Creativitas

Philosophi Graeci sicut Plato notionem creativitatis reicere solebant, artem genus inventionis videntes.

Dyson Airblade, siccator manuum electrice habilissimus.

Museum Guggenheimianum Bilbai. Usitatus Francisci Gehry modus architecturae.

Creativitas est res ubi aliquid novum et aliquá pretiosum vel utile fingitur. Res creata intactilis (sicut idea, theoria scientifica, compositio musica, poema, iocus) vel corporea (sicut inventio, opus litterarium, pictura, machina) esse potest.

Studium eruditorum in creativitate invenitur in variis disciplinis, plerumque psychologia, studiis negotiorum, et scientia cognitiva, sed etiam in educatione, technologia, ingeniaria, philosophia (praecipue philosophia scientiae), theologia, sociologia, linguistica, oeconomica, quae omnes coniunctiones attingunt creativitatis intellegentiaeque generalis, genus personalitatis, rationes mentis neuronumque, valetudinem mentis, intellegentiamque artificiosam; potentiam latentem creativitatis educatione et exercitatione alendam; nutritionem creativitatis commodi oeconomicae nationalis causa; atque adhibitionem fontium creativorum ad efficacitatem docendi discendique emendandam.

Definitiones creativitatis nempe variant. Michael D. Mumford, de investigationibus scientificis scribens, dixit: "Constare videtur inter nos creativitatem productionem operum novorum utiliumque implicat."^[1] Robertus J. Sternberg creativitatem appellavit fabricationem "alicuius inauditi et digni."^[2] Secundum Petrum Meusburger (2009), plus quam centum explicationes variae in litteris editis inveni possunt.

Periodica academica

Notae

↑ Anglice "We seem to have reached a general agreement that creativity involves the production of novel, useful products" (2003: 110).
↑ Anglice ""something original and worthwhile" (2011: 479.

Bibliographia

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Bibliotheca addita

Asimov, Isaac. 2014, "Isaac Asimov Asks, 'How Do People Get New Ideas.' MIT Technology Review, 20 Octobris 2014.
Chung-yuan, Chang. 1970. Creativity and Taoism: A Study of Chinese Philosophy, Art, and Poetry. Novi Eboraci: Harper Torchbooks. ISBN 978-0-06-131968-6.
Cropley, David H., Arthur J. CVropley, James C. Kaufman, et al., eds. 2010. The Dark Side of Creativity. Cantabrigiae: Cambridge University Press. ISBN 978-0-521-13960-1.
DeGraff, J., et K. Lawrence. 2002. Creativity at Work. Jossey-Bass. ISBN 978-0-7879-5725-4.
Fera, Rae Ann. 2014. "4 Lessons in Creativity from John Cleese." Fast Company, 23 Decembris 2014.
Gielen, P. 2013. Creativity and other Fundamentalisms. Amstelodami: Mondriaan.
Robinson, Andrew. 2010. Sudden Genius?: The Gradual Path to Creative Breakthroughs. Oxoniae: Oxford University Press. ISBN 978-0-19-956995-3. Lay summary (24 November 2010).
Simonton, Dean Keith. 1999. Origins of Genius: Darwinian Perspectives on Creativity. Oxoniae: Oxford University Press. ISBN 978-0195128796.
Wong, Kate. 2013. "The Roots of Human Genius Are Deeper Than Expected." Scientific American, 10 Martii 2013.

Nexus interni

Nexus externi

DiLuzio, Raphael. 7 Steps of Creative Thinking. Pellicula, 28 Iunii 2012.

[1] Anglice "We seem to have reached a general agreement that creativity involves the production of novel, useful products" (2003: 110).

[2] Anglice ""something original and worthwhile" (2011: 479.

[1]

[2]