor» ignorado (ayuda)
  33. ↑ «Insane Clown Posse's Violent J Hospitalized After Panic Attack». MTV. April 28, 1998. Consultado el 4 de mayo de 2008. 
  34. ↑ a b c d e f g h i j k l m n ñ o p q r s Bruce, Joseph; Hobey Echlin. «Big Money Hustlas». En Nathan Fostey, ed. ICP: Behind the Paint (second edición). Royal Oak, Michigan: Psychopathic Records. p. 414–433. ISBN 09741846083 |isbn= incorrecto (ayuda).  Parámetro desconocido |= ignorado (ayuda); Parámetro desconocido |origmonth= ignorado (ayuda); Texto «enlaceautor» ignorado (ayuda)
  35. ↑ «Insane Clown Posse Makes "Amazing" Top Five Debut». MTV. June 3, 1999. Consultado el 4 de mayo de 2008. 
  36. ↑ Erlewine, Stephen Thomas. «Review of The Amazing Jeckel Brothers». Allmusic. Consultado el 8 de mayo de 2008. 
  37. ↑ a b Walters, Barry (1999). «Insane Clown Posse: The Amazing Jeckel Brothers: Music Reviews». Rolling Stone. Consultado el 26 de diciembre de 2007. 
  38. ↑ Deming, Mark. «Overview for Big Money Hustlas». Allmovie. Consultado el 16 de julio de 2008. 
  39. ↑ «Synopsis for Big Money Hustlas». Psychopathic Records. Consultado el 16 de julio de 2008. 
  40. ↑ a b c d e f g h i j k l m n ñ o Bruce, Joseph; Hobey Echlin. «Big Money Hustlas». En Nathan Fostey, ed. ICP: Behind the Paint (second edición). Royal Oak, Michigan: Psychopathic Records. p. 444–455. ISBN 09741846083 |isbn= incorrecto (ayuda).  Parámetro desconocido |= ignorado (ayuda); Parámetro desconocido |origmonth= ignorado (ayuda); Texto «enlaceautor» ignorado (ayuda)
  41. ↑ a b c d Fischer, Blair R (August 20, 1999). «Insane Clown Posse and Sharon Osbourne Battle on Howard Stern Radio Show». Rolling Stone. Consultado el 26 de diciembre de 2007. 
  42. ↑ Johnson, Tina; Mancini, Robert (January 12, 2000). «Insane Clown Posse Postpones Shows After Shaggy 2 Dope Collapses On Stage». MTV. Consultado el 4 de mayo de 2008. 
  43. ↑ Kent, Nick (2002). The Dark Stuff: Selected Writings on Rock Music. Da Capo Press. p. 379. ISBN 0306811820. 
  44. ↑ Grossberg, Josh (July 18, 2006). «Eminem Assault Case Closed». E! News. Consultado el 31 de mayo de 2008. 
  45. ↑ a b c d e f g h i j k l m n ñ o p Bruce, Joseph; Hobey Echlin. «Hatchet Rising». En Nathan Fostey, ed. ICP: Behind the Paint (second edición). Royal Oak, Michigan: Psychopathic Records. p. 470–496. ISBN 09741846083 |isbn= incorrecto (ayuda).  Parámetro desconocido |= ignorado (ayuda); Parámetro desconocido |origmonth= ignorado (ayuda); Texto «enlaceautor» ignorado (ayuda)
  46. ↑ «Billboard 200 Chart listing for Bizaar». Billboard. December 9, 2000. Consultado el 22 de mayo de 2008. 
  47. ↑ «Billboard 200 Chart listing for Bizzar». Billboard. January 27, 2001. Consultado el 22 de mayo de 2008. 
  48. ↑ a b «Who R ICP > History > The Amazing Jeckel Brothers». The Official Insane Clown Posse website. Consultado el 2 de mayo de 2008. 
  49. ↑ Davis, Darren (10 de mayo de 2001). «ICP Road Manager Arrested Over Eminem T-Shirt Flap». Yahoo! Music. Consultado el 3 de febrero de 2008. 
  50. ↑ Rosen, Craig (August 2, 2001). «ICP Tour Manager Pleads Guilty In Eminem T-Shirt Incident». Yahoo! Music. Consultado el 3 de febrero de 2008. 
  51. ↑ D'Angelo, Joe (June 18, 2001). «ICP's Violent J Spends Weekend In St. Louis Jail». MTV. Consultado el 5 de mayo de 2008. 
  52. ↑ a b c Bruce, Joseph; Hobey Echlin. «Diamond Rain». En Nathan Fostey, ed. ICP: Behind the Paint (second edición). Royal Oak, Michigan: Psychopathic Records. p. 504–519. ISBN 09741846083 |isbn= incorrecto (ayuda).  Parámetro desconocido |= ignorado (ayuda); Parámetro desconocido |origmonth= ignorado (ayuda); Texto «enlaceautor» ignorado (ayuda)
  53. ↑ Torreano, Bradley. «Review of The Wraith: Shangri-La». Allmusic. Consultado el 30 de octubre de 2008. 
  54. ↑ a b c d Dominic, Serene (October 29, 2008). «(Not) just a juggalo». Metro Times. Consultado el 30 de octubre de 2008.  Error en la cita: Etiqueta <ref> no válida; el nombre «Dominic» está definido varias veces con contenidos diferentes
  55. ↑ «Charts for The Wraith: Shangri-La». Billboard. Consultado el 9 de mayo de 2008. 
  56. ↑ «The 50 Worst Artists in Music History». Blender. September 2003. Consultado el 26 de diciembre de 2007. 
  57. ↑ Kemp, Rob (2002). «Review of The Wraith: Shangri-La». Blender. Consultado el 14 de julio de 2008. 
  58. ↑ D'Angelo, Joe (October 4, 2002). «Insane Clown Posse Find Light (And Hotties, Homies, Faygo) At End Of Tunnel». MTV. Consultado el 5 de mayo de 2008. 
  59. ↑ a b «Who R ICP > History > The Wraith: Hell's Pit». The Official Insane Clown Posse website. Consultado el 2 de mayo de 2008. 
  60. ↑ Jeffries, David. «Review of Independents Day». Allmusic. Consultado el 22 de agosto de 2008. 
  61. ↑ «ICP on the Juggalo phenomenon». The Howard Stern Show. . Howard 100. September 1, 2009. http://www.insaneclownposse.com/media/interview/icp_howard_stern_090901.mp3. 
  62. ↑ Willschick, Aaron (September 23, 2009). «Insane Clown Posse: Interview with vocalist Violent J». Pure Grain Audio. Consultado el 24 September 2009. 
  63. ↑ Friedman, David. «Interview with Violent J». Murder Dog Archives. Consultado el 31 de mayo de 2008. 
  64. ↑ «Suspect In Gay Bar Attack Shot By Police». The Boston Channel. February 3, 2006. Consultado el 16 de agosto de 2008. 
  65. ↑ a b «Gay bar attack suspect captured in gunfight». CNN.com. February 4, 2006. Consultado el 26 de diciembre de 2007. 
  66. ↑ Doligosa Jr., Felix (March 9, 2007). «Music may ignite mayhem». Rocky Mountain News. Consultado el 16 de agosto de 2008. 
  67. ↑ Abbiss, Alex (February 7, 2006). «A Sad Tragedy». Psychopathic Records. Archivado desde el original el 24 de marzo de 2006. Consultado el 22 de julio de 2008. 
  68. ↑ Varble, Bill (October 20, 2006). «Ziggy Marley sings for his beliefs». Medford, Oregon: Mail Tribune. Consultado el 6 February 2009. 
  69. ↑ Hasty, Katie (March 28, 2007). «Modest Mouse Steers Its 'Ship' To No. 1 Debut». Billboard. Consultado el 4 de mayo de 2008. 
  70. ↑ McLendon, Gary (September 16, 2008). «Henrietta actor has had varied life». Rochester, New York: Democrat and Chronicle. 
  71. ↑ Lawonn, Brittany (December 31, 2008). «Fargo man sues Insane Clown Posse». The Forum. Consultado el 1 January 2009. 
  72. ↑ Graham, Adam (September 9, 2009). «Insane Clown Posse's 'Bang Pow Boom' debuts at No. 4 on Billboard chart». The Detroit News. Consultado el 9 September 2009. 
  73. ↑ Caulfield, Keith; Herrera, Monica (September 9, 2009). «Whitney Houston Debuts At No. 1 On Billboard 200». Billboard.  Parámetro desconocido |fechaaceso= ignorado (se sugiere |fechaacceso=) (ayuda);
  74. ↑ Graham, Adam (September 1, 2009). «Pow! ICP revisits the Dark Carnival». The Detroit News. Consultado el 1 September 2009. 
  75. ↑ Cohen, Sara (2007). Decline, Renewal and the City in Popular Music Culture: Beyond The Beatles. Ashgate Publishing, Ltd. p. 52. ISBN 0754632431. «The music journalist and author Dan Sicko describes certain strains of Detroit hip-hop as 'an extreme, almost parodied' version of inner city life, which he links to the extremities of urban decline in the city: 'both the horrorcore of hip-hop outfits such as Insane Clown Posse, Esham and (to a lesser extent) the multi-platinum-selling Eminem, utilize shocking (and blatantly over the top narratives to give an over-exaggerated, almost cartoon-like version of urban deprivation in Detroit' (cited in Cohen and Strachan, 2005).» 
  76. ↑ McIver, Joel (2002). Nu-metal: The Next Generation of Rock & Punk. Omnibus Press. p. 64. ISBN 0711992096. 
  77. ↑ Torreano, Bradley. «Review of The Wraith: Shangri-La». Allmusic. Consultado el 2 de junio de 2008. 
  78. ↑ a b Insane Clown Posse (1992). Carnival of Carnage. Liner notes. Psychopathic Records. ISBN 7356504100424
  79. ↑ Insane Clown Posse (1992). "Your Rebel Flag." Carnival of Carnage. Psychopathic Records. ISBN 7356504100424
  80. ↑ Insane Clown Posse (1997). "Halls of Illusions." The Great Milenko. Island Records/Psychopathic Records. ISBN 731452444226
  81. ↑ Insane Clown Posse (1999). The Amazing Jeckel Brothers. "Assassins." Island Records/Psychopathic Records. ISBN 731452465924
  82. ↑ Insane Clown Posse (2000). Bizzar. "Let's Go All The Way." Island Records/Psychopathic Records. ISBN 731454817523
  83. ↑ Insane Clown Posse (2002). The Wraith: Shangri-La. "Murder Rap." Psychopathic Records. ISBN 822489991224
  84. ↑ Hiatt, Brian (July 16, 2001). «ICP's Juggalos Riot, Punch Police Horse, Cut Clowns' Set Short At Fan Convention». MTV News. Consultado el 10 de junio de 2008. 
  85. ↑ «Jokers wild». The Sydney Morning Herald. 9 de mayo de 2003. Consultado el 10 de junio de 2008. 
  86. ↑ Chun, Kimberly (October 10, 2001). «Hip-hop on pop at Insane Clown Posse plus Paula West and Basement Jaxx». San Francisco Chronicle. Consultado el 23 de julio de 2008. 
  87. ↑ Valdivia, Victor W. «Review of Bizzar». Allmusic. Consultado el 5 de junio de 2008. 
  88. ↑ Bonaventura, Andrea (October 27, 2009). «Getting Supernatural With Insane Clown Posse». Real Detroit Weekly. Consultado el 7 de noviembre de 2009. 
  89. ↑ Jeffries, David. «Review of The Tempest». Allmusic. Consultado el 1 de junio de 2008. 
  90. ↑ «AMB > Overview». Allmusic. Consultado el 1 de junio de 2008. 
  91. ↑ «Blaze Ya Dead Homie > Overview». Allmusic. Consultado el 1 de junio de 2008. 
  92. ↑ «Boondox > Overview». Allmusic. Consultado el 1 de junio de 2008. 
  93. ↑ Grace, Dane (February 12, 2003). «Face-painting, Faygo-spraying band gets it right the second time». The Orion. Consultado el 5 de mayo de 2008. 
  94. ↑ Taylor, Lindsey (October 31, 2007). «Concert Review: ICP's Indy stop leaves crazed fans sticky, yet satisfied». JagBytes. Consultado el 5 de mayo de 2008. 
  95. ↑ a b Bruce, Joseph; Hobey Echlin. «Taking Bumps». En Nathan Fostey, ed. ICP: Behind the Paint (2nd Edition edición). Royal Oak, Michigan: Psychopathic Records. p. 398–413. ISBN 09741846083 |isbn= incorrecto (ayuda).  Parámetro desconocido |= ignorado (ayuda); Parámetro desconocido |origmonth= ignorado (ayuda); Texto «enlaceautor» ignorado (ayuda)
  96. ↑ Insane Clown Posse (Wrestlers). Juggalo Championshxt Wrestling Volume 1 (DVD). Royal Oak, Michigan: Psychopathic Video. ISBN 756504220092 |isbn= incorrecto (ayuda).  Parámetro desconocido |date2= ignorado (se sugiere |fecha=) (ayuda);
  97. ↑ «Insane Clown Posse profile». Black Pants, Inc. Consultado el 3 de septiembre de 2008. 
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