After exploding onto the scene with ‘Doch’, arguably one of the best techno slammers of 2014, on Pan-Pot’s Second State imprint, Berlin-based Stephan Hinz’s career has been on a stratospheric rise. A talented live artist, Hinz is a master at the controls and an orchestral raconteur of the highest caliber. His live sets deliver explosive original material, leaving sweaty ravers in packed clubs wondering what the hell just happened. 2016 was even more successful, with debut EPs on seminal labels such as Nicole Moudaber’s MOOD and Carl Cox’s Intec (the latter following a collaborative release with Philipp Ruhmhardt back in 2015), along with more new music on Second State, notably the techno stomper ‘Venom’. These achievements join an impressive back catalogue from labels such as Adam Beyer’s Drumcode. Hinz’s skill